The Cultch Theatre has been recreated in Minecraft, and it is AWESOME!
This spring break we are presenting a very special show specifically for families with Minecraft* obsessed kids – Theatre Replacement‘s MINE (March 18-22, Historic Theatre).
On stage, a group of gamer/performers aged 11 to 46 enact different mother-son narratives—from the Beowulf saga, to Bambi, to The Terminator—using the video game Minecraft. Inspired by the real-life relationship between Theatre Replacement’s Co-artistic Director, Maiko Yamamoto, and her 11-year-old son, Hokuto, and his obsession with Minecraft. MINE is live-operated from start to finish, and opens us up to expansive new territories in an intergenerational performance that both interrogates and recognizes the role technology plays in our modern parent-child relationships.
The Cultch Digital Storytelling team has been busy as the bees collaborating with Conor Wylie, one of the creators of MINE, to create a fun supplementary experience for all the Minecraft, Theatre Replacement, and Cultch fans!
The Cultch bees in the game!
The Cultch bees IRL!
Come and visit a detailed reproduction of The Cultch theatre placed in the Vancouver-ish Minecraft city used as the set for Theatre Replacement’s MINE. Discover new stories told through Minecraft, explore the theatre and the city, and surround The Cultch with your own creations. Find the QR codes hidden around the real life Cultch to see the pre-show rituals of Bambi, a character from MINE. Be the first to find all 3 videos to learn the code to unlock the Chest and claim the Daily Prize!
Use Minecraft Java Edition to access our Minecraft server. Choose multiplayer, and add thecultch.apexmc.co to your server list.
Here is a sneak peek at some of the familiar Cultch spaces that have been built in the world of the game!
The Cultch exterior in the game!
The Cultch exterior IRL!
The Cultch exterior has had several updates over the years. The historic building started it’s life as a church, and has been a community arts venue for over 45 years!
The Cultch Lobby in the game!
The Cultch Lobby IRL!
The Cultch lobby is a favourite hang out spot for theatre, dance, and music fans in the city. It is also home to the Cultch Gallery – a community focused space dedicated to providing progressive art to the residence of Vancouver East Side.
The Cultch Founders’ Lounge in the game!
The Cultch Founders’ Lounge IRL
The Cultch Founders’ Lounge is a quiet and cozy spot to hang out before or after the show.
The Vancity Culture Lab (with BIG Sister set) in the game!
The Vancity Culture Lab (with BIG Sister set) IRL!
Our smallest venue, the Vancity Culture Lab, is an intimate space for powerful performance. It is also the space where we always present our Cultchivating the Fringe winners (like BIG Sister!).
Wanna see more? Let Bambi take you on a quick tour of The Cultch. He has backstage access!!
MINE, from Theatre Replacement, runs March 18-22, 2020, at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.
*MINE is not an official Minecraft product, nor is it affiliated with Mojang.
Coming up May 7-19, 2019 we have an audacious new theatrical experiment from Iranian playwright Nassim Soleimanpour (White Rabbit, Red Rabbit), NASSIM. Each night a different performer joins the playwright on stage, while the script waits unseen in a sealed box…Touchingly autobiographical yet powerfully universal, it is a striking theatrical demonstration of how language can both divide and unite us.
We are excited to announce the brave Vancouver perfromers who will be taking on the unique challenge: Carmen Aguirre,Adam Grant Warren, Maiko Yamamoto, Marcus Youssef, Craig Erickson, Christine Quintana,Dawn Petten,Pippa Mackie, Quelemia Sparrow, Tetsuro Shigematsu, Conor Wylie, Donna Soares.
Read below for an introduction to these fabulous actors!
