A look at the inspiration for Tetsuro Shigematsu’s world premiere of Kuroko!

The four concepts behind Kuroko!

We are so thrilled to be presenting Kuroko, a world premiere from renowned playwright and performer, Tetsuro Shigematsu, Novemeber 6-17 in the Historic Theatre.

Wanna know more about the show? There are four concepts that inspired Tetsuro as he was writing—Hikikomori, Rental Families, Kuroko, and Suicide Forest. Read below to hear what Tetsuro has to say about these four concepts!

Hikikomori. Imagine going to your bedroom and never leaving. This is the phenomenon known as hikikomori. Japanese young people on the road to maturation, experience a setback: bullying, or failing their entrance exams. They retreat to their bedrooms and never leave, spending all their waking hours online, enabled by parents who don’t know what to do apart from leaving trays of food outside their doors.

Rental Families. Would you ever hire an actor to play a relative or friend in your life? How quickly would the lines blur? As bizarre as this may sound, the rent-a-family industry is a mature industry in Japan, a place where manifestations of the artificial aren’t seen as negatively as they are here.

Kuroko. Literally translated, kuroko means black child, or child of darkness, a rather poetic name for the stagehands in traditional Japanese theatre. Clad entirely in black, audiences in Japan claim not to see them, as they occupy a culturally specific blindspot, in the same way that Western audiences pay no attention to the strings of marionette puppets. The shadowy kuroko enable players to achieve feats of virtuosity, and the otherwise impossible. Is there a kuroko in your life?”

Suicide Forest. The original title for this play was Suicide Forest, We changed the title when we discovered that another play of the same name premiered in New York in March of 2019. This is an actual place in Japan, infamous for being the most popular destination for those wishing to end their life. Geologically unique, it is also an attraction for nature lovers, officially named Jukai or ‘Sea of Trees’.


Kuroko runs at the Historic Theatre Nov 6-17, 2019. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Where are they now?

What have they been up to? Follow up with your favourite artists from our 2018/19 season.

The 2018/19 season has come to an end and we’re getting pumped for our 2019/20 season. But before we dive right into it, here is a look back at some of the amazing artists we got to work with this past year. A lot of them have been up to really cool things since we saw them last!

Read to see what they have been up to, and learn where you can find out more about their upcoming projects.

Scroll through, or click on the name of one of the 23 shows, to be taken directly to that part of the post: Kamloopa, Testosterone, A Vancouver Guldasta, A Brief History of Human Extinction, The Ones We Leave Behind, The Believers are but Brothers, Backbone, SmallWar, Three Winters, This Duet That We’ve Already Done (so many times), East Van Panto: Wizard of Oz, Little Dickens, Dakh Daughters, Mrs Krishnan’s Party, Power Ballad, This is the Point, Much Ado About Nothing, Children of God, Hot Brown Honey, Multiple Organism, New Cackle Sisters: Kitchen Chicken, Act of Faith, NASSIM.


KAMLOOPA

What a way to start off our 2018/19 season! We had so much fun having Kim Senklip Harvey‘s powerful and hilarious Kamloopa in our Historic Theatre last fall. It was an honour to have such powerful matriarchs bringing down the house each night! After leaving us, Kamloopa continued its tour, heading to Saskatchewan for a run at Persephone Theatre.

What have they been up to?

If you saw Kamloopa, you will recognize Yolanda Bonnell, who played ‘Indian Friend #1’. Bonnell is a playwright, and was recently announced to be one of 50 international playwrights chosen to be part of Climate Change Theatre Action 2019 – “a worldwide series of readings and performances of short climate change plays presented biennially to coincide with the United Nations COP meetings.” Follow Climate Change Theatre Action on Facebook and Instagram to stay up to date.

You may have seen Kamloopa Firestarter (who wrote and directed the ceremony), Kim Senklip Harvey, when she and Pippa Mackie hosted Pitch, Bitch or Ditch, a fun Femme Series event in the vein of ‘Dragons Den’, where audience members brought their ideas for a show to the expert panel.

