If you are experiencing any technical issues, please refresh the stream.
Written by Bill Richardson, Veda Hille and Amiel Gladstone
Directed by Amiel Gladstone
Musical Direction by Veda Hille
Choreography by Amanda Testini
Stage Managed by Kelly Barker
Design Consultant John Webber
Featuring: Meaghan Chenosky, Josh Epstein, Chirag Naik, Amanda Sum, Andrew Wheeler, Veda Hille on piano, keyboards and Barry Mirochnick on drums
Developed and Premiered at the Arts Club Theatre, Vancouver, BC, 2012. Originally produced in a 20 minute version by Theatre Replacement as a co-commission with PuSh and Theatre Conspiracy, Vancouver, BC, 2009. Thanks to the Arts Club’s ReACT play development program, the PuSh International Performing Arts Festival and the Belfry Theatre’s Spark Theatre Festival.
Gratitude to all the casts who helped continue to develop this show, to our families, and the Cultch for taking on this experiment.
KELLY BARKER is thrilled to be working with this incredible team and making theatre in such crazy times. This show has long been one of her favourites. She has been stage managing for 18 years and has worked for most theatre companies in Vancouver, including 12 seasons as the Mainstage Assistant Stage Manager at Bard on the Beach. Since 2017, Kelly has been the Artistic Associate at The Cultch. Special thanks to the hard-working team at The Cultch who have brought this show to your screens. And special thanks to craigslist for all the furniture.
MEAGHAN CHENOSKY is a Vancouver-based actor and graduate of UBC’s BFA in Acting Program. Selected credits include: Dead Peoples Things (Zee Zee Theatre), Onegin (Arts Club Tour), Million Dollar Quartet (Western Canada Theatre/Chemainus), and Killer Joe (ITSAZOO). Meaghan was honoured with a Jessie Richardson Award for her work as Dottie in Killer Joe.
JOSH EPSTEIN is an avid Ami/Veda fan having done many workshops, shows, and tours with them. They even won him a Jessie and a Dora Nomination for Onegin. His work as a writer, producer, actor, and Dad has taken him to all corners of the world. Currently, he’s writing an original feature for Paramount, a remake for Aircraft Pictures, re-writing one for Mark Gordon/E1, as well as developing television, all with business partner Kyle Rideout. Their film Adventures in Public School stars Judy Greer, premiered at TIFF, opened TIFF Top Ten with theatricals in CDN/US/UK/JPN before landing on Netflix, Crave, and HBO Eastern Europe. Their first film Eadweard won 5 Audience Choice Awards, had 15 Leo nominations, and has been distributed around the world. As an actor Epstein has won 4 Jessies, been nominated for 3 Doras and is the recipient of the Most Promising Actor Award at the Stratford Festival. He is a proud Studio 58 grad and recently directed Cabaret, their highest grossing show in their 54 year history. @joshepstein1
AMIEL GLADSTONE is a West Coast writer and director who has worked with many theatre and opera companies in the country, including Against the Grain, Alberta Theatre Projects, Arts Club, Belfry, Caravan Farm, Factory, Firehall, the National Arts Centre, Pacific Opera Victoria, Rumble, Solo Collective, Tarragon, Theatre Conspiracy, Theatre Replacement, Touchstone Theatre, Western Canada Theatre, Vancouver Opera, Theatre SKAM, and of course The Cultch, with shows such as East Van Pantos #1 and #2, Are We Cool Now?, Extraction (Theatre Conspiracy), and The Orpheus Project (Music on Main).
VEDA HILLE has been writing music, making records, and performing internationally since 1992. She is a classically trained pianist, art school drop-out, performance curator, self-taught singer, theatre interloper, and independent artist. She has released 21 albums, the latest batch being Love Waves (a collection of love songs written in Berlin, 2016) and cast recordings for Onegin (2017) and King Arthur’s Night (2019). Onegin is a musical theatre adaptation of the Russian classic written with Amiel Gladstone (premiered 2016). King Arthur’s Night (Neworld Theatre) is a show by Niall McNeil and Marcus Youssef, with music by Veda. It features a mixed ability cast and a 16 person choir in a radical retelling of the King Arthur legend. Other recent theatre projects include music for The Bakkhai (Stratford) with book by Anne Carson, and Little Volcano (Theatre Replacement), a solo show featuring Veda playing songs and telling stories from her long life in music. Next Veda will be working on the 8th round of the beloved East Van Panto (Theatre Replacement) and writing a new musical with Amiel Gladstone. Little Volcano is set to tour internationally whenever that’s possible, but in the meantime the live album of the show was released in October 2020 (recorded at the Music On Main/PuSh premiere) and Veda will have many online performances throughout the next season. vedahille.com
BARRY MIROCHNICK is a Vancouver-based drummer and multi-instrumentalist (also plays guitar, bass guitar, and pineapple shaker). Barry has performed, toured, and recorded with many singers, composers, and songwriters, both local and international. He has also been busy in Vancouver’s theatre scene since 2012, performing in Arts Club Theatre’s productions do you want what I have got? a craigslist cantata and Onegin. Barry also played in Neworld Theatre’s King Arthur’s Night, five of the past six East Van Pantos (and soon this year’s too!), and is currently involved in Rice and Beans Theatre’s upcoming production Made In Canada.
