DONOR SPOTLIGHT: Jodi Sprackman with the Rosedale on Robson

DONOR SPOTLIGHT: Jodi Sprackman with the Rosedale on Robson

Can you tell us how the Rosedale on Robson first got involved with The Cultch?

Our long-standing partnership with The Cultch began in 2001 when we were approached to discuss accommodating your artists during the theatre season. This is our 17th year as a hotel sponsor, and we still love welcoming The Cultch’s artists to the Rosedale!

What has surprised you and your colleagues most about partnering with The Cultch?

The great relationships we’ve forged with many of the people who work at The Cultch.

Over the years there have been several artists who have made the Rosedale on Robson their home while touring shows to The Cultch.  Are there any highlights or memorable moments from meeting the artists?

Meeting Miriam Margolyes when she stayed with us in 2012 while performing in a one-woman show entitled Dickens Women. She is an award-winning actress and a long-time veteran of film, television and theatre. She was funny, outspoken and gracious (we chatted a few times during her stay), and made such an impression on us that we even changed our pool hours to accommodate her schedule (and we haven’t changed them back since!).

Jodi, can you tell us a bit more about what you do in your role as the Director of Community Relations?

I am responsible for all things community-related, with a primary focus on sponsorship agreements with various performing arts organizations. Accommodations are a big part of their budgetary requirements, and because we have the means to help out in this area, we do.

Because we’re an all-suite hotel that also happens to be located in the heart of the entertainment district, artists really enjoy staying with us. It’s an easy walk to a variety of theatres (and not too far a drive from The Cultch), and they love the convenience of having their own kitchen, especially after getting “home” after a late performance.  Working with theatre companies and festivals is a natural partnership that has flourished over the years.

How important do you think it is that the arts organizations continue to cultivate and sustain partnerships with corporate sponsors?

I think it’s crucial to create and foster these partnerships. The very nature of sponsorships focuses on building relationships where different organizations can help support one another. The reason we primarily focus on these organizations is because the arts are notoriously underfunded and are always in need of assistance from the community. The arts tend to be overlooked, and cultural events are often forced to be put on the back burner, having to be either scaled back or cancelled.

We believe that the arts are an integral part of our community as a whole, and partnering with various organizations helps foster the commitment the Rosedale has to the overall support and promotion of the arts in Vancouver. We’re committed to playing a part in helping to enrich our cultural community.

What are you curious about right now?

People. My kids say I’m nosy, but I’m really just interested (and maybe just a little bit nosy). Everyone has a story. I like learning about people and their lives.

As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate:; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Behind-the-scenes of Jabberwocky and No Foreigners!

Behind-the-scenes of Jabberwocky and No Foreigners!

It is an exciting week here at The Cultch – we have TWO shows opening! At the York Theatre, Jabberwocky runs Feb 6-17 (Opening Feb 7), and at the Vancity Culture Lab, we have No Foreigners playing Feb 7-17 (Opening Feb 8).

In this exciting blog post we reveal a few behind-the-scenes images for both of these amazing shows – A sneak peek just for you!


Inspired by Lewis Carrol’s famous nonsense poem, Jabberwocky explores the things that keep us awake at night. What will it take to slay our own Jabberwock? Take a look at some of the behind-the-scene images from The Old Trout Puppet Workshop:

For an exciting behind-the-scenes look at Jabberwocky, check out this great video from Vancouver Presents!

No Foreigners:

An interdisciplinary collaboration (co-presented with Theatre Conspiracy) from Hong Kong Exile and fu-GEN Theatre (Toronto), two leading Asian-Canadian performing arts companies, No Foreigners takes a unique look at Chinese malls, through live performance, micro-to macro video, text, miniatures, and media design in this exciting world premiere. Check out these images from their time creating at Carleton University:

Jabberwocky runs at the York Theatre Feb 6-17. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

No Foreigners runs at the Vancity Culture Lab Feb 7-17. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.


