LES FILLES DU ROI is “a triumph”!

LES FILLES DU ROI is “a triumph”!

We are so proud to have partnered up with Urban Ink, Fugue Theatre and Raven Theatre to present Les Fille du Roi. Les Filles du Roi runs until May 27 at the York Theatre. The amazing creators of Children of God (which is coming back to The Cultch due to popular demand, Feb 20 – Mar 10, 2019) have done it again!

Les Filles du Roi is the powerful story of Kateri, a young Mohawk girl, and her brother Jean-Baptiste whose lives are disrupted upon the arrival of les filles du roi in 1665. They forge an unlikely relationship with young fille Marie-Jeanne Lespérance – whose dreams of a new life are more complicated than she could have imagined. Over the course of a year, Mohawk, French and English journeys collide, setting the stage for the Canada we know today. 

Photo by David Cooper. Les Filles du Roi a new musical by Corey Payette & Julie McIsaac. Directed by Corey Payette, Production Design (Set/Costume/Props) by Marshall McMahen, Lighting Design by Jeff Harrison. A Fugue Theatre/RavenTheatre production in association with Urban Ink and The Cultch. Actors: Kayla Dunbar, Chelsea Rose, Cecilly Day, Julie McIsaac (in center), Lisa Goebel, Synthia Yusuf, and Merewyn Comeau.

It has been getting great REVIEWS! Check out a few of them here:

“Les Filles du Roi’s trilingual, feminist-Indigenous musical is a triumph…a work of monumental importance…Go see it” ~ Kathleen Oliver, The Georgia Straight

“Les Filles Du Roi Tells a Powerful Story of Canada’s History” ~ Connal McNamara, Vancouver Weekly

“A sumptuous reimagining of our history…It’s thrilling” ~ Colin Thomas, colinthomas.ca

“If any show deserves a standing ovation, this one does. But don’t take my word for it, see it for yourself” ~Emma Rossland, Two Cents & Two Pence

Wanna know more? Check out what Corey Payette and Julie McIsaac have to say about creating Les Filles du Roi:

Les Filles du Roi is performed in three languages, English, French, and Kanien’kéha (Mohawk). Learn more in this great video:

Les Filles du Roi runs from May 15 – 27, 2018 at York Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Corporate Sponsor Spotlight: Giulio Recchioni from the Italian Cultural Centre

Corporate Sponsor Spotlight: Giulio Recchioni from the Italian Cultural Centre

Giulio Recchioni

Can you tell us how the Italian Cultural Centre first got involved with The Cultch?

Our very first time at The Cultch was in March 2012 with FRESCO, a play the Italian Cultural Centre commissioned from Lucia Frangione and BellaLuna Productions, telling the lesser known story of the internment of Italian citizens in Canada during WW2.

However the first proper partnership with The Cultch was in May 2017 with LA MERDA, featuring a naked Silvia Gallerano sitting on a stool on a dark stage… what a tough show that was!

What has surprised you and your colleagues most about partnering with The Cultch?

I was surprised by the richness and diversification of the shows offered at The Cultch, and also by the number of people that created a community around this historical institution in Vancouver;  some of the audience changes according to what’s playing, but there is also a hard core audience that comes to every show. I think that’s great. They trust The Cultch, they know whatever gets put on stage will be good and will have an impact on them, and they come with an open mind.

Over the years, the Italian Cultural Centre has supported several Cultch shows. Are there any highlights or memorable moments?

I still can’t help but smile when I think of Pss Pss and what they did with the ladder. Pss Pss was a funny show by Compagnia Baccalà that made adults and children laugh with non-verbal humour. In our line of work, cross-generational and cross-cultural are adjectives we use constantly, but this show brilliantly embodied both concepts.

How important do you think it is that the arts organizations continue to cultivate and sustain partnerships with corporate sponsors and local businesses?

