Karaoke favourites from the Cultch staff!

In preparations for Feminist Karaoke, Cultch staff dish about their karaoke favourites!

Julia Croft wants you to sing along!

Power Ballad, from New Zealand’s Julia Croft and Nisha Madhan (Jan 22-26), is part performance piece, part feminist rant, AND part karaoke party! On Friday, Jan 25, the party will continue after the show, when Julia invites Cultch patrons to join her for Feminist Karaoke — a completely free Femme Series event!

The buzz in the Cultch office is palpable—we are a karaoke loving bunch! Here are a few karaoke favourites—and a couple karaoke memories—from some of the staff, to help you get in the mood for Jan 25.

Chelsea Isenor, Marketing Manager

Favourite Karaoke Song: Total Eclipse of the Heart. I don’t really have the vocal chops to sing it well, but it is so fun to belt out. It’s even better if you have a duet partner, but I have been know to sing both parts!

Kelly Barker, Artistic Associate

Karaoke Memory: I sang “I Love Rock and Roll”, by Joan Jett, at my sister-in-law’s wedding, and it was so terrible that the host of the wedding (it was at a small inn in the Okanagan) told me, the next morning, that it was, “the worst thing he’d ever heard”. My mother-in-law apparently has it on video—and I’ve refused to watch it.

Louise Chapman, Development Associate

Karaoke Memory: It’s not a particularly interesting story, but it’s my only personal karaoke experience!

I do not have a good singing voice, so I have only done karaoke once in my life! I was 19 and travelling in Japan with my friend Mariesha. We went along to a karaoke place and got a little room with some people from out hostel. I drank a lot of plum wine (delicious!) and sang Umbrella by Rihanna. A good memory.

Another time, I was staying in a village on a tiny island in the Philippines, where the local fishermen would gather at night to drink rum and sing karaoke. Their singing filled the tropical night air.

Leslie Dos Remedios, Sales Associate

Favourite Karaoke Song: I actually have a running list of karaoke songs on my phone – like when I’m in a store and hear a song I love, I put it in my phone just so I’m not at a loss in those times I’m flipping through a karaoke binder, not at my full capacity and about to make a questionable adult decision.

Some of my faves to sing are:

I Love Rock and Roll by Joan Jett and The Blackhearts
Wannabe by The Spice Girls
Since You’ve Been Gone by Kelly Clarkson

Very eclectic, I know, but such good guilty pleasures!

We wanna know your karaoke favourites—come sing with us!! Feminist Karaoke with Julia Croft is a FREE Femme Series event on January 25, 2019, at 9PM.


Power Ballad runs until Jan 26 at the Historic Theatre. Book tickets online or call The Cultch Box Office at 604.251.1363.

The Femme Series is generously supported by the Charlotte and Sonya Wall Arts Fund.

Power Ballad Creator’s Notes

A Note from Julia Croft | Power Ballad Creator/Performer

Power Ballad is a living, breathing, and demonic little show that we are absolutely delighted to be presenting in Canada for the first time.

This work is the second in a trilogy of feminist works that we created. Power Ballad was inspired in part by the misogynistic train wreck that was the 2016 US election and the implicit gendered narratives that were played out in the politics and media of that time and continue to ripple through our lives and our culture. It was also inspired by a lifetime of personally feeling the ways in which language was used against me as a woman and the ways I felt (and still feel) that language can be an impossible bind.

Over the course of making the show, the concept of language began to also stand in for all those other seemingly immovable patriarchal structures we are all trying to live within or against. They seem permanent but they aren’t – things could be different. While making this work I thought often of the famous Ursula Le Guin quote “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings.” This work is about finding the cracks where resistance can begin.

This show started to become a small rally cry – or at least my own attempt to begin to understand what a resistance could look like and my reminding myself of the importance of being hopeful.

Then as we began rehearsals for the show millions of women around the world marched collectively as part of the Womens’ March. And then we had #metoo. And Hannah Gadsby’s Nanette. And a million other acts of resistance both big and small seem to be appearing every day. And I feel in my gut that things are shifting. Maybe the revolution has already started.

Either way, it is my great joy to be in a room with you all while we sing our hearts out.

Julia x


Power Ballad runs Jan 20-26, at the Historic Theatre. Book tickets online or call The Cultch Box Office at 604.251.1363.

Feminist Holiday Gift Guide!

Feminist Holiday Gift Guide!

