Vertical Influences offers FREE workshop at Britannia Ice Rink

Vertical Influences offers FREE workshop at Britannia Ice Rink!

We are so EXCITED TO ANNOUNCE that Le Patin Libre – creators of VERTICAL INLFUENCES – will be hosting an amazing FREE Workshop on April 27 1-3pm at Britannia Ice Rink – for ALL AGES and ALL SKILL LEVELS! This is a great event to take the whole family to!

Photo credit: Rolline Laporte

Led by the artists and company choreographers, these playful activities can be enjoyed by all skaters. Through choreographic games and simple teachings, the artists will convince participants that anybody can feel the magic of glide and enjoy the freedom and liberation of ice-dancing. It’s optional to bring your own skates and helmets. There will be FREE rentals for workshop participants.
 
Please RSVP to communications@thecultch.com if you are interested in joining the workshop.

Photo Credit: Alicia Clarke

Wanna know more about Vertical Influences? Check out these great interviews in The Georgia Straight, The Vancouver Sun, and Vancouver Presents!

 

“We are able to bring together groups that wouldn’t otherwise come together and have an opportunity to introduce them to this contemporary performing art. IT REALLY IS QUITE EXCITING.” – Alexandre Hamel in interview with Mark Robins, Vancouver Presents

VERTICAL INFLUENCES runs at Britannia Ice Rink, April 18-30. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.
This event is generously supported by
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Vertical Influences comes to Britannia Ice Rink April 18-30

Vertical Influences comes to Britannia Ice Rink April 18-30

After a sold-out European tour the award-winning Canadian ice dance group Le Patin Libre makes their debut in Vancouver. From Apr 18-30 they will be performing their unique show Vertical Influences at Britannia Ice Rink (1661 Parker St) – Don’t miss your chance to see them!

Vertical Influences has been getting amazing reviews all across Europe

“It is JOYFUL, uplifting, creative, and inspiring.” The Age

“Liberating, EXHILARATING, breathtaking” – The Stage

“One of those rare shows I could willingly have sat through all over again…A PURE BODY RUSH. Astounding ★★★★★” — The Guardian (UK)

Check out this great video showing the “Making of ‘Vertical Influences’.

Vertical Influences has been described as a form of “contemporary dance on ice”.  Rising stars Le Patin Libre, a fresh and inventive group of former championship skaters, are creating a new kind of ice dancing, far beyond the confines of traditional figure skating. Electronic beats, melodic lyricism, and refreshing dance moves mean maximum fun for the whole family!

Vertical Influences runs from April 18-30, 2017 at Britannia Ice Rink. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

A Global Success! Patrick Ehrenwirth shares behind-the-scenes insights into the dazzling production, LEO!

By Sarah Cruickshank

Tobias Wegner in Circle of Eleven's LEO, winner of the Best of Edinburgh Award.

LEO, the jaw-dropping, gravity-defying production from Berlin-based theatre company Circle of Eleven, is coming to The Cultch! In its last stop on a whirlwind world tour, this remarkable production of physical theatre will leave you not knowing which way is up and which way is down!

We caught up with Circle of Eleven’s Marketing and PR Manager Patrick Ehrenwirth to find out more about LEO, and how it feels to be part of a production that’s enjoying global success.

SC: As the Marketing and PR Manager at Circle of Eleven, what are some of your responsibilities when touring a show like LEO?

PE: The first step in the creation phase of a touring show is to find a show title and to develop artwork that comes with the show. We usually do this in a small team which involves the key creatives, Circle of Eleven’s artistic director, and myself. We provide a full marketing package to the venues where our productions play. This includes show texts, a press kit, photos, a trailer, and the art work for the posters, flyers and ads. So, the first round is always a busy period with photo and video shootings and a lot of copywriting. Once a show is on tour, the respective marketing and PR team and I are planning press calls, interviews, TV gigs and advertising campaigns. Every city and every venue is different when touring a show; that’s why my job never gets boring!

SC: For those who may not be familiar with this type of performance, can you explain the concept of physical theatre?

PE: Physical theatre is a broad term for performances which convey drama or an actual story by primarily physical means, that is, the body. This idea allows a variety of genres to happily mingle, from mime to contemporary dance, from circus to performance art. You will notice when watching LEO that the show requires a lot of different skills from the performer. Besides being an excellent and strong acrobat, he also has to be a good dancer, actor, mime, and he has to be able to play an instrument.

Tobias Wegner stars in Circle of Eleven's LEO, which plays at The Cultch until Dec 15.

SC: What are some of the challenges in presenting a show with no words?

PE: The beauty of a nonverbal, visually captivating production like LEO is that it leaves a lot of space for personal interpretation. But at the same time, it’s also a challenge when marketing a show because you don’t want to give too much away. My experience is that visitors see so many different things in LEO, whether it is a situation in their own life or that of a friend or something entirely different. Theatre is a universal language, but it talks to everyone in a different way, so to speak. So for me the challenge is to keep that door, that personal access open for everyone.

SC: LEO has been called the anti-gravity show. How does performer Tobias Wegner make it look as though he’s floating in the air?

PE: LEO is based on a brilliant stage concept which actually involves two scenes: A box with the performer in it, and right beside it, a projection of this room turned by 90 degrees, so what is the floor in real life becomes the wall in the projection. The illusion is even enhanced by a fantastic lighting design, surreal animations and a visionary video design. But above all, it is Tobias’s talent and stamina that make his movements seem weightless. When Tobias developed the show together with director Daniel Brière, they’d been experimenting a lot with different movements and sequences to see which would work both in the projection and on stage. But even now, Tobias and the creatives keep inventing new elements, which they add to the show. On a technical level, the show is playing with people’s perception, and at a certain point, you won’t realize which postures are actually difficult or even impossible in real life.

SC: LEO has toured all over the world including places like the USA, Poland, Germany and Iran. What does it mean to come to Vancouver and perform on The Cultch stage?

PE: The Cultch will be LEO’s last station before going on a well-deserved Christmas holiday, and it is also the last stop on this 2012 world tour, which started in New York. This run is quite special. I know that Tobias Wegner and the crew are excited to be in Vancouver, and to perform at The Cultch, especially because its programme is so varied and interdisciplinary, just as LEO is. Unfortunately, I don’t get to tour with the crew, and to be honest, I envy them a little that they are travelling to a city that has been rated among the most liveable cities in the world!

SC: LEO is so popular that you’ve had to train two additional performers for tour dates in 2013. How does it feel to be a part of a show that’s enjoying this much success?

PE: Of course, it makes us all very proud! I’ve seen the show develop from a comedy act that Tobias Wegner created for our production called myLIFE, to a touching one-hour show that won three awards and played off-Broadway. Whether it be the USA, Iran, Zimbabwe, or Canada – regardless of the cultural background, people just love the show, that’s just amazing. But it’s not only the success as such but the feedback that we get that is very rewarding. I’ve seen people crying during the show simply because they were so moved by it. Others told me with a big smile on their face that LEO was the most beautiful piece they ever saw. It is a great feeling to be part of a team that makes this happen.

SC: What can an audience member expect to take away after watching LEO?

PE: For me personally, it is the simple realization that life is full of surprises – or rather chances you can take – and the conclusion that, no matter how trapped you might feel in certain situations, there is always a way out. But as I said, I’m sure everyone will find his or her own story in LEO!

LEO runs at The Cultch December 4 – 15. Tickets start at $17 and are available online at tickets.thecultch.com, by phone at 604.251.1363, or in person at 1895 Venables St