It’s of paramount importance. The population is growing in this expensive city, and we are also seeing the consequential multiplication of cultural and artistic organizations. Often putting up cultural activities costs more money than ticket sales can generate, and government grants (municipal, provincial, federal) do not always keep up with the growing demand for funds. I hope more and more thriving businesses will want to share some of their wealth with the local community to keep this city interesting and interested.

What are you curious about right now?

I am curious about the new Creative City Strategy that the City will be rolling out – hopefully soon. There have been a number of explorative meetings to get an idea of what is needed in the arts and culture sector, and I can’t wait to see how all that knowledge will convert into an action plan.

Do you have a favorite show?

This is always such an unfair question… I see a decent number of shows throughout the year, and I have to constantly update my list of favourites. If I had to single out something I saw recently, though – I am a jazz fan, and I was lucky enough to go to Pyatt Hall for the live concert of the great baritone sax player, Gary Smulyan, with strings. He is a powerhouse!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

A Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

We are so excited to have the Belgian company Kopergietery here with their hit show The History of the World (Based on Banalities). It plays at the York theatre until May 5.

In The History of the World (Based on Banalities), a youngster, Philip, decides to look after his mother in the last months of her life. Starting from run-of-the-mill situations and objects, he embarks on a quirky voyage through her past.

Titus De Voogdt, the performer in The History of the World (Based on Banalities), is a beloved Belgian actor who works for theatre, film and television. He has worked/s with renowned directors as Arne Sierens (theater writer and director) and Felix Van Groeningen (movie director). He also starred as Vincent Bourg in the BBC-series The Missing (2014).

Titus De Voogdt in The History of the World (Based on Banalities). Photo by Phile Desprez

We are so excited to have you here in Vancouver. What makes you most excited about bringing this show to Vancouver?

I have never been here before. Vancouver always had an attraction on me, and I am very happy to finally be here. Besides, I love hiking and fishing so I hope I will get some opportunities in my free time to do so.

You are one of the co-writers of the show — what was the inspiration?

I’ve always been interested in inventions, how things work and stuff is made throughout history. That has been a key inspiration for writing this show.

While I was working on the script, Peter Higgs won a Nobel price for his work on the Higgs-Boson particle. It caught my attention and I started reading up on it. In this way it became a mayor topic in the show…

Your character, Philip, is interested in illusions and fantasy — do you share these interests with him?

I do, although I’m lousy at it, I like to do a coin trick from time to time..

What makes doing this show fun for you?

That it’s quite physical, it feels like a workout to me.

What makes doing this show meaningful for you? 

I hope people who see the show learn a thing or two about science they didn’t knew before. With a bit of luck it even moves them in the process.

Geoffrey Burton and Titus de Voogdt. Photo by Phile Desprez

The History of the World (Based on Banalities) features a musician (Geoffrey Burton- from Hong Kong Dong) who joins you on stage for the show — what is it like doing a show with live rock music?

It’s great, although he claims he is NOT a rock musician. It’s really a dialogue…the music brings the script to a higher level.

You do a lot of film and television work as well as theatre work — what are you working on these days?

Just finished a 12-episode series about a hostage situation in a bank it is called ‘de dag’ meaning ‘the Day.’  In Belgian TV an movies I usually play the bad guy. Don’t ask me why….

The History of the World (Based on Banalities) runs at the York Theatre April 25-May 5, 2018. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Behind-the-scenes of Jabberwocky and No Foreigners!

Behind-the-scenes of Jabberwocky and No Foreigners!

It is an exciting week here at The Cultch – we have TWO shows opening! At the York Theatre, Jabberwocky runs Feb 6-17 (Opening Feb 7), and at the Vancity Culture Lab, we have No Foreigners playing Feb 7-17 (Opening Feb 8).

In this exciting blog post we reveal a few behind-the-scenes images for both of these amazing shows – A sneak peek just for you!

Jabberwocky:

Inspired by Lewis Carrol’s famous nonsense poem, Jabberwocky explores the things that keep us awake at night. What will it take to slay our own Jabberwock? Take a look at some of the behind-the-scene images from The Old Trout Puppet Workshop:

For an exciting behind-the-scenes look at Jabberwocky, check out this great video from Vancouver Presents!

