We asked some staff, patrons, and artists what it was they loved about The Cultch, and we were flooded with such beautiful heartfelt responses—they just warmed our hearts! It means so much to us to hear just how much you value the work we do!
Here are some of the wonderful responses of love we have gotten this week!
Pippa Mackie as Pinocchio in East Van Panto. Photo by Tim Matheson
“I love the Cultch because it brings the community together.
I love the Cultch because the arts are an essential service.
I love the Cultch because they empower me as an artist.
I love the Cultch because they bring people together.
I love the Cultch because they provide an opportunity for local artists.
I love the Cultch because without them…East Van just wouldn’t be East Van.
I love the Cultch because I have seen the impact the Panto has on audience members.
I love the Cultch.” – Pippa Mackie, local playwright & performer
“I love The Cultch because the shows I’ve seen at The Cultch are some of my most cherished memories. So it’s like the Cultch is this old friend who keeps surprising you.” – Veda Hille, local singer, pianist & songwriter
“I love the Cultch because …
it’s in my neighbourhood
it’s always felt like a second home
Len Gardiner is the world’s coolest Caretaker
it’s where I can see non-commercial art
it’s a not-for-profit
it connects me to the world
it’s the first place I saw a live show in vancouver
it used to be a church
it’s the theatre I’ve performed most in, in my LIFE!
I’ve seen about 200 shows there” – Marcus Youssef, local playwright & performer
“I love The Cultch because it is a family.” –Louise Chapman, Development Manager
“I love The Cultch because it is a place of connection in a time when connection is difficult.” –Lisa Mennell, Communications Associate
“I love The Cultch because it is a gathering place where everyone is welcomed with open arms.” –Chelsea Isenor, Marketing Manager
“I love The Cultch because when I walk through the doors it feels like a very familiar place. It feels like I’m coming home.” –Corey Payette, Urban Ink Artistic Director
Kit Redstone and the rest of the Testosterone cast. Photo by Luke Forsyth
“I love The Cultch because I had the great pleasure of bringing my work there all the way from London. It was and still is the most sensational venue I have ever had the privilege to work with. Located in the heart of a wonderful community, every single staff member works tirelessly to make this a really special place. I have never experienced a team so generous, fun, good natured and talented at what they do. A good venue should feel like a family working in absolute harmony, and this was my experience of working with the theatre. The work they program is bold and important – showcasing plays that entertain, delight and most importantly informs, inviting their audience into important questions raised. The theatre is in many ways the centre of a gorgeous community, it’s beating heart is a conduit to the varied voices that it brings to the stage. Without a doubt, my favourite theatre in the world.” – Kit Redstone, Testosterone writer & performer
“I love The Cultch because it’s this incredible gathering place for all kinds of different communities who are all passionate and devoted to the arts – patrons, volunteers, theater makers, dance makers – it’s this amazing home for both local artists and visiting artists which is a really beautiful thing.” –Dave Deveau, Playwright / Zee Zee Theatre Associate Producer
“I love The Cultch because it’s the place where the world comes to me.
I love The Cultch because it’s where I get to see old friends and make new ones.
I love The Cultch because this is the place where my dreams came true.
I love The Cultch because it is a wormhole that transports me across time and space.
I love The Cultch because it celebrates BIPOC and LGBTQ2SIA+.
I love The Cultch because it is where my partner and I have our dates nights.
I love The Cultch because of the people who work there.
I love The Cultch because it expands my mind as an artist.
I love The Cultch because The Cultch audience has become my audience.
I love The Cultch because Heather Redfern never panders. The work she programs is challenging, beautiful and brave.
I love The Cultch because it is a place where womens’ voices are celebrated.
I love The Cultch because its commitment to reconciliation goes beyond land acknowledgments.
I love The Cultch because it is the best thing in Vancouver.
I love The Cultch because it has been the backdrop for a thousand selfies :)” – Tetsuro Shigematsu, local playwright & performer
Don’t those messages of love just warm your heart? Thank you for all the love you give us! With your love and support we look forward to when all of this is over, and we can come together again to sit in the dark—friends, family, colleagues, and strangers—and have our hearts and minds transformed by the arts once again.
The Cultch Theatre has been recreated in Minecraft, and it is AWESOME!
This spring break we are presenting a very special show specifically for families with Minecraft* obsessed kids – Theatre Replacement‘s MINE (March 18-22, Historic Theatre).
On stage, a group of gamer/performers aged 11 to 46 enact different mother-son narratives—from the Beowulf saga, to Bambi, to The Terminator—using the video game Minecraft. Inspired by the real-life relationship between Theatre Replacement’s Co-artistic Director, Maiko Yamamoto, and her 11-year-old son, Hokuto, and his obsession with Minecraft. MINE is live-operated from start to finish, and opens us up to expansive new territories in an intergenerational performance that both interrogates and recognizes the role technology plays in our modern parent-child relationships.
The Cultch Digital Storytelling team has been busy as the bees collaborating with Conor Wylie, one of the creators of MINE, to create a fun supplementary experience for all the Minecraft, Theatre Replacement, and Cultch fans!
