Staff Picks #3: don’t miss these highly recommended shows!

Don’t miss these highly recommended shows!

Jamie King, Box Office Attendant, recommends Kamloopa, Sept 25-Oct 6, 2018 AND New Cackle Sisters: Kitchen Chicken, April 2-6, 2019

Jamie King, Box Office Staff, couldn’t pick just one show from our 2018/19 Season!

Kamloopa – This is a brand new show from Kim Harvey who is one of the coolest people on the planet. Not only does it have some incredible Indigenous women onstage, but there is “no crying and no dying”. These women are badass, hilarious and in for an awesome adventure story . Beside writing and directing, Kim is facilitating the most incredible process in the rehearsal room, in talks with the community; this is more than a show – it’s medicine. I cannot wait to see it.

New Cackle Sisters: Kitchen Chicken – I think I cried out with joy when I saw we were bringing l’orchestre d’hommes-orchestres back this season. Think of performance art meets incredible Appalachian bluegrass, meets weirdly funny and sometimes erotic performers. After two amazing shows featuring Tom Waits & Kurt Weill’s music, I am PUMPED they are focusing on female voices and getting weird with some chicken.


Andrew McCaw, Production Manager, recommends A Brief History of Human Extinction, Oct 10-20, 2018

Andrew McCaw, Production Manager

 

 

Some of the artists involved in A Brief History of Human Extinction worked on the show in our studio earlier this summer. It was fascinating to see artists from very different disciplines develop a language to work with each other. The term “Puppeturgy” was jokingly coined. I am excited to see how it all comes together.


Cindy Reid, Managing Director, recommends Testosterone, Oct 2-13, 2018

Cindy Reid, Managing Director, a big fan of nudity!

 

 

 

I am really looking forward to Testosterone. I am interested in personal stories of transformation, and it looks like it’s going to be an interesting ride! Plus, nudity and strong language—should be a good night out!


Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363 | Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This year we also have a Choose 3 package—see three different shows for as little as $65!

A Q&A with Joyce Lam, founder of VACT!

A Q&A with Joyce Lam, founder of Vancouver Asian Canadian Theatre (VACT)

In Vancouver, we are thrilled to have access to such a great range of theatre. One of the companies we are so lucky to be able to partner with is Vancouver Asian Canadian Theatre (VACT). As we gear up for our 2018/19 season we are getting more and more excited about VACT’s The Ones We Leave Behind, Oct 24–Nov 3, at the Historic Theatre. We had a quick conversation with Joyce Lam, founder of VACT to chat about VACT, Asian Canadian Theatre, Crazy Rich Asians, and The Ones We Leave Behind! 

You founded VACT 18 years ago; can you explain what the impetus to start it was?

VACT was started 18 years ago because I loved attending theatre and it bothered me that there were no Asian Canadian stories or any Asian Canadian actors/characters on stage when Vancouver had a large population of Asian Canadians.  When a friend told me he had actually enjoyed an Asian American Fringe show at a BYOV, I thought it was a shame that more people didn’t get to see it and I decided to invite that show back to Vancouver.  We sold out the show and found a “starving” paying audience for contemporary Asian Canadian stories and actors.

What makes VACT unique in Vancouver, and in the world?

At first, VACT, was a stepping stone to assist Asian Canadian actors to gain more acting experience/skill in order to level the audition process in getting acting roles. Playing significant complicated characters would be instrumental in developing the actor’s talents. Also developing Asian Canadian stories was invaluable to showcase how an underrepresented group was seen in Canada without stereotypes from other mainstream shows. VACT was also unique in seeking out material that reflected specifically on the North American Asian experience—how we live here today and how our cultural heritage played a role in our collective identity as a North American.

Since leaving VACT you have moved on to many other exciting projects; do you feel that VACT has continued on with the mission and mandate that you initiated true to your initial goals?

VACT has continued with the mission and even surpassed its original goals by raising it to a professional theatre company that showcases Asian Canadian stories with Asian Canadian actors locally to expanding its audience nationally and hopefully internationally.

I understand that you recently organized a group of people to go see the new movie Crazy Rich Asians. The movie is making major headlines right now for being the first Hollywood movie in 25 years to have an all Asian cast. How did you like the movie?

