A chat with Gravity & Other Myths acrobat, Lachlan Binns

A chat with Gravity & Other Myths acrobat, Lachlan Binns!

Gravity & Other Myths member, Lachlan Binns. Photo by Darcy Grant

Backbone opens October 30, 2018 at the Vancouver Playhouse (600 Hamilton Street), and we are beyond thrilled to have Gravity &Other Myths back in the city once again! We caught up with Lachlan Binns, one of the key members of the award-winning, world-renowned Australian acrobat company, for a quick chat.

We are so excited to have Gravity & Other Myths back in Vancouver. What are you looking forward to doing while you are here in the city?

Last time we were here we had a lot of great opportunities to explore the city. We rode bikes around the city, explored nearby national parks and saw an ice hockey game. It was a fair while ago, so we’re all really excited to re-familiarise ourselves with the city and explore again! Plus, obviously we’re keen to show our audiences what we have been doing since we were there last; Backbone is much bigger and more spectacular show than A Simple Space.

How do you prepare to get on stage each night—warm ups, stretches—what is the process like?

We will spend around three hours warming up before each show. The first section will be stretching, using foam rollers and thera-bands; doing rehab and general body maintenance. This will last for around 45 minutes, and we will use this time to relax and joke around with each other, and get “socially warm”. Then when we are feeling good, and the sweat has started flowing, we will start to practice some of the skills from the show, anything that needs maintenance or adjustment. We will also spend a lot of time training new skills, and experimenting with new material for this show, or future projects. The last 30 minutes of the time is spent focusing, and preparing the stage for the show.

What is the craziest stunt Gravity & Other Myths has ever attempted?

“Craziest” is a strange term for us—a lot of the things we try are considered crazy! The two most difficult stunts we do are in Backbone; one is called the Four High, it is four people standing on top of each others shoulders in a straight column. It is an incredibly rare and difficult skill in the acrobatic world, and we’re really proud of it!

Four High! Photo by Carnival Cinema

What safety measures do you take to keep everyone safe? Have there been any injuries?

There are always injuries when you practice acrobatics; its impossible to avoid completely. A combination of smart body management, and trust in each other to catch and support one another, is the best way to manage injuries.

Gravity & Other Myths has toured all over the world—what is the wildest experience you have ever had touring with this show?

The literal wildest experience would be performing and going on a safari tour in Zimbabwe, Africa. Being in a totally different culture, and experiencing both the natural beauty, and the amazing tradition, is something we will remember for a long time!

Backbone looks like so much fun! Are you having as much fun on stage as it looks?

Definitely. The fun we have on stage is not pretend. Our job is to do what we love with a group of our best friends, and it’s hard not to smile!

Photo of Gravity & Other Myths by Darcy Grant


Backbone runs Oct 30-Nov 4 at the Vancouver Playhouse (600 Hamilton St). Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Rave Reviews for Hot Brown Honey!

Rave Reviews for Hot Brown Honey!

Have you seen Hot Brown Honey yet? Audiences are going wild for this smash-hit from Australia!

Check out some of the amazing things Vancouver reviewers have had to say about it:

“Is it empowering, exuberant, rousing, fun? Hell, yes. It’s also the show that the world needs right now – has needed for some time, but man, the time is ripe for it” — Marsha Lederman, The Globe and Mail

“Part hip hop concert, part pep rally, Hot Brown Honey is a loud, proud evening of consciousness raising; a series of lessons on race and gender that says you can have your revolution and dance to it, too” — Jerry Wasserman, Vancouver Sun

Hot Brown Honey throws a female-powered dance party that’s well worth joining…What a party!” — Kathleen Oliver, The Georgia Straight

“With its mix of burlesque, circus, dance, beatboxing, and hip-hop, on the surface Hot Brown Honey is like a really great variety show. Layered with the politics of gender, race and colonialism though, it becomes so much more” — Mark Robins, Vancouver Presents

Weave Image By Dylan Evans

Hot Brown Honey is more than a show, it is an embodiment of sexual liberation, a celebration of matriarchal ideas and a call to action for a better tomorrow through education and awareness of inherent societal privilege and racial divides. It’s not like anything you have ever seen” — Penny Warwick, Two Cents & Two Pence

Hot Brown Honey is visually mind-blowing with a whole load of talent on stage…There’s singing, dancing, rapping and costumes changes that leave your head swiveling”— Jo Ledingham, joledingham.ca

“Hot Brown Honey is a MUST SEE for EVERYONE… You will leave this show buzzing with energy and ready to rain fire on the patriarchy” — Maddison Miller, The Vancouver Arts Review

“If you enjoy shows that are sassy, sexy and have a social conscious this is definitely for you” — John Jane, Review Vancouver

“It’s raunchy, colourful, mind-boggling and fun” — Entertainment Vancouver

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

A Global Success! Patrick Ehrenwirth shares behind-the-scenes insights into the dazzling production, LEO!

