“Love will keep us together”

“Love. Love will keep us together…”

It is safe to say there is a lot of bad news out there these days. And though we do not want to downplay the seriousness of this time, it is encouraging, despite the widespread international tragedy of COVID-19, just how much people are coming together to show love for each other in unique and poignant ways. From the 7 o’clock cheers for our health workers, to people helping out their neighbors, to local breweries and distilleries heeding the call for more hand sanitizer. And artists are sharing the love too! So many generous artists are taking to online platforms to share their talents with the world! We don’t know about you, but it really is love that is getting us through here at The Cultch.

We asked some staff, patrons, and artists what it was they loved about The Cultch, and we were flooded with such beautiful heartfelt responses—they just warmed our hearts! It means so much to us to hear just how much you value the work we do!

Here are some of the wonderful responses of love we have gotten this week!

Pippa Mackie as Pinocchio in East Van Panto. Photo by Tim Matheson

“I love the Cultch because it brings the community together.
I love the Cultch because the arts are an essential service.
I love the Cultch because they empower me as an artist.
I love the Cultch because they bring people together.
I love the Cultch because they provide an opportunity for local artists.
I love the Cultch because without them…East Van just wouldn’t be East Van.
I love the Cultch because I have seen the impact the Panto has on audience members.
I love the Cultch.”  – Pippa Mackie, local playwright & performer

“I love The Cultch because the shows I’ve seen at The Cultch are some of my most cherished memories. So it’s like the Cultch is this old friend who keeps surprising you.” – Veda Hille, local singer, pianist & songwriter

“I love the Cultch because …
it’s in my neighbourhood
it’s always felt like a second home
Len Gardiner is the world’s coolest Caretaker
it’s where I can see non-commercial art
it’s a not-for-profit
it connects me to the world
it’s the first place I saw a live show in vancouver
it used to be a church
it’s the theatre I’ve performed most in, in my LIFE!
I’ve seen about 200 shows there”
– Marcus Youssef, local playwright & performer

“I love The Cultch because it is a family.” –Louise Chapman, Development Manager

“I love The Cultch because it is a place of connection in a time when connection is difficult.” –Lisa Mennell, Communications Associate

“I love The Cultch because it is a gathering place where everyone is welcomed with open arms.” –Chelsea Isenor, Marketing Manager

“I love The Cultch because when I walk through the doors it feels like a very familiar place. It feels like I’m coming home.” Corey Payette, Urban Ink Artistic Director

“I love The Cultch for the bravery and innovation. The sense of community and opportunity to see performers extend their (and my) reach.” –Rick Barker, patron

Kit Redstone and the rest of the Testosterone cast. Photo by Luke Forsyth

 

“I love The Cultch because I had the great pleasure of bringing my work there all the way from London. It was and still is the most sensational venue I have ever had the privilege to work with. Located in the heart of a wonderful community, every single staff member works tirelessly to make this a really special place. I have never experienced a team so generous, fun, good natured and talented at what they do. A good venue should feel like a family working in absolute harmony, and this was my experience of working with the theatre. The work they program is bold and important – showcasing plays that entertain, delight and most importantly informs, inviting their audience into important questions raised. The theatre is in many ways the centre of a gorgeous community, it’s beating heart is a conduit to the varied voices that it brings to the stage. Without a doubt, my favourite theatre in the world.” – Kit Redstone, Testosterone writer & performer

“I love The Cultch because it’s our cultural living room where we gather and share and converse and remember. It’s this incredible gathering place for all kinds of different communities who are all passionate and devoted to the arts – patrons, volunteers, theatre makers, dance makers – it’s this amazing home for both local artists and visiting artists which is a really beautiful thing.”Dave Deveau, Playwright / Zee Zee Theatre Associate Producer

“I love The Cultch because the crowded lobby feels and smells like one big friendly Vancouver hug.” –Amiel Gladstone, local playwright & director

“I love The Cultch because East Van is my home and the Cultch helps me better feel the rhythm of its pulse. Whenever I’m there it feels like stopping by a friend’s house. Except that friend has a really big house…but lawd do they know how to share every inch of it!” –Jivesh Parasram, Rumble Theatre Artistic Director

“I love The Cultch because it’s my home away from home – where I can spend time with my neighbours, hear their stories, and celebrate our community together.” –Christine Quintana, local playwright & performer

“I love The Cultch because it’s the place where the world comes to me.
I love The Cultch because it’s where I get to see old friends and make new ones.
I love The Cultch because this is the place where my dreams came true.
I love The Cultch because it is a wormhole that transports me across time and space.
I love The Cultch because it celebrates BIPOC and LGBTQ2SIA+.
I love The Cultch because it is where my partner and I have our dates nights.
I love The Cultch because of the people who work there.
I love The Cultch because it expands my mind as an artist.
I love The Cultch because The Cultch audience has become my audience.
I love The Cultch because Heather Redfern never panders. The work she programs is challenging, beautiful and brave.
I love The Cultch because it is a place where womens’ voices are celebrated.
I love The Cultch because its commitment to reconciliation goes beyond land acknowledgments.
I love The Cultch because it is the best thing in Vancouver.
I love The Cultch because it has been the backdrop for a thousand selfies :)”
–  Tetsuro Shigematsu, local playwright & performer


Don’t those messages of love just warm your heart? Thank you for all the love you give us! With your love and support we look forward to when all of this is over, and we can come together again to sit in the dark—friends, family, colleagues, and strangers—and have our hearts and minds transformed by the arts once again.