Q&A with Governor General award-winning playwright, Colleen Murphy!

Q&A with Governor General award-winning playwright, Colleen Murphy!

Photo by Heidi Hamilton

How did the idea to adapt a Shakespearean text incorporating Bouffon come about?

When Stephen [Drover] asked me to write an adaptation of Titus Andronicus I wondered how to connect with a play I felt was emotionally vacant but intriguing.  “What makes people so angry they kill children?  What is under such rage? Terrible hurt probably, and terrible grief.”

While adapting the play I was the Lee Playwright in Residence at the University of Alberta, working in the same department as Professor Michael Kennard, aka Mump from the incredible duo Mump & Smoot.  Michael teaches clown there and I was inspired by the rigor and the fearlessness he used in his hilarious student presentations.  I felt that given the blood-bath of the 21st century, Bouffon were more suitable to my adaptation because they bring a primal urgency to a story that both begs to be taken seriously and begs not to be taken seriously.

Can you tell us a little bit about the effect that the Bouffon style has on the piece?

The Bouffon style opens up both the emotional and the farcical aspects that are already in Shakespeare’s play.  He must have enjoyed writing it, and there are some beautiful passages, as fine as any he wrote.  The murders and the outrage might even be funny…and the funny is sometimes sad.  The world of revenge is an over-the-top world driven by sad, angry people.

What is something about the show that audiences may be surprised to learn?

Perhaps members of the audience might be surprised to discover that nothing is sacred, that everything is human, including the worse things people do to each other.

Can you describe the show in 3 words?

Fun Meets Death.

What most excites you about bringing this piece to the stage?

Marrying Shakespeare with Bouffon offers another perspective on Titus Andronicus in the 21st century.

Peter Anderson in “The Society for the Destitute Presents Titus Bouffonius”. Photo by Stephen Drover

The Society for the Destitute Presents Titus Bouffonius runs from Nov 22 – Dec 3 at the Cultch’s Historic Theatre. Tickets are from $22 and can be found here.

Honour: Confessions of a Mumbai Courtesan brings attention to sex trafficking

Honour: Confessions of a Mumbai Courtesan brings attention to sex trafficking

This year The Cultch is partnering with Diwali in BC, a new organization spearheaded by Rohit Chokhani, to launch the organization’s inaugural year. Diwali in BC has chosen the artistic theme of Shakti, feminine power. On October 17 we hosted the launch of this new initiative with a reception and the opening of Encounter (Oct 17-22).

The celebration of the power of the feminine continues with this Friday’s (Oct 20) opening of Honour: Confessions of a Mumbai Courtesan.

Created and performed by Dipti Mehta, Honour: Confessions of a Mumbai Courtesan is the story of a mother and daughter living in the red light district of Mumbai. Dipti Mehta has been using this production to shine a light on sex trafficking, and a portion of her profits is donated to an organization called Apne Aap, a company dedicated to helping at-risk and prostituted women and children.

According to Equality Now, trafficking women and children for sexual exploitation is the fastest growing criminal enterprise in the world. This, despite the fact international law and the laws of 158 countries criminalize most forms of trafficking.

Sex trafficking is a lucrative industry making an estimated $99 billion a year.

  • At least 20.9 million adults and children are bought and soldworldwide into commercial sexual servitude, forced labor and bonded labor.
  • About 2 million children are exploited every year in the global commercial sex trade.
  • 54% of trafficking victims are trafficked for sexual exploitation.
  • Women and girls make up 96% of victims of trafficking for sexual exploitation.

We, at The Cultch are thrilled to be have local company Atira Women’s Resource Society as the community partner for this important show.

“Atira Women’s Resource Society is a not-for-profit organization committed to the work of ending violence against women through providing direct service, as well as working to increase awareness of and education around the scope and impact on our communities of men’s violence against women and children.”

