The Daisy Theatre has returned to The Cultch!

The Daisy Theatre has returned to The Cultch!

After three sold out runs, the popular marionette production has returned to The Cultch. The Daisy Theatre celebrated its opening yesterday at The Historic Theatre and will run until April 9.

10 things you should know about The Daisy Theatre:

  1. The name “Daisy Theatre” comes from “Daisie”- puppet shows staged in Czechoslovakia during World War II, which were banned by the Nazi-regime.
  2. Every single show is unscripted and partly improvised. So every performance will be different.
  3. The story is dark and sometimes disturbing, but always ridiculous!
  4. Ronnie Burkett’s company consists of over 40 marionettes.
  5. This puppet show is not for kids!
  6. Ronnie Burkett formed his Theatre of Marionettes in 1986.
  7. The Daisy Theatre is “Ronnie unleashed”- a show which is completely different than his last shows with monologues and songs, but without an established script.
  8. Esme Massengill, Mrs. Edna Rural and the fairy child Schnitzel are some of the audiences favourite characters.
  9. The show celebrated its premiere in 2013 and enthused thousand of visitors since then.
  10. The Province calls it “Some of the funniest, most brilliant theatre you’ll ever be lucky enough to see”.

 

We are so excited about the show, and The Daisy Theatre has also obviously infected others with enthusiasm :

“His characters are the stuff of BRILLIANT sketch comedy…the puppets vibrate with life, even though the audience can see Burkett the entire time.” – Andrea Warner, The Georgia Straight

“This is a UNIQUE and CHEEKY form of live stage entertainment that honours and propels the dissident and mutinous roots from which it hath so richly grown” – Baird Blackstone, Broken Leg Reviews

 

The Daisy Theatre runs from March 21 to April 9 at The Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.  Ask the box office about our “see it twice price.” For ages 19+

Thank you for making Mouthpiece a huge success!

Thank you for making Mouthpiece a huge success!

The reception that Mouthpiece has received is incredible! We were so thrilled to be able to bring Quote Unquote Collective to Vancouver to present their amazing show. Mouthpiece is a powerful piece of theatre that portrays one woman (played by two women- Amy Nostbakken and Norah Sadava) as she struggles to find her voice in the wake of her mother’s death. If you were lucky enough to manage to get tickets to this SOLD-OUT HIT, then we want to thank you for spreading the word and making this show the amazing success that it is.

 

We would also like to acknowledge the amazing support of our community partner for Mouthpiece, West Coast Leaf. For each show presented at The Cultch we try to find a matching community partner – A company with a similar mandate, and with similar values. West Coast Leaf has been an amazing community partner and we are so grateful for all their work helping us get the word out for Mouthpiece. If you haven’t heard about West Coast Leaf and their amazing work in the community, we recommend that you check them out. “[Their] goal is to achieve equality by changing historic patterns of systemic discrimination against women through BC-based equality rights litigation, law reform, and education.”

Our Community Partners for Mouthpiece – West Coast Leaf. Jessica Lithwick, Clea Parfitt, and Robyn Trask pose with The Cultch’s Executive Director, Heather Redfern. Photo Credit – roaming-the-planet

Mouthpiece is a part of Femme February at The Cultch. For the whole month of February we are presenting shows and events created by women. Now more than ever we think it is important to promote the things we believe in, and so all month long, events at The Cultch will highlight the strength and power of the female voice and experience. We couldn’t do these kind of things without the generous support of our sponsors, donors, community partners and our patrons. So thank you everyone -we truly couldn’t do it without you!

We especially want to thank Charlotte and Sonya Wall. It is their generous support that has made Femme February possible, and we are so grateful.

Heather Redfern poses with Femme February sponsors, The Walls, at the opening night reception for Mouthpiece. Photo Credit – Ric Lam

If you weren’t able to get tickets to Mouthpiece (and even if you were!), consider checking out some of the other events coming up for Femme February. NeoIndigenA (Feb 15-19), Women in the Arts Panel Discussion & Girl Positive Book Launch (Feb 9 – FREE EVENT), and am a (Feb 21- March 4)

Femme February runs all February long at the Historic Theatre and the Vancity Culture Lab. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Great Reviews for East Van Panto: Little Red Riding Hood!