SUPPORT THE CULTCH

A chat with Gravity & Other Myths acrobat, Lachlan Binns

A chat with Gravity & Other Myths acrobat, Lachlan Binns!

Gravity & Other Myths member, Lachlan Binns. Photo by Darcy Grant

Backbone opens October 30, 2018 at the Vancouver Playhouse (600 Hamilton Street), and we are beyond thrilled to have Gravity &Other Myths back in the city once again! We caught up with Lachlan Binns, one of the key members of the award-winning, world-renowned Australian acrobat company, for a quick chat.

We are so excited to have Gravity & Other Myths back in Vancouver. What are you looking forward to doing while you are here in the city?

Last time we were here we had a lot of great opportunities to explore the city. We rode bikes around the city, explored nearby national parks and saw an ice hockey game. It was a fair while ago, so we’re all really excited to re-familiarise ourselves with the city and explore again! Plus, obviously we’re keen to show our audiences what we have been doing since we were there last; Backbone is much bigger and more spectacular show than A Simple Space.

How do you prepare to get on stage each night—warm ups, stretches—what is the process like?

We will spend around three hours warming up before each show. The first section will be stretching, using foam rollers and thera-bands; doing rehab and general body maintenance. This will last for around 45 minutes, and we will use this time to relax and joke around with each other, and get “socially warm”. Then when we are feeling good, and the sweat has started flowing, we will start to practice some of the skills from the show, anything that needs maintenance or adjustment. We will also spend a lot of time training new skills, and experimenting with new material for this show, or future projects. The last 30 minutes of the time is spent focusing, and preparing the stage for the show.

What is the craziest stunt Gravity & Other Myths has ever attempted?

“Craziest” is a strange term for us—a lot of the things we try are considered crazy! The two most difficult stunts we do are in Backbone; one is called the Four High, it is four people standing on top of each others shoulders in a straight column. It is an incredibly rare and difficult skill in the acrobatic world, and we’re really proud of it!

Four High! Photo by Carnival Cinema

What safety measures do you take to keep everyone safe? Have there been any injuries?

There are always injuries when you practice acrobatics; its impossible to avoid completely. A combination of smart body management, and trust in each other to catch and support one another, is the best way to manage injuries.

Gravity & Other Myths has toured all over the world—what is the wildest experience you have ever had touring with this show?

The literal wildest experience would be performing and going on a safari tour in Zimbabwe, Africa. Being in a totally different culture, and experiencing both the natural beauty, and the amazing tradition, is something we will remember for a long time!

Backbone looks like so much fun! Are you having as much fun on stage as it looks?

Definitely. The fun we have on stage is not pretend. Our job is to do what we love with a group of our best friends, and it’s hard not to smile!

Photo of Gravity & Other Myths by Darcy Grant


Backbone runs Oct 30-Nov 4 at the Vancouver Playhouse (600 Hamilton St). Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

We are so excited to announce our 2017/2018 Season!

We are so excited to announce our 2017/2018 Season!

We had a blast at our season launch announcement party – thank you to everyone who joined us!

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We are so excited to announce our 2017/2018 season! Check out this fun video announcing the 22 amazing new shows coming to The Cultch in 2017 and 2018!

Subscriptions go on sale today! Browse our Spectacular 17/18 Season Overview. Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house. Order today: TICKETS.THECULTCH.COM

Single tickets go on sale August 8. Call The Cultch’s Box Office at 604-251-1363 or go online at tickets.thecultch.com.

Portraits in Motion: “A gentle and thoughtful reflection about the fleeting nature of the moment…”

Portraits in Motion: “A gentle and thoughtful reflection about the fleeting nature of the moment…”

We are thrilled to partner with PuSh International Performing Arts Festival to co-present Portraits in Motion. Back by popular demand, Volker Gerling’s unique flipbook-cinema presentation shares the stories and images of the people he encountered while walking over 3,000 miles around Germany. Portraits in Motion will run January 24-26 at the York Theatre.

Volker Gerling on the Development of Portraits in Motion:

During my time as a student of film at the Academy, I understood that my passion was not for the big screen movie or television, but for a very special small form of film I called photograph flipbook cinema. In my flipbook films I mainly work with documentary portraits of people. The 36 images that my films are made of would run by in about one and a half seconds of ordinary cinema or television, but in a flipbook movie they can be repeated at will, you can see the gaps between them, and you can unconsciously try to fill these gaps. In this form, these pictures gain their own very unusual power and poetry.

