Power Ballad Creator’s Notes

A Note from Julia Croft | Power Ballad Creator/Performer

Power Ballad is a living, breathing, and demonic little show that we are absolutely delighted to be presenting in Canada for the first time.

This work is the second in a trilogy of feminist works that we created. Power Ballad was inspired in part by the misogynistic train wreck that was the 2016 US election and the implicit gendered narratives that were played out in the politics and media of that time and continue to ripple through our lives and our culture. It was also inspired by a lifetime of personally feeling the ways in which language was used against me as a woman and the ways I felt (and still feel) that language can be an impossible bind.

Over the course of making the show, the concept of language began to also stand in for all those other seemingly immovable patriarchal structures we are all trying to live within or against. They seem permanent but they aren’t – things could be different. While making this work I thought often of the famous Ursula Le Guin quote “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings.” This work is about finding the cracks where resistance can begin.

This show started to become a small rally cry – or at least my own attempt to begin to understand what a resistance could look like and my reminding myself of the importance of being hopeful.

Then as we began rehearsals for the show millions of women around the world marched collectively as part of the Womens’ March. And then we had #metoo. And Hannah Gadsby’s Nanette. And a million other acts of resistance both big and small seem to be appearing every day. And I feel in my gut that things are shifting. Maybe the revolution has already started.

Either way, it is my great joy to be in a room with you all while we sing our hearts out.

Julia x


Power Ballad runs Jan 20-26, at the Historic Theatre. Book tickets online or call The Cultch Box Office at 604.251.1363.

It’s party time—time for good music, good laughs…and great food!

It’s party time—time for good music, good laughs…and great food!

Photo by Ankita Singh

The holidays may be over, but the party is only getting started! Coming Jan 15-Feb 3 to the Vancity Culture Lab, Mrs. Krishnan’s Party is a play that takes place at Onam. Have you heard of Onam? It’s a Hindu harvest festival, and it could be the craziest party of them all! Onam celebrates the annual return of the beloved King Maveli to his people. King Maveli was defeated and pushed into the underworld by the gods, but because he was so beloved, he was granted the wish to return to his people once a year. The celebrations for Onam can last up to ten days!

Every great celebration needs great food, and Onam is no different! In fact Onam is know for its good eats—and there are a lot of them:

An example of an Onam Sadhya

All together there are 11 essential dishes which have to prepared…[The]Traditional Onam Sadya (feast) meal comprises of different varieties of curries, upperies – things fried in oil, pappadams which are round crisp flour paste cakes of peculiar make, uppilittathu – pickles of various kinds, chammanthi – the chutney, payasams and prathamans or puddings of various descriptions. Fruits and digestives are also part of the meal. The food has to be served on a tender Banana leaf, laid with the end to the left. The meal is traditionally served on a mat laid on the floor. A strict order of serving the dishes one after the another is obeyed. Besides, there are clear directions as to what will be served in which part of the banana leaf. – www.onamfestival.org 

In Mrs. Krishnan’s Party, Mrs Krishnan is surprised to find that, unbeknownst to her, her boarder, James, has filled her stock room with 100 guests expecting an Onam party (the audience members are the guests!). She is forced to throw an Onam party on the fly. And my oh my, what a party it will be!

And, because every good party needs food, food there must be. Mrs. Krishnan saves the day and makes a delicious daal for everyone to enjoy—yum! We just know you are going to want to know the recipe for this feast.

Here is the recipe for Mrs Krishnan’s Pepper Dhal, as prepared in the play:

RECIPE

(Serves 10)
500g pink lentils
1 litre of boiling water
3 chopped tomatoes or half a tin
2 Tbs of rice bran oil
1 small onion chopped
2 gloves of garlic
1 dried red chilli
1 tsp cumin seeds
1 tsp turmeric
1 tsp garam masala
2 tsp salt (or to taste)
1 tsp white pepper

Put lentils, tomatoes and bruised whole cloves of garlic into a large pot of boiling water and simmer till lentils are soft (15-20mins).

Stir occasionally to stop from burning. 5 minutes before lentils are ready, heat oil in a frying pan and add onions and sauté till translucent.

Add all the spices except white pepper and salt to the onions and stir for a minute.Tip the onion spice mixture into the pot of lentils and simmer for five minutes.

Add salt and white pepper. For added deliciousness, add a dash of white vinegar and a big knob of butter right at the end and sprinkle with chopped fresh coriander.  Yum!


