There’s only one week left until the highly anticipated premiere of the bilingual, documentary-style theatre show, Extraction. Tim Carlson, Theatre Conspiracy artistic producer and show creator, is deep into rehearsals but took time to chat with us about how his childhood impacted the show, The Cultch’s involvement in making the concept a reality, and the importance of gaining a different perspective.
OH: Can you talk me through the creation of Extraction?
TC: Growing up in Alberta, I was surrounded by relatives in the oil industry. My grandfather, father, cousins and uncles were constantly exchanging tales of their experiences out in the field since the 1940s. This influenced me greatly and from then on, I always wanted to make some sort of play that spoke to my family’s heritage in the industry. The actual conceptualization for the play started in 2009, when one of my best friends from high school (Jimmy Mitchell) moved back to Vancouver after almost three decades in China and Taiwan as a teacher, journalist and diplomat. As I listened to recollections of his time in Asia, it became apparent that there was an evolving story to tell and Jimmy’s insight became much of the starting point for Extraction. At around the same time, there was a growing interest from China in Canada’s oil sands. The two nations, which had little in common just over 30 years ago, now had a common thread in the form of oil trade. Much like the way crude oil is refined into products such as jet fuel and petroleum, we look at the way cultural nuances, history and language become intertwined and connected when people come together. There’s a symbolic and overarching theme of refinement throughout the performance.
OH: From concept to reality – what happened next?
TC: The Cultch’s support from early on was instrumental in our ability to receive grants from different organisations such as the BC Arts Council and Vancouver Foundation to conduct much-needed research for the play right from the start. Having The Cultch on your side means a lot – it’s well-respected and has a great reputation. With the funding we received, we were able to make a trip to Beijing in 2010 to do casting calls and conduct interviews with people such as professional interpreters and translators to form some of the content for Extraction. We were also able to make two trips to Fort McMurray to talk to a number of individuals, from new Chinese employees to union members to immigrant services.
OH: How did your background in journalism influence the style of this play?
TC: My background in journalism plays a big role in the research that I do for my productions and I wanted the play to be a documentary-style production right from the start. Having real people on stage engages the audience in a different way. To find the cast for the play, we used social media and internet sites such as Facebook and Craigslist, Vancouver-based immigrant services S.U.C.C.E.S.S and word of mouth, through personal connections.
OH: You mentioned that having real people on stage engages the audience in a different way – what else does it achieve?
With a lot of art, there’s a heavy-handed point of view, which has its place and importance. With Extraction, however, the goal is to present the audience with a different point of view, which is to get beneath the stuff we hear in the news. What we usually see in the media is government and industry promoting the industry or conservationists protesting it. Most of us are somewhat caught in the middle. By bringing an alternate angle of real stories from people’s personal experiences, I hope to foster and encourage thought and discussion.
Extraction runs at The Cultch Mar 5 – 9, 2013. Tickets start at $17 and can be purchased at tickets.thecultch.com, by phone at 604.251.1363, or in person at The Cultch Box Office, 1895 Venables St. Part of the DocuAsia Forum co-presented by Cinevolution Media Arts Society and David Lam Centre of SFU. Free DocuAsia Forum discussion: March 6 & 7. For other DocuAsia Forum events, please check www.cinevolutionmedia.com.