I loved the movie, Crazy Rich Asians!  Before viewing it, I was secretly praying that it would have a good story, good acting & direction. After seeing the film, I realize my fears were needless. The acting was excellent, the story line was exceptional as the “ending” surprised me (and I don’t get surprised often).  The direction was the perfect combination of romance, comedy and timing.  What was surprising was that although I went to see it to support Asian American actors, it was a very good universally romantic comedy on its own merit that anyone (mainstream) could identify with. It was a significant rom-com because for the first time, I saw a romantic lead Asian male who was attracted to an Asian female and how each character brings their cultural backstory with them which I could identify with.

Do you think that theatre is ahead of film in representing underrepresented and marginalized groups? Behind?

I believe theatre is way ahead of film in representing underrepresented and marginalized group in a “real” sense because theatre is less expensive to produce and it develops a grass root foundation (locally) in acting and stories. Film is near impossible to penetrate without Asian representation in the decision makers.  For instance, Kim’s Convenience started as a Fringe Show, then Theatre Show and now a TV show.  These actors are now transitioning to film.  In theatre, it is more forgiving to show stories outside of the “mainstream” audience and to reach out and tell individual stories of marginalized groups and make the characters believable and not stereotypical.  With this realistic portrayal, audiences members will appreciate the story.  Hopefully through inclusive theatre, we learn and eventually bring societal tolerance.

The Ones We Leave Behind. Photo by Ray Shum. Photo Design by Terry Wong.

This fall, from Oct 24-Nov 3, we will be presenting, with VACT, Loretta Seto’s The Ones We Leave Behind. Are you looking forward to seeing it? What makes it exciting to you?

Yes, I am excited to see Loretta Seto’s The Ones We Leave Behind, as I am a fan of her other show Dirty Old Woman plus the fact that it is a female Asian Canadian playwright. I don’t usually research shows I see so that I don’t know what it is about.  I like to be surprised when I am watching the show.   I do love the title of the show, very intriguing.  With the fact that it represents three underrepresented components:  females, Asian Canadians actors, Asian Canadian stories in theatre …. I am highly anticipating its opening and wishing it box office success.


The Ones We Leave Behind runs Oct 24-Nov 3, 2018 at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

GUEST POST: Kim Senklip Harvey, Protocols for the Indigenous Artistic Ceremony Kamloopa

GUEST POST: Kim Senklip Harvey, Protocols for the Indigenous Artistic Ceremony Kamloopa


This is a repost of Kim Senklip Harvey’s blog post, used with permission. The original can be found at www.kimsenklipharvey.com/blog.


It’s day 1 of the Kamloopa portion of the Indigenous artistic ceremony we’re creating and the power and energy is ancestrally kinetic. We’re going to spend the next 2 days honouring and presencing ourselves to arrive and get in tune. I did some deep work at the end of last week, disconnecting from tech and reconnecting to Indigenous values of love, respect and listening and I’m absolutely going to be embedding that practice into all of my artistic creation journeys.

The creation of the Indigenous ceremony Kamloopa has been a big learning curve for a lot of people including myself. Approaching this with producing partners that are Canadian colonial institution

Kim Senklip Harvey, Fire Igniter, Writer/Director for Kamloopa

We are focusing Kamloopa around the 7 Grandmother teachings of wisdom, love, respect, truth, courage, honesty and humility. In all of our creation work we’re reflecting back on how our engagements intersect with these 7 teachings and with the following Smoke Signal we strongly ask that as you engage the ceremony centring those values as well.  s with primarily Settler producers has evoked teachings of humility, understanding and knowledge. I do want to take a moment to honour the producing partners and all their staff for their courage in journeying into the dark with me until we all can arrive at the fire together. Limelet.

Please click here to read the official Smoke Signal that speaks to the protocol for this ceremony. One protocol states that Settlers do no write formal critiques of the ceremony, this request comes from a number of places that I really look forward to speaking about at the Community of Practices (COP) in Vancouver on On Monday, Sept 24, 6-7:30 pm at the Cultch. Dates to be confirmed in Kamloops at WCT and Saskatoon.

I will touch briefly on the main rationale but I hope that the community can respect that myself and the Fire Creation team are headed into a very intense portion of our journey. So I hope we can respond in a way that doesn’t put the labour of explaining settler oppression of Indigenous peoples onto Indigenous peoples participating in creating artistic ceremony. I was once taught that I should be mindful of what I ask of others, contextually in this moment with Indigenous peoples because those questions, that time is time away from us participating in spiritual practice.

So here goes:

First, Indigenous protocol. Period. End of story.

