Greening The Cultch Includes Shades of Gray

At The Cultch we pride ourselves on presenting professional performing arts with minimal impact on the environment. With the aim of making our building the best in environmental practice, we are actively taking steps to reduce our ecological footprint and adopt new “greener” alternatives.  As remaining sustainable requires a constant evaluation of our methods, we are pleased to release our first “Greening The Cultch” dispatch. This is the first of many missives from our Director of Operations Terence Van Der Woude, in which he will put The Cultch under the microscope and take a look at our many efforts to remain environmentally friendly.

Greening The Cultch Includes Shades of Gray

By Terence Van Der Woude, Director of Operations

Cultch Balcony Hallway

Cultch Balcony Hallway

The Cultch is such a unique space. It has a soul that reaches back farther than any of us alive. It has witnessed all the highs and lows of people’s lives and is now witnessing the retelling of those dramas through live performance. I cannot think of a more fitting place to be able to claim to be the first LEED-certified performing arts building in Canada. And I feel very fortunate to be able to share and explore the significance of what that means with you.

Leadership in Energy & Environmental Design (LEED) is an internationally recognized green building certification system, providing third-party verification that a building or community was designed and built using strategies intended to improve performance in metrics such as energy savings, water efficiency, CO2 emissions reduction, improved indoor environmental quality, and stewardship of resources and sensitivity to their impacts. (more…)

Cultch Intern Corner: Meet Daniela Núñez

Cultch marketing intern Daniela Núñez

Bustling with staff, interns, volunteers and the occasional dog, The Cultch is a busy place. Everyone is working hard to keep on top of things and our interns are right in there, collaborating on ideas and working on various projects. Usually a semester long, Cultch internships offer valuable work experience with positions ranging from marketing to videography. Many of our interns are from Vancouver, but a few lucky ones are from places a bit warmer. Take Daniela Núñez for instance. She is a marketing intern at The Cultch and has recently moved here from Mexico. Daniela has become a key player in the marketing department and we wanted to check in with her to find out her impressions of The Cultch and her experience so far living in Canada.

Where is your Hometown? How long have you been in Canada?

I’ve lived my whole life in Mexico City and it’s been one year since I arrived in Canada.

What do you do at The Cultch?  What did you do at home?

At The Cultch I’m working in the marketing department with Rebecca, Denise and Noemie. In Mexico, I worked as a radio producer at a cultural radio broadcast station for two programs. One show promoted the artistic and cultural events happening in the national and international arena and the other was created by my best friend and me; It was about mythology, literature and music. After The Cultch, I will start exploring marketing agencies in Mexico that promote social campaigns sponsored by private companies.

Why did you want to intern for The Cultch and what have you learned about yourself through this experience?

I was invited a couple of times by a friend to come and see a show at The Cultch. I felt immediately engaged by the quality of the shows, the low price and the environment.  This experience has been meaningful to me because I wanted to experience being immersed in a company that focuses on dance, theatre and music events, which are my main interests at the moment. I also realized that I would like to continue working in the cultural field in combination with social welfare development.

What do you hope to do with the experience you have gained at The Cultch?

I want to apply what I have learned when I go back home. Having worked abroad will be useful when applying for a master’s degree in cultural management or another related field.

What has been your most favorite/unique/bizarre experience so far? (more…)

Volunteer Profile: Introducing Vicki McCullough

Vicki McCullough has donated her time to The Cultch for the past 28 years!

At The Cultch, volunteers are an integral part of our well-oiled theatre machine. From ushering to distributing programs, the volunteers make it happen. We are proud to introduce one of our longest-serving volunteers, Vicki McCullough. Having graciously donated her time for the past 28 years, Vicki’s invaluable support has seen us through many a performance!

Full name: Vicki McCullough

How long have you been a volunteer at The Cultch?

I’ve lost track, but it’s about 28 years.

What motivates you to volunteer at The Cultch?

The Cultch’s diverse offerings, the high quality of shows, and the friendly environment. After all these years, I feel very at home here. My association with The Cultch goes back to the ’70s, when, as a theatre student, I attended every show the resident company, Tamahnous Theatre, produced. I’ve performed here, and I’ve co-hosted a private Christmas party here.

What makes The Cultch unique?