Here are a few of the many organizations in the city who are resources for our city’s women:


Downtown Eastside Women’s Centre

Elizabeth Fry Society

Pivot Legal

PACE Society


SWAN Vancouver

HONOUR: Confessions of a Mumbai Courtesan runs at the Vancity Culture Lab Oct 20- Nov 4. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Lots and lots of ‘buzz’ for Hot Brown Honey at Edinburgh Fringe!

Lots and lots of ‘buzz’ for Hot Brown Honey at Edinburgh Fringe!

There are so many amazing shows coming up in our 17/18 season, and it is really hard to choose our favourites, but here is one that we don’t want you to miss – we think it is going to be one of our most popular!

If you haven’t gotten your tickets for Hot Brown Honey yet, make sure you get them quickly; this show may be in January (9-20th), but the tickets are already going fast!

Right now Hot Brown Honey is tearing up the stage at Edinburgh Festival Fringe! We couldn’t help but share some of the amazing buzz these amazing performers are getting in the twitterverse. Follow these FierceMamas @hotbrownhoney for the latest ‘buzz’.

Hot Brown Honey runs at the York Theatre Jan 9- 20. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.


Join us for a FREE pancake breakfast July 30!

Join us for a FREE pancake breakfast July 30!

We want to have breakfast with you!

It’s summer time (Yipee!) – a time for getting outside, meeting with friends and exploring the city with those you love.

Here at The Cultch we are all hard at work getting ready for the upcoming season (our first shows, Goblin Market  and 1 Hour Photo start October 3rd).  We are all enjoying the sunny summer we have been having, but summers are quieter at The Cultch and we miss you all!

Come hang out with us this Sunday, July 30th and share a few laughs and some delicious grub! We will be flipping pancakes from 10:30 am-1:30 pm. The Pancake Flip-out is a Cultch Community eventeveryone is invited!

Mmmmm, piping hot pancakes slathered in ooey, gooey syrup!

This is an opportunity to meet some of the people in the community, those physically close and those close at heart. Good food, good friends, good community!

Let us know if you can make it – RSVP here!

Thank you to our Cultch audiences for a triumphant close to our 16/17 Season!

Thank you for a wonderful 16/17 season!

What an amazing year it has been! The 16/17 Season was one of The Cultch’s most successful thanks to the continued patronage of all of our amazing supporters!

With 21 theatrical shows in our three venues, as well as countless amazing rental and festival shows; 11 Gallery shows; plus three nights of great music including, The Sicilian Project, DakhaBrakha, and the inaugural East Side Live, 16/17 was a great season for us, and we are so glad that you joined us for it!

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We had many grand adventures together; here is a look back at a few of the many highlights:

We joined together to watch a version of Shakespeare’s Twelfth Night completely in Hindi (Piya Behrupiya).

Piya Behrupiya

Photo by Company Theatre

We saw paper fights break out between audience members and bendy contortionist performers (The Pianist)…maybe we threw a few pieces ourselves…

‘The Pianist.’ Photo by Roaming the Planet

We saw the dawn (dusk?) of a new era in US politics ushered in as we sat in the dark Historic Theatre and did a little voting of our own (Fight Night).

Cast of Fight Night

Together we raised money for Cultch Connects, bringing over 1,200 people into the theatre who might not be able to attend otherwise; including families who are struggling to make ends meet, caring for a child with a serious illness, or who are new to Canada.

Cultch Connects brought over 1,200 people to the theatre with your help!

We joined together with our friends and families to make the fourth installment of East Van’s favourite holiday tradition the biggest selling show in The Cultch’s history! (East Van Panto: Little Red Riding Hood) Go Panto Go!

YAY Panto! Photo by Emily Cooper

We celebrated the powerful work of creative women for an entire month during Femme February!

Femme February included Mouthpiece, NeoIndigenA, am a, and the book launch of Girl Positive

We chuckled, chortled, and cackled together as we paid tribute to the 30+ year legacy of a local restaurant with a big heart, while singing along to catchy hits like ‘Testosterone’ and ‘Let a Girl Eat’ (Elbow Room Cafe: The Musical).

