Not Your Average Dance Show: All Hell is Breaking Loose, Honey
If you come to see All Hell is Breaking Loose, Honey, be prepared to leave with lots to think about. This is not your average dance show. When it played in Ottawa, the Globe and Mail reported that, “Audience members lingered so long in the theatre, discussing the work that the… ushers, who wanted to lockup, had to ask them to leave.”
Created by Frédérick Gravel, All Hell is Breaking Loose, Honey is a tale of distraught men, the ordinary run-of-the-mill North American male – beer, T-shirts, baseball caps, cowboy boots, beer bellies and their hesitations, outbursts of violence, confusion, brusque changes of mood, right left, front and back, lurching in a drunken haze of beer and powerlessness.
Frédérick Gravel has been active in the Montreal scene for over 10 years and graduated from the dance faculty of Université du Québec à Montréal in 2009. An interdisciplinary artist with experience as a choreographer, dancer, musician and a lighting designer; it is no surprise that Frédérick Gravel’s work embraces a mixture of styles and disciplines. He has become known for pushing the boundaries of dance choreography and turning it on its head. Says the Ottawa Citizen, “Gravel’s work dances the fine line between rock concert, trailer park party and dance performance. He certainly likes to push the boundaries of what dance can be – taking pleasure in obliterating stereotypes.”
Merging rock music and performance art into his dance performance, Frédérick Gravel’s work is emotionally gripping and hard hitting. All Hell is Breaking Loose, Honey is described as being part dance, part performance art, and part rock show. Be prepared to leave this show feeling as though you have just experienced a particularly exhilarating rock concert.
But don’t be scared away. Just because All Hell is Breaking Loose, Honey deals with some heavy things, doesn’t mean it isn’t accessible. In fact it is known for skirting the line between the serious and the comic. This is dark comedy at its best. In an interview with The Dance Current Philip Szporer says, “Gravel has good patter… with wicked timing. He doesn’t hesitate to reinforce, constantly, the idea that contemporary dance is “waaay” too serious, and why not have a good laugh?”
Check out the trailer.