Its location on the East Side, its evolution from church to performance venue, its intimate feel, Len Gardiner’s incredible floral arrangements.

What is the funniest/most amazing/weird experience you’ve had while volunteering at The Cultch?


Dave Deveau brings emotional, laugh-out-loud theatre to the Neanderthal Arts Festival

Dave Deveau of Zee Zee theatre Vancouver Playwright of Tiny Replicas playing at the Neanderthal Arts Festival at The Cultch

Dave Deveau

Make way for the Neanderthal Arts Festival, a new, adventurous festival lumbering over to The Cultch this summer. This festival will highlight bold, innovative work from visionary artists and will run from July 21st to August 1st at The Cultch. One of these local visionary artists is The Cultch’s very own Head Front of House Manager, Dave Deveau. Describing theatre as “the ultimate conversation about humanity”, Dave has started two theatre companies in Vancouver and is now working on various projects at home and in Toronto. His play, Tiny Replicas, will be at the Neanderthal Arts Festival (July 21 to 25) and we took this opportunity to pick his brain about the festival, his work, and the secret to his success as an emerging playwright and theatre company creator.

­­­­You are behind both Zee Zee Theatre and Thirty Below Theatre. When did you start these companies and what are they all about?

Thirty Below Theatre emerged as a project in the final year of my undergrad at York University with the mandate of producing plays by Canadian playwrights both past and present. There are a multitude of companies in our country who help develop work by young playwrights, but very few who actually see them through to professional productions. The company itself formed in 2005 with the English-Language world premiere of Canadian master playwright Michel Tremblay’s The Train, which I translated and directed. The company has produced a show every year since.

Zee Zee Theatre is my fiancé Cameron Mackenzie’s mastermind project which he formed at the end of 2008. It’s a registered non-profit that focuses on the stories of the marginalized as seen through small moments. It launched with Bryden MacDonald’s Whale Riding Weather in February 2009, followed by my own play Nelly Boy last October, which earned the company its first Jessie nomination.

What made you want to start theatre companies in Vancouver? What challenges have you faced?

As any young artist out of theatre school can attest, it’s hard to get hired, particularly if you’re a director or a playwright in a city that’s not yet familiar with your work. You need to get your name out, and the best way is to do it yourself. One thing Cameron was adamant about with the formation of Zee Zee, was that everyone got paid a professional living wage from the get-go. It’s vital because otherwise you’re dismissed as amateurs and we don’t have the time or patience for that. So despite not receiving any government or foundation funding for Whale Riding Weather, Cameron chased funders and patrons and was able to employ a full roster of Equity actors and professional designers – something I still stand in awe of.

Tiny Replicas image playing at the Neanderthal Arts Festival at The Cultch

"Tiny Replicas"

What have you found most rewarding about your experience?


The Cultch’s Volunteer Appreciation Party: Food, Friends, Fun and Prizes!

The Cultch Volunteer Party

Photo by Denis Jockmans

Last week, our annual volunteer barbeque was held to celebrate (and reward) all those folks who have enthusiastically donated their time over the past year. Basking in the much-awaited summer sun, volunteers were treated to burgers, beers and a multitude of prizes generously donated by businesses on The Drive. After some mingling, a few theatrical games and a little bit of ice cream, we asked the volunteers to share with us some of their all-time favourite memories of working at The Cultch.

“The first year I volunteered at The Cultch was 2009 and I’m still a newbie! My favourite memory of The Cultch? The Hoedown!  It was so much fun.”         – Anna Wynveen

“I started volunteering at The Cultch in 1998, although I’d been attending three or four times a month for years. I came especially for the Masterpiece Music and Jazz. It was such an elegant way to enjoy an afternoon of great music with Turkish carpets, candelabra and the wonderful outfits Linda Lee and Gwenwore, especially those shoes!” – Betty Lou Phillips

The Cultch volunteer party

Photo by Denis Jockmans

“I have no particular favourite memory, but I do love how welcome I feel when I volunteer.” – Astarte


Dispatch from Charleston, SC: The Spoleto Festival

Spoleto Festival USA, Opening Ceremonies at Charleston City Hall

Opening Ceremonies for the Spoleto Festival were held at Charleston City Hall. Photo by William Struhs