Mrs. Krishnan’s Party runs Jan 15-Feb 3, at the Vancity Culture Lab. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Feminist Holiday Gift Guide!

Feminist Holiday Gift Guide!

Struggling with your holiday shopping? Need a little help getting the perfect gift for that kick-ass feminist on your list? Look no furtherour Femme Series is coming up this winter, and there are so many amazing shows and events to choose from!

For the Karaoke Loving Feminist in your life…who wants a moment in the spotlight:

Do you have anyone on your list who could use a good evening of belting out classic power ballads? Have we got the show for you!

Power Ballad is an angry, feminist, live art investigation of language and its sometimes hidden ideologies that is part performance lecture and part karaoke party. With an ‘80s soundtrack to rival any school disco, Power Ballad is anarchic and loud; filled with feminist rage and…Annie Lennox.

And, as a BONUSgrab tickets to the performance on January 25, and you can stay behind after the show for a fun evening of Feminist Karaoke with Power Ballad performer Julia Croft!

For the Shakespeare Loving Feminist in your life:

Hipster Shakespeare!

Sure he’s an old, dead, white guy, but the Bard still has some interesting things to say, and in the hands of Classic Chic Theatre Company, this February’s performance of Much Ado About Nothing won’t be your status-quo, Shakespeare!

Shakespeare loving feminists will not want to miss an all-female cast as they take on one of the most famous stage comedies in the worlda deadly serious and sublimely ridiculous story—of soldiers in love and women confined by tradition. It’s a bold and playful romp through the extremes of desire and ambition, loyalty, and redemption.

“It has been my experience that gender-blind casting speaks to a diverse audience—straight and queer, men and women—and is a true reflection of our complex contemporary community.” — Rebecca Patterson, Much Ado about Nothing Director

For the Music Loving Feminist in your life:

There are so many things to choose from for the music loving feminist on your list. From indie, to hula, to punk…and don’t forget the rock ballads, and karaoke! We have the music lover in your life covered!

Don’t miss Ukraine’s Dakh Daughters in their cross-discipline performance from Jan 15-19, at the York Theatre. Seven actresses take musical instruments into their hands in order to create a life-affirming performance about love, freedom, and beauty which at the end of the day—will save the world. Get your tickets for this one fast, because it will sell out!

On January 12, 2019, at the York Theatre, Soft Cedar Presents: Only a Visitor’s Technicolour Education album release, with special guest Wallgrin. Only A Visitor is a quintet that blurs genre boundaries by straddling the line between art music and pop. Their new album, Technicolour Education, focuses on the Chinese diasporic experience in Vancouver through generations of immigrant stories. Tickets are only $20 and can be purchased here.

Soft Cedar will be back at the end of January as well! On January 27, Kaumakaiwa Kanaka’ole will take the stage in a co-presentation with Capilano University as part of the CapU Global Roots Series. Kaumakaiwa brings to the stage an immense talent as a singer, chanter, and dancer as well as a deep understanding of her Hawaiian culture and her place as a modern, transgender (mahu wahine) Hawaiian in this contemporary world. She engages Indigenous thought to address today’s issues through music, chant, and sharing of spirit.

And, of course, who can forget about Power Ballad?!

For the aspiring Feminist Playwright in your life:

Do you have that one friend who always tells you their “brilliant” play ideas? Theatre creators and producers Kim Senklip Harvey and Pippa Mackie host Pitch, Bitch, or Ditch on Jan 14—an unforgettable night that puts the power in the hands of the patrons! From anonymous suggestions made by the audience, Kim and Pippa will lead patrons through a lively evening of banter and debate—no idea is off limits, no suggestions taboo or too dangerous. The bar will be open. There will be guest appearances…and loads of surprises! And with tickets for only $10, this makes the perfect stocking stuffer, or secret Santa gift!

AND THAT IS NOT EVEN ALL!
Full list of events for the Femme Series:

Jan 11: WROL (Without Rule of Law) by Michaela Jeffery—A new play reading presented by Touchstone Theatre, 8PM, Historic Theatre—FREE
Jan 12: Soft Cedar Presents: Only a Visitor album release, with special guest Wallgrin, 8PM, Historic Theatre—$20
Jan 14: Women in the Arts Mixer, 6-8PM, Historic Theatre—FREE
Jan 14: Pitch, Bitch, or Ditch, with Pippa Mackie and Kim Harvey8-9PM, Historic Theatre—$10
Jan 15 – 19: Dakh Daughters (Ukraine), York Theatre—Main Stage Season Production
Jan 22 – 26: Power Ballad, Julia Croft/Nisha Madhan (New Zealand), 8PM, Historic Theatre—Main Stage Season Production
Jan 25: Feminist Karaoke with Julia Croft, after Power Ballad, 9PM, Historic Theatre—FREE
Jan 27: Soft Cedar Presents: Kaumakaiwa Kanaka’ole, presented as part of CapU Global Roots Series, 8PM, York Theatre—$40
Feb 5 – 16: Much Ado About Nothing, Classic Chic Productions (Vancouver), Historic Theatre—Main Stage Season Production


Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Cultch Connects: making art for everyone!