ABOUT NASSIM SOLEIMANPOUR:
Nassim Soleimanpour (Writer and Performer) is from Tehran, Iran. His plays
have been translated into more than 30 languages and performed globally in over
50 countries. Best known for his play White Rabbit Red Rabbit,
written to travel the world when he couldn’t, his work has been awarded the
Dublin Fringe Festival Best New Performance, Summerworks Outstanding New
Performance Text Award and The Arches Brick Award (Edinburgh Fringe) as well as
picking up nominations for a Total Theatre and Brighton Fringe Pick of
night a different performer joins the playwright on stage:
AGUIRRE (May 7):
Carmen is a theatre artist and author, and a
core artist of Vancouver’s Electric Company Theatre. She has written and
co-written over twenty-five plays, including The Trigger, The Refugee
Hotel, and Blue Box. Currently
she is writing Anywhere But Here for Electric
Company, an adaptation of Euripides’ Medea
for Vancouver’s Rumble Theatre, and an adaptation of Moliere’s The Learned Ladies for Toronto’s Factory
Theatre. Her one-woman show Broken
Tailbone has just completed a cross-Canada tour. Carmen is the author of
the #1 national bestseller Something
Fierce: Memoirs of a Revolutionary Daughter (winner of CBC Canada Reads in
2012), and its bestselling sequel, Mexican
Hooker #1 and My Other Roles Since
the Revolution. She is currently starring in the independent feature Bella Ciao!. Carmen has won multiple
awards for her work, has over eighty stage, film and television acting credits,
and is a graduate of Studio 58. carmenaguirre.ca
GRANT WARREN (May 8):
Originally from Newfoundland, Adam is a
theatre-maker, writer, dancer, and arts educator whose career in performance
spans almost 20 years —and has taken him everywhere from the basement stage of
the St. John’s Arts and Culture Centre to the International Pavilion at Walt
Disney World. In the theatre, Adam’s west coast performance highlights include
productions of his own solo show, Last
Train In, Touchstone Theatre’s Kill
Me Now, and Real Wheels Theatre’s CREEPS,
for which he won a Jessie Award. As an associate artist with All Bodies Dance
Project, Adam’s collaborations have featured at festivals including Vancouver’s
Art on the Spot, Victoria’s SKAMpede, and Calgary’s Fluid Festival. With the
support of the Canada Council for the Arts and the British Columbia Arts
Council, his new show, Lights, will
be featured in a staged reading as part of Upintheair Theatre’s 2019 rEvolver
Festival Updrafts Series. For more about Adam and his work, visit www.adamgrantwarren.com
YAMAMOTO (May 9):
Since 2003, Maiko Yamamoto has been an
Artistic Director of Theatre Replacement, a company she formed with fellow
artist James Long. The company’s work has focused on building new, experimental
and intercultural performances that react to contemporary existence through a
highly evolved and extended process of collaboration, and explores unique and
challenging ways of using content and staging material. In addition to her work
with T/R, Maiko directs, writes, teaches, mentors and creates contemporary
performance for and with a diverse range of companies and institutions,
including the National Theatre School, Company 605, the Vancouver Art Gallery
and the MAKE Artists Residency in Ireland, among others. She holds a BFA in
Theatre from Simon Fraser University’s School for the Contemporary Arts and a
MAA in Visual Arts from Emily Carr University of Art + Design
YOUSSEF (May 10):
Marcus’ plays have been produced in dozens of
theatres in fifteen countries across North America, Europe and Asia, from
Seattle to New York to Reykjavik, London, Hong Kong and Berlin. He is the
recipient of Canada’s largest cultural prize, the Siminovitch Prize for
Theatre, the Rio Tinto Alcan Performing Arts Award, the Vancouver Mayor’s Arts
Award, the Chalmers Canadian Play Award, the Seattle Times Footlight award, the
Vancouver Critics’ Innovation award (three times) and the Canada Council
Staunch Lynton Award for artistic achievement. Over the years Marcus has also
written for a half dozen shows on CBC Radio and Television and a wide variety
of Canadian print and web publications. Marcus is Artistic Director of
Vancouver’s Neworld Theatre and co-founder of the East Vancouver-based
artist-run production studio PL1422. He was the inaugural chair of the city of
Vancouver’s Arts and Culture Policy Council, a Canadian Fellow to the
International Society for Performing Arts and co-chair of the Vancouver
political party COPE. He is currently an Editorial Advisor to Canadian Theatre
Review, and a consulting advisor for the National Arts Centre English Theatre.
He teaches regularly at the National Theatre School of Canada and Studio 58
ERICKSON (May 11):
Erickson has been active in Vancouver’s theatre scene for the past 15 years,
working with such companies as Electric Company, Neworld, Pi, PT, and Mitch and
Murray. Craig has also spent 10 seasons at Canadian classical theatres
(Stratford, Shaw, Bard on the Beach). He earned a Jessie nomination for his
portrayal of Mormon lawyer Joe Pitt in the acclaimed runs of Angels in
America, Parts 1 and 2 (Arts Club Theatre, directed by Kim Collier).