Struggling with your holiday shopping? Need a little help getting the perfect gift for that kick-ass feminist on your list? Look no furtherour Femme Series is coming up this winter, and there are so many amazing shows and events to choose from!

For the Karaoke Loving Feminist in your life…who wants a moment in the spotlight:

Do you have anyone on your list who could use a good evening of belting out classic power ballads? Have we got the show for you!

Power Ballad is an angry, feminist, live art investigation of language and its sometimes hidden ideologies that is part performance lecture and part karaoke party. With an ‘80s soundtrack to rival any school disco, Power Ballad is anarchic and loud; filled with feminist rage and…Annie Lennox.

And, as a BONUSgrab tickets to the performance on January 25, and you can stay behind after the show for a fun evening of Feminist Karaoke with Power Ballad performer Julia Croft!

For the Shakespeare Loving Feminist in your life:

Hipster Shakespeare!

Sure he’s an old, dead, white guy, but the Bard still has some interesting things to say, and in the hands of Classic Chic Theatre Company, this February’s performance of Much Ado About Nothing won’t be your status-quo, Shakespeare!

Shakespeare loving feminists will not want to miss an all-female cast as they take on one of the most famous stage comedies in the worlda deadly serious and sublimely ridiculous story—of soldiers in love and women confined by tradition. It’s a bold and playful romp through the extremes of desire and ambition, loyalty, and redemption.

“It has been my experience that gender-blind casting speaks to a diverse audience—straight and queer, men and women—and is a true reflection of our complex contemporary community.” — Rebecca Patterson, Much Ado about Nothing Director

For the Music Loving Feminist in your life:

There are so many things to choose from for the music loving feminist on your list. From indie, to hula, to punk…and don’t forget the rock ballads, and karaoke! We have the music lover in your life covered!

Don’t miss Ukraine’s Dakh Daughters in their cross-discipline performance from Jan 15-19, at the York Theatre. Seven actresses take musical instruments into their hands in order to create a life-affirming performance about love, freedom, and beauty which at the end of the day—will save the world. Get your tickets for this one fast, because it will sell out!

On January 12, 2019, at the York Theatre, Soft Cedar Presents: Only a Visitor’s Technicolour Education album release, with special guest Wallgrin. Only A Visitor is a quintet that blurs genre boundaries by straddling the line between art music and pop. Their new album, Technicolour Education, focuses on the Chinese diasporic experience in Vancouver through generations of immigrant stories. Tickets are only $20 and can be purchased here.

Soft Cedar will be back at the end of January as well! On January 27, Kaumakaiwa Kanaka’ole will take the stage in a co-presentation with Capilano University as part of the CapU Global Roots Series. Kaumakaiwa brings to the stage an immense talent as a singer, chanter, and dancer as well as a deep understanding of her Hawaiian culture and her place as a modern, transgender (mahu wahine) Hawaiian in this contemporary world. She engages Indigenous thought to address today’s issues through music, chant, and sharing of spirit.

And, of course, who can forget about Power Ballad?!

For the aspiring Feminist Playwright in your life:

Do you have that one friend who always tells you their “brilliant” play ideas? Theatre creators and producers Kim Senklip Harvey and Pippa Mackie host Pitch, Bitch, or Ditch on Jan 14—an unforgettable night that puts the power in the hands of the patrons! From anonymous suggestions made by the audience, Kim and Pippa will lead patrons through a lively evening of banter and debate—no idea is off limits, no suggestions taboo or too dangerous. The bar will be open. There will be guest appearances…and loads of surprises! And with tickets for only $10, this makes the perfect stocking stuffer, or secret Santa gift!

AND THAT IS NOT EVEN ALL!
Full list of events for the Femme Series:

Jan 11: WROL (Without Rule of Law) by Michaela Jeffery—A new play reading presented by Touchstone Theatre, 8PM, Historic Theatre—FREE
Jan 12: Soft Cedar Presents: Only a Visitor album release, with special guest Wallgrin, 8PM, Historic Theatre—$20
Jan 14: Women in the Arts Mixer, 6-8PM, Historic Theatre—FREE
Jan 14: Pitch, Bitch, or Ditch, with Pippa Mackie and Kim Harvey8-9PM, Historic Theatre—$10
Jan 15 – 19: Dakh Daughters (Ukraine), York Theatre—Main Stage Season Production
Jan 22 – 26: Power Ballad, Julia Croft/Nisha Madhan (New Zealand), 8PM, Historic Theatre—Main Stage Season Production
Jan 25: Feminist Karaoke with Julia Croft, after Power Ballad, 9PM, Historic Theatre—FREE
Jan 27: Soft Cedar Presents: Kaumakaiwa Kanaka’ole, presented as part of CapU Global Roots Series, 8PM, York Theatre—$40
Feb 5 – 16: Much Ado About Nothing, Classic Chic Productions (Vancouver), Historic Theatre—Main Stage Season Production


Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

2018/19 Season staff picks!