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BIG EXCITING ANNOUNCEMENT!!! Kim Senklip Harvey (writer/director of Kamloopa) and I have created and are hosting a one night only event at the Cultch Historic theatre titled : Pitch, Bitch or Ditch ! (It’s like the Dragons Den of theatre) This is going to be absolutely insane, wild and surprising! (As part of the Cultch Femme Series) @thecultch Monday January 14th 8pm Only $10 !!!!!!!! This is one of those moments you should buy a ticket in advance. Ticket link in my bio!  What is this? Have you grown bored of theatre? When was the last time a show really excited you? Do you have an idea for a show? Join theatre creators and producers Kim Senklip Harvey and Pippa Mackie for an unforgettable night that puts the power in the hands of the patrons. From anonymous suggestions made by the audience, Kim and Pippa will lead patrons through a lively evening of banter and debate—no idea is off limits, no suggestions taboo or too dangerous—let your imaginations run wild! The bar will be open, and there will be guest appearances, and loads of surprises. PITCH—Bring your ideas—pitches are anonymous, so no judgement! BITCH—Kim and Pippa discuss the pitches, and debate whether they have potential as plays or not! DITCH—The power is in your hands—audience members vote on which pitches are ditched and which ones have promise! “It’s like the Dragon’s Den of Theatre…only without the money…and ideas are anonymous!”—Pippa Mackie

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Kim Senklip Harvey

Keep your eyes out for follow up Pitch, Bitch, or Ditch events in our 2019/20 season.

If you don’t already follow Kim Senklip Harvey’s blog, check it out here. Kim is heading to Victoria to take UVIC’s Masters of Creative Writing program this autumn, and we can hardly wait to see the fruits of her time there.


TESTOSTERONE

We had so much fun having Testosterone – the incredible collaboration between Kit Redstone and Rhum and Clay Theatre Company – in our York Theatre last October.

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Testy in Canada 🇨🇦

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What have they been up to?

Rhum and Clay recently premiered a new work, War of the Worlds, a piece inspired by Orson Wells famous broadcast. They will be taking this show to Edinburgh Fringe Festival this August.

Kit Redstone has been busy with his own projects, including a brand new collaboration with Vancouver’s own Pippa Mackie, The Fucking Garden – A wickedly dark and impishly mischievous reclamation of the Adam and Eve story. That is certainly a collaboration to keep your eyes on!

He too will be bringing a show, called Passengers, to Edinburgh Fringe Festival this summer.

Follow Rhum and Clay on Facebook, Twitter, and Instagram.

Follow Kit Redstone on Twitter, and Instagram.


A VANCOUVER GULDASTA

At the same time as we had Kamloopa in our Historic Theatre, and Testosterone in our York theatre, our Culture Lab was transformed into a Vancouver Special, as we were swept away by Paneet Singh‘s A Vancouver Guldasta – the story of a 1980’s Sikh family confronting the tumultuous events of the invasion of the Golden Temple in Amritsar, Punjab, India.

Follow SACHA – South Asian Canadian Histories Association – on Instagram and Twitter to be the first to find out about any of their upcoming projects.


A BRIEF HISTORY OF HUMAN EXTINCTION

Who could forget this face?!

Audiences fell in love with Stephanie Elgersma’ s Ommie the otter in Upintheair Theatre‘s dystopian environmental thriller, A Brief History of Human Extinction – a puppet and live-action smashup – created by Jordan Hall and Mind of a Snail Puppet Co.

What have they been up to?

Jordan Hall, the writer of A Brief History of Human Extinction, continues to work in support of environmental issues. Recently she was selected to be one of 50 international playwrights for Climate Change Theatre Action 2019 – “a worldwide series of readings and performances of short climate change plays presented biennially to coincide with the United Nations COP meetings.” Follow Climate Change Theatre Action on Facebook and Instagram to stay up to date.

Meanwhile, Upintheair Theatre’s rEvolver Festival started THIS week (May 22- June 2, 2019)! We always look forward to having this fabulous festival take over our theatres, and this year’s festival is going to be incredible. Take a look here to find out more about the lineup, and follow Upintheair Theatre on Facebook, Instagram, and Twitter, for lots of fun content!