Cultch Connects: making art for everyone!

A thank you note from a grateful recipient!

As Vancouver’s most diverse arts and culture hub, The Cultch brings world-class performance to our community in East Vancouver. We are a charity, and ticket income from our shows only makes up 30% of our running costs – the rest comes from the generous support of our donors, sponsors and funders. In return, we offer dynamic contemporary programming in theatre, dance, music, and the visual arts, showcasing cutting-edge national and international work.

At our core is the belief that art is for everyone, and economic background or life circumstances should never be a barrier to participation in live performance.  To this end, we set up our Cultch Connects program, so that our donors could share their love of performance with everyone in our community.

Cultch Connects provides free tickets to our holiday hit the East Van Panto and other shows throughout our season to people in need. Now in its 6th year, Cultch Connects has brought thousands of people from low-income families, mental health facilities, recovery centres, community organizations and more to our shows at no cost.

We know from the messages our Cultch Connects patrons send us that this simple act makes a real difference in the lives of people who are facing difficult times, making the holiday season a little brighter for hundreds of families.

“Christmas was going to be a hard time at the transition house, but attending the Panto helped to make the holiday season better for me and my daughter. You made our holiday season special.” — Cultch Connects patron

This year will be our most ambitious Cultch Connects fundraising campaign yet. Our anonymous match-funder has once again agreed to double any gift made to Cultch Connects between now and November 30 2018, making more tickets available than ever before to people in need.

“By giving to Cultch Connects, our donors are making our theatre accessible to everyone” says Executive Director Heather Redfern. “What I love most about the program is that it is inspiring the next generation of artists, musicians, and theatre-goers, ensuring our city remains a vibrant centre for the arts for years to come. That’s pretty amazing!”

— Louise Chapman, The Cultch’s Development Associate

Would you like to support Cultch Connects? Click here to donate now!

$150 = $300 Brings a community/school group to the Panto

$100 = $200 Brings a local youth group to a Cultch show

$50 = $100 Sends a Cultch Connects family to the Panto

Do you know an organization that would benefit from this program? Let us know!


Contact Louise Chapman, Development Associate:

louise@thecultch.com; 604 251 1766, ext. 108

Charitable registration # 11928 1574 RR0001

Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

A Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

We are so excited to have the Belgian company Kopergietery here with their hit show The History of the World (Based on Banalities). It plays at the York theatre until May 5.

In The History of the World (Based on Banalities), a youngster, Philip, decides to look after his mother in the last months of her life. Starting from run-of-the-mill situations and objects, he embarks on a quirky voyage through her past.

Titus De Voogdt, the performer in The History of the World (Based on Banalities), is a beloved Belgian actor who works for theatre, film and television. He has worked/s with renowned directors as Arne Sierens (theater writer and director) and Felix Van Groeningen (movie director). He also starred as Vincent Bourg in the BBC-series The Missing (2014).

Titus De Voogdt in The History of the World (Based on Banalities). Photo by Phile Desprez

We are so excited to have you here in Vancouver. What makes you most excited about bringing this show to Vancouver?

I have never been here before. Vancouver always had an attraction on me, and I am very happy to finally be here. Besides, I love hiking and fishing so I hope I will get some opportunities in my free time to do so.

You are one of the co-writers of the show — what was the inspiration?

I’ve always been interested in inventions, how things work and stuff is made throughout history. That has been a key inspiration for writing this show.

While I was working on the script, Peter Higgs won a Nobel price for his work on the Higgs-Boson particle. It caught my attention and I started reading up on it. In this way it became a mayor topic in the show…

Your character, Philip, is interested in illusions and fantasy — do you share these interests with him?

I do, although I’m lousy at it, I like to do a coin trick from time to time..

What makes doing this show fun for you?

That it’s quite physical, it feels like a workout to me.