2018/19 Season staff picks!

As you can imagine, all of the staff here at The Cultch are getting very excited to share the 2018/19 Season with you! We asked a few of our staff members what show they just cannot wait for, and here are the first few staff picks:


Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator, SmallWaR, Nov 6-16, 2018

Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator.

SmallWaR entices me because it is the follow-up to one of my favorite shows we have had here at The Cultch: BigMouth. Valentijn Dhaenens is an extremely powerful performer, who displayed a totally magnetic kind of controlled weight and erratic; as if he was at any moment going to burst in any direction. In addition to Valentijn’s performance, it was the beautiful execution of a simple concept that drew me to BigMouth (one man performs a series of famous speeches made by over 25 000 years of human history). Similarly, SmallWaR is focusing its attention in on one moment: a dying soldier reflecting on the impact of the cyclical trauma of war on his life and the history of humanity. In BigMouth, Valentijn made use of 5 microphones in a wildly creative and impactful manner. I can’t wait to see how the same experimentation is applied to the use of five projectors in SmallWaR.


Paul Phalen, Business Development & Hospitality Manager. Photo by Tiana He

Paul Phalen, Business Development & Hospitality Manager, Testosterone, Oct 2- 13, 2018

I am so excited to see Testoserone, and to open the discussion about masculinity. How masculine do you have to be, to be a “man”? This amazing production explores a character’s journey into the unknown spectrum that is masculinity, having just transitioned from female to male. “Do you think you’re man enough?”


Kelly Barker, Artistic Associate, Power Ballad, Jan 22-26, 2019

I’m really excited about Power Ballad which is going to be part of our Femme Series in January. This one-woman show, from New Zealand, is a feminist, performance-art, karaoke party – what could be better?! The imagery I’ve seen is striking and the reviews are great. I think it’s going to be an awesome night which will have you singing along while deconstructing the patriarchy and examining the way we use language. A unique show not to be missed!


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

LES FILLES DU ROI is “a triumph”!

LES FILLES DU ROI is “a triumph”!

We are so proud to have partnered up with Urban Ink, Fugue Theatre and Raven Theatre to present Les Fille du Roi. Les Filles du Roi runs until May 27 at the York Theatre. The amazing creators of Children of God (which is coming back to The Cultch due to popular demand, Feb 20 – Mar 10, 2019) have done it again!

Les Filles du Roi is the powerful story of Kateri, a young Mohawk girl, and her brother Jean-Baptiste whose lives are disrupted upon the arrival of les filles du roi in 1665. They forge an unlikely relationship with young fille Marie-Jeanne Lespérance – whose dreams of a new life are more complicated than she could have imagined. Over the course of a year, Mohawk, French and English journeys collide, setting the stage for the Canada we know today. 

Photo by David Cooper. Les Filles du Roi a new musical by Corey Payette & Julie McIsaac. Directed by Corey Payette, Production Design (Set/Costume/Props) by Marshall McMahen, Lighting Design by Jeff Harrison. A Fugue Theatre/RavenTheatre production in association with Urban Ink and The Cultch. Actors: Kayla Dunbar, Chelsea Rose, Cecilly Day, Julie McIsaac (in center), Lisa Goebel, Synthia Yusuf, and Merewyn Comeau.