Mind of a Snail Puppet Co. joined us again in March, with Multiple Organism. Read below to find out more about what they are up to now.


THE ONES WE LEAVE BEHIND

We always love having VACT – Vancouver Asian Canadian Theatre – with us, and last fall’s VACT show, The Ones We Leave Behind, by Loretta Seto, was such a beautiful look at the ways we isolate ourselves from those around us.

Agnes Tong and Alannah Ong in The Ones We Leave Behind. Photo by Ray Shum

What have they been up to?

We are thrilled to have VACT with us again in our 2019/20 season. This coming November, Tetsuro Shigematsu will bring us the premiere of his latest play, Kuroko, the story of a young Japanese recluse (a Hikikomori), who meets a mysterious stranger in virtual reality, and is faced with a challenge that may, or may not, draw her into the real world.

Follow Testsuro Shigematsu on Facebook and Instagram to see up to date updates on Kuroko.

Hopefully you got out to the Arts Club’s production of The Great Leap. If you did, you would have seen Agnes Tong, who played Abby in The Ones We Leave Behind, playing the character Connie. She was also in the Arts Clubs production of Shoplifters – what a busy performer!

Keep an eye on Loretta Seto‘s webpage to stay up to date with her latest projects.

Follow VACT on Facebook, and Twitter, and don’t forget to sign up for their newsletter!


THE BELIEVERS ARE BUT BROTHERS

We kicked off our Ceasefire Series – three shows that explored different aspects of war, to commemorate the 100th anniversary of the armistice of WWI – with The Believers are But Brothers, Javaad Alipoor‘s play about young men and the dark web.

What has he been up to?

After stirring up Vancouver audiences with his revealing interactive show, Javaad Alipoor’s The Believers are But Brothers was adapted for television by the BBC.

This summer Alipoor will be taking two shows to Edinburgh Fringe Festival: The Believers are But Brothers and Rich Kids: A History of Shopping Malls in Tehran. Follow Javaad Alipoor on Twitter, and check out his website here.


BACKBONE

Gravity and Other Myths took over the Vancouver Playhouse last October with their dazzling show Backbone.

What have they been up to?

Gravity and Other Myths have been (and continue to be) VERY busy touring Backbone,and A Simple Space, as well as a brand new show, that they premiered in Adelaide this past February – Out of Chaos.

Follow Gravity and Other Myths on Facebook, Twitter, and Instagram to keep up to date…AND, for lots of mind-boggling photos and videos!


SMALLWAR

The second show in our Ceasefire Series was SKaGen Theatre‘s haunting marvel from Valentijn Dhaenen. SmallWar utilized verbatim exerts from soldiers diaries, brought to life by memorizing projections, sound, and performance, to give viewers a glimpse into the experience of war. We were honored to have SmallWar in our York Theatre during Remembrance Day, and everyone who had the opportunity to see it will likely not forget it anytime soon.

What have they been up to?

SKaGen has a long list of shows that will be playing in 2019 and 2020, including Valentijn Dhaenen’s UNSUNG, and TIL IT’S OVER – “a cross-disciplinary collaboration between SKaGeN and the American visual artist Richard Jackson on the themes of civil war, tenderness and revenge.”

Follow SKaGen on Facebook, and Instagram to see what they are up to next.


THREE WINTERS

Playwright, Amiel Gladstone revisits the site of his Grandfather’s internment

Amiel Gladstone premiered Three Winters with us in 2018 – our third Ceasefire Series show. An all female cast told the story of a daring escape attempt from POW camp Stalag Luft III, inspired by the real-life experiences of Gladstone’s grandfather.

What has he been up to?

In the 2019/20 Season Gladstone will be directing Tetsuro Shigematsu’s new play, Kuroko – talk about a dream team!

Currently, Amiel Gladstone is hard at work on the recently revived Magnetic North Theatre Festival, of which he is the 2019 Producer, alongside Amy Lynn Strilchuk. For more information, and for the 2019 Magnetic North Theatre Festival lineup check out their website here.


THIS DUET THAT WE’VE ALREADY DONE (SO MANY TIMES)

For five days in late November 2018, we were lucky enough to have the incredible Frédérick Gravel and Brianna Lombardo  in our Historic Theatre with This Duet That We’ve Already Done (so many times).