Theatre: White Noize (Savage Society), East
Van Panto: The Wizard of Oz (Theatre Replacement), Forget About Tomorrow
(Belfry/Arts Club) Angels in America, Parts 1 and 2 (Arts Club), Titus
Buffonius (Rumble Theatre), Who’s Afraid of Virginia Woolf (Arts Club/Blackbird
Theatre), Tear the Curtain (Arts Club/Electric Company), The Great Gatsby
(Theatre Calgary). Upcoming: Coriolanus
(Bard on the Beach). Film & Television:
The Man in the High Castle, A Series of Unfortunate Events, Lucifer,
QUINTANA (May 12):
Christine is an actor, playwright, and
co-Artistic Producer of Delinquent Theatre, based on unceded Coast Salish
territory. This season Christine appeared in the East Van Panto: Wizard of Oz (Theatre Replacement/The Cultch) and Yoga Play (Gateway Theatre), Marine Life (Ruby Slippers) and co-wrote
and performed in Never The Last for
Delinquent Theatre at the Annex Theatre. Christine received the 2017
Siminovitch Protégé Prize for Playwriting, a Dora Mavor Moore Award and Sydney
Risk prize for her play Selfie, and
is Tarragon Theatre’s Playwright in Residence. Christine has BFA in Acting from
UBC, and is a proud member of the Canadian Latinx Theatre Artist Coalition.christinequintana.ca
PETTEN (May 14):
Dawn has performed with Theatre Replacement
for 4 of its renditions of East Van Panto wherein she has had the pleasure of
being a harp, a Hansel, a Prince, and Gloria Macarenko(among others). Other
favourite theatre companies Dawn has trod the boards with include: Electric
Company Theatre, Bard on the Beach, Caravan Farm Theatre, the Arts Club, and
Touchstone Theatre. Most memorable shows: Tear
the Curtain!, A Doll’s House, A
Midsummer Night’s Dream, Our Town,
Pavilion, Hedda Gabler; Studies in Motion,Unity, 1918, and Butoh on Wreck Beach. Dawn is a glad
grad of UBC’s BFA Acting Program, has a bunch of Jessie nominations, and has
received some of the hardware/glassware. When not onstage Dawn teaches
Shakespeare and sex ed to young people (generally not at the same time).
MACKIE (May 15):
Pippa Mackie is an award-winning actor,
writer and producer. Since graduating from the National Theatre School of
Canada’s Acting Program in 2009, Pippa has worked with: Arts Club, Gateway
Theatre, Belfry Theatre, Pi Theatre, Rumble Theatre, Firehall Arts Centre,
Delinquent Theatre, Greenthumb theatre and many more. Pippa originated the role
of ‘Leap’ in Rumble Theatre’s The Society
for the Destitute Presents: Titus Bouffonius written by Colleen Murphy,
which earned her and the ensemble a Jessie Richardson award for ‘Outstanding
Performance by an Ensemble’. She was also the Vancouver Sun’s, Artslandia
Magazine and the Georgia Straight’s ‘Artist to Watch’.
Upcoming: Pippa is co-writing a new show
titled JULIET: A Revenge Comedy (with
Monster Theatre’s Ryan Gladstone), which will premiere the summer of 2019 and
most recently, Pippa teamed up with award-winning UK writer/performer Kit
Redstone (Testosterone), as they are developing a show titled The Fucking Garden, a wickedly dark
reclamation of the Adam and Eve story. Lastly, she will be playing the title
role of Pinocchio in Theatre Replacement’s East
Van Panto: Pinocchio this winter. www.pippamackie.com
SPARROW (May 16):
Quelemia is of Indigenous/English ancestry
from the Musqueam Nation. She graduated from Studio 58’s Acting program, and
the Langara Film Arts program in Screenwriting. Some of Quelemia’s acting
Theatre Credits include: Lysistrata
(Bard on the Beach), directed by Lois Anderson,Timon of Athens (Bard on the Beach) directed by Meg Roe, The Bakkai (The Stratford Festival)
directed by Jillian Keiley The Snow Queen
(Globe Theatre), directed by Rachel Peake, Our Town (Osimous Theatre), directed by Bob Frazer, The Edward Curtis Project (GCTC/NA),
directed by Marie Clements, The
Penelopiad (Arts Club Theatre), directed by Vanessa Porteous, August: Osage County (Arts Club Theatre)
directed by Janet Wright, Ernestine
Shuswap Gets Her Trout (Firehall Arts Centre), directed by Lorne Cardinal,
and Where the Blood Mixes
(Playhouse/WCT) directed by Glynis Leyshon. Various Film and T.V credits
include: Clouds of Autumn, Fringe, V,
Sanctuary 2, Blackstone, Unnatural and
Accidental, Da Vinci’s City Hall, Dead Zone and, Da Vinci’s Inquest for which she won a Leo Award for Best Female
Guest Appearance. Some of her writing credits include: A podplay for Neworld
Theatre and Raven Spirit Dance called Ashes
on the Water, Salmon Girl (Raven
Spirit Dance), Papiyek (Full Circle
Theatre), The Pipeline Project
(Itsazoo and Savage Society), and O’wet
SHIGEMATSU (May 17):
For more than twenty years, Tetsuro
Shigematsu has been telling stories across an array of media. He is a
playwright, actor, scholar, broadcaster, author, filmmaker, and theatre artist.