The Cultch bees in the game!
The Cultch bees IRL!
Come and visit a detailed reproduction of The Cultch theatre placed in the Vancouver-ish Minecraft city used as the set for Theatre Replacement’s MINE. Discover new stories told through Minecraft, explore the theatre and the city, and surround The Cultch with your own creations. Find the QR codes hidden around the real life Cultch to see the pre-show rituals of Bambi, a character from MINE. Be the first to find all 3 videos to learn the code to unlock the Chest and claim the Daily Prize!
Use Minecraft Java Edition to access our Minecraft server. Choose multiplayer, and add thecultch.apexmc.co to your server list.
Here is a sneak peek at some of the familiar Cultch spaces that have been built in the world of the game!
The Cultch exterior in the game!
The Cultch exterior IRL!
The Cultch exterior has had several updates over the years. The historic building started it’s life as a church, and has been a community arts venue for over 45 years!
The Cultch Lobby in the game!
The Cultch Lobby IRL!
The Cultch lobby is a favourite hang out spot for theatre, dance, and music fans in the city. It is also home to the Cultch Gallery – a community focused space dedicated to providing progressive art to the residence of Vancouver East Side.
The Cultch Founders’ Lounge in the game!
The Cultch Founders’ Lounge IRL
The Cultch Founders’ Lounge is a quiet and cozy spot to hang out before or after the show.
The Vancity Culture Lab (with BIG Sister set) in the game!
The Vancity Culture Lab (with BIG Sister set) IRL!
Our smallest venue, the Vancity Culture Lab, is an intimate space for powerful performance. It is also the space where we always present our Cultchivating the Fringe winners (like BIG Sister!).
Wanna see more? Let Bambi take you on a quick tour of The Cultch. He has backstage access!!
MINE, from Theatre Replacement, runs March 18-22, 2020, at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.
*MINE is not an official Minecraft product, nor is it affiliated with Mojang.
We are so thrilled to be presenting Kuroko, a world premiere from renowned playwright and performer, Tetsuro Shigematsu, Novemeber 6-17 in the Historic Theatre.
Wanna know more about the show? There are four concepts that inspired Tetsuro as he was writing—Hikikomori, Rental Families, Kuroko, and Suicide Forest. Read below to hear what Tetsuro has to say about these four concepts!
Hikikomori. Imagine going to your bedroom and never leaving. This is the phenomenon known as hikikomori. Japanese young people on the road to maturation, experience a setback: bullying, or failing their entrance exams. They retreat to their bedrooms and never leave, spending all their waking hours online, enabled by parents who don’t know what to do apart from leaving trays of food outside their doors.
Rental Families. Would you ever hire an actor to play a relative or friend in your life? How quickly would the lines blur? As bizarre as this may sound, the rent-a-family industry is a mature industry in Japan, a place where manifestations of the artificial aren’t seen as negatively as they are here.
Kuroko. Literally translated, kuroko means black child, or child of darkness, a rather poetic name for the stagehands in traditional Japanese theatre. Clad entirely in black, audiences in Japan claim not to see them, as they occupy a culturally specific blindspot, in the same way that Western audiences pay no attention to the strings of marionette puppets. The shadowy kuroko enable players to achieve feats of virtuosity, and the otherwise impossible. Is there a kuroko in your life?”
Suicide Forest.The original title for this play was Suicide Forest, We changed the title when we discovered that another play of the same name premiered in New York in March of 2019. This is an actual place in Japan, infamous for being the most popular destination for those wishing to end their life. Geologically unique, it is also an attraction for nature lovers, officially named Jukai or ‘Sea of Trees’.
Kuroko runs at the Historic Theatre Nov 6-17, 2019. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.
The Cultch staff are excited for TRANSFORM: A Cabaret Festival!
It is that time of year again! Time for you to hear from a few of our staff about some of the shows they are excited for in our 19/20 Season. This year we are featuring shows from our inaugural TRANSFORM: A Cabaret Festival!
I am a huge stand-up comedy fan, and I’m really excited about Steph Tisdell’s show Identity Steft. She recently took the Edinburgh Fringe by storm, and has been named the rising star of Australian comedy.
It really makes my heart sing to see artists from diverse backgrounds using laughter to stand up to white supremacy and the patriarchy. That takes incredible courage and awe-inspiring skill. I can’t wait!
Paul Phalen, Business Development & Hospitality Manager.
There is so much to see in the festival, but these two shows, I will not miss!
I can’t wait to see The Women of Comedy! These amazing funny women are the best in the country, and it also features the smart and funny Steph Tisdall of Australia.
Martha Chavez, the “Grand Dame” of Canadian comedy, who is featured on CBC`s Debaters and Because News, is hilarious and makes me howl with laughter. Nour Hadidi‘s dry sense of humour makes me wish I was her best friend, so I could laugh with her everyday!
Local comedy writer and performer Erica Sigurdson, has become a favourite on CBC`s the Debaters and will have us all laughing all the way to the bathroom!
