2018/19 Season staff picks!

2018/19 Season staff picks!

As you can imagine, all of the staff here at The Cultch are getting very excited to share the 2018/19 Season with you! We asked a few of our staff members what show they just cannot wait for, and here are the first few staff picks:


Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator, SmallWaR, Nov 6-16, 2018

Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator. Photo by Tiana He

SmallWaR entices me because it is the follow-up to one of my favorite shows we have had here at The Cultch: BigMouth. Valentijn Dhaenens is an extremely powerful performer, who displayed a totally magnetic kind of controlled weight and erratic; as if he was at any moment going to burst in any direction. In addition to Valentijn’s performance, it was the beautiful execution of a simple concept that drew me to BigMouth (one man performs a series of famous speeches made by over 25 000 years of human history). Similarly, SmallWaR is focusing its attention in on one moment: a dying soldier reflecting on the impact of the cyclical trauma of war on his life and the history of humanity. In BigMouth, Valentijn made use of 5 microphones in a wildly creative and impactful manner. I can’t wait to see how the same experimentation is applied to the use of five projectors in SmallWaR.


Paul Phalen, Business Development & Hospitality Manager. Photo by Tiana He

Paul Phalen, Business Development & Hospitality Manager, Testosterone, Oct 2- 13, 2018

I am so excited to see Testoserone, and to open the discussion about masculinity. How masculine do you have to be, to be a “man”? This amazing production explores a character’s journey into the unknown spectrum that is masculinity, having just transitioned from female to male. “Do you think you’re man enough?”


Kelly Barker, Artistic Associate, Power Ballad, Jan 22-26, 2019

I’m really excited about Power Ballad which is going to be part of our Femme Series in January. This one-woman show, from New Zealand, is a feminist, performance-art, karaoke party – what could be better?! The imagery I’ve seen is striking and the reviews are great. I think it’s going to be an awesome night which will have you singing along while deconstructing the patriarchy and examining the way we use language. A unique show not to be missed!


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

Two actors perform Shakespeare’s Macbeth… without words! A dance theatre duet full of charm and laughs! An award-winning Fringe duo tackle the near-post-apocolyptic future! Week 2 of the rEvolver Festival has begun with more incredible shows!

Rave reviews are heating up the rEvolver Festival stage, with Jo Ledingham Theatre Reviews saying “See it!” for La Fille du Laitier’s Macbeth Muet and the Georgia Straight praising writer/director/actor Elysse Cheadle as “wickedly clever” for Fuchsia Future.

MACBETH MUET. Photo Credit: Sophie Gagnon-Bergeron. In Photo: Jérémie Francoeur

Macbeth Muet (La Fille du Laitier- Montreal)

“Mostly it’s the most wildly imaginative take on the Scottish play I’ve ever seen. See it!” ~ Jo Ledingham

“Macbeth Muet is one of the most innovative shows you’ll see this season” ~ Colin Thomas

“…. inventive and oxygenating tiny-cast retelling of Macbeth… sent me back onto the street refreshed, energized and pretty charmed as well” ~ New York Times

Fuchsia Future. Photo Credit: Paula Viitanen Aldazosa. In Photo Left to Right: Carmine Santavenere, Elysse Cheadle

Fuchsia Future (Elysse Cheadle, Vancouver)

Fuchsia Future is packed with these laugh-out-loud moments, and yet it never shies away from its dark side either…Unpretentious and experimental, with a huge heart and a wickedly clever brain, Cheadle is the writer, producer, and colead actor of Fuchsia Future, one of the strangest and most bizarre local plays in recent memory”  ~ Andrea Warner, Georgia Straight

KITT & JANE: : An Interactive Survival Guide to the Near-Post-Apocalyptic Future.
Photo credit: Jam Hamidi. In photo: Ingrid Hansen, Rod Peter Jr

Kitt and Jane (SNAFU, Victoria)

“ABSOLUTELY GENIUS. Flawless comedic timing, dynamic physicality, and a beautiful and complex friendship.” ~ New Ottawa Critics

“THIS PLAY IS GOLD. An unexpected roller-coaster of an evening, with whimsical humour, manic energy, and intelligence. You will not leave this show in a bad mood.” ~ West of West

Wanna know more? Check out this preview from Vancouver Presents!

DISTRACTINGLY SEXY. Photo Credit: Cal Wood. In Photo: Mily Mumford

Distractingly Sexy (Nebula Theatre, Vancouver)

“Funny, smart, and, yes, sexy” ~ Meghan Bell, Room Magazine

Wanna know more? Check out this preview piece from The Georgia Straight. “Tracing history with barbed wit… Mumford intermingles tales from the past with contemporary observations from her fields” ~Janet Smith, Georgia Straight


Check out rEvolver’s FREE or BY DONATION events.