At the age of 19, he became the youngest playwright to compete in the history
of the Quebec Drama Festival. Originally trained in the fine arts, he found a
similar creative outlet writing for CBC Television’s This Hour Has 22 Minutes. Then in 2004, he became the first
person-of-colour to host a daily national radio program in Canada when he took
over The Round up on CBC Radio, where
he co-wrote and co-produced nearly a thousand hours of network programming. His
most recent theatre work,1 Hour Photo
garnered five Jessie nominations, and won for Significant Artistic Achievement.
His solo work, Empire of the Son was
nominated for six Jessie awards and was described by Colin Thomas as, “One of
the best shows ever to come out of Vancouver. Ever.” Empire continues to tour
throughout Canada and across the world. Tetsuro’s award-winning body of work in
film, television, radio, new media, and theatre is taught in universities as
examples of cultural possibility. If you would like to support Tetsuro’s work,
WYLIE (May 18):
Conor Wylie is a performer, writer, and
director creating experimental theatre. Alongside Nancy Tam and Daniel O’Shea,
he co-artistic directs A Wake of Vultures (WOV), a performance company working
across sonic, visual, and theatrical disciplines. WOV are currently developing
Conor’s new work BODY AND MIND, a
mash-up of experimental minimalism and maximalist anime cyberpunk, as well as
Nancy Tam’s Walking at Night by Myself. Conor regularly collaborates with
Theatre Replacement (T/R), Hong Kong Exile, and many members of Vancouver’s
esteemed Progress Lab consortium. He is one of the core artists of T/R’s MINE, and is currently co-creating GIRL RIDES BIKE, an algorithmic
multimedia motorcycle chase. Conor received a Vancouver Mayor’s Arts Award for
Emerging Theatre Artist in 2017 .As an actor, Conor has performed across the
country, at the Belfry Theatre, Arts Club, Theatre Calgary, Citadel Theatre,
and most recently at Buddies in Bad Times in The Scavenger’s Daughter, the
second instalment of Susanna Fournier and Paradigm Productions’ indie-epic EMPIRE TRILOGY. Outside the work, Conor
is a single-speed cyclist, a craft beer stickler, casual gamer, low-tier
softball ace, and a pretty good person to call if you have a fever for a secret
SOARES (May 19):
Nassim’s White Rabbit, Red Rabbit at
The Cultch in 2012. She is excited to find out what he has in store for her
now. Donna has a long history with Theatre Replacement. She played and toured
with them in Cinderella: An East Van
Panto, Dress me up in your love,
and Bioboxes: Artifacting Human
Experience, assistant stage managed and helped cast 100% Vancouver, and sat
on their board of directors for six years. Some of Donna’s other credits
include: Salmon Girl (Raven Spirit
Dance),The Enemy (Firehall),King of the Yees (Gateway, NAC),The Drowning Girls (Vertigo),Half Life (Theatre NorthWest),Green Lake (Solo Collective),Benefit (Downstage), and Cock (Rumble).Donna is a graduate of
Studio 58 and holds a double major in Theatre and French from UBC. Now, shall
we see what Nassim has planned for us?
NASSIM runs May 7-19 at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.
FROM OUR FRIENDS AT RUMBLE THEATRE
Can’t get enough of the work of Nassim Soleimanpour (we don’t blame you!)? You will not want to miss his play BLANK, presented by Rumble Theatre April 29-May 4. Similar to NASSIM in style, during each performance of BLANK, Nassim Soleimanpour’s play full of blanks will be completed by a new performer before a live audience.