Our Sunday morning Family Drag Brunch and Dress up, is a chance for parents and kids to have dress-up fun together, and learn that there is nothing too silly or fun when it comes to drag.
Parents and kids will have lessons in fashion, make up and presentation, and be a part of a family drag runway show judged by kids. Enjoy a great breakfast and have fun with the whole family!
This show is so exciting to me because every child is an individual, and allowing them to express themselves in their own way opens the doors to so many amazing adventures in learning, for both the child and the parent.
We don’t often present music as part of our season, and though theatre is usually my art of choice, I am really excited to hear some incredible music on our stages.
Leela Gilday is a Dene artists from NWT, and she has recently release a new album, North Star Calling, which she says is about “facing your fears, standing in the pain, and living with courage, boldness and joy.” I have been listening to it, and it is incredible! PLUS – she is performing Sandy Scofield and M’Girl – whose performance at Main St. Car Free Day was one of the highlights of my summer!
I have always been so in love with throat singing, and Silla and Risecombine throat singing with dance floor beats. From what I have seen, they are incredible live performers, and their music is so amazing, that I just know their show with JB the First Lady is going to be sooo fun!
PLUS – Silla and Rise are releasing their new album, Galactic Gala, on Oct 5, five days before they hit our Historic stage. Talk about timing!
What have they been up to? Follow up with your favourite artists from our 2018/19 season.
The 2018/19 season has come to an end and we’re getting pumped for our 2019/20 season. But before we dive right into it, here is a look back at some of the amazing artists we got to work with this past year. A lot of them have been up to really cool things since we saw them last!
Read to see what they have been up to, and learn where you can find out more about their upcoming projects.
What a way to start off our 2018/19 season! We had so much fun having Kim Senklip Harvey‘s powerful and hilarious Kamloopa in our Historic Theatre last fall. It was an honour to have such powerful matriarchs bringing down the house each night! After leaving us, Kamloopa continued its tour, heading to Saskatchewan for a run at Persephone Theatre.
What have they been up to?
If you saw Kamloopa, you will recognize Yolanda Bonnell, who played ‘Indian Friend #1’. Bonnell is a playwright, and was recently announced to be one of 50 international playwrights chosen to be part of Climate Change Theatre Action 2019 – “a worldwide series of readings and performances of short climate change plays presented biennially to coincide with the United Nations COP meetings.” Follow Climate Change Theatre Action on Facebook and Instagram to stay up to date.
You may have seen Kamloopa Firestarter (who wrote and directed the ceremony), Kim Senklip Harvey, when she and Pippa Mackie hosted Pitch, Bitch or Ditch, a fun Femme Series event in the vein of ‘Dragons Den’, where audience members brought their ideas for a show to the expert panel.
Keep your eyes out for follow up Pitch, Bitch, or Ditch events in our 2019/20 season.
If you don’t already follow Kim Senklip Harvey’s blog, check it out here. Kim is heading to Victoria to take UVIC’s Masters of Creative Writing program this autumn, and we can hardly wait to see the fruits of her time there.
Rhum and Clayrecently premiered a new work, War of the Worlds, a piece inspired by Orson Wells famous broadcast. They will be taking this show to Edinburgh Fringe Festival this August.
Kit Redstonehas been busy with his own projects, including a brand new collaboration with Vancouver’s own Pippa Mackie, The Fucking Garden– A wickedly dark and impishly mischievous reclamation of the Adam and Eve story. That is certainly a collaboration to keep your eyes on!
He too will be bringing a show, called Passengers, to Edinburgh Fringe Festival this summer.
At the same time as we had Kamloopa in our Historic Theatre, and Testosterone in our York theatre, our Culture Lab was transformed into a Vancouver Special, as we were swept away by Paneet Singh‘s A Vancouver Guldasta – the story of a 1980’s Sikh family confronting the tumultuous events of the invasion of the Golden Temple in Amritsar, Punjab, India.
FollowSACHA – South Asian Canadian Histories Association – on Instagram and Twitter to be the first to find out about any of their upcoming projects.
Jordan Hall, the writer of A Brief History of Human Extinction, continues to work in support of environmental issues. Recently she was selected to be one of 50 international playwrights for Climate Change Theatre Action 2019 – “a worldwide series of readings and performances of short climate change plays presented biennially to coincide with the United Nations COP meetings.” Follow Climate Change Theatre Action on Facebook and Instagram to stay up to date.
Meanwhile, Upintheair Theatre’s rEvolver Festival started THIS week (May 22- June 2, 2019)! We always look forward to having this fabulous festival take over our theatres, and this year’s festival is going to be incredible. Take a look here to find out more about the lineup, and follow Upintheair Theatre on Facebook, Instagram, and Twitter, for lots of fun content!
We always love having VACT – Vancouver Asian Canadian Theatre – with us, and last fall’s VACT show, The Ones We Leave Behind, byLoretta Seto, was such a beautiful look at the ways we isolate ourselves from those around us.
What have they been up to?