Hahaha but seriously like, we’re stating it’s Indigenous artistic ceremony protocol, that should be enough and that alone should be respected. I’ve had the fortune and privilege of participating in ceremony and in the Indigenous paradigm, questioning that would be extremely disrespectful. It makes me cringe thinking about questioning a knowledge holder of a longhouse or sweat or any ceremony. #Shudder #Barf

For Indigenous sovereignty to occur I understand that Settlers need to understand Indigeneity but I will say this, I have a PHD in Whiteness. I’ve been studying Settler Eurocentricity my entire life, I live under Settler oppression all of the time, so I’ve put my time in doing the work, research, lived experiences and detailed studies of why I’m positioned in society where I am.

So I offer everyone to do a inventory of where their level of understanding is with regards to Indigenous world views, ceremony, historical and pre-colonial paradigms of thoughts and everything beyond. Then I offer, you consider how you make your requests from Indigenous peoples or make potentially oppressive comments towards Indigenous peoples who continue to live under siege of Settler and white supremacy.

After that inventory, I would make another offer that as a Settler, take time, significant time, to listen and listen and listen and experience and experience and experience and before you speak and that maybe you use your Settler power that currently is wielded against us to actually hold space for Indigenous peoples to engage and be given voice instead of you taking more space.

If you feel the need to speak or be given voice before, above and or louder than Indigenous peoples about the ceremony then you are actively continuing to use your Settler power to silence, take space and harm Indigenous peoples and I think you’ve missed the invitation, the offer, the opportunity here.

Settlers have oppressively positioned themselves in this theatrical context to have some presumed kind of academic and or artistic “authority” over Indigenous peoples. Historically and contemporarily that might be permissible protocol in Canadian theatre – but this is not that. This is Indigenous artistic ceremony, so I offer for you to take an inventory again, of why you think you have been given authority, permission or be entitled to speak, critique or position yourselves over Indigenous Matriarchs creating Indigenous artistic ceremony.

Kaitlyn Yott as Mikaya in Kamloopa (Sept 25 – Oct 6); Photo Credit: Emily Cooper

We’re not looking for comparative analysis with Canadian Theatre and we’re not seeking comparative experiential analysis with Canadian Theatre that has told Indigenous stories. We are inviting you to come and bear witness and participate in Indigenous artistic ceremony, to learn what that means and not assert Settler power aggressively over us. At the top of the Kamloopa ceremony we will share with you how to bear witness and we hope you can embody the values of respect, humility, courage, wisdom, trust, love and honesty as we journey through this together in our co-existence.

With all of that being said and with great excitement we’d like to make this our official invitation for Indigenous people’s who see themselves in the work to speak about the show: Mom’s, Sisters, Aunty’s, academics, community members, cuzzins and friends come hang out with us! We’re having talkbacks and talking circles specifically for Indigenous voices to be presenced and celebrated so please check out the websites for more details. We really would love to hear form the Indigenous community. DM us, grab us before or after the ceremony, tweet us, lets meet for tea, walks and chats.

This story, this ceremony is for our Indigenous peoples, it is to give voice and illuminate the power of Indigenous women. It is about our unwielded power and unsuppressed Settler suppremacy for the entire journey of the artistic ceremony. That is the power we are reclaiming over our storytelling ceremony with Kamloopa.

With respect, in love and deep hope we can be vulnerable together to live courageously, we look forward to seeing you in the Long Lodge.

Kim.


For more information about Kamloopa, and to be a part of the conversation, follow along the Kamloopa journey on Kim Senklip Harvey’s blog; learn about, the brave women who’ve agreed to bring this ceremony to life,” and read about how Kim is including Indigenous women in all aspects of the process, in Equity in Action: Access to the Fire.

“We’re looking for Indigenous women from all aspects of our community, I want our Grandmas, our teachers, our friends, Aunties—the women who are sometimes not seen or not appreciated enough. Kamloopa is about presenting Indigenous women throughout the entire process and this aspect is super important to me.”


Kamloopa runs Sept 25-Oct 6, at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Gala prize winners wined and dined by Bahareh and Tetsuro Shigematsu!

Gala prize winners wined and dined by Bahareh and Tetsuro Shigematsu!

The Cultch’s amazing and talented friends, Tetsuro and Bahareh Shigematsu, were kind enough to offer an amazing dinner for eight guests as a live auction item for our 2018 Gala, “Persia, Celebrating 2500 Years of West Asian Culture”.

The evening, hosted by Bahareh and Tetsuro, saw the lucky bidders gathered this past weekend to enjoy an amazing Persian dinner!

