A conversation with Much Ado About Nothing Director, Rebecca Patterson
Previously from New York City, Rebecca Patterson is known for her inventive classical productions featuring all-female casts for The Queen’s Company (NYC) and her advocacy for diversity and gender-blind casting. As Classic Chic Productions prepares to open Much Ado About Nothing this week, we caught up with Rebecca to chat about her work and inspirations.
Tell us a little bit about yourself.
Born in California and raised in Western Canada, I went to Studio 58 as an actor before beginning my ongoing journey as an auteur theatre director. For the past 20 years I have been happily living and making theatre in New York City, I moved back home to Vancouver just over a year ago and am now making theatre here in addition to my work in NYC.
Can you tell us more about your work at The Queen’s Company in NYC?
Founded in 2000, The Queen’s Company is a NYC-based theatre company dedicated to the creation of inventive productions of classical plays featuring all-female casts. My work with the company weds a love of language to a love of life, weaving inspiration from history and world cultures into the fabric of each production, and is known for its exquisite use of language, bold physicality, creative storytelling and artistic playfulness. I have also been a vocal advocate for culture change in casting practices, calling for greater opportunities for classically trained professional female actors through all-female productions and gender-blind casting.
Why is gender-blind casting important?
Because it’s about humanity. It is a true reflection of our current culture where the old divisions between men and women are falling away. It is also about social justice and equal employment opportunity for female actors.
What inspires your work?
Life, and the actors I have the pleasure and privilege to work with.
What makes you most excited about being back in Vancouver?
Vancouver has become the city I went in search of, diverse, engaged, hopeful, curious. The city and the theatre community excites me, though I love the dynamic energy and drive of NYC, I miss my culture and my people, it is wonderful being back and diving into this new experiment.
What does it mean to you to be part of the Femme Series?
It means I am claiming space onstage for women and encouraging other women to do the same. This is important, we need to have our diverse voices heard and seen. It will be the journey of multiple lifetimes to undo the untold generations of female silence, to arrive at a time where equality of expression is the norm, this is why, even as women achieve more overt equality, programs like the Femme Series remain important and relevant.
What should audiences expect from Classic Chic’s Much Ado About Nothing?
Expect to be surprised.
Tell us about a woman who has inspired you.
So many to choose from! Of all the fierce females who make my day, I have to choose the French female director Ariane Mnouchkine, within the artistry of stage direction she is considered one the best, her relentless pursuit of truth and bold theatricality has been deeply inspirational and fueled my passion to create theatre.