Thank you to our Cultch audiences for a triumphant close to our 16/17 Season!

Thank you for a wonderful 16/17 season!

What an amazing year it has been! The 16/17 Season was one of The Cultch’s most successful thanks to the continued patronage of all of our amazing supporters!

With 21 theatrical shows in our three venues, as well as countless amazing rental and festival shows; 11 Gallery shows; plus three nights of great music including, The Sicilian Project, DakhaBrakha, and the inaugural East Side Live, 16/17 was a great season for us, and we are so glad that you joined us for it!

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We had many grand adventures together; here is a look back at a few of the many highlights:

We joined together to watch a version of Shakespeare’s Twelfth Night completely in Hindi (Piya Behrupiya).

Piya Behrupiya

Photo by Company Theatre

We saw paper fights break out between audience members and bendy contortionist performers (The Pianist)…maybe we threw a few pieces ourselves…

‘The Pianist.’ Photo by Roaming the Planet

We saw the dawn (dusk?) of a new era in US politics ushered in as we sat in the dark Historic Theatre and did a little voting of our own (Fight Night).

Cast of Fight Night

Together we raised money for Cultch Connects, bringing over 1,200 people into the theatre who might not be able to attend otherwise; including families who are struggling to make ends meet, caring for a child with a serious illness, or who are new to Canada.

Cultch Connects brought over 1,200 people to the theatre with your help!

We joined together with our friends and families to make the fourth installment of East Van’s favourite holiday tradition the biggest selling show in The Cultch’s history! (East Van Panto: Little Red Riding Hood) Go Panto Go!

YAY Panto! Photo by Emily Cooper

We celebrated the powerful work of creative women for an entire month during Femme February!

Femme February included Mouthpiece, NeoIndigenA, am a, and the book launch of Girl Positive

We chuckled, chortled, and cackled together as we paid tribute to the 30+ year legacy of a local restaurant with a big heart, while singing along to catchy hits like ‘Testosterone’ and ‘Let a Girl Eat’ (Elbow Room Cafe: The Musical).

Elbow Room Cafe: The Musical cast members sing ‘Testosterone’. Photo by Tina Krueger Kulic

We spent time with old and new friends as we gathered to watch some of The Cultch’s favourite performers like: Esme Massengill, Mrs. Edna Rural and everyone’s favourite flightless fairy -Schnitzel (The Daisy Theatre).

No one is immune to the cuteness of Schnitzel! Photo by Alejandro Santiago

We felt the spray of ice on our faces as we gathered on the ice of Britannia Ice Rink to see Vertical Influences.

Audience members sit on the ice during Vertical Influences. Photo by Roaming the Planet

We mourned together as we watched heartbreaking and poignant Children of God, and then we sat together in the theatre to discuss how to respond to the dark legacy of residential schools.

Children of God cast members lead a discussion after the opening night performance. Photo by Roaming the Planet

And, after so many shows and fabulous events – we joined together to share meaningful conversation over many a glass of wine!

Sharing a drink with friends in the York Theatre. Photo by Roaming the Planet

We would love to hear some of your favourite memories of the 16/17 season; what are your favourite moments? 

Don’t forget to buy your subscription for our 17/18 Season soon. Shows are already filling up, get the best seating while you can! Click here for the full lineup.

Thank you for choosing to make The Cultch and the arts a part of your life!

Box Office Summer Hours:

Monday- Saturday: 12-4pm

Sunday: Closed

Also, open 2 hour prior to all performances

Q&A with reVolver curator, Elysse Cheadle

Q&A with reVolver curator, Elysse Cheadle

Upintheair Theatre is back at The Cultch for the fifth annual rEvolver Theatre Festival. rEvolver runs from May 24th – June 4th, and presents new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators.

We are so pleased that the fabulous Elysse Cheadle, our very own Head Front of House Manager & Volunteer Coordinator, was able to give us a little behind the scene insight into the exciting fifth chapter of this great Vancouver theatre festival.

Elysse Cheadle. Photo by Elliot Vaughan

Elysse, tell us a little bit about yourself.

I am a theatre-maker, performer, and writer living in Vancouver. I am interested in theatre that is curious and playful, that forces you to consider your own spectatorship, and that carefully uses shape, space, movement, texture, and sound as much as it does text and story.

I also happen to work at The Cultch as the Head Front of House Manager and Volunteer Coordinator and was lucky enough to be this year’s guest curator at The rEvolver Theatre Festival.

How did you come to be guest curator for the rEvolver Festival?