We are thrilled to have VACT with us again in our 2019/20 season. This coming November,Tetsuro Shigematsu will bring us the premiere of his latest play, Kuroko, the story of a young Japanese recluse (a Hikikomori), who meets a mysterious stranger in virtual reality, and is faced with a challenge that may, or may not, draw her into the real world.
Follow Testsuro Shigematsu on Facebook and Instagram to see up to date updates on Kuroko.
Hopefully you got out to the Arts Club’s production of The Great Leap. If you did, you would have seen Agnes Tong, who played Abby in The Ones We Leave Behind, playing the character Connie. She was also in the Arts Clubs production of Shoplifters – what a busy performer!
Keep an eye on Loretta Seto‘s webpage to stay up to date with her latest projects.
We kicked off our Ceasefire Series – three shows that explored different aspects of war, to commemorate the 100th anniversary of the armistice of WWI – with The Believers are But Brothers, Javaad Alipoor‘s play about young men and the dark web.
What has he been up to?
After stirring up Vancouver audiences with his revealing interactive show, Javaad Alipoor’s The Believers are But Brothers was adapted for television by the BBC.
Follow Gravity and Other Myths on Facebook, Twitter, and Instagram to keep up to date…AND, for lots of mind-boggling photos and videos!
The second show in our Ceasefire Serieswas SKaGen Theatre‘s haunting marvel from Valentijn Dhaenen. SmallWarutilized verbatim exerts from soldiers diaries, brought to life by memorizing projections, sound, and performance, to give viewers a glimpse into the experience of war. We were honored to have SmallWar in our York Theatre during Remembrance Day, and everyone who had the opportunity to see it will likely not forget it anytime soon.
What have they been up to?
SKaGen has a long list of shows that will be playing in 2019 and 2020, including Valentijn Dhaenen’s UNSUNG, and TIL IT’S OVER – “a cross-disciplinary collaboration between SKaGeN and the American visual artist Richard Jackson on the themes of civil war, tenderness and revenge.”
Amiel Gladstone premiered Three Winters with us in 2018 – our third Ceasefire Seriesshow. An all female cast told the story of a daring escape attempt from POW camp Stalag Luft III, inspired by the real-life experiences of Gladstone’s grandfather.
What has he been up to?
In the 2019/20 Season Gladstone will be directing Tetsuro Shigematsu’s new play, Kuroko – talk about a dream team!
Currently, Amiel Gladstone is hard at work on the recently revived Magnetic North Theatre Festival, of which he is the 2019 Producer, alongside Amy Lynn Strilchuk. For more information, and for the 2019 Magnetic North Theatre Festival lineup check out their website here.
Since then Gravel has been hard at work in his exciting new role as the Artistic Director of Daniel Léveillé Danse. Even more excitingly, Gravel will be premiering a new work, a solo featuring himself, called Fear and Greed, June 1-2-4, 2019, at Festival TransAmériques (Montreal). Check out the trailer for Fear and Greed here:
The good news is that the team that brought East Van Panto: Wizard of Oz to life are teaming up again for East Van Panto: Pinocchio (Nov 20-Jan 5). Along with taking part in Climate Change Theatre Action 2019, and also having It’s a Wonderful Christmas-ish Holiday Miracle playing at the Arts Club in 2019, Marcus Youssef will, once again, take on the role of Panto playwright (busy playwright!), while Stephen Drover will return to the directors chair once again.
East Van Panto: Pinocchio will feature the amazing Pippa Mackie as Pinocchio, and is sure to be as wacky and wonderful as Vancouver audiences have come to expect.
We are doubly lucky this coming season because we will have Theatre Replacement twice! Along with the Panto, they will be bringing Maiko Yamamoto‘s story about mothers, sons, and playing Minecraft. MINE(Mar 18-22) will be “playing” (hehehe) during spring break, and is a great opportunity for parents to bring their video game obsessed children to the theatre!
We were so excited to have Ronnie Burkett’s hit, Little Dickens, back in Vancouver this past December. Ronnie is a Canadian treasure, and The Cultch brings together some of his most devoted fans year after year!
What have they been up to?
Currently Ronnie Burkett is hard at work creating his latest show, Forget Me Not, which will play in Vancouver (at a secret location!) February 4-March 1, 2020, after premiering at Luminato this summer.
We highly recommend following Ronnie Burkett on Instagram for a behind the scenes looks at all things wild and wonderfully Ronnie!
In April, Dakh Daughters Band released a new album, called Air. Listen to Air on Spotify here.
Follow Dakh Daughters on Facebook, and Instagram for all up to date information on this “freak cabaret.”
MRS KRISHNAN’S PARTY
For three glorious weeks, in January and February 2019, our entire building was filled with the incredible scent of delicious daal. Our Culture Lab was transformed into the back room of Mrs Krishnan’s dairy (convenience store), and one hundred people at a time were invited to the surprise party of the year – Mrs Krishnan’s Party. It is no exaggeration to say that The Cultch staff still misses the leftovers!
What have they been up to?
After leaving us in February, the cast and crew of Mrs Krishnan’s Party continued their tour; bringing joy, laughter, and daal to many!
