New Ticketing System at The Cultch

New Ticketing System at The Cultch

Dear Valued Cultch Patron,

We’ve got some exciting news!  We’ve just launched our brand new ticketing system. As a Cultch patron we hope you will enjoy our brand new online Patron Centre, where you will have access to the following features and more!

Account information: You’ll be able to update your contact information with a few easy clicks.

Subscription Management: You will now have complete access to book, reschedule, and add extra tickets to your subscription at any time.

Upcoming Events: You will now have access to a comprehensive list of your upcoming shows, so keeping up with your show schedule will be a breeze!

To access your account we’ll need you to update some of your online login information with us.

We’ve created step by step instructions below to help you reset your password.

To activate your account:

1. Click Here
2. Click FORGOT YOUR PASSWORD
3. Enter your EMAIL ADDRESS, and click RECOVER PASSWORD
4. Open your email account Inbox, and retrieve the system generated temporary password
5. Return to the MY ACCOUNT webpage on our website
6. Enter your EMAIL ADDRESS, which is your USERNAME, and the system generated temporary password
7. Click LOGIN
8. Next, enter the system generated temporary password in CURRENT PASSWORD
9. Create a NEW PASSWORD and then re-enter it again
10. Click CHANGE PASSWORD
11. You will automatically be redirected to the home page

To select your communication preferences:
a) Click MY ACCOUNT
b) Click ACCOUNT INFORMATION on the left
c) Scroll to the bottom of the page, and use the checkboxes to select which type(s) of event information you would like to receive
d) Click the UPDATE button. Your initial Account Setup is complete!

Click The CULTCH LOGO to visit our homepage and see a list of upcoming events.

Once logged in, you’ll have full access to our Patron Centre, where you will enjoy a number of self-serve features that will help make your visit at the thecultch.com an enjoyable one!

We understand that this is new, so if you have questions about setting up your account, please contact any one of our Box Office Representatives at 604.251.1363 M-F 12PM-6PM.  We’re happy to help!

All the best,

The Cultch Box Office Team

Vertical Influences comes to Britannia Ice Rink April 18-30

Vertical Influences comes to Britannia Ice Rink April 18-30

After a sold-out European tour the award-winning Canadian ice dance group Le Patin Libre makes their debut in Vancouver. From Apr 18-30 they will be performing their unique show Vertical Influences at Britannia Ice Rink (1661 Parker St) – Don’t miss your chance to see them!

Vertical Influences has been getting amazing reviews all across Europe

“It is JOYFUL, uplifting, creative, and inspiring.” The Age

“Liberating, EXHILARATING, breathtaking” – The Stage

“One of those rare shows I could willingly have sat through all over again…A PURE BODY RUSH. Astounding ★★★★★” — The Guardian (UK)

Check out this great video showing the “Making of ‘Vertical Influences’.

Vertical Influences has been described as a form of “contemporary dance on ice”.  Rising stars Le Patin Libre, a fresh and inventive group of former championship skaters, are creating a new kind of ice dancing, far beyond the confines of traditional figure skating. Electronic beats, melodic lyricism, and refreshing dance moves mean maximum fun for the whole family!

Vertical Influences runs from April 18-30, 2017 at Britannia Ice Rink. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

The Daisy Theatre has returned to The Cultch!

The Daisy Theatre has returned to The Cultch!

After three sold out runs, the popular marionette production has returned to The Cultch. The Daisy Theatre celebrated its opening yesterday at The Historic Theatre and will run until April 9.

10 things you should know about The Daisy Theatre:

  1. The name “Daisy Theatre” comes from “Daisie”- puppet shows staged in Czechoslovakia during World War II, which were banned by the Nazi-regime.
  2. Every single show is unscripted and partly improvised. So every performance will be different.
  3. The story is dark and sometimes disturbing, but always ridiculous!
  4. Ronnie Burkett’s company consists of over 40 marionettes.
  5. This puppet show is not for kids!
  6. Ronnie Burkett formed his Theatre of Marionettes in 1986.
  7. The Daisy Theatre is “Ronnie unleashed”- a show which is completely different than his last shows with monologues and songs, but without an established script.
  8. Esme Massengill, Mrs. Edna Rural and the fairy child Schnitzel are some of the audiences favourite characters.
  9. The show celebrated its premiere in 2013 and enthused thousand of visitors since then.
  10. The Province calls it “Some of the funniest, most brilliant theatre you’ll ever be lucky enough to see”.