It has been getting great REVIEWS! Check out a few of them here:

“Les Filles du Roi’s trilingual, feminist-Indigenous musical is a triumph…a work of monumental importance…Go see it” ~ Kathleen Oliver, The Georgia Straight

“Les Filles Du Roi Tells a Powerful Story of Canada’s History” ~ Connal McNamara, Vancouver Weekly

“A sumptuous reimagining of our history…It’s thrilling” ~ Colin Thomas, colinthomas.ca

“If any show deserves a standing ovation, this one does. But don’t take my word for it, see it for yourself” ~Emma Rossland, Two Cents & Two Pence

Wanna know more? Check out what Corey Payette and Julie McIsaac have to say about creating Les Filles du Roi:

Les Filles du Roi is performed in three languages, English, French, and Kanien’kéha (Mohawk). Learn more in this great video:

Les Filles du Roi runs from May 15 – 27, 2018 at York Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Donor Spotlight: Charlotte and Sonya Wall

Donor Spotlight: Charlotte and Sonya Wall

This month marks our second annual Femme month at The Cultch; both have been generously supported by Charlotte and Sonya Wall. We chatted with Charlotte and Sonya to learn a bit more about their involvement with The Cultch and their passion for supporting female artists.

Thank you so much for joining us in this edition of The Cultch’s Donor Spotlight! You have both been long-time supporters of The Cultch. Can you tell us how you first got involved with the organization?

Sonya: I first became involved with The Cultch through attending theatre productions. I loved the diversity and originality of The Cultch productions and believed that The Cultch offered Vancouverites the opportunity to see theatre which was contemporary, thought provoking and international in its scope. I wanted to support such an endeavour. Around the same time, I also got to know Heather Redfern – who is marvelous – through the restoration of the York Theatre. I asked Heather how Charlotte and I could best help The Cultch and so we came up with the idea of a Femme February or January theme.

What has surprised you most about working/partnering with The Cultch?

Sonya: What has surprised me most about working and partnering with The Cultch is the enthusiasm, dedication and openness of everyone. They are all committed to providing the best experience for the theatre goer and for the actors, writers, directors and technical staff. Everyone works in concert with each other and are super organized – a rarity in any organization! Also, the creative energy at The Cultch is amazing.

Charlotte: I too, admire the dedication and enthusiasm I constantly encounter when I am at The Cultch. I think The Cultch provides an important service in the community in regards to women in theatre and consistently stages contemporary and cutting-edge work.

Charlotte, you are a trained and practicing visual artist. Do you find that engaging with other art forms, such as theatre and dance, contributes to your own artistic practice?

Charlotte: As an artist working also in a contemporary mode, I strongly believe that all art forms influence and benefit each other.The expression of thought and discovery in every form relates to the endeavours of artists in other mediums.

I find the staging involved in both theatre and dance can easily inform some of my work, especially since I often deal with the manipulation of spacial assumptions. The composition of characters in a play on stage or the choreography of dance involves the same process as composing a sculpture or an installation.

I look forward to many more Cultch events and I will always enjoy the open minds that present us with challenging and intriguing visual offerings.

Sonya, you are passionate about supporting women in higher education and the arts. What do find fulfilling about supporting women in these particular areas?

Sonya: I am a strong believer and proponent for supporting and recognizing women in the Arts and all fields. I am not sure if “fulfilling” is the feeling I get from supporting this belief, rather it is a balancing. I can remember in the ’80s taking a modern American literature course and looking at the outline and realizing that we would only be reading one work written by a woman compared to 9 by men. When I queried this imbalance, the Professor stated that he had neither noticed the discrepancy nor did he care. I would like to say that my voluble reaction to his response resulted in a change, but alas, no. While this scenario is probably not as visible today, it is, nevertheless, still necessary to foreground women’s work in all areas as we have still not achieved that optimal balance. One only has to look at the economics of wage parity within today’s society. So, supporting Femme Feb/Jan makes me feel as if I am helping achieve a balance, which, frankly, I am still fairly voluble about.

Can you tell us what wish other people knew about The Cultch?

Sonya: I wish people knew how hard everyone at The Cultch works to continue providing the audience and community with top notch entertainment. Every season brings new, exciting and professional works to the stage. Truly amazing.

What would you tell someone who is thinking about donating to The Cultch but hasn’t made the move yet?

Sonya: Don’t stop at “go,” just give.

One last question, what are you curious about right now?

Sonya: I am curious about the tipping point society has recently reached as women finally feel they can speak out about sexual harassment. I am also interested in seeing how this movement changes the workplace – both the conduct and the demographic. And, I am most curious to see Hot Brown Honey along with many other Cultch productions. Should be fun.

 


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today!
Charitable registration # 11928 1574 RR0001
________________________________________

Rave Reviews for Hot Brown Honey!

Rave Reviews for Hot Brown Honey!

Have you seen Hot Brown Honey yet? Audiences are going wild for this smash-hit from Australia!