I have been involved in The rEvolver Theatre Festival in the past as a performer in both the Reading Series (The Peaceful Sea – Theatre Elsewhere) and Main Stage Series (The Peaceful Sea – Theatre Elsewhere), and have had my work presented in the festival (Mr.Snortoose and the Machine-Children’s Machine). On all occasions, my festival experience with rEvovler was unique; Dave and Dan really put a lot of effort into selecting artists with interesting perspectives, and then providing the opportunity for them to build connections and community with one another. Being given the encouragement to support and connect with the other artists in the festival has led to long lasting, meaningful artistic relationships. The value of these relationships is as useful to a young artist as the opportunity of having work presented. I think Dave and Dan are very smart that way, and I wanted an opportunity to work with them. Therefore, last Spring when they announced that they were looking for somebody to help curate and produce the festival, I jumped at the opportunity and applied.

What was the experience of programming shows like?

Difficult! I did not anticipate the challenge of trying to examine each selection so holistically; a show can be wonderful, but simply not fit within the larger scope of the festival. For example, we had a lot of applications for one-person shows. Many of them seemed powerful and we really wanted to give them a chance to be presented, but for the sake of diverse programming we could not select all one-person shows. We had several different festivals mapped out with various combinations of pieces. Each of these potential festivals had their strengths and weaknesses. In the end, you have to trust your gut with which to choose – and then, of course, you cross your fingers that the artists accept your offer when you send it to them!

Are there any shows or events you are particularly excited about in this year’s festival? Why?

Oh boy – I think we have a great line-up this year! If I had to pick a few, I would say I am really excited to see The Princess Show (gender bending! bass guitar! lip sync!), NeOn (I missed it at the Fringe this year and continually was told how wonderful it is!), and Soliloquy in English (the concept is so perfectly simple!).

The Princess Show, starring Princess Edward & Abel T. Suckizone

Also, I absolutely love seeing work that is still in process. I think some of the most impactful artistic experiences I have had have happened when being invited in to observe something that is not “done” yet. Artists seem to give themselves more permission to take risks and to try out totally new territory in the earlier stages of creation. Pieces can still feel raw and challenging when they are just finding their shape. Therefore, I am really looking forward to going to Resounding Scream Theatre’s Sunday afternoon event Plunge where we will be invited to watch and discuss three separate pieces that are still in the process of being constructed.

What’s next for you?

I am currently working on expanding a new piece called Fuchsia Futures which is a surrealist domestic drama about a family in the wake of a great loss. It is loosely based on the life of infamous population geneticist George F Price, who is known for boiling down altruistic behavior into a neat little probabilistic equation, before losing his mind in an effort to disprove his own findings. In ‘Fuchsia Futures,’ we follow the family after George’s suicide. There is a lot of humor, and existentialism, and music played on the banjo.

Also, I am going to be performing in a festival in Taiwan in July in a piece called Between Two Rocks by Robert Leveroos.

Elysse in Between Two Rocks. Photo by Lukas Engelhardt


Check out the great line-up of shows happening this year!

Here are four ways you can enjoy this years reVolver Theatre Festival:

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!
  3. Individual tickets are available both through The Cultch’s Box Office and at the door.
  4. Don’t miss the free performances of Habitats and Plunge

reVolver runs at The Cultch, May 24-Jun 4. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Announcing the 2017 rEvolver Festival Mainstage!

A man stuck in a London train station. A live game show. A cardboard puppet sci-fi western. A live drag attari video game musical. An embarrassing birthday gift. A Spanish Vampire bar. A bespoke handmade book. The meaning of love.

Upintheair Theatre is thrilled to be back at The Cultch for the fifth annual rEvolver Theatre Festival. rEvolver runs from May 24th – June 4th, presenting new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators. Past rEvolver Festivals have included world premieres of hit shows such as Jordan Hall’s ‘Kayak’, Delinquent Theatre’s ‘Stationary: A Recession-Era Musical” (which featured as part of The Cultch’s 2015/16 season) and Mind of a Snail’s gorgeous shadow puppetry in ‘Caws and Effect’.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. Join us in seeing all that this incredible community of artists has to offer.

Got to revolverfestival.ca for all the information you need!

MAINSTAGE SHOWS:

FREE EVENTS:

  • Habitats Isabelle Kirouac & Nayana Fielkov (Vancouver)
  • Plunge in collaboration with Resounding Scream Theatre (Vancouver)
  • SHINY Kelly McInnes (Vancouver)
  • UPDRAFTS Reading Series featuring new works by emerging playwrights

Excited by what you see? There are a number of different ways you can purchase tickets!

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!
  3. And of course individual tickets are available both through The Cultch’s Box Office and at the door.