Great Reviews for East Van Panto: Little Red Riding Hood!

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Theatre Replacement’s East Van Panto: Little Red Riding Hood opened Friday, November 25. What fun! There is nothing like the Panto to get us in the mood for the holidays, and it seems we aren’t the only ones that feel that way. The reviews have been rolling in, and the verdict across the board is that East Van Panto: Little Red Riding Hood is the best kind of holiday fun!

“The East Van Panto is now officially the BEST HOLIDAY TRADITION in Vancouver…I could happily see this show again and probably will” —Colin Thomas, colinthomas.ca

“Thank you, Theatre Replacement and The Cultch, for the lovely Christmas present….I LOVED IT. I really, really did. Best present ever” —Jo Ledingham, Vancouver Courier

“A genuine local HOLIDAY CLASSIC back for its fourth nutty season…this incarnation of the East Van Panto retains all its JOYOUS HUMOUR and characteristic pizzazz” —Jerry Wasserman, Vancouver Sun

“As FRESH, IRREVERENT, and FUN as its predecessors…If the East Van Panto isn’t part of your holiday tradition yet, WHAT ARE YOU WAITING FOR?” —Kathleen Oliver, Georgia Straight

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East Van Panto: Little Red Riding Hood runs from Nov 23 – Dec 31, 2016 in the York Theatre. Best prices Family Packs available! 4 premium tickets for just $120! *A Family Pack includes 2 adult + 2 child tickets (Sec A). Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Want to see Veda Hille perform? Make sure to book your tickets between Nov 23 and Dec 4! Music man extraordinaire Benjamin Elliott (Are We Cool Now?, Broken Sex Doll) will perform Veda’s signature spins on contemporary and classic tunes beginning Dec 5!

CREEPS is “…ferociously funny”

CREEPS is “…ferociously funny”

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Winner of the Chalmers Award and the New York Drama Desk Award, David Freeman’s savage wit and uncompromising dialogue will hold you spellbound!

What 1971 play is recognized among theatre insiders to have changed Canadian theatre forever?  If you guessed David Freeman’s CREEPS, you’re right!

Realwheels Theatre, the company that brought you the Jessie Award-winning production of “Whose Life is it Anyway?” (The Cultch 2014 season), and winner of the City of Vancouver’s 2015 Award of Excellence, returns to the Cultch Historic Stage with this outstanding new production of CREEPS.

Running Dec 1- 10, 2016, CREEPS tells the story of four disabled men hiding out in the toilet of a ‘sheltered workshop for cerebral palsy victims’.  There to dodge their condescending supervisor, the men escape the mundane activities (folding boxes, sanding blocks), designed to ‘occupy their idle hours, and vent their disdain for their institutionalized environment and the charities that support it.  

While sheltered workshops were a progressive idea at the time, with the intention to rotate people through as they increased skill levels, many participants – like the characters in CREEPS – ended up spending most of their adult lives in the programs.

Freeman was one of the first writers to put his own voice – a Canadian voice – on the stage in the early 70’s.  Freeman lived with cerebral palsy and wrote CREEPS on a typewriter that he operated with a mouth-held stylus.

Reviews of the play were unanimously electrifying:

ferociously funny,

“...Freeman treats his people as people, showing how in their world there is humour in abundance, and things can be hugely comic.”

…Freeman handles his material triumphantly.”

May all playwrights be as talented as Freeman.”

For the first time in the play’s history, CREEPS is being performed by an integrated cast.  Of the seven professional actors, three are actors who live with disability.  Realwheels’ production of  CREEPS will give audiences a rare glimpse into the lived experience of disability, filtered through a 1970’s lens.   Don’t miss it!

Creeps runs from Nov 30– Dec 10, 2016 in the Historic Theatre. Two-for-One special ticket price for International Day of Disability on Sat. Dec 3 at 8 pm. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

*Please call box office to book if seating accommodation is needed (Wheelchair, PCA, ASL, audio description)

Panto Season is Upon us Again! -East Van Panto: Little Red Riding Hood

Panto Season is Upon us Again! – East Van Panto: Little Red Riding Hood

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It’s that time of year again! It’s time for another great Panto presented by Theatre Replacement’s East Van Panto! Now in its  fourth year, the Panto is one of our favourite traditions here at The Cultch. If you have never been to the Panto, this is your chance to start your own holiday tradition!