Prepared by Bahareh and her sister, Banafsheh Givargis, at the home of their friends, Aranka Anema and her partner renowned Tibetan artist, Kalsang Dawa.

With a tour of the artist’s studio and an amazing authentic Persian dinner; wine by our sponsors Hester Creek Estate Winery, and transportation by Star Limousine; a beautiful evening was had by all.

We are so grateful for our kind friends and supporters who made this possible; thank you for supporting The Cultch!

Happy Pride!

Happy Pride Weekend Everyone!

Its the most wonderful time of the year! I don’t know about you, but everyone here at The Cultch is excited for another wonderful Pride weekend in Vancouver.

There are SO MANY great things happening in the city, and it promises to be good weather. Check out  www.vancouverpride.ca to find events happening near you. We hope we see you out there!

We party because we are grateful!

July 12 was our annual Volunteer Appreciation BBQ!

Over the course of the 2017/18 season, over 5000 hours were contributed by Cultch volunteers! Every time you attend a Cultch or rental presentation, our wonderful team of volunteers is there to greet you, answer questions and guide you to your seats. Volunteers also help us as event photographers, office receptionists and assist with a variety of administrative jobs.
We are so very grateful to have this amazing group of over 200 people as a part of The Cultch family, and we had a blast partying with them earlier this month!
If you, or someone you know, would be interested in volunteering at The Cultch this season, please contact Lee Newman, Volunteer Coordinator, at volunteer@thecultch.com

Staff Picks #2: 2018/19 Season shows that we don’t want you to miss!

2018/19 Season shows that we don’t want you to miss!

The second blog post in a summer series featuring some of the 2018/19 shows that our staff just cant wait for! Read the first post here!


Lee Newman, Assistant to Head Front of House Manager / Volunteer Coordinator. Still photo from Parlour Panther music video by Grace Gadston at Jaunty Media

Lee Newman, Assistant to Head Front of House Manager/ Volunteer Coordinator, Dakh Daughters, Jan 15- 19, 2019

I am so excited for Dakh Daughters, starting January 15th at The York Theatre, part of the Femme Series. They bring this thrilling and captivating power to their performance that I LOVE. I am fascinated by how modern musicians perform, because these days the performance component is often much more than just people with their instruments. The Dakh Daughters use theatrical elements with their bodies, their voices, their instruments, their costumes, and the lighting, all in a uniquely bold and gritty style to create an unforgettable performance! And this I just got from the youtube clip on The Cultch’s website! I cannot WAIT for the live version.


Natalie Schneck, Development Associate. Photo by Tiana He

Natalie Schneck, Development Associate, This Duet We’ve Already Done (so many times), Nov 27 – Dec 1, 2018

I am excited for This Duet We’ve Already Done (so many times). For me, Frédérick Gravel’s work always feels like a sexy rock show with sophisticated themes woven throughout. I often sense a tension between power/persona and vulnerability. Both Frédérick and Brianna are charismatic performers and I am curious to see the energy that’s created when they work together.

 

 

 


Meghan Robinson, Rentals Sales Manager. Photo by Tiana He

Meghan Robinson, Rentals Sales Manager, NASSIM, May 7 – 19, 2019

I can’t begin to describe how excited I am to have Nassim Soleimanpour at The Cultch. His production “White Rabbit, Red Rabbit” was one of the most powerful pieces of theatre I have ever seen. It established my passion and adoration for the theatre. I have faith that “Nassim” will have a similar affect. I have no doubt that it will both connect audiences, and blow them away, from the moment the script is taken out of its envelope.

 

 


Leslie Dos Remedios, Sales Associate. Photo by Tiana He

Leslie Dos Remedios, Sales Associate, The Ones We Leave Behind, Oct 24- Nov 3, 2018

I’m excited to see The Ones We Leave Behind. It’s been so rewarding seeing VACT, Loretta and the entire creative team develop this show for over a year. It’s also great to have an ensemble show from VACT on The Cultch stage – we get to be a place where underrepresented voices have a platform to tell our stories.

 

 

 


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

DONOR SPOTLIGHT: Jim Miller

DONOR SPOTLIGHT: Jim Miller

Jim Miller loves The Cultch!

Jim, you have been a subscriber to The Cultch for many years. Can you tell us what first attracted you?
I don’t know if my memory goes back 30 years! But I’d guess it must have been a totally unique, singular presentation of some sort…like theatre-for-one, or something set inside a neighbourhood home.
Perhaps a performance without words or presented in total darkness. I think the Cultch should use as their slogan: “Why Be Normal?”.