Check out some of the amazing things Vancouver reviewers have had to say about it:

“Is it empowering, exuberant, rousing, fun? Hell, yes. It’s also the show that the world needs right now – has needed for some time, but man, the time is ripe for it” — Marsha Lederman, The Globe and Mail

“Part hip hop concert, part pep rally, Hot Brown Honey is a loud, proud evening of consciousness raising; a series of lessons on race and gender that says you can have your revolution and dance to it, too” — Jerry Wasserman, Vancouver Sun

Hot Brown Honey throws a female-powered dance party that’s well worth joining…What a party!” — Kathleen Oliver, The Georgia Straight

“With its mix of burlesque, circus, dance, beatboxing, and hip-hop, on the surface Hot Brown Honey is like a really great variety show. Layered with the politics of gender, race and colonialism though, it becomes so much more” — Mark Robins, Vancouver Presents

Weave Image By Dylan Evans

Hot Brown Honey is more than a show, it is an embodiment of sexual liberation, a celebration of matriarchal ideas and a call to action for a better tomorrow through education and awareness of inherent societal privilege and racial divides. It’s not like anything you have ever seen” — Penny Warwick, Two Cents & Two Pence

Hot Brown Honey is visually mind-blowing with a whole load of talent on stage…There’s singing, dancing, rapping and costumes changes that leave your head swiveling”— Jo Ledingham, joledingham.ca

“Hot Brown Honey is a MUST SEE for EVERYONE… You will leave this show buzzing with energy and ready to rain fire on the patriarchy” — Maddison Miller, The Vancouver Arts Review

“If you enjoy shows that are sassy, sexy and have a social conscious this is definitely for you” — John Jane, Review Vancouver

“It’s raunchy, colourful, mind-boggling and fun” — Entertainment Vancouver

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Meet the Honeys!

Meet the Honeys!

Hot Brown Honey opens at the York Theatre January 10. This fierce patriarch-smashing show has been shaking things up on its #WorldPollinationTour, and the buzz is palpable. We couldn’t be more excited to introduce you to the amazing women that will be taking over the York stage for most of January (Jan 9-27).

It’s time to get sticky!

Lisa Fa’alafi by Dylan Evans

LISA FA’ALAFI aka THE GAME CHANGER
(Creator | Writer | Director | Choreographer | Designer)
Definition: Innovator of an event, idea, or procedure that significantly alters in the
current way of doing or thinking. Shake’Em Up Woman. Defies the
Norm. Shifts the Paradigm. Rocks The Boat.

In The Words Of Dr Angela Davis:
‘You have to act as if it were possible to radically transform the world.
And you have to do it all the time.’

Ofa Fotu by Dylan Evans

OFA FOTU aka THE MYTH SLAYER (Soul Woman)
Definition: Defeats a fiction or half-truth, especially one that forms part of an
ideology. She slays. Staff Holder. Soothsayer. Smashes Stereotypes.
Centrestage.

In The Words Of Chimamanda Ngozi Adichie:
“The single story creates stereotypes, and the problem with stereotypes is not that
they are untrue, but that they are incomplete.
They make one story become the only story.”

Hope Haami by Dylan Evans

HOPE HAAMI aka HOPE ONE (Beatboxer)
Definition: Advocates a joyful of mindset of positive outcomes for the world at
large via rhythmic beats made with the mouth. Music Maker.
Collaborator. Decolonise and Moisturise.

In The Words Of Maryann Talia Pau:
“We ARE light. We ARE love. And love, is everything.”

Crystal Stacey by Dylan Evans

CRYSTAL STACEY aka THE PEACE MAKER (Hoops & Aerials)
Definition: She who brings about a sense of unity through truth. Poet. Mover.
Embodies the change she wants to see. Future Sculptor. Radical
Fierce Love.

In The Words Of Audre Lorde:
“We’ve been taught that silence would save us, but it won’t.”

Elena Wangurra

ELENA WANGURRA aka THE GROUND BREAKER (Contemporary Dancer)
Definition: Originator or pioneer that leads to/makes possible further growth. Risk
Taker. The Fierce Awakens. Makes Noise.

In The Words Of Dr Lilla Watson:
“If you have come to help me, you are wasting your time. If you have come because
your liberation is bound up with mine, then let us work together.”