What makes doing this show meaningful for you? 

I hope people who see the show learn a thing or two about science they didn’t knew before. With a bit of luck it even moves them in the process.

Geoffrey Burton and Titus de Voogdt. Photo by Phile Desprez

The History of the World (Based on Banalities) features a musician (Geoffrey Burton- from Hong Kong Dong) who joins you on stage for the show — what is it like doing a show with live rock music?

It’s great, although he claims he is NOT a rock musician. It’s really a dialogue…the music brings the script to a higher level.

You do a lot of film and television work as well as theatre work — what are you working on these days?

Just finished a 12-episode series about a hostage situation in a bank it is called ‘de dag’ meaning ‘the Day.’  In Belgian TV an movies I usually play the bad guy. Don’t ask me why….

The History of the World (Based on Banalities) runs at the York Theatre April 25-May 5, 2018. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Hot Brown Honey is heating up Manchester!

Hot Brown Honey is heating up Manchester!

We are getting so excited! Hot Brown Honey has begun their #WorldPollinationTour, and Vancouver is on the flight path! From Jan 9-27, these fierce females will be taking over the York Theatre with their fun, fabulous, and patriarch-smashing hit!

As we speak Hot Brown Honey is heating up Manchester. The reviews are buzzing in and they are GREAT! Take a look:

— Make Noise! —

Hair Image By Dylan Evans

★★★★★ “Unlike anything you will have seen before… Smoking hot. If fighting the power is this much fun, we should all get on board and rock the boat a little bit.” – Frankly My Dear

★★★★★ “Busty Beatz [and] Lisa Fa’alafi have created a truly ground-breaking production unlike anything you’ve ever seen before – but will definitely want to see again… An empowering must-see performance full of laughter, joy and truth that is entirely faultless.” – Upstaged Manchester

★★★★★“The Honeys force us on this side of the world to think about the impact of our colonial past that is still having an impact today, centuries after the first colonialists spread their poison across the Pacific region.” – North West End

★★★★★ “A triumph of a show… Fast-paced, sexy, hilarious, and the all-female cast are a seriously talented and fierce bunch… But it’s more than just good entertainment value, behind the glitz of the huge golden beehive and the sassy dance routines there’s an important message which seeks to confront and challenge our perceptions of racial stereotypes and sexism.” – Northern Soul

★★★★ “A brave, and thought-provoking show… If you fancy something a little different this festive season: a show with plenty of attitude and sass then Hot Brown Honey is the show for you.” – The Reviews Hub

“Fearless, resolute and downright entertaining… The women of Hot Brown Honey simultaneously raise the roof and your consciousness.” – Circles & Stalls

“The[se] luscious ladies leave the audience on their feet shaking their booties to some sweet tunes… It creates such a party atmosphere… A celebration… The exact type of excitement and energy that could begin a revolution.” – Culturebean

Hot Brown Honey is not trying to encourage or give space for reflection and debate, but rather to utterly subvert the patriarchal world view and to urge action. Subtlety is not the path to revolution.” – Unrestricted Views

“A flamboyant evening of cabaret entertainment… Fighting the power never tasted so sweet… Just brilliant, a complete blast from start to finish.” – The Greater Manchester Reviewer

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Great storytelling is coming to the York Theatre September 27!

Great storytelling is coming to the York Theatre September 27!

Vancouver’s preeminent True Storytelling series THE FLAME returns to the York Theatre for an unforgettable evening of poignant and hilarious true tales told live on stage. Inspired by storytelling juggernaut The Moth, THE FLAME is now in its 9th season and boasts over 700 stories told at its sold-out monthly shows and concert events. Join Flame host Joel Wirkkunen and a brilliant roster of risky raconteurs as they boldly step in front of the microphone to share their most personal true life stories!

If you are wondering what kind of things you might hear at this event, here is a hilarious example from The Flame’s 2014 season; Charlie Demers shares the story of the birth of his child.

You can also LISTEN to some audio recordings from THE FLAME a few years ago on Soundcloud or check out some of the stories from THE MOTH here.

The event at the York on September 27 features musical guests Sarah Wheeler and Hannah Epperson.

The Flame: York Theatre 2017 Edition plays at the York Theatre September 27, 2017. TICKETS ONLY $20! Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Veda Hille Launches Love Waves at the York Theatre on May 28!

veda_hille_love_waves (1)Fresh from creating and performing in the homegrown hit musical Onegin, our favourite Vhine Und Szong  and East Van Panto songstress is back to celebrate the release of her new album: Love Waves.