But what is Panto, you say?

We are so glad you asked! 

East Van Panto says it best:

Panto (another name for Pantomime) is a tradition of holiday musical comedy theatre. Popularized in England in the early 19thCentury, Pantomime takes familiar fairy tales and injects music, contemporary references, and audience participation to create raucous, noisy entertainment that’s fun for everyone in the family. Our Panto takes inspiration from this classic form, but adds a uniquely East Van twist; a new, local tradition you and your family are invited to make your own!

The story in the spotlight this year is Little Red Riding Hood. Join Little Red for a wacky and wild ride down the Adanac bike trail. All your favourite characters are here -Little Red, Granny, The Big Bad Wolf…even a few you won’t expect. Recommended as one of the 10 Vancouver comedy events to check out in November, The East Van Panto promises big laughs for the whole family. For a taste of the fun, check out Mark Chavez’ video interview with Vancouver Sun’s Frances Georgian.

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East Van Panto: Little Red Riding Hood is written by Mark Chavez, directed by Anita Rochon, with music by Veda Hille. Read a great piece on Mark Chavez by Westender writer Kelsey Klassen here, or listen to an interview with Mark and Anita on Roundhouse Radio‘s Janice & Cory show. And for our Francophone fans, Anita Rochon on ICI Radio-Canada, Phare Ouest with Marie Villeneuve.

East Van Panto: Little Red Riding Hood runs from Nov 23 – Dec 31, 2016 in the York Theatre. Best prices Family Packs available! 4 premium tickets for just $120! *A Family Pack includes 2 adult + 2 child tickets (Sec A). Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Want to see Veda Hille perform? Make sure to book your tickets between Nov 23 and Dec 4! Music man extraordinaire Benjamin Elliott (Are We Cool Now?, Broken Sex Doll) will perform Veda’s signature spins on contemporary and classic tunes beginning Dec 5!

Not Your Average Dance Show: All Hell is Breaking Loose, Honey

Not Your Average Dance Show: All Hell is Breaking Loose, Honey

Photo credit: Grouped’ArtGravelArtGroup

Photo credit: Grouped’ArtGravelArtGroup

If you come to see All Hell is Breaking Loose, Honey, be prepared to leave with lots to think about. This is not your average dance show. When it played in Ottawa, the Globe and Mail reported that, “Audience members lingered so long in the theatre, discussing the work that the… ushers, who wanted to lockup, had to ask them to leave.”

Created by Frédérick Gravel, All Hell is Breaking Loose, Honey is a tale of distraught men, the ordinary run-of-the-mill North American male – beer, T-shirts, baseball caps, cowboy boots, beer bellies and their hesitations, outbursts of violence, confusion, brusque changes of mood, right left, front and back, lurching in a drunken haze of beer and powerlessness.

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Frédérick Gravel has been active in the Montreal scene for over 10 years and graduated from the dance faculty of Université du Québec à Montréal in 2009. An interdisciplinary artist with experience as a choreographer, dancer, musician and a lighting designer; it is no surprise that Frédérick Gravel’s work embraces a mixture of styles and disciplines. He has become known for pushing the boundaries of dance choreography and turning it on its head. Says the Ottawa Citizen, “Gravel’s work dances the fine line between rock concert, trailer park party and dance performance. He certainly likes to push the boundaries of what dance can be – taking pleasure in obliterating stereotypes.”

Merging rock music and performance art into his dance performance, Frédérick Gravel’s work is emotionally gripping and hard hitting.  All Hell is Breaking Loose, Honey is described as being part dance, part performance art, and part rock show. Be prepared to leave this show feeling as though you have just experienced a particularly exhilarating rock concert.

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But don’t be scared away.  Just because All Hell is Breaking Loose, Honey deals with some heavy things, doesn’t mean it isn’t accessible. In fact it is known for skirting the line between the serious and the comic. This is dark comedy at its best. In an interview with The Dance Current Philip Szporer says, “Gravel has good patter… with wicked timing. He doesn’t hesitate to reinforce, constantly, the idea that contemporary dance is “waaay” too serious, and why not have a good laugh?”

Check out the trailer.