PLUNGE: Showcase of Emerging Works in Progress:

the SPEAKEASY: Friday Night cocktails, live music and conversation.


rEvolver runs at The Cultch until June 3. Buy tickets online, or call The Cultch Box Office 604 251 1363

LES FILLES DU ROI is “a triumph”!

LES FILLES DU ROI is “a triumph”!

We are so proud to have partnered up with Urban Ink, Fugue Theatre and Raven Theatre to present Les Fille du Roi. Les Filles du Roi runs until May 27 at the York Theatre. The amazing creators of Children of God (which is coming back to The Cultch due to popular demand, Feb 20 – Mar 10, 2019) have done it again!

Les Filles du Roi is the powerful story of Kateri, a young Mohawk girl, and her brother Jean-Baptiste whose lives are disrupted upon the arrival of les filles du roi in 1665. They forge an unlikely relationship with young fille Marie-Jeanne Lespérance – whose dreams of a new life are more complicated than she could have imagined. Over the course of a year, Mohawk, French and English journeys collide, setting the stage for the Canada we know today. 

Photo by David Cooper. Les Filles du Roi a new musical by Corey Payette & Julie McIsaac. Directed by Corey Payette, Production Design (Set/Costume/Props) by Marshall McMahen, Lighting Design by Jeff Harrison. A Fugue Theatre/RavenTheatre production in association with Urban Ink and The Cultch. Actors: Kayla Dunbar, Chelsea Rose, Cecilly Day, Julie McIsaac (in center), Lisa Goebel, Synthia Yusuf, and Merewyn Comeau.

It has been getting great REVIEWS! Check out a few of them here:

“Les Filles du Roi’s trilingual, feminist-Indigenous musical is a triumph…a work of monumental importance…Go see it” ~ Kathleen Oliver, The Georgia Straight

“Les Filles Du Roi Tells a Powerful Story of Canada’s History” ~ Connal McNamara, Vancouver Weekly

“A sumptuous reimagining of our history…It’s thrilling” ~ Colin Thomas, colinthomas.ca

“If any show deserves a standing ovation, this one does. But don’t take my word for it, see it for yourself” ~Emma Rossland, Two Cents & Two Pence

Wanna know more? Check out what Corey Payette and Julie McIsaac have to say about creating Les Filles du Roi:

Les Filles du Roi is performed in three languages, English, French, and Kanien’kéha (Mohawk). Learn more in this great video:

Les Filles du Roi runs from May 15 – 27, 2018 at York Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Our 17/18 season takes its final bow – thank you for making it so much fun!

Our 17/18 season takes its final bow – thank you for making it so much fun!

With the closing of Bears we have officially finished our 17/18 season — and what a season! Thank you for taking the journey with us, and making our 17/18 season our most successful one to date.

The cast of Bears gets a well deserved standing ovation! Photo by Roaming the Planet.

With 21 theatrical shows across our three different stages, three great Soft Cedar shows (and more to come!), partnerships with some of the most amazing companies in Vancouver and around the world, and a million amazing memories, it has been a busy year, and we can’t help but get a little nostalgic. Take a peek at a few of the great curtain calls from the season — we bet you can’t help but get a little nostalgic too!

And now it is your turn — take a bow — we couldn’t do any of this without you! Thank you, Thank you, Thank you!


 Don’t forget to buy your subscription for our 18/19 season soon. Shows are already filling up!

Thank you for choosing to make The Cultch, and the arts, a part of your life!

Announcing the 2018 rEvolver Festival Mainstage!

Announcing the 2018 rEvolver Festival Mainstage!

Two actors perform Shakespeare’s Macbeth without words. A local artist steps into the radical headspace of a suicide bomber. A real-life scientist takes you through the history of women being f&*$ed over for centuries. Two people find love.

Upintheair Theatre is thrilled to be back at The Cultch for the 6th annual rEvolver Theatre Festival. rEvolver runs from May 23th – June 3rd, presenting new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators. Past rEvolver Festivals have included world premieres of hit shows such as Jordan Hall’s ‘Kayak’, Delinquent Theatre’s ‘Stationary: A Recession-Era Musical” (which featured as part of The Cultch’s 2015/16 season) and Mind of a Snail’s gorgeous shadow puppetry in ‘Caws and Effect’.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. The programmed artists are tackling big issues – inequality, climate change, sexual abuse and consent, violence, the impacts of colonialism. They are doing so in unexpected ways, using wit and humour, intelligence, music and the power of bodies in motion to look for ways to move out and forward, and to bring light into the darkness. Join us in seeing all that this incredible community of artists has to offer.