We were lucky enough to chat with Veda about her album and upcoming concert!

Hi Veda! Many Cultch audience members were first introduced to your work and style through the clever musical mash-ups that characterize The East Van Panto. You are also well known in Vancouver for productions such as Do You Want What I Have Got? A Craigslist Cantata and Onegin. Would you say that your work in the theatre has influenced this album?

Veda Hille: I have loved becoming part of Vancouver’s theatre scene over the last 10 years. I do think that work has influenced my personal songwriting. I have way more vocal things going on in the songs, and I often take on characters in a way that I never did before. For example, in Eurydice I sing the parts of both Orpheus and Eurydice. I also took more time with this album; in theatre you often work on a show for 3 years or more before it is ready. I decided to try that with Love Waves, and I think the album benefited from a really long slow process.

What can long-time fans of your music expect from this album? Are there any new elements that you were particularly excited to explore?
VH: I wrote these songs with producer John Collins in mind. He’s great on synths and beats and all these pop elements, and so I wrote songs that would work with that kind of treatment. I would say that the production feels like a pretty new kind of sound for me, but I think the songs at their core are still in the realm that I’ve inhabited all my life.

Can you tell us a little bit about the meaning behind the title of this album?
VH: Love Waves are a certain kind of seismic activity, discovered by the scientist Arthur Love. They ripple sideways through the ground, and are really good at knocking down buildings. I couldn’t resist that name, of course.

You have credited a number of artistic influences ranging from Bowie to Eno to The Carpenters to Eisler and Brecht. I have to ask – which artists are you currently listening to?
VH: I always love that question. It is what I ask other people all the time. I move pretty slowly on albums. Right now the ones I turn to most are Bowie’s Blackstar, Kendrick Lamar’s To Pimp A Butterfly, and Sufjan Steven’s Carrie and Lowell.

Anything else you would like to share about this album or the concert at The York on May 28?
VH: I’m so excited about this show. The band is sounding great. I feel like I haven’t done a major concert in Vancouver in years; maybe that’s true. I keep doing all these other things! Which are also fun, but still. I am very keen to have the chance to be deeply and happily myself onstage with so many friends around.

Want a sneak peek of Veda’s fabulous new album?
Check out this review by Andrea Warner for CBC music
Keep up-to-date with the latest news on Veda Hille’s website
Love Waves: Veda Hille Album Release Concert
May 28, 2016 at 8PM
York Theatre
19+ Event

IGNITE! Youth Driven Arts Festival: An inside look with Jeanine Longley!

Cultch Youth Panel Member Jeanine Longley

Cultch Youth Panel Member Jeanine Longley

This week, the York Theatre plays host to the IGNITE! Youth Drive Arts Festival! Led, coordinated, and organized by The Cultch’s very own Youth Panel, this event is definitely not one to miss!

But first, a little background.

The Cultch’s Youth Panel is a group of approximately 20 young people aged 13-24 from all over Vancouver with a passion for the performing arts. From Sep-May, the ambitious, curious, and fun-loving group meet once a week to plan and learn about all aspects of festival organization. Everything from technical operations to marketing and media relations. The professional festival is the culmination of nine months of passion, dedication, and hard work.

We were able to catch a moment with Jeanine Longley, a Youth Panel Member, to get an inside look at this year’s festivities.

Hi Jeanine! Could you tell us a little bit about IGNITE! and the role the youth play in creating this event?

The IGNITE! Youth Festival is multifaceted. Younger and newer members on the youth panel are learning how to put on a festival, everything from advertising to operating a sound board. We are showing the community what youth are capable of, both in featuring completely youth performers, and in having the entire festival run by youth. As a collective, we are IGNITE! and we hope to ignite, inspire, and celebrate youth creativity.

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This is the first year that the IGNITE! Youth Festival is taking place at the York Theatre, down the street from The Cultch. How did this decision take place?

The IGNITE! Youth Festival has always been at the Historic Theatre. We chose to move to the York Theatre this year to explore a beautiful new space. The York has incredible options for a festival like ours, both in decorating options (that stunning lobby!) and in the theatre itself. We are definitely excited to try out our new home.

York

I understand that the youth panel also creates an IGNITE! Youth Festival Zine. Could you tell us a little about it and where patrons can get a copy?

The IGNITE! Zine will be available for purchase at the Merchandise table each night of the festival. It features art and poetry and prose submitted by youth. It is hand-made and incredibly awesome!