All Hell is Breaking Loose, Honey runs Nov 8 – 12, 2016 in the Historic Theatre. Tickets from $20 are available online or by phone by calling The Cultch Box Office at 604.251.1363

Wondering what to see at the 2016 rEvolver Festival?

Opening this week, the fourth annual rEvolver Theatre Festival will offer 11 days of performances from multi-disciplined theatre artists currently breaking on the local and national scene. All events will be held at The Cultch from May 11 to 22. If you are wondering what to see, here’s a few hints and tips to stoke your interest…..

Diversity:

Not only is the festival focused on providing a platform for emerging artists, this year’s line-up reflects the exciting diversity in our theatre community:

  • Seven shows have been created or directed by women: Beowulf, Charisma Furs, Happiness™, Kolejka, I Want to Tell You Something, Never the Last, and Silenced.
  • Seven shows have been created by or with artists of colour in a significant leadership role: Beowulf, Booth Connection, Mis Papás, Never the Last, The New Conformity, odd., and Silenced.
  • The festival continues its history of supporting innovative work by artists from the LGBTQ community (having premiered shows such as Tucked and Plucked: Vancouver’s HERstory Live on Stage and Cocktales with Maria) with Charisma Furs, by Toronto artist Katie Sly.

Award winning performances:

Two critically acclaimed shows will be presented in the Cultch’s Culture Lab, both wielding a wildly comedic approach to intelligent social commentary:

  • Happiness™, by Ottawa-based May Can Theatre, was nominated for four 2015 Prix Rideau Awards for Outstanding Direction, Lighting Design, Performance and Production.
  • Cause & Effects Circus’ The New Conformity received the Joanna Murata Award in 2015 (Vancouver Fringe Festival) and took home Victoria’s Pick of the Fringe Award in 2014.

The same but different….

Two distinct one woman shows in the Founders’ Lounge—I Want to Tell You Something and Charisma Furs—are equally intimate and engaging, and both incorporate origami lessons. Other than that, they couldn’t be more different….

A little Eastern European Culture
There are two music-heavy shows with European backdrops—puppetry, physical theatre and punk music combine to tell the story of a Babushka’s Soviet Russia in Kolejka,  and Never the Last, the latest from Delinquent Theatre, creators of Stationary: A Recession Era Musical  tells the true story of the early centry composer Sophie Carmen Friedman using live classical music, movement and text.

FESTIVAL BOX OFFICE INFORMATION:
Full Tickets: $17 ($20 with service charges) | Self Identified Low Income Tickets: $12 ($15 with service charges)
3-show pass: $40/$36 | Available at www.tickets.thecultch.com or 604.251.1363
6-show pass: $84 | Available at www.upintheairtheatre.com/buy-tickets
For full festival schedule: www.revolverfestival.ca

ABOUT REVOLVER THEATRE FESTIVAL:
Under the artistic direction of Daniel Martin and David Mott, the rEvolver Theatre Festival presents high energy and adventurous new works with a focus on supporting local talent since 2013. The festival provides professional presenting opportunities in Vancouver and offers a unique platform to present contemporary cutting-edge script-based theatre, devised works, and site-specific performances by artists ranging from recent graduates to more experienced professionals attempting to grow or transform their practice significantly.

Website: www.upintheairtheatre.com/revolver-festival   |  www.revolverfestival.ca
Facebook: www.facebook.com/UpintheairTheatre
YouTube: www.youtube.com/UpintheairTheatre
Twitter: www.twitter.com/UITATheatre

Announcing the 2016 rEvolver Festival Mainstage!

1617_RevolverThe Cultch is thrilled to welcome back Upintheair Theatre for the fourth annual rEvolver Festival.

The rEvolver Festival runs from May 11-22, and is dedicated to providing presenting opportunities to emerging professional theatre makers both locally and nationally. Past rEvolver Festivals have included world premieres of hit shows as Jordan Hall’s Kayak, Delinquent Theatre’s Stationary: A Recession-Era Musical (which featured as part of The Cultch’s 2014/15 season) and Mind of a Snail’s Caws and Effect, the shadow puppet hit of the 2015 festival.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. From immigrant stories as a live boxing match to technologically guided meditation to mesmerizing narrative juggling, 2016 is a high-water mark for stylistic exploration at rEvolver. Join Upintheair Theatre in seeing all that this incredible community of artists has to offer.