Got to revolverfestival.ca for all the information you need!

Mily Mumford in Distractingly Sexy. Photo by Cal Wood

MAINSTAGE SHOWS:

FREE EVENTS:   

  • The Somewhere Cedar (Micro Performance by Jess Amy Shead, Vancouver)
  • Asking Alice (Micro Performance; Little Mountain Lion Productions, Vancouver)
  • Plunge in collaboration with Resounding Scream Theatre (Vancouver)
  • Updrafts Reading Series featuring new works by emerging playwrights
  • The Speakeasy (Friday’s: late night cocktail hour in the Greenhouse)

Excited by what you see? There are a number of different ways you can purchase tickets!

Carmine Santavenere in Fuchsia Future. Photo by Elliot Vaughan

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!

And of course, individual tickets are available both through The Cultch’s Box Office and at the door.

YOUTH TAKEOVER! A Guest post with our Youth Program Manager!

Youth Takeover! A guest post  from our Youth program Manager, Ariel Martz-Oberlander, about IGNITE! Youth Driven Arts Festival!

Youth Program Manager, Ariel Martz-Oberlander. Photo by Trey Le

Every year, for one week in May, The Cultch is taken over and transformed by young people for the IGNITE! Youth-Driven Arts Festival, run by our Youth Program. Hundreds of young people are involved in what has grown to be Western Canada’s largest youth-driven arts festival. The festival includes showcases in music, dance, and spoken word, the world premiere of 4 one-act plays, a visual arts exhibit, variety shows featuring music, circus arts, and much more. All of this is created by local artists between the ages of 13-26.

As the Youth Program Manager, it has been my great pleasure to support this festival as a learning opportunity and as the main project of our program. Putting on a festival of this size, with nine nights of programming, is no small task! It is such a joy to work with young people dedicated to learning the skills necessary for a life-long pursuit of the arts in a variety of fields.

Kevin Matthew Wong in The Chemical Valley Project. Photo by Julia Howman

This year, I am thrilled to be bringing in a touring show for the first time as part of the festival. The Chemical Valley Project was created by youth-run Toronto theatre company, Broadleaf Theatre, through conversations with activists from Aamjiwnaang, near Sarnia, Ontario. Through a unique blend of documentary-theatre, projections design, object puppetry, and solo-performance, the show sparks conversations on Canadian environmental policy, treaty rights and Indigenous relations, as well as the current nature of Canadian identity and values. I am excited for these cross-country conversations, and about connecting youth based on important topics about the country they will inherit.

Youth Panel Member, Anna Matthews, hard at work!

Literally every aspect of the IGNITE!Festival is produced by the youth. From media relations and promotion, to stage managing and running the lighting and sound boards, to curating and hanging the gallery show, there are countless ways to become involved, whether on stage or behind the scenes, and it’s not too late for this year! If there is a young person in your life who wants to lend a hand with this eclectic and ambitious festival, please drop me a line at ypm@thecultch.com.

IGNITE! Gallery Opening: May 2nd, 6 pm
Special Presentation of The Chemical Valley Project in the Vancity Culture Lab: May 8, 7:30 pm
IGNITE! Mainstage Week at the Historic Theatre: May 15-19, 7:30 pm
One Act Plays at the Vancity Culture Lab: May 11-12, 7:30 pm
Visual Arts Gallery Exhibit: May 2-19, Opening night May 2, 6-8 pm – FREE!

The Chemical Valley Project ticket pricing: 

Youth (26 and Under) / Senior (65+):  $15.00

Adult: $20.00

IGNITE! One Act Plays, and Mainstage week ticket pricing:

Youth (26 and Under) / Senior (65+): $2 (in advance); $4(at the door)

Adult: $10 (in advance); $12 (at the door)

IGNITE! Mainstage Week Festival Passes :
Select a pass to see every show in the festival.
Youth: $8.00 
Senior: $8.00 
Adult: $40.00

Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Some of the Youth Panel Members!

Donor Spotlight: Lynda Stokes

Donor Spotlight: Lynda Stokes

Lynda, can you tell us about how you first got involved with The Cultch?

