This is an exciting time here at The Cultch as we gear up for the Canadian premiere of The Best of Now by the Northwest Dance Project (Portland, Oregon) which opens on March 6! Touted as “one of the hottest dance companies in America”by Portland Stage Review, the company is ready to set the stage on fire with brand new works by Northwest Dance Project’s founder/artistic director Sarah Slipper, Chinese-born, Canadian based choreographer Wen Wei Wang, and the talented Danielle Agami!
Here’s a sneak peek at the project:
CHI choreographed by Wen Wei Wang
This dance piece is all about energy, which is not surprising given the title. The show features nine fabulous dancers who move to Giorgio Magnanensi’s melodically restless score. The show moves like a movie as it draws from martial art and kung fu films.
Throughout, the dancers turn movements that traditional ballet might consider inelegant into moments of odd beauty: shoulder-tilts and torso-turns that emphasize the sheer physicality rather than the metaphoric possibilities of the human form. Dance is often at its best when its “meaning” is simply what it is: a particular movement through time and space, like the sound waves of music.
MEMORYHOUSE choreographed by Sarah Slipper
The second part of the show features Franco Nieto and Andrea Parson, both winners of the Princess Grace Award, respectively 2012 and 2010. This award is one of the highest individual recognitions for dancers and for a single small company to have two winners in three years is phenomenal!
MemoryHouse is a passion drama that features Parson in an apron strewing flour on the stage, and the pair grappling sweetly, erotically and then violently in movement that literally climbs through windows to continue outside the space. Slipper’s twisting lifts are stunners, and the frisson between Parson and Nieto reveals they can act as well as dance.
On top of that, the musical background by Max Richter and Yann Tiersen is fantastic.
Yann Tiersen is a French musician who worked on a lot of film music such as Amelie and Goodbye Lenin.
This Time Tomorrow choreographed by Danielle Agami
The final piece of the night features the full company of dancers and explores the delightfully unique. A practitioner of the Israeli Gaga technique, choreographer Danielle Agami works to disconnect the mind from the body to create organic movement that pushes the limits of “normal”!
This delightfully absurd piece features music from indie rock bands such as Puerto Muerto. Be prepared to see it all: collision, grinding, jiving, wiggling, and even maybe an orange or two.