Power Ballad, Julia Croft and Nisha Madhan‘s feminist performance piece was an essential part of our Femme Series this year. We had so much fun, laughed so hard, and sung our hearts out! The Feminist Karaoke Party is something we will remember for years to come, and it looks like we aren’t the only ones –
What have they been up to?
After leaving The Cultch, Croft and Madhan premiered a new work,Working on my Night Moves, in New Zealand. They will be taking this new show to the Edinburgh Fringe Festival this summer.
After leaving The Cultch, in early February, Tony, Dan, and Liz continued their tour, visiting a total of nine Canadian cities. Follow Ahuri Theatre on Facebook and Twitter to stay up to date with their upcoming adventures!
We will be partnering with PuSh International Performing Arts Festival again this coming season, and co-presenting Quelemia Sparrow’s O’wet(Jan 23-Feb 1, 2020), as well as The Chop Theatre’s KISMET: things have changed(Feb 4-8, 2020).
We are looking forward to working with PuSh’s new Artistic Executive Director Franco Boni.
Follow PuSh International Performing Arts Festival on Facebook, Twitter, And Instagram, and be sure to sign up for their newsletter, to hear about all the exciting things to come for the 2020 PuSh International Performing Arts Festival.
What an honour it was to have Urban Ink‘s Children of God – Corey Payette‘s heartbreaking and restorative musical about residential schools – back in our York Theatre this February/March.
What have they been up to?
After leaving The Cultch, Children of Godtoured BC, opening up dialogue about Canada’s residential school system.
We are so excited to have Corey Payette again with us next season. He, and our own Heather Redfern, are co-curating Raven Transforming Cabaret Festival– a brand new festival bringing together Indigenous, and non-Indigenous performers in a multitude of disciplines to all three Cultch stages in early October 2019. Learn more about the festival here.
What a way to kick off spring in Vancouver – Hot Brown Honey returned to us this past March to turn up the heat and bring the noise!
What have they been doing?
After another hit run at our York Theatre, the Honey’s took off to smash the patriarchy in New York City!
You may or may not be aware, but Hot Brown Honey has a male counterpart – Briefs! We are so excited to have Briefs – “a glittery bomb of circus, cabaret, and boy-lesque” – join us at the end of our 2019/20 season (April 19-May 3, 2020). Here are the Honeys and the Briefs together as one big happy family!
Hot Brown Honey is always travelling the world, smashing the patriarchy wherever they go. They are going to be part of the National Art Centre’s Indigenous Theatre‘s inaugural season, May 5-9, 2020.
If you don’t follow these “Fierce Mamas” on social media you are MISSING OUT! Follow them on Facebook, Twitter, and Instagram to find out what they are up to next!
What fun we had with Mind of a Snail Puppet Co. this past March! Our Cultchivating the Fringe winner, Multiple Organism, sold out show after show.
What have they been up to?
Mind of a Snail artists, Chloé Ziner and Jessica Gabriel, don’t seem to ever sit still! Jessica Gabriel was recently part of the inaugural HUNCH Festival, and the two of them are gearing up for Fringe season once again, and heading to Montreal!
New Cackle Sisters: Kitchen Chicken – a wild meal, prepared right before your eyes, by madcap company L’orchestre d’hommes-orchestres , as they highlighted the songs of the famous DeZurik Sisters (also known as the Cackle Sisters) – enchanted audiences at the York this April.
What have they been up to?
Since leaving us, L’orchestre d’hommes-orchestres has been touring around Canada with Kitchen Chicken. They will continue touring it, along with Tomatoes, in the coming months.
Follow L’orchestre d’hommes-orchestres on Facebook for all the madcap adventures of this daring theatrical musical troupe.
ACT OF FAITH
It was such a pleasure to have Realwheels Theatre in our Historic Theatre this April. The premiere of Janet Munsil‘s newly commissioned play, Act of Faith – inspired by the real-life experiences of a woman in the community (see below) – was a real conversation starter.
What have they been up to?
Since January this year, Realwheels Theatre have been hosting playwriting circles, facilitated by Kim Seary. Every two weeks, participants have been meeting to write, and support each other. On June 8, they will be hosting a cold reading of some of the work created during this circle. Check out the event here.
What a blast it was having a different Vancouver performer take the stage in the incredible show that Vancouver Presents called a “love letter to the audience, to the performer and at its core, a love letter from Nassim to his mother.” NASSIM was a perfect way to wrap up our 2018/29 season!
What have they been up to?
After leaving The Cultch, Nassim Soleimanpour traveled with his self titled NASSIM to Carrefour international de théâtre de Québec. On May 22 it was announced that NASSIM won an 2019 Off Broadway Alliance Award for Best Unique Theatrical Experience.
Follow Nassim Soleimanpour Productions on Facebook, and Twitter to hear the latest news!
Whoa –what a season hey?! Can you believe the incredible people who come through The Cultch’s doors? There are so many incredible artists (not to mention our patrons and donors!) changing the world!