I first got involved with The Vancouver East Cultural Centre as an audience member. The first show I recall was the Holy Body Tattoo’s Circa in 2000, shortly after I moved to Vancouver. It was a remarkable, tango-influenced duet between Dina Gingras and Noam Gagnon with film and a live band, the Tiger Lilies. I became a regular season subscriber and then a donor and a few years ago I was asked if I would be interested in joining the Board.

What has surprised you most about volunteering with The Cultch? 

As an audience member who is also on the Board and therefore privy to the financials, it is amazing how subsidized tickets are! We think of artists and venues benefitting from government grants and sponsorships, but really it is the audience who benefits. Accessibility is a priority for The Cultch and staff work hard to keep ticket prices low and pay it forward by making tickets available for free through the Cultch Connects Program. Regular monthly donations really help with cash flow, I recently learned (although this should not have surprised me). 

Your legal practice spans several years – can you tell us how this skill set intersects with your involvement at The Cultch?

My practice consists predominantly of solicitor and advisory work on behalf of local governments. Basically, I practice municipal law and I do not go to court. There was a vetting process when I looked into joining the Board and for whatever reason I was feeling pretty flat and lacklustre when I was interviewed but I sold myself by expressing an interest in being the Board Secretary and preparing  meeting minutes. I read, write and think for a living and while I really enjoy my work, I also recognize that most people would find a lot of what I do very tedious. I do not act as a lawyer for The Cultch, but because of my legal skills and experience, I understand Board governance and I am happy to help with important but boring bits like minutes, bylaws and contract negotiations.

Can you tell us what you wish other people knew about The Cultch?

I suspect that many people know more about The Cultch than I do! It has such a long history as an important performing arts institution in Vancouver, and I know that Cultch staff engage, and are connected with many, many people locally, nationally and internationally. If I have to wish, though, I wish more people knew that it is worth the risk. Get a subscription. Invite your friends. The upcoming season looks fantastic, and it’s easy to book a whole year’s worth of entertainment and take care of birthday and other presents. You will be grateful you did when rainy winter inertia takes hold. And you can always change the dates of your tickets if something comes up. 

Is there a Cultch show that has really inspired/stayed with you? 

I just saw The Explanation and really enjoyed it. It reminded me of some of the shows that influenced me in when I was in high school – like Michel Tremblay’s Hosanna and Caryl Churchill’s Top Girls (shout out to the Grand Theatre in London, Ontario, particularly its experimental Under Grand series). The Explanation is a really lovely, empathetic exploration of a relationship and a reconciliation of self.

I am partial to dance and I really loved Company 605’s The Sensationalists from 2015 (full disclosure – I recently joined the 605 Board) and Frédérick Gravel’s All Hell is Breaking Loose, Honey from 2016. Wow those were great shows.

What are you curious about right now?

I am curious about engaging with others in The Cultch, so I am trying to start up a Cultch Club. I see it as a kind of book club alternative for theatre and theatre adjacent nerds by theatre and theatre adjacent nerds, without a lot of rules or terrible attitudes. I am curious about how can we use The Cultch to connect with other people. The potential of theatre many of us recognized at a young age: “Wherever you are from, welcome home.”

  • If you are interested in joining The Cultch Club please email Georgia Beaty, Patron Development Associate (georgia@theculch.com ) and she will put you in touch with Lynda Stokes

As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

A Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

We are so excited to have the Belgian company Kopergietery here with their hit show The History of the World (Based on Banalities). It plays at the York theatre until May 5.

In The History of the World (Based on Banalities), a youngster, Philip, decides to look after his mother in the last months of her life. Starting from run-of-the-mill situations and objects, he embarks on a quirky voyage through her past.

Titus De Voogdt, the performer in The History of the World (Based on Banalities), is a beloved Belgian actor who works for theatre, film and television. He has worked/s with renowned directors as Arne Sierens (theater writer and director) and Felix Van Groeningen (movie director). He also starred as Vincent Bourg in the BBC-series The Missing (2014).

Titus De Voogdt in The History of the World (Based on Banalities). Photo by Phile Desprez

We are so excited to have you here in Vancouver. What makes you most excited about bringing this show to Vancouver?

I have never been here before. Vancouver always had an attraction on me, and I am very happy to finally be here. Besides, I love hiking and fishing so I hope I will get some opportunities in my free time to do so.

You are one of the co-writers of the show — what was the inspiration?

I’ve always been interested in inventions, how things work and stuff is made throughout history. That has been a key inspiration for writing this show.

While I was working on the script, Peter Higgs won a Nobel price for his work on the Higgs-Boson particle. It caught my attention and I started reading up on it. In this way it became a mayor topic in the show…

Your character, Philip, is interested in illusions and fantasy — do you share these interests with him?