CHIRAG NAIK is a Vancouver based actor who has worked in theatres across Canada. Selected theatre credits include: Taming of the Shrew, Shakespeare in Love, Two Gentlemen of Verona, Merchant of Venice, A Midsummer Night’s Dream, The Tempest (Bard on the Beach); carried away on the crest of a wave (NAC); Cranked, Alone Together, Showdown (Green Thumb); Mustard, Peter and the Starcatcher (Arts Club); Apres Moi (Ruby Slippers). Film credits include: Upload, Limetown, No Tomorrow, Rogue. Chirag is a graduate of Studio 58 and the recipient of the Sydney J. Risk Award for demonstrated excellence and outstanding skills in acting. He is always grateful for your support in the arts but is particularly appreciative that you have chosen to be with us today in these unusual times.
BILL RICHARDSON writes for children and adults. Forthcoming from Running the Goat Books and Broadsides is Hare B&B, with illustrations by Bill Pechet. He lives in Vancouver.
AMANDA SUM is a performer and creator dancing between theatre and music. She holds a BFA from Simon Fraser University. Recent credits include: East Van Panto: Pinocchio (Theatre Replacement), Double Happiness: Detour This Way (Nancy Tam & Robyn Jacob/Music on Main/Neworld/plastic orchid), Chicken Girl (rice&beans), and The Wolves (With A Spoon/Rumble/Pacific). Equipped with an all-female team and Asian female band, Amanda released her debut indie-pop singles, Groupthink and Mary Shelley, this fall. The first item Amanda purchased on Craigslist was a toy cat keyboard for $5. It retails for $50!!! Up next, Amanda will perform in Panto Come Home!, present a piece at Theatre Replacement’s PushOFF, and continue making arrangements for an upcoming full-length album. Amanda sends thanks to her family and friends, and looks forward to the day where lobby mingling can exist again. Antics and updates can be found on Instagram @amanduhsum, or her website amandasum.com.
AMANDA TESTINI is a performer, choreographer and director based on the unceded territories of the Musquium, Squamish, and Tsleil-Waututh Nations. Some of her recent credits include Barber of Seville (assistant director/Vancouver Opera), Miss Bennet: Christmas at Pemberley (‘Lydia Wickham’/Arts Club), East Van Panto: Pinnochio (choreographer/Theatre Replacement), Love Bomb (‘Justine’/shameless hussy productions). She’s also worked at the Belfry Theatre, Bard on the Beach, Savage Society, Axis Theatre, Theatre Kelowna, Theatre Under the Stars, Carousel Theatre for Young People, and the Firehall. Coming up, she’ll be choreographing Panto Come Home! Amanda is a Jessie Award nominee and a graduate of Studio 58. Big thanks to The Cultch for creating a theatre season during a pandemic, to Ami, Veda, Kelly, Barry and the cast, to the amazing tech team, and, especially, to you at home for watching!
ANDREW WHEELER is overjoyed to be back in a theatre. Stay safe. Hug those you can. Be of good courage.
Join the post-show hangout on Gather.Town here!
There you can hang out with friends and other audience members in our digital recreation of The Cultch, which includes the Historic Theatre, Vancity Culture Lab, lobby, and even backstage!
Unlike a Zoom hangout, Gather.Town lets you choose who you want to talk with at any moment, join spontaneous smaller group conversations as you approach new people, and freely explore at your own pace—if you look hard enough, you’ll even see the original ads that inspired the show—it’s like being in The Cultch lobby, just online!
How it works (it’s easy and fun, we promise!):
The Cultch’s Digital Storytelling Team will be hosting a special online event after the show on Saturday, November 21! Join us in the virtual Cultch on Gather.Town for a brief and informal conversation between Director and Co-Writer Amiel Gladstone and The Cultch’s Digital Storytelling Team. We’ll be doing a deep dive into the origins and retellings of the choice Craigslist ads that helped shape do you want what i have got? a craigslist cantata.
