10 THINGS you’ll HATE about ME is a Molotov cocktail of spectacle, dance and desire from choreographer/performer Noam Gagnon. Organized as a series of deeply personal vignettes, 10 THINGS walks the tissue-thin line between art and autobiography.
What can the audience expect from 10 Things?
For 10 Things, I want to take the audience into the story of a fairy tale for grown-ups (but not limited to). I want to create a world where the audience can be enveloped by the magic of what theatre can do. I am a dreamer by nature, an extreme optimist, and that has carried me through many hard times.
In the show, I ask people to forget about reality and send them on a ride, showing them a beautiful, visual physicality, a poetry where there are images filled with the power of the story of a boy, and the traditional story of the hero. It’s about love. It’s about survival. But ultimately, it’s about being able to transcend and make the choices that lead you to live the life you were meant to lead, not the life that was given to you.
10 Things is described as a series of personal vignettes, can you tell us more about them?
10 Things is a fairy tale, and a life in Technicolor. It draws on a series of vignettes, text, set design, and imagery to describe the boy’s story, and is seen through a parallel of the story The Happy Prince by Oscar Wilde.
I speak about love, loss, hope, transcendence; it is based on something greater than our day-to-day experiences. It’s about our own humanity and the desire to transcend. So it’s not a piece where you can sigh with relief. But you feel safe watching something that’s sometimes tragic, and also creates a magic and a beauty in this world.
What have you been working on since 2007’s world premiere of The Vision Impure at The Cultch?
I have been touring the new solo version of The Vision Impure that will be shown at CDF this coming June, and premiere in Vancouver during Dancing on the Edge this coming July. Also a few film projects, a few small creations/explorations, mentoring (which was delightful), Beyond Pilates teacher training, and more….
What was your inspiration for this work?
Essentially, creating magic in my overly-scheduled daily life.
You’ve described yourself as an emotional dancer. Do you ever fear of expressing your emotions on such a public scale? What compels you to do so?
I believe in beauty. And beauty doesn’t have to mean perfection. We are beautiful when we are tired – it’s when our barriers are down that we are beautiful. These may be things we think others will hate. It’s just our essence then, and I love that. It takes a lot of courage to be in those places. And I think people can find themselves in the story, and that is beautiful, too.