What have they been up to?

Since then Gravel has been hard at work in his exciting new role as the Artistic Director of Daniel Léveillé Danse. Even more excitingly, Gravel will be premiering a new work, a solo featuring himself, called Fear and Greed, June 1-2-4, 2019, at Festival TransAmériques (Montreal). Check out the trailer for Fear and Greed here:

Follow DLD – Daniel Léveillé Danse – on Facebook, Twitter, and Vimeo, to keep up to date!


EAST VAN PANTO: WIZARD OF OZ

Last years East Van Panto, from Theatre Replacement, was a record-breaking hit!

What have they been up to?

Pippa Mackie as Pinocchio

The good news is that the team that brought East Van Panto: Wizard of Oz to life are teaming up again for East Van Panto: Pinocchio (Nov 20-Jan 5). Along with taking part in Climate Change Theatre Action 2019, and also having It’s a Wonderful Christmas-ish Holiday Miracle playing at the Arts Club in 2019, Marcus Youssef will, once again, take on the role of Panto playwright (busy playwright!), while Stephen Drover will return to the directors chair once again.

East Van Panto: Pinocchio will feature the amazing Pippa Mackie as Pinocchio, and is sure to be as wacky and wonderful as Vancouver audiences have come to expect.

We are doubly lucky this coming season because we will have Theatre Replacement twice! Along with the Panto, they will be bringing Maiko Yamamoto‘s story about mothers, sons, and playing Minecraft. MINE (Mar 18-22) will be “playing” (hehehe) during spring break, and is a great opportunity for parents to bring their video game obsessed children to the theatre!

Follow Theatre Replacement on Facebook, Twitter, and Instagram for fun updates on both shows!


LITTLE DICKENS

We were so excited to have Ronnie Burkett’s hit, Little Dickens, back in Vancouver this past December. Ronnie is a Canadian treasure, and The Cultch brings together some of his most devoted fans year after year!

What have they been up to?

Currently Ronnie Burkett is hard at work creating his latest show, Forget Me Not, which will play in Vancouver (at a secret location!) February 4-March 1, 2020, after premiering at Luminato this summer.

We highly recommend following Ronnie Burkett on Instagram for a behind the scenes looks at all things wild and wonderfully Ronnie!


DAKH DAUGHTERS

This past January we kicked off our Femme Series with the incredibly theatrical Ukrainian musical act, Dakh Daughters!

What have they been up to?

In April, Dakh Daughters Band released a new album, called Air. Listen to Air on Spotify here.

Follow Dakh Daughters on Facebook, and Instagram for all up to date information on this “freak cabaret.”


MRS KRISHNAN’S PARTY

For three glorious weeks, in January and February 2019, our entire building was filled with the incredible scent of delicious daal. Our Culture Lab was transformed into the back room of Mrs Krishnan’s dairy (convenience store), and one hundred people at a time were invited to the surprise party of the year – Mrs Krishnan’s Party. It is no exaggeration to say that The Cultch staff still misses the leftovers!

What have they been up to?

After leaving us in February, the cast and crew of Mrs Krishnan’s Party continued their tour; bringing joy, laughter, and daal to many!

Follow Indian Ink Theatre Company on Facebook, Twitter, and Instagram to keep up with their adventures.


POWER BALLAD

Power Ballad, Julia Croft and Nisha Madhan‘s feminist performance piece was an essential part of our Femme Series this year. We had so much fun, laughed so hard, and sung our hearts out! The Feminist Karaoke Party is something we will remember for years to come, and it looks like we aren’t the only ones –

What have they been up to?

After leaving The Cultch, Croft and Madhan premiered a new work,Working on my Night Moves, in New Zealand. They will be taking this new show to the Edinburgh Fringe Festival this summer.

Follow Zanetti Productions on Facebook, Twitter, and Instagram, and follow Julia Croft on Instagram to keep up to date with this feminist duo!


THIS IS THE POINT

Every year we partner with PuSh International Performing Arts Festival to present some incredible work. This past January we partnered with them to bring in the fabulous This is the Point – a play about Love, Sex, and Disability – from Toronto’s Ahuri Theatre.