MAINSTAGE SHOWS:

* Happiness TM (May Can Theatre, Ottawa)

* Kolejka (star star theatre, Vancouver)

* Mis Papas (rice & beans theatre, Vancouver)

* Never the Last (Delinquent Theatre, Vancouver)

* The New Conformity (Cause and Effects Circus, Vancouver)

* okay.odd. (Hong Kong Exile, Vancouver)

* Silenced (Urban Ink Emerging Artists’ Collective, Vancouver)

SITE-SPECIFIC EVENTS:

* Beowulf, Marc Castellini (Vancouver)

* Booth Connection, The Biting School (Vancouver)

FOUNDER’S LOUNGE CABARET EVENTS:

* Charisma Furs, Katie Sly (Toronto)

* I want to tell you something, Caroline Sniatynski (Vancouver)

* Storytelling, Riel Hahn Presents, Riel Hahn (Vancouver)

* Demostage Upintheair Theatre (Vancouver) – FREE

* Ta Gueule Translation and Workshop Series, BoucheWHACKED! Theatre Collective & Ruby Slippers Theatre (Vancouver) – BY DONATION

* The Updrafts Reading Series – BY DONATION

Excited by what you see? There are a number of different ways you can purchase tickets!

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!
  3.  And of course individual tickets are available both through The Cultch’s Box Office and at the door.

Q&A with Camyar Chaichian, creator and co-director of Doost (Friend)

March 22 marks the world premiere of Doost (Friend) by Neworld Theatre – and it’s happening right here at The Cultch!

Doost (Friend) is a story about compassion, community, and heritage. It is an exploration (through dance, music and poetry) of borders that surround us; borders between secular and spiritual as well as between professionals and community members. This production features an ensemble of professional theatre artists and members of the Vancouver Sufi order who will perform together and bring Doost (Friend) to life.

Neworld Theatre Founder and Doost (Friend) Creator and co-director Camyar Chaichian Photo: Dina Ferreira Stoddard

Neworld Theatre Founder
and Doost (Friend) Creator and co-director Camyar Chaichian
Photo: Dina Ferreira Stoddard

We wanted to learn more about this exciting project, so we turned to the show’s creator and co-director Camyar Chaichian for some further insight.

What excites you most about this production and sharing it with Cultch audiences?
CC: There’s something for everyone. You don’t have to be spiritual to like it. Theatre is often based on intellectual friction. Nothing wrong with that. But how about losing yourself in a trip built on good vibrations mixed with some mystery and enchantment? Who can say no to that?

What were the origins of this project?
CC: My inherent Persian love of Sufi poetry and music, and my theatre practice, came together when I asked the Elder of my path if I could express my devotion through a play based on the story of a generous light who came through the world in the form of Dr. Javad Nurbakhsh. Neworld Theatre’s 20th anniversary was a few years around the corner. It all came together.

Doost (Friend) includes professional theatre artists, community members, members of the Vancouver Sufi Centre, and the Canadian Memorial United Church. In what ways do you feel that the theatre, as opposed to other mediums, is an ideal space to promote inter-faith dialogue?
CC: Years ago I was performing Neworld’s political satire, Ali and Ali, at the Magnetic North Festival in Edmonton. The audience was full of – what I presumed – conservative seniors who would – I feared – hate the show. They ended up being one of our best audiences of the entire tour. I asked one of them what she liked about the show. Her answer: “Theatre is a place where I can be exposed to ideas that are frightening or risky and feel safe doing so.” That can apply to spiritual dialogue as well. Not to mention that the many layers of artists that contribute to a theatre play are essential to mining the complexities of such a topic.

Can you tell us about the artists involved?
CC: One of my favourite things to do! We have some of our most wonderful actors, Richard Newman, Sam Bob, Luc Roderique, Nadeem Phillips, and Sofie Newman. A flamenco goddess by the name of Delara Tiv has come all the way from Spain to be a part of the show and they are joined on stage by some big heart being delivered by the community members. And my son Elijah makes his debut.