What do you think is distinctive about The Cultch and our programming?
Well, carrying on with that thought, Cultch programming always piques my interest and curiosity, as in: “What the heck is going on here?…this is crazy!” There are a bunch of places I can go to be “entertained”, but I also want to be challenged. Or perhaps be exposed to a new form of artistic expression I had never previously experienced. Like the “Bouffon Comedy” on display with The Society for the Destitute Presents Titus Bouffonius last November. I didn’t know much about it going in, but after the show I was all over Google to learn more about Bouffon! Simply put, the Cultch programs performances that just aren’t found anywhere else in town!

What has surprised you most about The Cultch?
Surprised me? That goes back 20 years or more. Nothing at The Cultch surprises me anymore; indeed, I’ve grown to expect it.

Last Season’s The After After Party, Hot Brown Honey, Goblin Market and Bears…that’s what I EXPECT from the Cultch. Next year it’ll be Backbone, Mrs. Krishnan’s Party, and Dakh Daughters that will be invading your stage from some other planet. If the Cultch were to present a gay, all-nude staging of Romeo & Juliette I don’t think I would be surprised…I’d be intrigued, and would want to check it out!
Let me revise my suggested slogan…make it: “Expect The Unexpected!”

Can you tell us what you wish other people knew about The Cultch?
First, what a terrific value it is. With subscription seats for less than 20 bucks, you are paying about the same as what it would cost to see Spiderman 8 or the pre-prequel of Star Wars. And second…it is an opportunity to learn, not just be entertained. That’s why I tend to always go on the Talkback nights. These artists’ brains are wired completely differently than me, and I want to find out about their vision, what they are trying to achieve, and perhaps about the unorthodox route they took getting there.
Sometimes I’ve had mixed feeling about a show I just witnessed, but when I stay for the Talkback and get to hear from the director and cast what they were trying to achieve, or perhaps the rich tradition that the particular performance style drew upon, it casts a whole new light on the show and gives me deeper appreciation for it.

What would you tell someone is thinking about subscribing and/or donating to The Cultch but hasn’t made the move yet?
Take A Chance! That’s how you discover a new live musical genre or perhaps a great new restaurant or cuisine. When you discover something that is right up your alley but you never knew existed it is like an Epiphany.

Not every show at the Cultch will resonate with you, but Wow, once you’ve discovered the East Van Panto or Ronnie Burkett’s puppetry there is no turning back; you’re hooked and end up going every year out of tradition! You don’t even have to think about it!

The same holds true for plays put on by United Players, E.T.C., PuSh and Studio 58, plus performances by Winter Harp, our Chamber Music Societies, ScotiaBank Dance Theatre, Cinema Salon, etc…they might be a step outside of a person’s comfort zone but often a very affordable step in an entirely new direction. Slogan?: “Broaden Your Perspective”…hmm, probably already taken!

What inspires your love of the performing arts?

Well, everybody has their “Escape”. It might be reading books, or cycling 20 km’s, or taking pottery classes… and they are all good. But for me, I’m passionate about all forms of the performing Arts…theatre, dance, music… from Jazz to Chamber to Symphonic. The Cultch played a big part in cultivating that interest, starting more than 3 decades ago, and I am blessed to be in a city with so much tremendous talent to sustain my passion…far more talent than you would normally expect from a city of this size.

But it can’t be taken for granted…our artists have mortgages, household budgets and pay a buck-fifty per litre of gas, just like everyone else, but they usually don’t enjoy an income commensurate with their training and ability. I see as much as I do, and as much as I can, 150 performances or more per year, in part to support the artists and to help ensure an ongoing vibrant arts scene here in Vancouver. That’s also why I donate to the Cultch. It gives them the ability to provide an ever increasing number of shows (count ’em, 23 next season!), and sustain our artists rather than having them give-up on their passion and go back to some boring day job!

Keep up the good work Cultch!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

2018/19 Season staff picks!

2018/19 Season staff picks!

As you can imagine, all of the staff here at The Cultch are getting very excited to share the 2018/19 Season with you! We asked a few of our staff members what show they just cannot wait for, and here are the first few staff picks:


Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator, SmallWaR, Nov 6-16, 2018

Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator.