 

We are so excited about the show, and The Daisy Theatre has also obviously infected others with enthusiasm :

“His characters are the stuff of BRILLIANT sketch comedy…the puppets vibrate with life, even though the audience can see Burkett the entire time.” – Andrea Warner, The Georgia Straight

“This is a UNIQUE and CHEEKY form of live stage entertainment that honours and propels the dissident and mutinous roots from which it hath so richly grown” – Baird Blackstone, Broken Leg Reviews

 

The Daisy Theatre runs from March 21 to April 9 at The Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.  Ask the box office about our “see it twice price.” For ages 19+

Partnering with Rosedale on Robson

Here at The Cultch, we not only want to give our patrons the best experience possible but we also want to ensure that all the artists who perform here thoroughly enjoy themselves.

Since 2001, our hotel partner Rosedale on Robson has helped us achieve this. Visiting artists, such as Ronnie Burkett or Bob Kingdom, are assured of a comfortable environment while they stay in Vancouver. Jodi Sprackman, the Director of Community Relations shared some thoughts about Rosedale’s history and its partnership with The Cultch.

Can you tell us a little bit about the Rosedale on Robson and its history?

The Rosedale is celebrating its 20th anniversary this year! We opened our doors on April 2, 1995 at the corner of Hamilton and Robson Streets even before the area became known as a haven for arts and sports enthusiasts.

As an all-suite hotel, we offer a selection of spacious one and two-bedroom suites that provide the comforts of home, including a fully equipped kitchenette and a separate living room. Artists love to stay with us because of these features, as well as our ideal location (we are in close proximity to a variety of theatres), and our friendly Guest Services Team.

Because artists tour so frequently, they really appreciate having a larger than average hotel room with a kitchen; essentially a place that feels like home.

As The Cultch’s hotel partner, is supporting the arts something that is important to you?

We’re passionate about supporting and promoting the arts in our community.

We’ve been a sponsor of a variety of cultural organizations and festivals of all sizes over the years that include dance, music, literature, comedy, and of course, theatre. We’re committed to playing a part in helping to enrich our cultural community.

Can you tell us a bit about the Rosedale’s role in supporting The Cultch? How did this partnership take shape?

The Cultch is an integral element of the arts community, and our partnership helps foster the commitment the Rosedale has to the overall promotion of culture and the arts in Vancouver. We greatly value our long-standing relationship with The Cultch; this is our 13th year as its hotel sponsor. We love welcoming The Cultch’s artists to the Rosedale!

 

Rosedale on Robson is located at 838 Hamilton Street.  If you know someone who wants to visit Vancouver and needs a comfortable place to stay, have them check in at Rosedale on Robson!

Breaking News: The Cultch Receives Funding Through the Canada Cultural Spaces Fund

Breaking News: The Cultch Receives Funding Through the Canada Cultural Spaces Fund

The Cultch would like to thank the Department of Canadian Heritage for their support through the Canada Cultural Spaces Fund to support the purchase of specialized equipment.

“The Vancouver East Cultural Centre is extremely excited to receive this support from the Canada Cultural Spaces Fund. This funding enables us to make some necessary upgrades to our facilities and technology so we can better serve the multiple communities that partake in performance at Cultch venues. Audiences, artists and other users will all benefit from the upgraded ticketing system, and the theatrical equipment will go a long way in ensuring the Cultch can continue to support and present the best of local, national and international performance and community-based programs. We are grateful to the Government of Canada for showing leadership and commitment by investing in our community through the arts, and we encourage all levels of government to follow this enlightened example.”—Heather Redfern, Executive Director, Vancouver East Cultural Centre

Managing Director, Cindy Reid, gives address to media and audience in the Vancity Culture Lab

 

Excerpt from Department of Canadian Heritage News Release:

The Government of Canada provides support for cultural infrastructure through the Canada Cultural Spaces Fund

January 27, 2017 – Vancouver – Department of Canadian Heritage

The Vancouver East Cultural Centre, a multidisciplinary arts presenter known locally as the Cultch, is receiving $239,263 from the Canada Cultural Spaces Fund to support the purchase of specialized equipment. The Honourable Hedy Fry, Member of Parliament (Vancouver Centre), announced this investment today on behalf of the Honourable Mélanie Joly, Minister of Canadian Heritage.

Funding will be used to purchase and install new audio, video and lighting equipment and related hardware for the Cultch’s venues. It will also support the purchase of new ticketing, venue and event management software. This specialized equipment will allow the Cultch to increase the variety of its performances, while enhancing its technical capacity.