No Foreigners:

An interdisciplinary collaboration (co-presented with Theatre Conspiracy) from Hong Kong Exile and fu-GEN Theatre (Toronto), two leading Asian-Canadian performing arts companies, No Foreigners takes a unique look at Chinese malls, through live performance, micro-to macro video, text, miniatures, and media design in this exciting world premiere. Check out these images from their time creating at Carleton University:

Jabberwocky runs at the York Theatre Feb 6-17. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

No Foreigners runs at the Vancity Culture Lab Feb 7-17. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

 

Meet the Honeys!

Meet the Honeys!

Hot Brown Honey opens at the York Theatre January 10. This fierce patriarch-smashing show has been shaking things up on its #WorldPollinationTour, and the buzz is palpable. We couldn’t be more excited to introduce you to the amazing women that will be taking over the York stage for most of January (Jan 9-27).

It’s time to get sticky!

Lisa Fa’alafi by Dylan Evans

LISA FA’ALAFI aka THE GAME CHANGER
(Creator | Writer | Director | Choreographer | Designer)
Definition: Innovator of an event, idea, or procedure that significantly alters in the
current way of doing or thinking. Shake’Em Up Woman. Defies the
Norm. Shifts the Paradigm. Rocks The Boat.

In The Words Of Dr Angela Davis:
‘You have to act as if it were possible to radically transform the world.
And you have to do it all the time.’

Ofa Fotu by Dylan Evans

OFA FOTU aka THE MYTH SLAYER (Soul Woman)
Definition: Defeats a fiction or half-truth, especially one that forms part of an
ideology. She slays. Staff Holder. Soothsayer. Smashes Stereotypes.
Centrestage.

In The Words Of Chimamanda Ngozi Adichie:
“The single story creates stereotypes, and the problem with stereotypes is not that
they are untrue, but that they are incomplete.
They make one story become the only story.”

Hope Haami by Dylan Evans

HOPE HAAMI aka HOPE ONE (Beatboxer)
Definition: Advocates a joyful of mindset of positive outcomes for the world at
large via rhythmic beats made with the mouth. Music Maker.
Collaborator. Decolonise and Moisturise.

In The Words Of Maryann Talia Pau:
“We ARE light. We ARE love. And love, is everything.”

Crystal Stacey by Dylan Evans

CRYSTAL STACEY aka THE PEACE MAKER (Hoops & Aerials)
Definition: She who brings about a sense of unity through truth. Poet. Mover.
Embodies the change she wants to see. Future Sculptor. Radical
Fierce Love.

In The Words Of Audre Lorde:
“We’ve been taught that silence would save us, but it won’t.”

Elena Wangurra

ELENA WANGURRA aka THE GROUND BREAKER (Contemporary Dancer)
Definition: Originator or pioneer that leads to/makes possible further growth. Risk
Taker. The Fierce Awakens. Makes Noise.

In The Words Of Dr Lilla Watson:
“If you have come to help me, you are wasting your time. If you have come because
your liberation is bound up with mine, then let us work together.”

Busty Beatz by Dylan Evans

BUSTY BEATZ aka THE QUEEN BEE
Creator | Writer | Musical Director | Composer | Sound Designer
Definition: So Boss. Vessel for The Word of The Mother. Divine Feminine Power.
Hip Hop Wrath. Filled with joyous rage. Protector of the Hive.
Nurturer. See Matriarchy. Fights The Power.

In The Words Of Busty Beatz:
“Fighting The Power Never Tasted So Sweet.”

— WORD TO THE MOTHER —

The Mother- The Hive- By Dylan Evans

Want a taste of the show? Meet the Honeys up close and personal in this live facebook interview with Vancouver Presents:

Live in the hive with the company of Hot Brown Honey

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Hot Brown Honey is heating up Manchester!

Hot Brown Honey is heating up Manchester!