There are quite a diverse range of themes throughout the week, how does the youth panel decide on the programming for each night? 

This year we are featuring our favourite themes from our extensive history as a festival. We have found that our audience has a variety of interests, and as we like to feature a variety of performers, a variety of themes seems to fit the bill! As a whole, our festival really has the youth aspect to tie everything together, so although our individual nights are quite varied, we hope that our audience will be keen to try out all the different flavours available!

ThemeNight1

What are your must-see acts in this year’s IGNITE! Youth Festival?

Oh, I can’t pick favourites! Well, maybe I can. I know the performers in the band Leave, who are performing on Saturday, and psst – a bird told you (not I!) that a fantastic MC might be mastering that flawless ceremony! (OK – it’s me!).

ThemeNight2

If there’s ONE thing you want our readers to know about this year’s festival, what would it be?

It’s going to freaking ROCK! Each night has an enthusiastic team of youth behind it, really shining the spotlight on amazing performers and creating a super fun environment for the audience to participate in. I hope to see you there!

ThemeNight3

The IGNITE! Youth Festival runs from May 12 – 16. The festival includes showcases in music, dance, and spoken word, the world premiere of two one-act plays, a visual arts exhibit, variety shows featuring improv, circus arts, and much more! Tickets starts at only $2 and can be purchased online or by calling the box office at 604.251.1363.

Q&A with David Pay, creator of The Orpheus Project

The Orpheus Project by Music on Main starts tomorrow at The Cultch! This musical adventure will take you to every corner of The Cultch for an immersive, site-specific experience. The fantastic creator of this unique piece, David Pay, shared with us his inspirations, the context of the show, as well as his own experience working on it.

What was the inspiration for The Orpheus Project?

The idea first came about when, at the Holland Festival in Amsterdam, I saw dreamthinkspeak’s Before I sleep, which was inspired by Chekhov’s The Cherry Orchard. You explore an entire building and see theatrical installations and interact with actors. I thought it was totally magical, and when I fall in love with art I want to possess it. When I see exceptional visual art I want to see it all the time. When I see amazing music I want to figure out how to present it. So when I saw Before I sleep, I thought, “How could this work, using music as the basis of an immersive experience rather than theatre?” Once I decided I wanted to develop an immersive musical experience, I really focused on seeing as much of that kind of work as I could, including large-scale works like Sleep No More, and smaller scale works that are more in line with The Orpheus Project.

How does that kind of experience translate into a musical one?

I explored a whole bunch of different ways to create an immersive musical experience, and with our ace creativity team, led by theatrical consultant Amiel Gladstone, we have landed on what theatre calls a “promenade experience.” Audiences are led on a path through the theatre discovering different rooms; different pieces of music inspired by Orpheus; installations and sets created by Naomi Sider; video, both with music and on its own; lighting by Adrian Muir; and new and existing compositions performed in surprising environments.

Can you give us a little hint of what people will see and where they’ll go?

We’re using both the Culture Lab and Historic Theatre at The Cultch; we’re exploring dressing rooms and stairwells; filling passageways with surprises, lounges with live performance. It is a show where the audience is on its feet, climbing stairs, stopping to listen. Keep an eye out for oracles, who might foretell your future as well. People should make sure to wear comfortable shoes! We’re asking people with mobility or other issues to let us know in advance, so we can create a special journey just for them.

What have you learned by being involved in the creative process for The Orpheus Project?

Conceiving The Orpheus Project is a natural progression for me. I’ve never been the kind of music presenter who simply chooses great artists and puts them on stage. I’ve always taken a hands-on approach to the performance environment, the relationship between artists and audiences, and how repertoire can speak to us across time periods and genres. Developing The Orpheus Project as a more theatrical music experience has allowed me to work with theatre experts who are helping me shape what feels like a new, but really authentic way of interacting with live music.

What do you hope people will take away from this experience?

I hope this will be a fun, intriguing, and new experience for every audience member. My ultimate goal is that we each see ourselves in the myths and stories and ideas presented by the composers. I think if you approach the show with an intellectual or analytical bent, you’ll have a really rich experience imbued with music and art history. But the creative team and I also want this to be a really fun, sexy date night, so you can just immerse yourself in the sights and sounds at the theatre, and that will be a fantastic experience, too.

The Orpheus Project runs from July 16 – 20 at The Cultch. Tickets start at $20 and can be purchased online or by calling the Box Office at 604.251.1363.