Join the post-show party here!
The popular musical revue based on real-life Craigslist ads returns with a virtual twist!
Your personal ads, set to music. Join a cast of wild and wacky characters from the Craigslist community as they attempt to buy and sell online, all the while longing and searching for human connection.
Revisit one of the most popular and critically acclaimed shows to come out of Vancouver in the last decade! This time with a fresh, new perspective on social isolation and live-streamed from all around The Cultch’s Historic Theatre—resulting in a witty and poignant exploration of physical distancing, then and now. Featuring the original songs ‘300 Stuffed Penguins,’ ‘Chili Eating Buddy,’ ‘Decapitated Dolls,’ and more.
Starring an incredibly talented local cast including, Meaghan Chenosky, Josh Epstein, Chirag Naik, Amanda Sum, Andrew Wheeler—with new choreography by Amanda Testini.
In this policy, the term “personal information” refers to any information about an identifiable individual, including name, home address, home phone and fax numbers, email address, birth date, age, proof of age, and credit card information.
We recommend that you review this policy in its entirety and revisit it periodically, as it may change from time to time.
TEN PRIVACY PRINCIPLES
The Cultch and its rental clients are responsible for all personal information held by The Cultch, and remains responsible when personal information is processed by third parties on The Cultch or rental client’s behalf. All personal information collected by The Cultch and its rental clients remains confidential and is appropriately safeguarded.
When collecting personal information, The Cultch documents the purpose for which the information will be used. The Cultch collects personal information primarily to fulfill ticket requests and process donations. It may also be used to administer promotions and contests for The Cultch or its rental clients for which you have registered to participate. Your personal information may also be used to keep you informed of other events, special offers, and fundraising opportunities in support of The Cultch or its rental clients, and to advise you of changes to Cultch products and services. We may also contact you from time to time to conduct market research or surveys in an effort to continually improve our product and service offerings. Occasionally, The Cultch may present offers in conjunction with other arts or cultural organizations if deemed to be significant value to Cultch patrons. The Cultch may share personal information with its rental clients, unless consent is withdrawn, and provided the rental client agrees to adhere to the PIPEDA regulations. The Cultch does not engage in list exchanges, or allow database information to be manipulated or directly used by any other company. You will never receive communications from organizations other than The Cultch or Cultch rental clients whose event you have attended.
The Cultch will obtain your consent for the collection, use, or disclosure of your personal information, except as permitted by PIPEDA. The Cultch will only use your personal information for the original purpose that it was collected, and any new use of that information is subject to your consent. How we obtain your consent will depend on the circumstances and sensitivity of the information collected. We may seek your consent orally or in writing. Sometimes, for non-sensitive personal information only such as name, address and phone number, it may be implied, or an “opt-out”method of consent used.
If at any time you would like to be removed from our lists, please contact our Box Office at 604-251-1363, or by e-mail at firstname.lastname@example.org. The Cultch will ensure that your request is processed in a timely manner. Please note that withdrawing your consent to some of the contemplated uses may render it impossible for The Cultch to continue to provide a service which you have requested.
The collection of personal information is limited to that which is necessary for the purposes identified by The Cultch. Personal information that is regularly collected by The Cultch includes your name, home address, home phone number, home fax number, and as appropriate, age, proof of age and credit card information. In an effort to reduce mailing costs, there are occasions when The Cultch will use e-mail as the preferred method of contacting individuals. For this reason, The Cultch regularly collects e-mail addresses as a part of the personal information collection procedure.
Limiting Use, Disclosure & Retention of Personal Information
Personal information is used or disclosed for the purposes for which it was collected. When your information is no longer needed for the purposes for which it was collected, it is destroyed, erased or made anonymous. The Cultch does not sell, trade or barter our lists, or disclose your personal information to third parties for these purposes, or allow database information to be manipulated or directly used by any other company. The Cultch will only share your personal information with the rental client whose show you attended. You will never receive communications from organizations other than The Cultch or Cultch rental clients whose event you have attended.
The Cultch makes every reasonable effort to keep your personal information as accurate, complete and up-to-date as is necessary for the purposes for which it is to be used. You can help us maintain the accuracy of your personal information by notifying us when your address, phone number or e-mail address changes. To notify us of any such change, please call our administrative offices at 604-251-1766.
The Cultch takes technical, contractual, administrative and physical security steps to protect the personal information that you provide us with. All of our security safeguards are appropriate to the sensitivity of the personal information.
Upon request, The Cultch will provide you with information on the existence, use and disclosure of your personal information. You may verify the accuracy and completeness of your information, and have it amended as appropriate.