March 22 marks the world premiere of Doost (Friend) by Neworld Theatre – and it’s happening right here at The Cultch!
Doost (Friend) is a story about compassion, community, and heritage. It is an exploration (through dance, music and poetry) of borders that surround us; borders between secular and spiritual as well as between professionals and community members. This production features an ensemble of professional theatre artists and members of the Vancouver Sufi order who will perform together and bring Doost (Friend) to life.
Neworld Theatre Founder
and Doost (Friend) Creator and co-director Camyar Chaichian
Photo: Dina Ferreira Stoddard
We wanted to learn more about this exciting project, so we turned to the show’s creator and co-director Camyar Chaichian for some further insight.
What excites you most about this production and sharing it with Cultch audiences?
CC: There’s something for everyone. You don’t have to be spiritual to like it. Theatre is often based on intellectual friction. Nothing wrong with that. But how about losing yourself in a trip built on good vibrations mixed with some mystery and enchantment? Who can say no to that?
What were the origins of this project?
CC: My inherent Persian love of Sufi poetry and music, and my theatre practice, came together when I asked the Elder of my path if I could express my devotion through a play based on the story of a generous light who came through the world in the form of Dr. Javad Nurbakhsh. Neworld Theatre’s 20th anniversary was a few years around the corner. It all came together.
Doost (Friend) includes professional theatre artists, community members, members of the Vancouver Sufi Centre, and the Canadian Memorial United Church. In what ways do you feel that the theatre, as opposed to other mediums, is an ideal space to promote inter-faith dialogue?
CC: Years ago I was performing Neworld’s political satire, Ali and Ali, at the Magnetic North Festival in Edmonton. The audience was full of – what I presumed – conservative seniors who would – I feared – hate the show. They ended up being one of our best audiences of the entire tour. I asked one of them what she liked about the show. Her answer: “Theatre is a place where I can be exposed to ideas that are frightening or risky and feel safe doing so.” That can apply to spiritual dialogue as well. Not to mention that the many layers of artists that contribute to a theatre play are essential to mining the complexities of such a topic.
Can you tell us about the artists involved?
CC: One of my favourite things to do! We have some of our most wonderful actors, Richard Newman, Sam Bob, Luc Roderique, Nadeem Phillips, and Sofie Newman. A flamenco goddess by the name of Delara Tiv has come all the way from Spain to be a part of the show and they are joined on stage by some big heart being delivered by the community members. And my son Elijah makes his debut.
Can you tell us a bit about the involvement and support of the Nimatullahi Sufi order with this production?
CC: We have Keyvan and Vajieh Tiv, as well as Maya Lee, members of our order, joining the cast and bringing their passion and understanding into the lexicon of the actors. The most important contribution of the order is the direction and essence of following the path of love that we are all trying to share aspects of with the audience. For those of us on the path, this is as much a spiritual practice as an artistic one. The two live hand in hand. Think Gregorian chanting or Nusrat Fattah Ali Khan.
In addition to the 12 performers featured in Doost (Friend) there will be 5 musicians playing live onstage. How is music integrated in this presentation? What types of instruments are being used and what kinds of music can audiences expect to hear?
CC: I have one name to start with: SOLEY! We are blessed. Soley has done it all and is a huge name in Persian music. He has transformed himself into one of the leading Sufi musicians of the world and he’s come from Toronto to jam with us! Can you tell I’m excited? But that’s not all, he’s joining amazing locals Ali Razmi on setar (Persian strings), Hamin Honari on daf (percussion), and Amir Eslami on ney (reed flute). They will be creating some fusion with Zion Fyah (vocals and guitar) and Brandon Walker (cornett). Not to mention backing up Delara’s Flamenco and some world sounds from the cast. It will all be rooted in traditional Persian Sufi music so the audience can expect some eclectic sounds.
Only 6 performances!
March 22-26 2016
Purchase tickets here