I do, although I’m lousy at it, I like to do a coin trick from time to time..

What makes doing this show fun for you?

That it’s quite physical, it feels like a workout to me.

What makes doing this show meaningful for you? 

I hope people who see the show learn a thing or two about science they didn’t knew before. With a bit of luck it even moves them in the process.

Geoffrey Burton and Titus de Voogdt. Photo by Phile Desprez

The History of the World (Based on Banalities) features a musician (Geoffrey Burton- from Hong Kong Dong) who joins you on stage for the show — what is it like doing a show with live rock music?

It’s great, although he claims he is NOT a rock musician. It’s really a dialogue…the music brings the script to a higher level.

You do a lot of film and television work as well as theatre work — what are you working on these days?

Just finished a 12-episode series about a hostage situation in a bank it is called ‘de dag’ meaning ‘the Day.’  In Belgian TV an movies I usually play the bad guy. Don’t ask me why….

The History of the World (Based on Banalities) runs at the York Theatre April 25-May 5, 2018. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Sponsor Spotlight: Patti Flaherty with brainstreams.ca

Sponsor Spotlight: A chat with The Cultch & Patti Flaherty from brainstreams.ca

Patti Flaherty from brainstreams.ca

Can you tell us how brainstreams.ca first got involved with The Cultch?

The good folks from the Cultch approached brainstreams.ca to explore with us our interest in being associated with the production of Reassembled, Slightly Askew.  The relevance to our group and what this production represented was so aligned that it only made sense to try and figure out how we could support the production.  Getting the story of Shannon out into our network and community was very important to all of us.

Patti, how unique was it for brainstreams.ca to sponsor the international and experiential show, Reassembled, Slightly Askew? What were the benefits to your professional community?

Brainstreams.ca and BC Brain Injury Association has never financially sponsored anything.  In fact, brainstreams.ca is normally reaching out to our friends and organizations to find financial support to do the good work we do. So, it was highly unique for us to sponsor the show. Being associated with this show was right up our alley and we were so proud to be a part of it. The benefits to our community are still somewhat unclear. However, it is clear that we have done something that has strengthened our efforts to offer education and awareness opportunities to the community. We produced a short video that lives on our site to celebrate this partnership. To see this video please go to: http://www.brainstreams.ca/videos/video-type/bcbia-presents-reassembled-slightly-askew/.

I have worked in the health care and brain injury rehab field for a very long time and have been deeply involved in many educational and learning opportunities; Reassembled, Slightly Askew is by far the most powerful and effective learning tool I have ever experienced.  I wish that everyone who works in the field or loves someone who has a brain injury could experience it.  Somehow, we need to find more ways to share this unique and brilliant performance.

Did you feel like there was a certain amount of risk involved in taking on this show?

Yes, there was some real risk in taking on this show. This partnership was very different from every other partnership that we have purposefully engaged in. The risk was in the unknown and in the use of our precious financial resources. That said, the board of directors unanimously agreed that this partnership made very good sense and was willing to take the risk. We are so pleased we choose to be involved with the Cultch and the show……no regrets!!

Can you tell us more about the work you do with brainstreams.ca?

Brainstreams.ca is the official website for the BC Brain Injury Association. Essentially the work of the BCBIA has become what brainstreams.ca offers to the people in BC who work with and live with the effects of brain injury. This site is a place where people’s stories are shared as a method of healing. It also offers an online library of brain injury related services and resources that are available in our province to our brain injury community. The bottom-line is that we are here to help strengthen the network of services and supports for people living with brain injury by offering decision makers strategic insights from our learnings and to help people navigate the system of services throughout British Columbia.

What are you curious about right now?

I’m curious to see how our partnership evolves. We would love to continue to be involved and develop our connection with the Cultch. We are planning on hosting our AGM in June at the Cultch and we are looking forward to finding other creative ways to build on this great experience.


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Announcing our 45th Anniversary Season!

Announcing our 45th Anniversary Season!

We had a blast announcing our 45th anniversary season on April 10! Thank you to everyone who came out and celebrated with us; it was such a wonderful evening! We are so excited for all of the wonderful shows coming up in 18/19 and we cannot wait to share them with you.

Check out the video announcement — it’s so fun!

Subscriptions for the 18/19 season are on sale NOW!

Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

Single tickets go on sale July 16. Call The Cultch’s Box Office at 604-251-1363 or go online at tickets.thecultch.com.

Video trailer by Artaban — Check them out, they do great work!