We are getting so excited! Hot Brown Honey has begun their #WorldPollinationTour, and Vancouver is on the flight path! From Jan 9-27, these fierce females will be taking over the York Theatre with their fun, fabulous, and patriarch-smashing hit!

As we speak Hot Brown Honey is heating up Manchester. The reviews are buzzing in and they are GREAT! Take a look:

— Make Noise! —

Hair Image By Dylan Evans

★★★★★ “Unlike anything you will have seen before… Smoking hot. If fighting the power is this much fun, we should all get on board and rock the boat a little bit.” – Frankly My Dear

★★★★★ “Busty Beatz [and] Lisa Fa’alafi have created a truly ground-breaking production unlike anything you’ve ever seen before – but will definitely want to see again… An empowering must-see performance full of laughter, joy and truth that is entirely faultless.” – Upstaged Manchester

★★★★★“The Honeys force us on this side of the world to think about the impact of our colonial past that is still having an impact today, centuries after the first colonialists spread their poison across the Pacific region.” – North West End

★★★★★ “A triumph of a show… Fast-paced, sexy, hilarious, and the all-female cast are a seriously talented and fierce bunch… But it’s more than just good entertainment value, behind the glitz of the huge golden beehive and the sassy dance routines there’s an important message which seeks to confront and challenge our perceptions of racial stereotypes and sexism.” – Northern Soul

★★★★ “A brave, and thought-provoking show… If you fancy something a little different this festive season: a show with plenty of attitude and sass then Hot Brown Honey is the show for you.” – The Reviews Hub

“Fearless, resolute and downright entertaining… The women of Hot Brown Honey simultaneously raise the roof and your consciousness.” – Circles & Stalls

“The[se] luscious ladies leave the audience on their feet shaking their booties to some sweet tunes… It creates such a party atmosphere… A celebration… The exact type of excitement and energy that could begin a revolution.” – Culturebean

Hot Brown Honey is not trying to encourage or give space for reflection and debate, but rather to utterly subvert the patriarchal world view and to urge action. Subtlety is not the path to revolution.” – Unrestricted Views

“A flamboyant evening of cabaret entertainment… Fighting the power never tasted so sweet… Just brilliant, a complete blast from start to finish.” – The Greater Manchester Reviewer

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Vancouver is excited for East Van Panto: Snow White & the Seven Dwarves!

Vancouver is excited for East Van Panto: Snow White & the Seven Dwarves!

Ming Hudson plays Snow White in East Van Panto: Snow White & the Seven Dwarves. Photo by Tim Matheson

It’s almost here! Theatre Replacement’s East Van Panto: Snow White & the Seven Dwarves opens Friday, December 1 in the York Theatre! We can hardly wait!

Vancouver is buzzing with Panto fever! Check out some of the amazing press coverage to answer all of your Panto questions:

  • Have you ever wanted to know how Theatre Replacement decided to start doing the East Van Panto? 

“The whole thing came from wanting to make something our kids would want to watch,” say James Long. You can read more about it in his interview with Artslandia. 

  • Have you ever wondered how they come up with the quirky music?

In this Georgia Straight Interview, Veda Hille say, “It has to be a song everybody knows and loves; it has to fit in the right place in the arc of the piece; it has to have a good pun in the main title or chorus of the song that suits the script.”

Allan Zinyk plays the Queen in East Van Panto: Snow White & the Seven Dwarves. Photo by Tim Matheson

  • Have you ever wondered why it is so gosh darned hilarious to make fun of East Van?

“What is theatre but a mirror – a magic mirror on the wall, if you will…We go to the theatre to learn about ourselves and laugh at ourselves. When you have a place as unique and as interesting as East Vancouver, or Vancouver proper, there’s so much material there to draw upon.” Says Ming Hudson, in this Westender article. Hudson plays Snow White in this latest installment of East Van Panto: Snow White & the Seven Dwarves

“Snow White gets Panto treatment” – The Province

  • Have you ever wanted to know how they keep coming up with such great shows?