By Sarah Cruickshank

Tobias Wegner in Circle of Eleven's LEO, winner of the Best of Edinburgh Award.

LEO, the jaw-dropping, gravity-defying production from Berlin-based theatre company Circle of Eleven, is coming to The Cultch! In its last stop on a whirlwind world tour, this remarkable production of physical theatre will leave you not knowing which way is up and which way is down!

We caught up with Circle of Eleven’s Marketing and PR Manager Patrick Ehrenwirth to find out more about LEO, and how it feels to be part of a production that’s enjoying global success.

SC: As the Marketing and PR Manager at Circle of Eleven, what are some of your responsibilities when touring a show like LEO?

PE: The first step in the creation phase of a touring show is to find a show title and to develop artwork that comes with the show. We usually do this in a small team which involves the key creatives, Circle of Eleven’s artistic director, and myself. We provide a full marketing package to the venues where our productions play. This includes show texts, a press kit, photos, a trailer, and the art work for the posters, flyers and ads. So, the first round is always a busy period with photo and video shootings and a lot of copywriting. Once a show is on tour, the respective marketing and PR team and I are planning press calls, interviews, TV gigs and advertising campaigns. Every city and every venue is different when touring a show; that’s why my job never gets boring!

SC: For those who may not be familiar with this type of performance, can you explain the concept of physical theatre?

PE: Physical theatre is a broad term for performances which convey drama or an actual story by primarily physical means, that is, the body. This idea allows a variety of genres to happily mingle, from mime to contemporary dance, from circus to performance art. You will notice when watching LEO that the show requires a lot of different skills from the performer. Besides being an excellent and strong acrobat, he also has to be a good dancer, actor, mime, and he has to be able to play an instrument.

Tobias Wegner stars in Circle of Eleven's LEO, which plays at The Cultch until Dec 15.

SC: What are some of the challenges in presenting a show with no words?

PE: The beauty of a nonverbal, visually captivating production like LEO is that it leaves a lot of space for personal interpretation. But at the same time, it’s also a challenge when marketing a show because you don’t want to give too much away. My experience is that visitors see so many different things in LEO, whether it is a situation in their own life or that of a friend or something entirely different. Theatre is a universal language, but it talks to everyone in a different way, so to speak. So for me the challenge is to keep that door, that personal access open for everyone.

SC: LEO has been called the anti-gravity show. How does performer Tobias Wegner make it look as though he’s floating in the air?

PE: LEO is based on a brilliant stage concept which actually involves two scenes: A box with the performer in it, and right beside it, a projection of this room turned by 90 degrees, so what is the floor in real life becomes the wall in the projection. The illusion is even enhanced by a fantastic lighting design, surreal animations and a visionary video design. But above all, it is Tobias’s talent and stamina that make his movements seem weightless. When Tobias developed the show together with director Daniel Brière, they’d been experimenting a lot with different movements and sequences to see which would work both in the projection and on stage. But even now, Tobias and the creatives keep inventing new elements, which they add to the show. On a technical level, the show is playing with people’s perception, and at a certain point, you won’t realize which postures are actually difficult or even impossible in real life.

SC: LEO has toured all over the world including places like the USA, Poland, Germany and Iran. What does it mean to come to Vancouver and perform on The Cultch stage?

PE: The Cultch will be LEO’s last station before going on a well-deserved Christmas holiday, and it is also the last stop on this 2012 world tour, which started in New York. This run is quite special. I know that Tobias Wegner and the crew are excited to be in Vancouver, and to perform at The Cultch, especially because its programme is so varied and interdisciplinary, just as LEO is. Unfortunately, I don’t get to tour with the crew, and to be honest, I envy them a little that they are travelling to a city that has been rated among the most liveable cities in the world!