Can you tell us a bit about the involvement and support of the Nimatullahi Sufi order with this production?
CC: We have Keyvan and Vajieh Tiv, as well as Maya Lee, members of our order, joining the cast and bringing their passion and understanding into the lexicon of the actors. The most important contribution of the order is the direction and essence of following the path of love that we are all trying to share aspects of with the audience. For those of us on the path, this is as much a spiritual practice as an artistic one. The two live hand in hand. Think Gregorian chanting or Nusrat Fattah Ali Khan.

In addition to the 12 performers featured in Doost (Friend) there will be 5 musicians playing live onstage. How is music integrated in this presentation? What types of instruments are being used and what kinds of music can audiences expect to hear?
CC: I have one name to start with: SOLEY! We are blessed. Soley has done it all and is a huge name in Persian music. He has transformed himself into one of the leading Sufi musicians of the world and he’s come from Toronto to jam with us! Can you tell I’m excited? But that’s not all, he’s joining amazing locals Ali Razmi on setar (Persian strings), Hamin Honari on daf (percussion), and Amir Eslami on ney (reed flute). They will be creating some fusion with Zion Fyah (vocals and guitar) and Brandon Walker (cornett). Not to mention backing up Delara’s Flamenco and some world sounds from the cast. It will all be rooted in traditional Persian Sufi music so the audience can expect some eclectic sounds.

Only 6 performances!

Doost (Friend)

March 22-26 2016

Historic Theatre

Purchase tickets here

Century Song: Five reasons you need to see this groundbreaking show

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 Century Song, presented with the PuSh Performing Arts Festival, is one of the most unique shows of The Cultch’s 15/16 season! The multimedia show provides a thrilling look at 100 years in black  history from a women`s perspective. The piece, a “music recital” study of ephemeral aspects of the Black Canadian experience over the past century, is completely wordless. The story is a survey from servitude to sexuality; pop culture to protest. Here are five reasons you should watch this groundbreaking piece of art. For an interactive experience click here.

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  1. Black History Month:  With February being Black History Month, Century Song provides a great opportunity for  Vancouver audiences to educate themselves, from a Black woman’s perspective, about Canadian Black history. Here’s what Ross Manson, Director of Century Song, says about this dynamic, “I learned the distinction between white and black feminism in my research into the 1970s. White feminism called for equality. Black feminism called for justice. The difference is vast. In short – I learned that as a country there is much under the surface of our history that most of us aren’t aware of. And so the question formed: why does what is taught in our schools omit so much?_MG_7652
  2.  Modern Dance: Neema Bickersteth and choreographer Kate Alton (Dora Award winner and K. M. Hunter award winner) co-created a unique body of modern dance movement featured heavily in Century Song. Alton creates thought-provoking, emotionally engaging theatrical dances that are as much explorations of the mind as of the body, working with writers, directors, and vocal coaches to develop inter-disciplinary performance works that pack an intellectual and emotional punch._MG_7774C
  3. Classical Music: The performance utilizes the UBC Opera-trained and Dora Nominated Neema Bickersteth on vocalise (wordless vocals) and music by some of the past 100 years’ most adventurous composers– 1912: Sergei Rachmaninoff (Russia); 1935: Olivier Messaien (France); 1950: John Cage (USA); 1978: Georges Aperghis (Greece); 2012: Reza Jacobs (Canada); 2016: Piano, Gregory Oh (Canada) and 2016: Percussion, Computers, Composition, Music Co-Direction, Debashis Sinha (Canada)._MG_6798C2
  4.  Innovative Video: The show’s projections were made by Germany’s fettFilm known for their innovative video production. By combining video with other media the video artists Momme Hinrichs and Torge Möller primarily create multifaceted works of art which do not merely decorate the stage or coexist with it but instead blend various artistic levels.They develop and realise their ideas, from the initial stage to the final presentation, in close cooperation with directors and artists. For amazing video of the performance click here. _MG_7291 - Copy
  5. Internationally Acclaimed Theatre Company:  Century Song has been developed by the Toronto-based, international award-winning performance company, Volcano Theatre, in partnership with Crooked Figure Dances, and the Moveable Beast Collective with direction by Dora Award-winning director Ross Manson. “One of those companies that every great theatre city needs – bold, experimental, and bubbling with ideas.” – Toronto Star

Century Song is at The Cultch’s  Historic Theatre until February 6. Tickets are from $20. Get your tickets here.

Images:  Photos of Neema Bickersteth by John Lauener