What have they been up to?

After leaving The Cultch, in early February, Tony, Dan, and Liz continued their tour, visiting a total of nine Canadian cities. Follow Ahuri Theatre on Facebook and Twitter to stay up to date with their upcoming adventures!

We will be partnering with PuSh International Performing Arts Festival again this coming season, and co-presenting Quelemia Sparrow’s O’wet (Jan 23-Feb 1, 2020), as well as The Chop Theatre’s KISMET: things have changed (Feb 4-8, 2020).

We are looking forward to working with PuSh’s new Artistic Executive Director Franco Boni.

Follow PuSh International Performing Arts Festival on Facebook, Twitter, And Instagram, and be sure to sign up for their newsletter, to hear about all the exciting things to come for the 2020 PuSh International Performing Arts Festival.


MUCH ADO ABOUT NOTHING

In February Classic Chic Productions took over our Historic Theatre with an all-female cast Much Ado About Nothing. Audiences were treated to a performance of this classic from the Bard, unlike any they have seen before.

What have they been up to?

On Mother’s Day (May 12, 2019) a group of hilarious women took over Yuk Yuks Vancouver Comedy Club in support of Classic Chic, in an event called Chicks at the Mic!

Follow Classic Chic on Facebook, Twitter, and Instagram , and join their newsletter list, to keep up to date with all their fun and fabulous feminist events and productions!


CHILDREN OF GOD

What an honour it was to have Urban Ink‘s Children of God Corey Payette‘s heartbreaking and restorative musical about residential schools – back in our York Theatre this February/March.

Photo by Emily Cooper Photography

What have they been up to?

After leaving The Cultch, Children of God toured BC, opening up dialogue about Canada’s residential school system.

We are so excited to have Corey Payette again with us next season. He, and our own Heather Redfern, are co-curating Raven Transforming Cabaret Festival – a brand new festival bringing together Indigenous, and non-Indigenous performers in a multitude of disciplines to all three Cultch stages in early October 2019. Learn more about the festival here.

Corey Payette has also been selected as one of 50 international playwrights to be part of Climate Change Theatre Action 2019.

Follow Urban Ink on Facebook, Twitter, and Instagram to keep up to date with their latest and greatest.


HOT BROWN HONEY

What a way to kick off spring in Vancouver – Hot Brown Honey returned to us this past March to turn up the heat and bring the noise!

What have they been doing?

After another hit run at our York Theatre, the Honey’s took off to smash the patriarchy in New York City!

You may or may not be aware, but Hot Brown Honey has a male counterpart – Briefs! We are so excited to have Briefs – “a glittery bomb of circus, cabaret, and boy-lesque” – join us at the end of our 2019/20 season (April 19-May 3, 2020). Here are the Honeys and the Briefs together as one big happy family!

Hot Brown Honey is always travelling the world, smashing the patriarchy wherever they go. They are going to be part of the National Art Centre’s Indigenous Theatre‘s inaugural season, May 5-9, 2020.

If you don’t follow these “Fierce Mamas” on social media you are MISSING OUT! Follow them on Facebook, Twitter, and Instagram to find out what they are up to next!


MULTIPLE ORGANISM

What fun we had with Mind of a Snail Puppet Co. this past March! Our Cultchivating the Fringe winner, Multiple Organism, sold out show after show.

What have they been up to?

Mind of a Snail artists, Chloé Ziner and Jessica Gabriel, don’t seem to ever sit still! Jessica Gabriel was recently part of the inaugural HUNCH Festival, and the two of them are gearing up for Fringe season once again, and heading to Montreal!

Don’t miss out, keep up to date with this daring duo by following them on Facebook, Twitter, and Instagram!

Also, check out this amazing card they made us!


NEW CACKLE SISTERS: KITCHEN CHICKEN

New Cackle Sisters: Kitchen Chicken – a wild meal, prepared right before your eyes, by madcap company L’orchestre d’hommes-orchestres , as they highlighted the songs of the famous DeZurik Sisters (also known as the Cackle Sisters) – enchanted audiences at the York this April.