SmallWaR entices me because it is the follow-up to one of my favorite shows we have had here at The Cultch: BigMouth. Valentijn Dhaenens is an extremely powerful performer, who displayed a totally magnetic kind of controlled weight and erratic; as if he was at any moment going to burst in any direction. In addition to Valentijn’s performance, it was the beautiful execution of a simple concept that drew me to BigMouth (one man performs a series of famous speeches made by over 25 000 years of human history). Similarly, SmallWaR is focusing its attention in on one moment: a dying soldier reflecting on the impact of the cyclical trauma of war on his life and the history of humanity. In BigMouth, Valentijn made use of 5 microphones in a wildly creative and impactful manner. I can’t wait to see how the same experimentation is applied to the use of five projectors in SmallWaR.


Paul Phalen, Business Development & Hospitality Manager. Photo by Tiana He

Paul Phalen, Business Development & Hospitality Manager, Testosterone, Oct 2- 13, 2018

I am so excited to see Testoserone, and to open the discussion about masculinity. How masculine do you have to be, to be a “man”? This amazing production explores a character’s journey into the unknown spectrum that is masculinity, having just transitioned from female to male. “Do you think you’re man enough?”


Kelly Barker, Artistic Associate, Power Ballad, Jan 22-26, 2019

I’m really excited about Power Ballad which is going to be part of our Femme Series in January. This one-woman show, from New Zealand, is a feminist, performance-art, karaoke party – what could be better?! The imagery I’ve seen is striking and the reviews are great. I think it’s going to be an awesome night which will have you singing along while deconstructing the patriarchy and examining the way we use language. A unique show not to be missed!


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

Two actors perform Shakespeare’s Macbeth… without words! A dance theatre duet full of charm and laughs! An award-winning Fringe duo tackle the near-post-apocolyptic future! Week 2 of the rEvolver Festival has begun with more incredible shows!

Rave reviews are heating up the rEvolver Festival stage, with Jo Ledingham Theatre Reviews saying “See it!” for La Fille du Laitier’s Macbeth Muet and the Georgia Straight praising writer/director/actor Elysse Cheadle as “wickedly clever” for Fuchsia Future.

MACBETH MUET. Photo Credit: Sophie Gagnon-Bergeron. In Photo: Jérémie Francoeur

Macbeth Muet (La Fille du Laitier- Montreal)

“Mostly it’s the most wildly imaginative take on the Scottish play I’ve ever seen. See it!” ~ Jo Ledingham

“Macbeth Muet is one of the most innovative shows you’ll see this season” ~ Colin Thomas

“…. inventive and oxygenating tiny-cast retelling of Macbeth… sent me back onto the street refreshed, energized and pretty charmed as well” ~ New York Times

Fuchsia Future. Photo Credit: Paula Viitanen Aldazosa. In Photo Left to Right: Carmine Santavenere, Elysse Cheadle

Fuchsia Future (Elysse Cheadle, Vancouver)

Fuchsia Future is packed with these laugh-out-loud moments, and yet it never shies away from its dark side either…Unpretentious and experimental, with a huge heart and a wickedly clever brain, Cheadle is the writer, producer, and colead actor of Fuchsia Future, one of the strangest and most bizarre local plays in recent memory”  ~ Andrea Warner, Georgia Straight

KITT & JANE: : An Interactive Survival Guide to the Near-Post-Apocalyptic Future.
Photo credit: Jam Hamidi. In photo: Ingrid Hansen, Rod Peter Jr

Kitt and Jane (SNAFU, Victoria)

“ABSOLUTELY GENIUS. Flawless comedic timing, dynamic physicality, and a beautiful and complex friendship.” ~ New Ottawa Critics

“THIS PLAY IS GOLD. An unexpected roller-coaster of an evening, with whimsical humour, manic energy, and intelligence. You will not leave this show in a bad mood.” ~ West of West

Wanna know more? Check out this preview from Vancouver Presents!

DISTRACTINGLY SEXY. Photo Credit: Cal Wood. In Photo: Mily Mumford

Distractingly Sexy (Nebula Theatre, Vancouver)

“Funny, smart, and, yes, sexy” ~ Meghan Bell, Room Magazine

Wanna know more? Check out this preview piece from The Georgia Straight. “Tracing history with barbed wit… Mumford intermingles tales from the past with contemporary observations from her fields” ~Janet Smith, Georgia Straight


Check out rEvolver’s FREE or BY DONATION events.

PLUNGE: Showcase of Emerging Works in Progress:

the SPEAKEASY: Friday Night cocktails, live music and conversation.


rEvolver runs at The Cultch until June 3. Buy tickets online, or call The Cultch Box Office 604 251 1363