“Supporting cultural infrastructure is paramount for the growth and vitality of our communities and artists. Our government is proud to invest in the Vancouver East Cultural Centre as it continues to support our artists and contribute to the development of Canadian music, dance and theatre.” —The Honourable Mélanie Joly, Minister of Canadian Heritage

“The Vancouver East Cultural Centre has been a cultural and artistic hub in the Lower Mainland for more than 40 years. I am delighted that this investment will allow the Cultch to continue to entertain audiences with exciting and innovative programming for years to come.” —The Honourable Hedy Fry, Member of Parliament (Vancouver Centre)

Quick Facts

  • The Cultch opened in 1973 at the Historic Theatre on Venables Street in east Vancouver. It has grown significantly in recent years and also now operates the VanCity Culture Lab, Jim Green House and the recently renovated York Theatre.
  • The Cultch offers programming in theatre, dance, music and the visual arts, featuring artists from across Canada and around the world.
  • The Canada Cultural Spaces Fund program seeks to improve physical conditions for artistic creativity and arts presentation or exhibition. It is also designed to increase access for Canadians to performing, visual, and media arts, and to museum collections and heritage displays.

Portraits in Motion: “A gentle and thoughtful reflection about the fleeting nature of the moment…”

Portraits in Motion: “A gentle and thoughtful reflection about the fleeting nature of the moment…”

We are thrilled to partner with PuSh International Performing Arts Festival to co-present Portraits in Motion. Back by popular demand, Volker Gerling’s unique flipbook-cinema presentation shares the stories and images of the people he encountered while walking over 3,000 miles around Germany. Portraits in Motion will run January 24-26 at the York Theatre.

Volker Gerling on the Development of Portraits in Motion:

During my time as a student of film at the Academy, I understood that my passion was not for the big screen movie or television, but for a very special small form of film I called photograph flipbook cinema. In my flipbook films I mainly work with documentary portraits of people. The 36 images that my films are made of would run by in about one and a half seconds of ordinary cinema or television, but in a flipbook movie they can be repeated at will, you can see the gaps between them, and you can unconsciously try to fill these gaps. In this form, these pictures gain their own very unusual power and poetry.

Photo credit: Susanne Schüle

 

In summer 2002, I took an old wooden kitchen tray and made it into a simple hawker’s tray. There was room for six flipbooks on it. I hung a sign on it, saying: “Please visit my traveling exhibition. I walked through the city of Berlin and showed people my flipbook movies. Sometimes I changed the programme. I screwed an empty honey jar underneath the hawker’s tray so that visitors could pay a symbolic exit fee.

After I had been showing my flipbook cinemas in this way for almost a year, I came to realise that people have a need for “small” and “simple” stories. I decided to travel. I wanted to know how people outside the city would react to my films. I wanted to make new flipbook movies. I bought myself a new pair of walking boots and set off. I did not want to miss anything along the way, so I chose to go slow, on foot. I took my hawker’s tray with me and showed my flipbook movies to people by the wayside and over their garden fences. In the evenings, I went into pubs and restaurants and I visited village parties. I did not take any money with me. I slept in my tent and lived only from whatever people gave me. Sometimes they gave me money as a symbolic fee when they had seen my small show of flipbook cinemas, or they often gave me something to eat.

My journeys are reminiscent of the days when cinema itself was itinerant, when projectionists would move from town to town and there were no movie theatres. My own form of wandering cinema also creates a link between the ways in which my films are seen and my own way of travelling. The rhythms and the sense of time are comparable – just as visitors to my flipbook movies can view them at their own speed, my walking is based on my own rhythm and speed.

In my flipbooks, I am interested in the gaps between the images and everything that gets lost when you leaf through them quickly, and when I am walking I am interested in the gaps between the cities that you would normally speedily cover by car, train or plane. I am interested in what happens by the wayside; whatever you can never see when you travel quickly. I am interested in the people I meet when I am on my way. What are their lives like? What is important for them? What stories do they tell me, the stranger? How do the people in all the different towns, gardens and villages I pass through react to my art?

Today I can look back at 3,000 miles of walking, mainly in Germany, and nearly a year on the road in total spread across more than 10 years. Again and again I experience the excitement and the surprises of setting off without knowing what will happen next. I remain true to the principle of my very first walk – I take no money. I finance my journeys by showing my flipbook cinemas that I carry on my hawker’s tray. Old faces and old stories lead me to new faces and new stories. My exhibition is renewed.