That’s a wrap! We look forward to seeing you next season. Subscriptions are already on sale – book yours today . We look forward to seeing you at the theatre!
In preparations for Feminist Karaoke, Cultch staff dish about their karaoke favourites!
Julia Croft wants you to sing along!
Power Ballad, from New Zealand’s Julia Croft and Nisha Madhan (Jan 22-26), is part performance piece, part feminist rant, AND part karaoke party! On Friday, Jan 25, the party will continue after the show, when Julia invites Cultch patrons to join her for Feminist Karaoke — a completely free Femme Series event!
The buzz in the Cultch office is palpable—we are a karaoke loving bunch! Here are a few karaoke favourites—and a couple karaoke memories—from some of the staff, to help you get in the mood for Jan 25.
Chelsea Isenor, Marketing Manager
Favourite Karaoke Song: Total Eclipse of the Heart. I don’t really have the vocal chops to sing it well, but it is so fun to belt out. It’s even better if you have a duet partner, but I have been know to sing both parts!
Kelly Barker, Artistic Associate
Karaoke Memory: I sang “I Love Rock and Roll”, by Joan Jett, at my sister-in-law’s wedding, and it was so terrible that the host of the wedding (it was at a small inn in the Okanagan) told me, the next morning, that it was, “the worst thing he’d ever heard”. My mother-in-law apparently has it on video—and I’ve refused to watch it.
Louise Chapman, Development Associate
Karaoke Memory: It’s not a particularly interesting story, but it’s my only personal karaoke experience!
I do not have a good singing voice, so I have only done karaoke once in my life! I was 19 and travelling in Japan with my friend Mariesha. We went along to a karaoke place and got a little room with some people from out hostel. I drank a lot of plum wine (delicious!) and sang Umbrella by Rihanna. A good memory.
Another time, I was staying in a village on a tiny island in the Philippines, where the local fishermen would gather at night to drink rum and sing karaoke. Their singing filled the tropical night air.
Leslie Dos Remedios, Sales Associate
Favourite Karaoke Song: I actually have a running list of karaoke songs on my phone – like when I’m in a store and hear a song I love, I put it in my phone just so I’m not at a loss in those times I’m flipping through a karaoke binder, not at my full capacity and about to make a questionable adult decision.
Some of my faves to sing are:
I Love Rock and Roll by Joan Jett and The Blackhearts
Wannabe by The Spice Girls
Since You’ve Been Gone by Kelly Clarkson
Very eclectic, I know, but such good guilty pleasures!
We wanna know your karaoke favourites—come sing with us!! Feminist Karaoke with Julia Croft is a FREE Femme Series event on January 25, 2019, at 9PM.
Power Ballad runs until Jan 26 at the Historic Theatre. Book tickets online or call The Cultch Box Office at 604.251.1363.
The Femme Series is generously supported by the Charlotte and Sonya Wall Arts Fund.
It’s party time—time for good music, good laughs…and great food!
Photo by Ankita Singh
The holidays may be over, but the party is only getting started! Coming Jan 15-Feb 3 to the Vancity Culture Lab, Mrs. Krishnan’s Party is a play that takes place at Onam. Have you heard of Onam? It’s a Hindu harvest festival, and it could be the craziest party of them all! Onam celebrates the annual return of the beloved King Maveli to his people. King Maveli was defeated and pushed into the underworld by the gods, but because he was so beloved, he was granted the wish to return to his people once a year. The celebrations for Onam can last up to ten days!
Every great celebration needs great food, and Onam is no different! In fact Onam is know for its good eats—and there are a lot of them:
An example of an Onam Sadhya
All together there are 11 essential dishes which have to prepared…[The]Traditional Onam Sadya (feast) meal comprises of different varieties of curries, upperies – things fried in oil, pappadams which are round crisp flour paste cakes of peculiar make, uppilittathu – pickles of various kinds, chammanthi – the chutney, payasams and prathamans or puddings of various descriptions. Fruits and digestives are also part of the meal. The food has to be served on a tender Banana leaf, laid with the end to the left. The meal is traditionally served on a mat laid on the floor. A strict order of serving the dishes one after the another is obeyed. Besides, there are clear directions as to what will be served in which part of the banana leaf. – www.onamfestival.org
In Mrs. Krishnan’s Party, Mrs Krishnan is surprised to find that, unbeknownst to her, her boarder, James, has filled her stock room with 100 guests expecting an Onam party (the audience members are the guests!). She is forced to throw an Onam party on the fly. And my oh my, what a party it will be!
And, because every good party needs food, food there must be. Mrs. Krishnan saves the day and makes a delicious daal for everyone to enjoy—yum! We just know you are going to want to know the recipe for this feast.
Here is the recipe for Mrs Krishnan’s Pepper Dhal, as prepared in the play:
Mr Krishnan is forced to throw the party of her life!