Elbow Room Cafe: The Musical cast members sing ‘Testosterone’. Photo by Tina Krueger Kulic

We spent time with old and new friends as we gathered to watch some of The Cultch’s favourite performers like: Esme Massengill, Mrs. Edna Rural and everyone’s favourite flightless fairy -Schnitzel (The Daisy Theatre).

No one is immune to the cuteness of Schnitzel! Photo by Alejandro Santiago

We felt the spray of ice on our faces as we gathered on the ice of Britannia Ice Rink to see Vertical Influences.

Audience members sit on the ice during Vertical Influences. Photo by Roaming the Planet

We mourned together as we watched heartbreaking and poignant Children of God, and then we sat together in the theatre to discuss how to respond to the dark legacy of residential schools.

Children of God cast members lead a discussion after the opening night performance. Photo by Roaming the Planet

And, after so many shows and fabulous events – we joined together to share meaningful conversation over many a glass of wine!

Sharing a drink with friends in the York Theatre. Photo by Roaming the Planet

We would love to hear some of your favourite memories of the 16/17 season; what are your favourite moments? 

Don’t forget to buy your subscription for our 17/18 Season soon. Shows are already filling up, get the best seating while you can! Click here for the full lineup.

Thank you for choosing to make The Cultch and the arts a part of your life!

Box Office Summer Hours:

Monday- Saturday: 12-4pm

Sunday: Closed

Also, open 2 hour prior to all performances

Announcing the 2017 rEvolver Festival Mainstage!

A man stuck in a London train station. A live game show. A cardboard puppet sci-fi western. A live drag attari video game musical. An embarrassing birthday gift. A Spanish Vampire bar. A bespoke handmade book. The meaning of love.

Upintheair Theatre is thrilled to be back at The Cultch for the fifth annual rEvolver Theatre Festival. rEvolver runs from May 24th – June 4th, presenting new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators. Past rEvolver Festivals have included world premieres of hit shows such as Jordan Hall’s ‘Kayak’, Delinquent Theatre’s ‘Stationary: A Recession-Era Musical” (which featured as part of The Cultch’s 2015/16 season) and Mind of a Snail’s gorgeous shadow puppetry in ‘Caws and Effect’.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. Join us in seeing all that this incredible community of artists has to offer.

Got to for all the information you need!



  • Habitats Isabelle Kirouac & Nayana Fielkov (Vancouver)
  • Plunge in collaboration with Resounding Scream Theatre (Vancouver)
  • SHINY Kelly McInnes (Vancouver)
  • UPDRAFTS Reading Series featuring new works by emerging playwrights

Excited by what you see? There are a number of different ways you can purchase tickets!

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!
  3. And of course individual tickets are available both through The Cultch’s Box Office and at the door.

Great Reviews for Elbow Room Café: The Musical

Great Reviews for Elbow Room Café: The Musical

Zee Zee Theatre’s Elbow Room Café: The Musical celebrated its opening on March 2 and was an unqualified success! We had an amazing evening with lots of fun!  It seems we aren’t the only ones this musical has infected with joy – take a look at these reviews and get infected with the Elbow Room Café fever!

Photo credit: Tina Krueger Kulic

“Elbow Room Café: The Musical is simply the most JOYFUL, LOVING, FUNNY show to hit the York Stage.” – Jo Ledingham

“It’s a play that is endearing, heartwarming, uproariously funny, sweet, sassy and just PLAIN FUN!” – Monika Forberger, Entertainment Vancouver

“Underneath the belly laughs and social commentary, this love letter to Vancouver is FULL OH HEART” – Carly Whetter, Vancouver Magazine 

“It is tough not to adore this HEARTFELT TRIBUTE.” – Mark Robins, Vancouver Presents

“Perhaps it’s the nostalgia, the familiarity, and the comfort that so touches the audience, much like Elbow Room Café itself.” – Ljudmila Petrovic, Sad Mag

“Anton Lipovetsky’s WONDERFUL MUSIC and lyrics were so memorable. I’ll be humming along for the next few days.” – Lauren Chancellor, The Reviews Weekly

“Elbow Room Café is a LITTLE PIECE OF JOY.” – Ed Vaughan-Hughes, Daily Hive

If you are interested in reading more reviews or you want to know how this show has developed, check out Broken Leg Reviews,  Review Vancouver and Artslandia.

