Q&A with Governor General award-winning playwright, Colleen Murphy!
How did the idea to adapt a Shakespearean text incorporating Bouffon come about?
When Stephen [Drover] asked me to write an adaptation of Titus Andronicus I wondered how to connect with a play I felt was emotionally vacant but intriguing. “What makes people so angry they kill children? What is under such rage? Terrible hurt probably, and terrible grief.”
While adapting the play I was the Lee Playwright in Residence at the University of Alberta, working in the same department as Professor Michael Kennard, aka Mump from the incredible duo Mump & Smoot. Michael teaches clown there and I was inspired by the rigor and the fearlessness he used in his hilarious student presentations. I felt that given the blood-bath of the 21st century, Bouffon were more suitable to my adaptation because they bring a primal urgency to a story that both begs to be taken seriously and begs not to be taken seriously.
Can you tell us a little bit about the effect that the Bouffon style has on the piece?
The Bouffon style opens up both the emotional and the farcical aspects that are already in Shakespeare’s play. He must have enjoyed writing it, and there are some beautiful passages, as fine as any he wrote. The murders and the outrage might even be funny…and the funny is sometimes sad. The world of revenge is an over-the-top world driven by sad, angry people.
What is something about the show that audiences may be surprised to learn?
Perhaps members of the audience might be surprised to discover that nothing is sacred, that everything is human, including the worse things people do to each other.
Can you describe the show in 3 words?
Fun Meets Death.
What most excites you about bringing this piece to the stage?
Marrying Shakespeare with Bouffon offers another perspective on Titus Andronicus in the 21st century.
The Society for the Destitute Presents Titus Bouffonius runs from Nov 22 – Dec 3 at the Cultch’s Historic Theatre. Tickets are from $22 and can be found here.