SC: LEO is so popular that you’ve had to train two additional performers for tour dates in 2013. How does it feel to be a part of a show that’s enjoying this much success?

PE: Of course, it makes us all very proud! I’ve seen the show develop from a comedy act that Tobias Wegner created for our production called myLIFE, to a touching one-hour show that won three awards and played off-Broadway. Whether it be the USA, Iran, Zimbabwe, or Canada – regardless of the cultural background, people just love the show, that’s just amazing. But it’s not only the success as such but the feedback that we get that is very rewarding. I’ve seen people crying during the show simply because they were so moved by it. Others told me with a big smile on their face that LEO was the most beautiful piece they ever saw. It is a great feeling to be part of a team that makes this happen.

SC: What can an audience member expect to take away after watching LEO?

PE: For me personally, it is the simple realization that life is full of surprises – or rather chances you can take – and the conclusion that, no matter how trapped you might feel in certain situations, there is always a way out. But as I said, I’m sure everyone will find his or her own story in LEO!

LEO runs at The Cultch December 4 – 15. Tickets start at $17 and are available online at tickets.thecultch.com, by phone at 604.251.1363, or in person at 1895 Venables St

LEO soars into Vancouver after sold out run in Montreal

By Caitlin Bryant

Montreal’s Nouveau Theatre video

After premiering at the 2011 Edinburgh Fringe Festival where it took home the Three Weeks Editors Award, the Scotsman Fringe First Award and the Carol Tambor Best of Edinburgh Award, LEO received this review from theatre critic Thomas Haywood: “LEO is a superb physical one-man dance show… mind-bending, illusionistic and spellbinding… This show is destined for a great future.”

Haywood’s intuition was right. Since then, LEO has toured numerous cities throughout the UK, US, Iran, New Zealand, Germany, Poland, and Zimbabwe. LEO has taken the international theatre community by storm – so much so, that they’ve had to train two additional actor-acrobats, Julian Schulz from Berlin and William Bonnet from France will also play the role of the “imaginary cosmonaut” named Leo.

Chamaleon Theatre Berlin, Germany

It’s really no surprise that LEO is enjoying such great success. This comedic piece of physical theatre is a funny, surreal, and surprisingly touching work that challenges the senses and tests perceptions of reality through the clever interplay of live performance and video projection. This creation by the innovative Berlin-based production company Circle of Eleven leaves audience members wondering which way is up and which way is down.

The Cultch presents LEO

But don’t take our word for it; check out the incredible buzz this show has created world-wide.

“LEO… does on its stage what Einstein and great physicists have dreamt of for ages… successfully break through the inter-space-time-continuum.”Review Fix

“An eye-teasing, deeply impressive work of sustained absurdist magic.”Time Out, New York

“Mr. Wegner knows just what he is doing, but his character has no idea: the man adjusts to a world of changed gravitational laws as the room around him becomes a fantastical playground.”New York Times

“LEO uses an ingenious combination of stage design and video projections to create an unexpected environment for extraordinary feats of acrobatic theater in which “our hero” literally loses his sense of gravity and departs on a logic-defying adventure”SHOWBIZZ CHICAGO

“By the end of the performance, your brain has been successfully hoodwinked: you almost forget to watch the performance in the real physical space, focusing all your attention on the fantasy taking place on the video projection,”Edinburgh Spotlight

“A triumph of coordination, Leo interacted perfectly with… the physical challenges thrown his way by an ever-changing environment” New Zealand International Arts Festival

LEO biscuit trailer

Interview with Tobias Wegner

Visit Circle of Eleven’s website for Performer Tobias Wegner, Director Daniel Briere, and Creative Producer Gregg Parks artist’s statements. –

For more information, click here . Tickets are from $17 and may be purchased by visiting tickets.thecultch.com, by calling the box office at 604-251-1363, or in person at 1895 Venables St.

Tobias Wegner discusses LEO with a fascinated Gr. 1 class in Charleston, South Carolina

Only until Sunday, December 2: Purchase 4 or more tickets to LEO and enjoy 25% off Section A & B seats. This promotion is valid only for performances on December 4 – 9, 11 & 12. Offer valid with promo code GRAVITY25. This offer cannot be combined with any other offer. No cash value. Offer may not be applied toward past purchases. This offer expires Sunday, December 2, 2012 at midnight.