The four concepts behind Kuroko!
Wanna know more about the show? There are four concepts that inspired Tetsuro as he was writing—Hikikomori, Rental Families, Kuroko, and Suicide Forest. Read below to hear what Tetsuro has to say about these four concepts!
Hikikomori. Imagine going to your bedroom and never leaving. This is the phenomenon known as hikikomori. Japanese young people on the road to maturation, experience a setback: bullying, or failing their entrance exams. They retreat to their bedrooms and never leave, spending all their waking hours online, enabled by parents who don’t know what to do apart from leaving trays of food outside their doors.
Rental Families. Would you ever hire an actor to play a relative or friend in your life? How quickly would the lines blur? As bizarre as this may sound, the rent-a-family industry is a mature industry in Japan, a place where manifestations of the artificial aren’t seen as negatively as they are here.
Kuroko. Literally translated, kuroko means black child, or child of darkness, a rather poetic name for the stagehands in traditional Japanese theatre. Clad entirely in black, audiences in Japan claim not to see them, as they occupy a culturally specific blindspot, in the same way that Western audiences pay no attention to the strings of marionette puppets. The shadowy kuroko enable players to achieve feats of virtuosity, and the otherwise impossible. Is there a kuroko in your life?”
Suicide Forest. The original title for this play was Suicide Forest, We changed the title when we discovered that another play of the same name premiered in New York in March of 2019. This is an actual place in Japan, infamous for being the most popular destination for those wishing to end their life. Geologically unique, it is also an attraction for nature lovers, officially named Jukai or ‘Sea of Trees’.