Writer, Mark Chavez, says, “…Anita and I are surrounded by very a very smart, creative group of people who all want to make this show as funny and ridiculous and beautiful as it can be.

You may have seen this article in either the The Vancouver Sun or The Province!

  • Or, have you ever wondered what the writer of the Panto’s dream job was as a child?

I think you might be surprised! Read all about it in this Vancouver Presents piece:

20 questions with Mark Chavez


Doesn’t that just wet your appetite for Panto fun!?

P-A-N-T-O!

East Van Panto; Snow White & the Seven Dwarves runs from Nov 29 – Jan 6 at the York Theatre. Tickets are from $22 and can be found here.

A message from the creators of Hot Brown Honey:

A message from the creators of Hot Brown Honey:

WELCOME TO THE HIVE

The Arts have the capacity to shift culture.
We live in a culture that needs change urgently.
Not tomorrow. Right Here. Right Now. We stand in the Creative Revolution.

At the forefront we give Love and Respect to the First Nations People of this land.
We give Love and Respect to those who have come before us.

To the Game Changers
Myth Slayers
Poets, Movers
Music Makers
Ground Breakers
Truth Sayers
Shake em up Women
Queens, Queers and Risk Takers
We are the Change Creators.

THIS IS OUR TIME AND IT’S TIME TO SHINE.

We are the Latest Models of our Ancestry.
Our Stories. Our Voices. Our Bodies.
We will not apologise for who we are.

Photo credit: Dylan Evans

DIRECTORS NOTES: LISA FA’ALAFI
Hot Brown Honey give our Love and Respect to the Ancestral, Traditional and Sovereign Aboriginal territories of the Coast Salish Peoples, and in particular, the Musqueam, Squamish and Tsleil Waututh Nations on whose territory we perform.

In an act of Radical Fierce Love, we at Hot Brown Honey lay it on the table. We invite you into our world where we stand centre stage shining brightly for all to see. Too often we are portrayed as the savage, the maid, the victim, the perpetrator, but tonight we defy these labels. We ask you to celebrate with us.
Celebrate all that we are.

Our Truth. Our Courage. Our Complexities. Our Resilience. Join us as we take back our stories and explode the stereotypes that follow us. Together let us laugh at them, dismantle them and re-write them with open arms and middle finger raised.

We welcome you into a world where for a moment, where the paradigm shifts, where we strut as the Latest Models of Our Ancestry, where people cheer and dance, where hearts become open even when confronting truths that are painful.

Even when the lives reflected back may not be a shared experience. You might say well it’s just a 75min show. Maybe it is. Or maybe it’s a moment in time that can be harnessed to create ripples of change.
Some say art has the capacity to make change in the world, to shift culture, so for us this is our call – to dance, to shout, to laugh, to cry, to rise up and transform current conversations.

It will get sticky but we promise, it is totally worth it.

Welcome to the Hive. Welcome to Hot Brown Honey. We are here.

 

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

FUN FACTS: learn about Indian Classical Dance before you come see Encounter!

FUN FACTS: learn about Indian Classical Dance before you come see Encounter!

 

We are thrilled to be a part of the launch of Diwali in BC; on October 17 we will be kicking off their inaugural year with the opening of an amazing physical theatre piece Encounter from Navarasa Dance Theatre.  Encounter explores dance forms from India we rarely ever get to see in Vancouver; it combines exhilarating physical theatre and dance with elements of Indian classical dance, yoga, martial arts, and folk dances.

You may be interested to know a little more about Indian classical dance (it’s fun stuff to know!), well here is a chance to sound like a pro when you bring your friends to the show.