With subscriptions to The Cultch already on sale for the 2010/2011 Season, and tickets about to go on sale August 1, it is time for me to put my mind to our 2011/2012 Season. One of the ways I do this is to travel to other festivals and see what performing companies and artists from Canada and around the world are touring. My first stop is the Spoleto Festival in Charleston, South Carolina. A well-established annual festival, it has a sister festival in Italy with the same name. The programming ranges from opera and chamber music through contemporary dance, outdoor jazz concerts, puppetry and new theatrical work. It is very interesting to the see the dynamic in Charleston between the community and festival. Everyone in town knows about it and knows it brings visitors into town and is important for the economy – there’s a great buzz! I saw eight shows, and all but one received a standing ovation. Even shows whose content might be considered to be quite “racy” by the local, very conservative population were appreciated.

I had the opportunity of seeing Daniel McIvor’s latest one-man show, This is What Happens Next. I had forgotten what a stunning performer Daniel is, so it was terrific to see him on stage again. This was a very Canadian play yet it definitely resonated with audiences in the southern United States.

The work I saw in Charleston was eclectic and diverse. One of my favourite shows was a marionette version of Cinderella. Produced by Colla Marionette Company, an Italian company that has been run by the same family for 250 years, it was refreshingly traditional. The story was simply narrated and featured a live band and lavish costumes and sets that showed off the skills of the dozen puppeteers who manipulated the 150 puppets in the show.

Finally, a big favourite for me was performers from Berlin called Die Roten Punkte, who will be playing the Vancouver Fringe Festival in September this year!  I strongly suggest you go and see them and if you do, let me know if I should look into an encore performance at The Cultch!

2010 official Festival poster: "From Rhode Island to South Carolina" by Maya Lin

2010 official Festival poster: "From Rhode Island to South Carolina" by Maya Lin

Heather Redfern is Executive Director of The Cultch.

Volunteer Profile: Meet Mihai Ciotinga

Cultch Volunteer Mihai Ciotinga

Mihai has volunteered over 120 hours at The Cultch

A key to The Cultch’s success is the support we receive from our volunteers. Assisting us with everything from greeting and seating patrons to preparing and distributing programs, volunteers play a critical role in ensuring our season runs smoothly. Meet Mihai, one of these aforementioned volunteers. He has volunteered over 120 hours during the 2009-10 season and with his enthusiastic support continues to be an asset to The Cultch!

Full name: Mihai Ciotinga

How long have you been a volunteer at The Cultch?

I am junior volunteer at The Cultch, with only 8 years under my belt.

What motivates you to volunteer at The Cultch?

It is a great honour and a privilege to be able to serve as part of an incredible team of artists and art professionals. These days, more than ever, volunteering at The Cultch is enlightening, exciting, intriguing and rewarding.

What makes The Cultch unique?

Show me another theatre with a brand new building that’s 100 years old, with a 21st century management team fit to operate in Shakespeare’s time, that runs shows out of this world and is humbly put together around The Drive!  The Cultch has established itself on the artistic and cultural map of Canada as a bastion of civic and artistic consciousness, wit, creativity and beauty.

Most anticipated show of the 10/11 Season:


Your childhood nickname:

Jordache, after Rudy Jordache, the main character of  the American series “Rich Man, Poor Man” (played by Peter Strauss).

Photo by Denise Higginson

Your hobby:


The Cultch’s 10/11 Season: Music/Indie Series

Interested in The Cultch’s 10/11 Music/Indie series?  Here’s a preview of our shows!

Garotas Suecas with Calvin Johnson & The Hive Dwellers
September 8, 2010
Burning dance floors throughout the country, Garotas Suecas come raging from Sao Paolo, Brazil—five boys and a girl playing fuzzed out, psychedelic garage rock nu-Tropicalia. This full-length CD release party will have you grooving to its bright, colorful Brazilian horns and shaking rhythms.

The Cultch is thrilled to also bring Calvin Johnson and his new band The Hive Dwellers to the dance floor. Former Beat Happening front-man and K Records head honcho, Calvin is known for his uniquely deep, hypnotic singing voice. With this new project, The Hive Dwellers give a shout out to pop music, underground and dance.



