This week we’d like to spotlight one of the mentees from The Cultch’s
IGNITE! Mentorship Program — Nina Sky Robertson. Robertson was selected for a mentorship in Stage Design and has been learning the ropes from accomplished artist/designer, Alice Mansell. This brand new mentorship program in costume and set design is intended for aspiring young stage designers wishing to pursue a career in the arts. In the inaugural year of this program the assignment was to transform The Cultch lobby into a veritable Victorian gothic funeral parlor, for the world premiere of Tara Cheyenne Friendenberg’s Highgate (exciting, no?)
With the show opening this week, we managed to do a little Q&A with Robertson and her experience in working on the set of Highgate.
A: Can you tell us a bit about your design background?
N: I am a life long ‘odd’ schooler. I have attended an assortment of public programs and schools ranging from a democratic free-school to an academically driven philosophy and english program. The most relevant educational experience to this mentorship has been a series of apprenticeships with world renowned artists from Vancouver, Toronto, and Mexico. I truly believe in life-long learning.
A: Why The Cultch Mentorship Program?
N: I came to the mentorship through a conversation with Robert (Youth Program Manager). I had mentioned wanting to expand my textile arts practice into theatre design and two days later an incredibly lovely email arrived from him mentioning the program and asking me to apply.
A: Tell us a little bit about what the mentorship has entailed.
N: It has entailed – at least for Highgate and with Alice – a considerable amount of draping (predominantly Gothic, Victorian objects) some pattern drafting, not to mention the chance to create a relationship with Alice and gain insight into her process and history.
A: What are your plans for the future?
N: I intend to continue to expand my textile arts practice, hopefully moving further into the theatre community in the next few years and continue with a broad smattering of other arts, travel and academic projects.
If you want to see Robertson and Mansell’s creation firsthand, you’ll have to swing by The Cultch and get your tickets to Highgate which runs May 1 – 4 and invites you for ‘a morbid romp through Victorian funerary culture. Let’s be honest – who doesn’t love a good morbid romp?