There are 8 main classical dances generally acknowledged in India:

  • Bharatanatyam, from Tamil Nadu
  • Kathak, from Northern and Western India
  • Kathakali, from Kerala
  • Kuchipudi, from Andhra Pradesh
  • Odissi, from Odisha
  • Sattriya, from Assam
  • Manipuri, from Manipur
  • Mohiniyattam, from Kerala

Here is a little information about six of the main types of Indian classical dance; these beautiful dances are typically what we see in Vancouver:

Bharatanatyam– is a dance of Tamil Nadu in southern India. It traces its origins back to the Natyashastra, an ancient treatise on theatre written by the mythic priest Bharata. Originally a temple dance for women, bharatanatyam often is used to express Hindu religious stories and devotions.

Kathakali– Kathakali comes from southwestern India, around the state of Kerala. Like bharatanatyam, kathakali is a religious dance. It draws inspiration from the Ramayana and stories from Shaiva traditions. Kathakali is traditionally performed by boys and men, even for female roles

Kathak– A dance of northern India, Kathak is often a dance of love. It is performed by both men and women. The movements include intricate footwork accented by bells worn around the ankles and stylized gestures adapted from normal body language.

Manipuri- Manipuri comes from Manipur in northeastern India. It has its roots in that state’s folk traditions and rituals, and often depicts scenes from the life of the god Krishna. Unlike some of the other, more rhythmic dances, Manipuri is characterized by smooth and graceful movements.

By Matsukin – DSC00472, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=4085211

Kuchipudi– Unlike the other styles mentioned, kuchipudi requires talent in both dancing and singing. This dance, from the state of Andhra Pradesh in southeastern India, is highly ritualized, with a formalized song-and-dance introduction, sprinkling of holy water, and burning of incense, along with invocations of goddesses.

Odissi–  Is indigenous to Orissa in eastern India. It is predominantly a dance for women, with postures that replicate those found in temple sculptures. Based on archaeological findings, odissi is belived to be the oldest of the surviving Indian classical dances. Odissi is a very complex and expressive dance, with over fifty mudras (symbolic hand gestures) commonly used.

Come experience them!

Photo credit: Christopher Joseph

Encounter runs at the York Theatre Oct 17-22. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

The Goblin Market and 1 Hour Photo are opening The Cultch’s 17/18 season!

The Goblin Market and 1 Hour Photo are opening The Cultch’s 17/18 season!

Next week we welcome two shows to our stages (The Goblin Market at the York Theatre and 1 Hour Photo at the Historic Theatre), and we couldn’t be more excited. It seems we are not the only one. Vancouver critic, Colin Thomas gave us a shout-out in his blog, Vancouver Greenroom:

“There are two piping hot shows sitting on the windowsill this week. They both open next week in venues operated by The Cultch” — Colin Thomas, colinthomas.ca

Want to know more about these shows? Read some of this great press before you see the shows!

The Goblin Market is a contemporary circus re-telling of Christina Rossetti’s poem, following two sisters, their temptation, sacrifice and eventual salvation. Delicious circus is precariously balanced with gritty performances and candid story telling.

“‘Goblin Market’ gets standing ovations everywhere it travels to around the globe. And seeing it within the intimate confines of the York should be eerily, mind-blowingly fun.” – Janet Smith, The Georgia Straight Editor’s Choice

Read ‘Five reasons to check out Goblin Market’ in The Vancouver Sun

1 Hour Photo is the story of Mas Yamamoto, a man whose life was swept up by the major currents of the 20th century. Written and performed by Tetsuro Shigematsu, 1 Hour Photo is a moving portrait saturated with the most vivid colours of our times.

“We’re trying to deepen the experience of listening by allowing the audience to look at different things to enable their imaginations to take flight”— Tetsuro Shigematsu, in interview with The Vancouver Sun

“…on a certain level I just wanted this ritual to continue—to sit at the knee of an elder and be transported to the past”— Tetsuro Shigematsu, In interview with The Georgia Straight

 


The Goblin Market runs at the York Theatre Oct 3-14. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

1 Hour Photo runs at the Historic Theatre Oct 3-15. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Join us for our Season Kick off Dance Party on Wednesday, October 4 starting at 9:30pm! Everyone welcome! Vancity Culture Lab, 1895 Venables St