What have they been up to?

Since leaving us, L’orchestre d’hommes-orchestres has been touring around Canada with Kitchen Chicken. They will continue touring it, along with
Tomatoes, in the coming months.

Follow L’orchestre d’hommes-orchestres on Facebook for all the madcap adventures of this daring theatrical musical troupe.


ACT OF FAITH

It was such a pleasure to have Realwheels Theatre in our Historic Theatre this April. The premiere of Janet Munsil‘s newly commissioned play, Act of Faith – inspired by the real-life experiences of a woman in the community (see below) – was a real conversation starter.

What have they been up to?

Since January this year, Realwheels Theatre have been hosting playwriting circles, facilitated by Kim Seary. Every two weeks, participants have been meeting to write, and support each other. On June 8, they will be hosting a cold reading of some of the work created during this circle. Check out the event here.

Follow Realwheels on Facebook, Twitter, and Instagram, to keep up to date with their latest events and productions.


NASSIM

What a blast it was having a different Vancouver performer take the stage in the incredible show that Vancouver Presents called a “love letter to the audience, to the performer and at its core, a love letter from Nassim to his mother.” NASSIM was a perfect way to wrap up our 2018/29 season!

What have they been up to?

After leaving The Cultch, Nassim Soleimanpour traveled with his self titled NASSIM to Carrefour international de théâtre de Québec. On May 22 it was announced that NASSIM won an 2019 Off Broadway Alliance Award for Best Unique Theatrical Experience.

Follow Nassim Soleimanpour Productions on Facebook, and Twitter to hear the latest news!


Whoa – what a season hey?! Can you believe the incredible people who come through The Cultch’s doors? There are so many incredible artists (not to mention our patrons and donors!) changing the world!

That’s a wrap! We look forward to seeing you next season. Subscriptions are already on sale – book yours today . We look forward to seeing you at the theatre!

A Q&A with Joyce Lam, founder of VACT!

A Q&A with Joyce Lam, founder of Vancouver Asian Canadian Theatre (VACT)

In Vancouver, we are thrilled to have access to such a great range of theatre. One of the companies we are so lucky to be able to partner with is Vancouver Asian Canadian Theatre (VACT). As we gear up for our 2018/19 season we are getting more and more excited about VACT’s The Ones We Leave Behind, Oct 24–Nov 3, at the Historic Theatre. We had a quick conversation with Joyce Lam, founder of VACT to chat about VACT, Asian Canadian Theatre, Crazy Rich Asians, and The Ones We Leave Behind! 

You founded VACT 18 years ago; can you explain what the impetus to start it was?

VACT was started 18 years ago because I loved attending theatre and it bothered me that there were no Asian Canadian stories or any Asian Canadian actors/characters on stage when Vancouver had a large population of Asian Canadians.  When a friend told me he had actually enjoyed an Asian American Fringe show at a BYOV, I thought it was a shame that more people didn’t get to see it and I decided to invite that show back to Vancouver.  We sold out the show and found a “starving” paying audience for contemporary Asian Canadian stories and actors.

What makes VACT unique in Vancouver, and in the world?

At first, VACT, was a stepping stone to assist Asian Canadian actors to gain more acting experience/skill in order to level the audition process in getting acting roles. Playing significant complicated characters would be instrumental in developing the actor’s talents. Also developing Asian Canadian stories was invaluable to showcase how an underrepresented group was seen in Canada without stereotypes from other mainstream shows. VACT was also unique in seeking out material that reflected specifically on the North American Asian experience—how we live here today and how our cultural heritage played a role in our collective identity as a North American.

Since leaving VACT you have moved on to many other exciting projects; do you feel that VACT has continued on with the mission and mandate that you initiated true to your initial goals?

VACT has continued with the mission and even surpassed its original goals by raising it to a professional theatre company that showcases Asian Canadian stories with Asian Canadian actors locally to expanding its audience nationally and hopefully internationally.

I understand that you recently organized a group of people to go see the new movie Crazy Rich Asians. The movie is making major headlines right now for being the first Hollywood movie in 25 years to have an all Asian cast. How did you like the movie?