Busty Beatz by Dylan Evans

BUSTY BEATZ aka THE QUEEN BEE
Creator | Writer | Musical Director | Composer | Sound Designer
Definition: So Boss. Vessel for The Word of The Mother. Divine Feminine Power.
Hip Hop Wrath. Filled with joyous rage. Protector of the Hive.
Nurturer. See Matriarchy. Fights The Power.

In The Words Of Busty Beatz:
“Fighting The Power Never Tasted So Sweet.”

— WORD TO THE MOTHER —

The Mother- The Hive- By Dylan Evans

Want a taste of the show? Meet the Honeys up close and personal in this live facebook interview with Vancouver Presents:

Live in the hive with the company of Hot Brown Honey

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Hot Brown Honey is heating up Manchester!

Hot Brown Honey is heating up Manchester!

We are getting so excited! Hot Brown Honey has begun their #WorldPollinationTour, and Vancouver is on the flight path! From Jan 9-27, these fierce females will be taking over the York Theatre with their fun, fabulous, and patriarch-smashing hit!

As we speak Hot Brown Honey is heating up Manchester. The reviews are buzzing in and they are GREAT! Take a look:

— Make Noise! —

Hair Image By Dylan Evans

★★★★★ “Unlike anything you will have seen before… Smoking hot. If fighting the power is this much fun, we should all get on board and rock the boat a little bit.” – Frankly My Dear

★★★★★ “Busty Beatz [and] Lisa Fa’alafi have created a truly ground-breaking production unlike anything you’ve ever seen before – but will definitely want to see again… An empowering must-see performance full of laughter, joy and truth that is entirely faultless.” – Upstaged Manchester

★★★★★“The Honeys force us on this side of the world to think about the impact of our colonial past that is still having an impact today, centuries after the first colonialists spread their poison across the Pacific region.” – North West End

★★★★★ “A triumph of a show… Fast-paced, sexy, hilarious, and the all-female cast are a seriously talented and fierce bunch… But it’s more than just good entertainment value, behind the glitz of the huge golden beehive and the sassy dance routines there’s an important message which seeks to confront and challenge our perceptions of racial stereotypes and sexism.” – Northern Soul

★★★★ “A brave, and thought-provoking show… If you fancy something a little different this festive season: a show with plenty of attitude and sass then Hot Brown Honey is the show for you.” – The Reviews Hub

“Fearless, resolute and downright entertaining… The women of Hot Brown Honey simultaneously raise the roof and your consciousness.” – Circles & Stalls

“The[se] luscious ladies leave the audience on their feet shaking their booties to some sweet tunes… It creates such a party atmosphere… A celebration… The exact type of excitement and energy that could begin a revolution.” – Culturebean

Hot Brown Honey is not trying to encourage or give space for reflection and debate, but rather to utterly subvert the patriarchal world view and to urge action. Subtlety is not the path to revolution.” – Unrestricted Views

“A flamboyant evening of cabaret entertainment… Fighting the power never tasted so sweet… Just brilliant, a complete blast from start to finish.” – The Greater Manchester Reviewer

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Award-winning La Merda makes its North American debut at the Historic Theatre

Award-winning La Merda makes its North American debut at the Historic Theatre

Photo by Marco Pavanelli

History in the making! After sell-out runs in Rome, London, Edinburgh, Copenhagen, Sao Paulo, Madrid and Adelaide, Cristian Ceresoli’s La Merda, performed by legendary Italian performer Silvia Gallerano, opened at the Historic Theatre on May 2. Performed completely naked, Gallerano’s performance is powerful, desperate, vulnerable, and cutting. Don’t miss it; make sure you book your tickets soon!

See what local reviewers have to say about this provocative feminist work:

BOLDLY FEMINIST La Merda unleashes a stream of naked fury” – Kathleen Oliver, The Georgia Straight

“The character is NAKED in every sense. It’s brutal but absolutely RIVETING to watch” – Jo Ledingham, joledingham.ca

“[La Merda] is well worth queuing up for” – Lincoln Kaye, Vancouver Observer

“We in this Vancouver of complacency need to be KICKED IN THE BUTT. Last night Silvia Gallerano did a lot of that.” – Alex Waterhouse Hayward, alexwaterhousehayward.com

“She’s MESMERIZING” – Colin Thomas, colinthomas.com

Photo by Valeria Tomasulo

LA MERDA runs at the Historic Theatre, May 2-13. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Presented with the Italian Cultural Centre

Italian Cultural Centre