James looks on excitedly as Mrs Krishnan prepares the daal
Some helpful guest got roped into helping
500g pink lentils
1 litre of boiling water
3 chopped tomatoes or half a tin
2 Tbs of rice bran oil
1 small onion chopped
2 gloves of garlic
1 dried red chilli
1 tsp cumin seeds
1 tsp turmeric
1 tsp garam masala
2 tsp salt (or to taste)
1 tsp white pepper
Put lentils, tomatoes and bruised whole cloves of garlic into a large pot of boiling water and simmer till lentils are soft (15-20mins).
Stir occasionally to stop from burning. 5 minutes before lentils are ready, heat oil in a frying pan and add onions and sauté till translucent.
Add all the spices except white pepper and salt to the onions and stir for a minute.Tip the onion spice mixture into the pot of lentils and simmer for five minutes.
Add salt and white pepper. For added deliciousness, add a dash of white vinegar and a big knob of butter right at the end and sprinkle with chopped fresh coriander. Yum!
Mrs. Krishnan’s Party runs Jan 15-Feb 3, at the Vancity Culture Lab. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363
Struggling with your holiday shopping? Need a little help getting the perfect gift for that kick-ass feminist on your list? Look no further—our Femme Series is coming up this winter, and there are so many amazing shows and events to choose from!
For the Karaoke Loving Feminist in your life…who wants a moment in the spotlight:
Do you have anyone on your list who could use a good evening of belting out classic power ballads? Have we got the show for you!
Power Ballad is an angry, feminist, live art investigation of language and its sometimes hidden ideologies that is part performance lecture and part karaoke party. With an ‘80s soundtrack to rival any school disco, Power Ballad is anarchic and loud; filled with feminist rage and…Annie Lennox.
And, as a BONUS—grab tickets to the performance on January 25, and you can stay behind after the show for a fun evening of Feminist Karaoke with Power Ballad performer Julia Croft!
Shakespeare loving feminists will not want to miss an all-female cast as they take on one of the most famous stage comedies in the world—a deadly serious and sublimely ridiculous story—of soldiers in love and women confined by tradition. It’s a bold and playful romp through the extremes of desire and ambition, loyalty, and redemption.
“It has been my experience that gender-blind casting speaks to a diverse audience—straight and queer, men and women—and is a true reflection of our complex contemporary community.” — Rebecca Patterson, Much Ado about Nothing Director
For the Music Loving Feminist in your life:
There are so many things to choose from for the music loving feminist on your list. From indie, to hula, to punk…and don’t forget the rock ballads, and karaoke! We have the music lover in your life covered!
Don’t miss Ukraine’s Dakh Daughters in their cross-discipline performance from Jan 15-19, at the York Theatre. Seven actresses take musical instruments into their hands in order to create a life-affirming performance about love, freedom, and beauty which at the end of the day—will save the world. Get your tickets for this one fast, because it will sell out!
On January 12, 2019, at the York Theatre, Soft Cedar Presents: Only a Visitor’s Technicolour Education album release, with special guest Wallgrin. Only A Visitor is a quintet that blurs genre boundaries by straddling the line between art music and pop. Their new album, Technicolour Education, focuses on the Chinese diasporic experience in Vancouver through generations of immigrant stories. Tickets are only $20 and can be purchased here.
Soft Cedar will be back at the end of January as well! On January 27, Kaumakaiwa Kanaka’ole will take the stage in a co-presentation with Capilano University as part of the CapU Global Roots Series. Kaumakaiwa brings to the stage an immense talent as a singer, chanter, and dancer as well as a deep understanding of her Hawaiian culture and her place as a modern, transgender (mahu wahine) Hawaiian in this contemporary world. She engages Indigenous thought to address today’s issues through music, chant, and sharing of spirit.
For the aspiring Feminist Playwright in your life:
Do you have that one friend who always tells you their “brilliant” play ideas? Theatre creators and producers Kim Senklip Harvey and Pippa Mackie host Pitch, Bitch, or Ditch on Jan 14—an unforgettable night that puts the power in the hands of the patrons! From anonymous suggestions made by the audience, Kim and Pippa will lead patrons through a lively evening of banter and debate—no idea is off limits, no suggestions taboo or too dangerous. The bar will be open. There will be guest appearances…and loads of surprises! And with tickets for only $10, this makes the perfect stocking stuffer, or secret Santa gift!
AND THAT IS NOT EVEN ALL!
Full list of events for the Femme Series:
Jan 11: WROL (Without Rule of Law) by Michaela Jeffery—A new play reading presented by Touchstone Theatre, 8PM, Historic Theatre—FREE Jan 12: Soft Cedar Presents: Only a Visitor album release, with special guest Wallgrin, 8PM, Historic Theatre—$20 Jan 14: Women in the Arts Mixer, 6-8PM, Historic Theatre—FREE Jan 14: Pitch, Bitch, or Ditch, with Pippa Mackie and Kim Harvey, 8-9PM, Historic Theatre—$10 Jan 15 – 19: Dakh Daughters (Ukraine), York Theatre—Main Stage Season Production Jan 22 – 26: Power Ballad, Julia Croft/Nisha Madhan (New Zealand), 8PM, Historic Theatre—Main Stage Season Production Jan 25: Feminist Karaoke with Julia Croft, after Power Ballad, 9PM, Historic Theatre—FREE Jan 27: Soft Cedar Presents: Kaumakaiwa Kanaka’ole, presented as part of CapU Global Roots Series, 8PM, York Theatre—$40 Feb 5 – 16: Much Ado About Nothing, Classic Chic Productions (Vancouver), Historic Theatre—Main Stage Season Production
Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.