In 2005, I began to show my flipbook movies in a stage show, Portraits in Motion. On stage, I use a video camera to project my movies onto a big screen. For a brief moment, the people in my flipbooks come to life. They are so real that sometimes you feel you have known the people in them for years. I tell their stories and tell of my own big, small, serious and bizarre encounters. My show is a gentle and thoughtful reflection about the fleeting nature of the moment and what it means when people meet each other. 

Every year I walk, so every year my show develops at the leisurely pace of a walker.

Volker Gerling

Portraits in Motion runs Jan 24-26, 2017 at the York Theatre. Tickets from $20. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Reviews are in for The Fighting Season…and they are Great!

Reviews are in for The Fighting Season…and they are Great!

Photo by Javier R. Sotres

Last Wednesday we opened The Fighting Season, our first show of 2017, and the winner of the 2015 Cultchivating the Fringe Award. What a way to start!  We are SO happy with the response it has been getting.

The Fighting Season is a deeply poignant play that delves into the heart of the Afghan war through the perspective of three Canadian medical personnel. The play examines the experiences of an OR surgeon, a medic, and a nurse as they deal with their experiences in Afghanistan. The Fighting Season addresses three of the many ways people deal with PTSD, and is partially based on the experiences of local playwright Sean Harris Oliver’s father who was an OR surgeon  in Afghanistan.

The reviews are unanimous, The Fighting Season is not to miss!

“Theatrical make-believe has rarely felt more VISCERAL.” – Jerry Wasserman, The Vancouver Sun

“The performances under the direction of Evan Frayne are uniformly TERRIFIC.”- Mark Robins, Vancouver Presents

“The play feels excruciatingly real and scrupulously HONEST…it’s a powerful piece of theatre made even more potent by three SUPERB performances.” – Jo Ledingham, joledingham.ca

“Visceral and MOVING, The Fighting Season shines as a FASCINATING study of war medics.” – Lauren Chancellor, TheReviewweekly

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The Fighting Season is selling fast! Don’t miss it, get your tickets.

The Fighting Season runs until Jan 21, 2016 in the Vancity Culture Lab. Tickets are $35. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Femme February at The Cultch

Femme February at The Cultch

This February, The Cultch presents a showcase of powerful work by trailblazing female artists. Celebrate the strength and power of the female experience with an amazing line-up of live performances created and performed by women:

Mouthpiece  | Jan 31 – Feb 5  | Tickets from $20!

MouthpieceMouthpiece follows one woman, for one day, as she tries to find her voice. The push and the pull, the past and the present, the progress and the regression: this is the inner conflict that exists within a modern woman’s head. Interweaving a cappella harmony, text, and movement – Mouthpiece is a harrowing, humourous, and heart-wrenching journey into the female psyche.

THE DRAW: After a critically acclaimed, sold-out Toronto run, six Dora nominations and two wins, Mouthpiece comes to The Cultch as part of a national tour.

BUY TICKETS 

Girl Positive Book Launch & Panel |  Feb 9  | Free event! 

Join us for the Vancouver launch of the groundbreaking book, Girl Positive, and a panel discussion on Women in the Arts.

Co-authors Fraser and Hagel will facilitate a panel discussion that will uncover the innovative ways in which women artists are disrupting and innovating culture. Featuring prominent women in the arts including author, actor, and playwright Carmen Aguirre, this discussion will provoke and inspire through an exploration of hidden power and wild possibility!

ABOUT THE BOOK
Showcasing diverse voices of girls and young women from North America, Tatiana Fraser and Caia Hagel shift the focus from media’s sensationalist stories to highlight real-life accounts of how girls are making positive change and shaping a new world. Girl Positive offers stories of struggle and victory, and brings to light where today’s girls are finding new paths to empowerment.

RSVP HERE

NeoIndigenA | Feb 15 – 19  | Tickets from $20!

A full-length solo performance from award-winning artistic director, choreographer, and performer Santee Smith (TransMigration), exploring our relationship to ancestors, the living universe, and renewal. The spellbinding score features elemental voices of Inuit singers Tanya Tagaq and Nelson Tagoona with musical composition by Cris Derksen, Jesse Zubot, Michael Red, and Adrian Harjo.