Photo credit: Tina Krueger Kulic

Elbow Room Café: The Musical runs from Mar 1 – 12, 2017 in the York Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Get 15% off your food bill at the real Elbow Room Café (560 Davie St) when you show your Elbow Room Café: The Musical ticket stub!

Photo credit: Tina Krueger Kulic

“Elbow Room Café: The Musical” opens at the York Theatre March 2

Elbow Room Café: The Musical opens at the York Theatre March 2

Elbow Room Café: The Musical will celebrate its opening on March 2 in the York Theatre and will run until March 12.

Elbow Room Cafe: The Musical is a candid look inside Vancouver’s most iconic eatery The Elbow Room Cafe. Known for its raucous service, celebrity sightings, and hearts of gold, the musical will feature everything you love about Vancouver’s favourite “abuse restaurant.”  You can look forward to a healthy serving of beloved owners Patrice (Allan Zinyk) and Bryan (David M. Adams), the crazy antics of hung-over bachelorette-party guests, flashy drag queens, and lots and lots and lots of love.

“Playwright Dave Deveau and composer Anton Lipovetsky pay homage to downtown Vancouver’s legendary breakfast spot, famed as much for its food as for the sarcastic service.”  – The Georgia Straight

The Elbow Room Cafe on Davie St. has been an local favourite for over three decades. Opened in 1983 by Patrick Savoie and Bryan Searle, it has become know for being an “abuse restaurant” – one of those fun places to go to to get a little witty banter with your breakfast.

The real Elbow Room Cafe, 560 Davie St. – The inspiration for Zee Zee Theatre’s new musical

We are really excited, and it seems we are not the only ones! Elbow Room Cafe: The Musical is one of The Georgia Straight’s “spring picks”  featured in the Spring Arts Preview. Kathleen Oliver  says the draw of the show is it’s “Sassy irreverence, which creators [Anton] Lipovetsky, and [Dave] Deveau, and director Cameron Mackenzie have proven they can dish out in generous portions.”

Not only did Elbow Room Cafe: The Musical get a mention in the spring picks, it was also featured as the cover story! “You know, the place is chaotic and rhythmic and colourful and gaudy and loud. It immediately sort of lends itself to the form.” says Dave Deaveau in the article by Alexander Varty , stating why they chose to create a musical about the local restaurant.

A couple Cultch staff display the Georgia Straight cover featuring Elbow Room Cafe: The Musical

If you’re interested in hearing a little more about how this show has developed, check out this great interview with Dave Deveau and Cameron Mackenzie on Roundhouse Radio’s Janice and Corey. And if you’re a foodie, make sure you check out CKNW’s Food Glorious Food. The Podcast hosts Richard Wolak and Zahra Alani share their enthusiasm for Elbow Room Cafe: The Musical.

“After a remarkable 34-year run, Vancouver’s most deliciously theatrical experience is finally taking the stage.” The Georgia Straight

Zee Zee Theatre Playwright Dave Deveau, and actors Allan Zinyk and David M. Adams on the cover of The Georgia Straight

Get 15% off your food bill at the real Elbow Room Café (560 Davie St) when you show your Elbow Room Café: The Musical ticket stub!

Elbow Room Café: The Musical runs at The York Theatre, 639 Commercial Drive, from March 1 – 12. Tickets are available online, by phone at 604.251.1361, or in person at 1895 Venables St.

The Cultch would like to thank our Production Sponsor -TD Bank, and our Community Partner – Qmunity.