In December 2017, Ronnie Burkett premiered this Cultch exclusive, Little Dickens—an adults-only marionette rendition of Charles Dickens’s A Christmas Carol created specifically for the amazing Vancouver audiences who embraced The Daisy Theatre characters in five sold-out runs—to the Historic Stage. It was a huge hit with fans, old and new, as well as reviewers!
Check out some of the RAVE reviews from 2017—interspersed with an insider look at Ronnie Burkett’s sweet and raunchy characters, direct from his Instagram @ronnieburkett:
“The Dickens story provides a solid platform for Burkett’s high-strung irreverence, but it also has a core of sweetness and generosity that make this show a genuine gift. Enjoy it, Vancouver” — Kathleen Oliver, The Georgia Straight
“The familiar characters from his bizarre repertoire ring a showbiz variation on Dickens’ tale that’s…warmer and fuzzier in a Christmassy way, punctuated by raunchy asides and moments of sheer Burkettian brilliance”—Jerry Wasserman, The Vancouver Sun
“Puppeteer Ronnie Burkett is a genius. He just is…I would watch Schnitzel all night long anywhere” — Colin Thomas, colinthomas.ca
“Ronnie Burkett’s Little Dickens is a retelling of A Christmas Carol but with more bah-hum-buggery, fewer heartwarming lessons in morality, and a whole lot of excellent banter” — Connal Mcnamara, Vancouver Weekly
“I’d recommend seeing it twice because it’s guaranteed you’ll be laughing so hard you’ll have missed some of the great lines the first time around” — Monika Forberger, EntertainmentVancouver.com
“It was a delight to see Dickens’s timeless characters given a glorious and slightly smutty twist” — Molly Gray, The Vancouver Arts Review
A time for Remembrance: Theatre as a means for survival
This month, The Cultch is presenting the Ceasefire Series: an exploration of war to commemorate the 100th anniversary of the armistice of WWI. The series features three unique shows that explore the causes, effects, and traumas of war from different lenses; one taking place during WWI (SmallWaR), one taking place during WWII (Three Winters), and one taking place in contemporary times (The Believers Are But Brothers). We hope you will come and enjoy all three!
As part of our Ceasefire Series we are please to present the world premiere of Amiel Gladstone’s Three Winters. Three Winters is a highly theatrical case for the creation of art as a means to survive, inspired by the experiences of Amiel Gladstone’s grandfathers who was a prisoner in Stalag Luft III POW camp—made famous by 1963 film The Great Escape. One of the ways the men in the POW camp survived was by making theatre.
“If it weren’t for their ability to make theatre, my Grandpa said he would have died in those WWII POW camps. This play is about that reality, told with immediacy and connection.” — Amiel Gladstone
Playwright, Amiel Gladstone revisits the site of his Grandfather’s internment
PAINTING, THE THEATRE HUT, SAGAN, STALAG LUFT III. Found www.warmuseum.ca
Though not commonly known, theatre was one of several ways that men in the trenches, and men in POW camps kept themselves occupied during war. Early this year, the Museum of Contemporary Art in Krakow (MOCAK) exhibited Lagertheater an exhibition about theatre in concentration camps and POW camps, about which they say: “The assembled documentation reveals how difficult it was – in spite of the radical methods of extermination used – to extinguish the prisoners’ sense of their inner worth, which they expressed through the creative act.”
A puppet for a 1944 New Year cabaret staged in the Stutthof concentration camp near Gdansk Wlodzimierz Glowacki, KL Stutthof, Gdansk-Przerobka (1944)
The Marionette Theatre company, Oflag VII A Murnau, courtesy of Theatre Museum in Warsaw
Amiel Gladstone’s play, Three Winters, has an all-female cast as a way of re-contextualizing this tale of war. “I became very interested in how much of a statement that was about why we make art and its importance…I got interested in how it was all men acting in those places and decided to reverse it to a cast of all young women. They aren’t used to playing war heroes anymore than my 22 year-old grandfather was in his POW situation,” says Gladstone.
Cross dressing was common in prisoner of war camps as well as in theatre for soldiers at the front. Some men became famous for their female impersonations, as shown in these archival photos images:
A member of the Maple Leaf Concert Party in France applies lipstick. George Metcalf Archival Collection CWM 19920085-864
Members of The Dumbells theatre troupe. George Metcalf Archival Collection CWM 19810191-110
The cast of Three Winters…performing as men performing theatre in a POW camp! Photo by Emily Cooper
Three Winters runs Nov 7-17 at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363. See all three Ceasefire Series shows for as low as $65 with The Cultch’s Choose 3 Subscription package.