By Ame Henderson / Public Recordings (Toronto)
January 25 – 29, 2011
Dubbed “notoriously adventurous” by Toronto Life, Canadian choreographer Ame Henderson brings us relay—a disarming investigation into the taboos and pleasures of watching and making movement in unison. A cross-disciplinary collaboration between eight dancers and two musicians, relay asks important questions about the politics and possibility of togetherness. Borrowing from memories of dances past, relay re-imagines unison, asking how we maintain our sense of self while working together.

Performed by Eric Chenaux, Eric Craven, Chad Dembski, Katie Ewald, Claudia Fancello, Matija Ferlin, Mairéad Filgate, Marie Claire Forté, Brendan Jensen and Barbara Pallomina.

The Cultch’s 10/11 Season: Family-Time Series

The Cultch’s 10/11 Season offers some great family-friendly options!

Fish Face
By The Quickening Theatre (Toronto)
Winner of the “Cultchivating the Fringe Award: 2009″
December 3 – 5, 2010
An enchanting fairy tale that makes a big splash with audiences of all ages! On the day of her wedding, a young bride sets sail to meet her groom for what is meant to be a romantic ceremony at sea. When she accidentally drops her magic ring into the ocean below, she follows it down into a vivid underwater universe where she battles a giant sea monster and confronts her destiny.

Darwin the Dinosaur

Darwin the Dinosaur

Darwin The Dinosaur

By CORBIAN Visual Arts & Dance (New Orleans)
March 11 – 13, 2011
From a land of darkness comes a tale of light. Darwin the Dinosaur is a truly unique theatre experience featuring larger-than-life, glow-in-the-dark characters that light up the stage. With moments of both calamity and comedy, this heart-warming tale tells the story of a scientist, his creation and the true meaning of love. Using electroluminescent, crayon-drawing-like creatures and an irresistible soundtrack, Darwin the Dinosaur is an imaginative spectacle for all kids.

Old Thomas and the Little Fairy

Old Thomas and the Little Fairy

Old Thomas and the Little Fairy
by Bouge de là (Montreal)
Presented with Centennial Theatre
April 8 – 10, 2011
Old Thomas and the Little Fairy embarks upon a new adventure, one that marries dance and literature. Inspired by the children’s book written by Dominique Demers and illustrated by Stéphane Poulin, it tells the story of an angry old sailor who discovers a tiny water fairy collapsed and unconscious on the beach. As he nurses her back to health, her child-like wonder and happiness restores the sailor’s old and broken heart. A beautiful story about love, life, loneliness and friendship, this production will warm the hearts of one and all.

Become a 10/11 subscriber and get the best rates available!  For more information visit our 10/11 Subscriber page.

The Cultch’s 10/11 Season: Presentation Series

The Cultch is headed towards an exciting 10/11 Season.  Here’s a preview of our Presentation Series!

after the quake
Based on “Honey Pie” and “Superfrog Saves Tokyo” from the novel after the quake by Haruki Murakami
Adapted for stage by Frank Galati
By Rumble Productions / pi theatre (Vancouver)
October 13 – 23, 2010
after the quake takes its audience on a journey where magic and realism collide, in an exploration of disrupted reality. Junpei is a timid writer who enchants Sayoko, the love of his life, by conjuring up stories to soothe the anguish of her young daughter who is having nightmares of the Earthquake Man. A talking bear makes the very best honey pies and a bank loans officer struggles to distinguish between what is real and what is not when six-foot Frog asks for help to fight off giant Worm for the future of Tokyo.

Dr Egg & The Man With No Ear

Dr Egg & The Man With No Ear

Dr. Egg & The Man With No Ear
Written by Catherine Fargher
Directed by Jessica Wilson (Australia)
October 26 – November 6, 2010
When a man loses his ear in a bizarre cycling accident involving a bull terrier, he cannot shake the yearning to replace it. A mysterious Dr. Egg offers to grow him a new ear, but needs a sample of DNA from the man’s daughter in order to do so. The man refuses to harm his daughter, but as she is eager to make him happy, she finds her way to the lab. Like all good fairytales, the journey is not a simple one and the ear comes at a great cost. The doctor’s magic elixir, and this story, yields a dilemma far more challenging than ‘happily ever after’.