THE DRAW: “[Smith’s] highly charged, traditional/ contemporary/ballet fusion eats up the stage” — The Globe and Mail

BUY TICKETS

am a  |  Feb 21 – Mar 4  |  All tickets just $25!

am a explores identity through the lens of neuroplasticity, a science that examines the brain’s capacity for change. But how do we change our brains? And if we can change, how far can we go? Using personal text, scientific writings, dance, song, and frivolity to explore personal confrontation, am a is a celebration of being human. Of daring to succeed. Of daring to fail.

BUY TICKETS

Great Reviews for East Van Panto: Little Red Riding Hood!

Great Reviews for East Van Panto: Little Red Riding Hood!

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Theatre Replacement’s East Van Panto: Little Red Riding Hood opened Friday, November 25. What fun! There is nothing like the Panto to get us in the mood for the holidays, and it seems we aren’t the only ones that feel that way. The reviews have been rolling in, and the verdict across the board is that East Van Panto: Little Red Riding Hood is the best kind of holiday fun!

“The East Van Panto is now officially the BEST HOLIDAY TRADITION in Vancouver…I could happily see this show again and probably will” —Colin Thomas, colinthomas.ca

“Thank you, Theatre Replacement and The Cultch, for the lovely Christmas present….I LOVED IT. I really, really did. Best present ever” —Jo Ledingham, Vancouver Courier

“A genuine local HOLIDAY CLASSIC back for its fourth nutty season…this incarnation of the East Van Panto retains all its JOYOUS HUMOUR and characteristic pizzazz” —Jerry Wasserman, Vancouver Sun

“As FRESH, IRREVERENT, and FUN as its predecessors…If the East Van Panto isn’t part of your holiday tradition yet, WHAT ARE YOU WAITING FOR?” —Kathleen Oliver, Georgia Straight

panto_2016_041

 

East Van Panto: Little Red Riding Hood runs from Nov 23 – Dec 31, 2016 in the York Theatre. Best prices Family Packs available! 4 premium tickets for just $120! *A Family Pack includes 2 adult + 2 child tickets (Sec A). Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Want to see Veda Hille perform? Make sure to book your tickets between Nov 23 and Dec 4! Music man extraordinaire Benjamin Elliott (Are We Cool Now?, Broken Sex Doll) will perform Veda’s signature spins on contemporary and classic tunes beginning Dec 5!

CREEPS is “…ferociously funny”

CREEPS is “…ferociously funny”

creeps-hear-no

Winner of the Chalmers Award and the New York Drama Desk Award, David Freeman’s savage wit and uncompromising dialogue will hold you spellbound!

What 1971 play is recognized among theatre insiders to have changed Canadian theatre forever?  If you guessed David Freeman’s CREEPS, you’re right!

Realwheels Theatre, the company that brought you the Jessie Award-winning production of “Whose Life is it Anyway?” (The Cultch 2014 season), and winner of the City of Vancouver’s 2015 Award of Excellence, returns to the Cultch Historic Stage with this outstanding new production of CREEPS.

Running Dec 1- 10, 2016, CREEPS tells the story of four disabled men hiding out in the toilet of a ‘sheltered workshop for cerebral palsy victims’.  There to dodge their condescending supervisor, the men escape the mundane activities (folding boxes, sanding blocks), designed to ‘occupy their idle hours, and vent their disdain for their institutionalized environment and the charities that support it.  

While sheltered workshops were a progressive idea at the time, with the intention to rotate people through as they increased skill levels, many participants – like the characters in CREEPS – ended up spending most of their adult lives in the programs.

Freeman was one of the first writers to put his own voice – a Canadian voice – on the stage in the early 70’s.  Freeman lived with cerebral palsy and wrote CREEPS on a typewriter that he operated with a mouth-held stylus.

Reviews of the play were unanimously electrifying:

ferociously funny,

“...Freeman treats his people as people, showing how in their world there is humour in abundance, and things can be hugely comic.”

…Freeman handles his material triumphantly.”

May all playwrights be as talented as Freeman.”

For the first time in the play’s history, CREEPS is being performed by an integrated cast.  Of the seven professional actors, three are actors who live with disability.  Realwheels’ production of  CREEPS will give audiences a rare glimpse into the lived experience of disability, filtered through a 1970’s lens.   Don’t miss it!

Creeps runs from Nov 30– Dec 10, 2016 in the Historic Theatre. Two-for-One special ticket price for International Day of Disability on Sat. Dec 3 at 8 pm. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

*Please call box office to book if seating accommodation is needed (Wheelchair, PCA, ASL, audio description)