Photo credit: Susanne Schüle

 

In summer 2002, I took an old wooden kitchen tray and made it into a simple hawker’s tray. There was room for six flipbooks on it. I hung a sign on it, saying: “Please visit my traveling exhibition. I walked through the city of Berlin and showed people my flipbook movies. Sometimes I changed the programme. I screwed an empty honey jar underneath the hawker’s tray so that visitors could pay a symbolic exit fee.

After I had been showing my flipbook cinemas in this way for almost a year, I came to realise that people have a need for “small” and “simple” stories. I decided to travel. I wanted to know how people outside the city would react to my films. I wanted to make new flipbook movies. I bought myself a new pair of walking boots and set off. I did not want to miss anything along the way, so I chose to go slow, on foot. I took my hawker’s tray with me and showed my flipbook movies to people by the wayside and over their garden fences. In the evenings, I went into pubs and restaurants and I visited village parties. I did not take any money with me. I slept in my tent and lived only from whatever people gave me. Sometimes they gave me money as a symbolic fee when they had seen my small show of flipbook cinemas, or they often gave me something to eat.

My journeys are reminiscent of the days when cinema itself was itinerant, when projectionists would move from town to town and there were no movie theatres. My own form of wandering cinema also creates a link between the ways in which my films are seen and my own way of travelling. The rhythms and the sense of time are comparable – just as visitors to my flipbook movies can view them at their own speed, my walking is based on my own rhythm and speed.

In my flipbooks, I am interested in the gaps between the images and everything that gets lost when you leaf through them quickly, and when I am walking I am interested in the gaps between the cities that you would normally speedily cover by car, train or plane. I am interested in what happens by the wayside; whatever you can never see when you travel quickly. I am interested in the people I meet when I am on my way. What are their lives like? What is important for them? What stories do they tell me, the stranger? How do the people in all the different towns, gardens and villages I pass through react to my art?

Today I can look back at 3,000 miles of walking, mainly in Germany, and nearly a year on the road in total spread across more than 10 years. Again and again I experience the excitement and the surprises of setting off without knowing what will happen next. I remain true to the principle of my very first walk – I take no money. I finance my journeys by showing my flipbook cinemas that I carry on my hawker’s tray. Old faces and old stories lead me to new faces and new stories. My exhibition is renewed.

In 2005, I began to show my flipbook movies in a stage show, Portraits in Motion. On stage, I use a video camera to project my movies onto a big screen. For a brief moment, the people in my flipbooks come to life. They are so real that sometimes you feel you have known the people in them for years. I tell their stories and tell of my own big, small, serious and bizarre encounters. My show is a gentle and thoughtful reflection about the fleeting nature of the moment and what it means when people meet each other. 

Every year I walk, so every year my show develops at the leisurely pace of a walker.

Volker Gerling

Portraits in Motion runs Jan 24-26, 2017 at the York Theatre. Tickets from $20. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Opening Tonight: The Pianist Promises Lots of Laughs!

Opening Tonight: The Pianist Promises Lots of Laughs!

Thomas Monckton has been making the world laugh with The Pianist since he first premiered it in 2013. This years’ whirlwind tour included stops in Australia, Hong Kong, Finland, the Czech Republic, England, Scotland, and the USA. After rave reviews all around the world, Vancouverites will finally have a chance to see this clowning masterpiece; opening tonight, October 25, at the York Theatre.

REVIEWS FROM AROUND THE WORLD:

“A BRILLIANT hour of choreographed hilarity” – Cameron Woodhead, the Sydney Morning Herald, Australia

The Pianist was WONDERFUL…a fusion between Mr Bean and the Cirque du Soleil. The audience laughed from the beginning to the very end”- Salisbury Journal, England

“This show is absolutely HILARIOUS and must NOT be missed…if I could I’d give the show an 8 out of 5” – Lizzi Wood-Vashishtha, HKeld, Hong Kong

“Thomas Monckton is a REMARKABLE, very expressive performer even without a red nose.” – Jussi Tossavainen, Helsingin Sanomat, Finland

The Pianist is a show that will invariably pack out audiences and leave them laughing in stitches, and for that it is wholly deserved” – Alex Wood, Theatre Bubble, Scotland

“To see how FUNNY it is, you have to see it…Monckton earns shameless belly-laughter from kids and adults alike” – Marty Fugate, Your Observer, Florida

“The wordless show has a little Charlie Chaplin here, a little Mr Bean there and a delightful sprinkling of CIRCUS MAGIC” – Karen Bailey and Terry Izatt, The Clothesline, Australia

Check out this great video interview with Thomas Monckton, published by the Vancouver Sun

The Pianist runs from Oct 25 – Nov 6, 2016 in the Historic Theatre. Family Packs available! 4 premium tickets for just $120! *A Family Pack includes 2 adult + 2 child tickets (Sec A). Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363