I loved the movie, Crazy Rich Asians!  Before viewing it, I was secretly praying that it would have a good story, good acting & direction. After seeing the film, I realize my fears were needless. The acting was excellent, the story line was exceptional as the “ending” surprised me (and I don’t get surprised often).  The direction was the perfect combination of romance, comedy and timing.  What was surprising was that although I went to see it to support Asian American actors, it was a very good universally romantic comedy on its own merit that anyone (mainstream) could identify with. It was a significant rom-com because for the first time, I saw a romantic lead Asian male who was attracted to an Asian female and how each character brings their cultural backstory with them which I could identify with.

Do you think that theatre is ahead of film in representing underrepresented and marginalized groups? Behind?

I believe theatre is way ahead of film in representing underrepresented and marginalized group in a “real” sense because theatre is less expensive to produce and it develops a grass root foundation (locally) in acting and stories. Film is near impossible to penetrate without Asian representation in the decision makers.  For instance, Kim’s Convenience started as a Fringe Show, then Theatre Show and now a TV show.  These actors are now transitioning to film.  In theatre, it is more forgiving to show stories outside of the “mainstream” audience and to reach out and tell individual stories of marginalized groups and make the characters believable and not stereotypical.  With this realistic portrayal, audiences members will appreciate the story.  Hopefully through inclusive theatre, we learn and eventually bring societal tolerance.

The Ones We Leave Behind. Photo by Ray Shum. Photo Design by Terry Wong.

This fall, from Oct 24-Nov 3, we will be presenting, with VACT, Loretta Seto’s The Ones We Leave Behind. Are you looking forward to seeing it? What makes it exciting to you?

Yes, I am excited to see Loretta Seto’s The Ones We Leave Behind, as I am a fan of her other show Dirty Old Woman plus the fact that it is a female Asian Canadian playwright. I don’t usually research shows I see so that I don’t know what it is about.  I like to be surprised when I am watching the show.   I do love the title of the show, very intriguing.  With the fact that it represents three underrepresented components:  females, Asian Canadians actors, Asian Canadian stories in theatre …. I am highly anticipating its opening and wishing it box office success.


The Ones We Leave Behind runs Oct 24-Nov 3, 2018 at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Staff Picks #2: 2018/19 Season shows that we don’t want you to miss!

2018/19 Season shows that we don’t want you to miss!

The second blog post in a summer series featuring some of the 2018/19 shows that our staff just cant wait for! Read the first post here!


Lee Newman, Assistant to Head Front of House Manager / Volunteer Coordinator. Still photo from Parlour Panther music video by Grace Gadston at Jaunty Media

Lee Newman, Assistant to Head Front of House Manager/ Volunteer Coordinator, Dakh Daughters, Jan 15- 19, 2019

I am so excited for Dakh Daughters, starting January 15th at The York Theatre, part of the Femme Series. They bring this thrilling and captivating power to their performance that I LOVE. I am fascinated by how modern musicians perform, because these days the performance component is often much more than just people with their instruments. The Dakh Daughters use theatrical elements with their bodies, their voices, their instruments, their costumes, and the lighting, all in a uniquely bold and gritty style to create an unforgettable performance! And this I just got from the youtube clip on The Cultch’s website! I cannot WAIT for the live version.


Natalie Schneck, Development Associate. Photo by Tiana He

Natalie Schneck, Development Associate, This Duet We’ve Already Done (so many times), Nov 27 – Dec 1, 2018

I am excited for This Duet We’ve Already Done (so many times). For me, Frédérick Gravel’s work always feels like a sexy rock show with sophisticated themes woven throughout. I often sense a tension between power/persona and vulnerability. Both Frédérick and Brianna are charismatic performers and I am curious to see the energy that’s created when they work together.

 

 

 


Meghan Robinson, Rentals Sales Manager. Photo by Tiana He

Meghan Robinson, Rentals Sales Manager, NASSIM, May 7 – 19, 2019

I can’t begin to describe how excited I am to have Nassim Soleimanpour at The Cultch. His production “White Rabbit, Red Rabbit” was one of the most powerful pieces of theatre I have ever seen. It established my passion and adoration for the theatre. I have faith that “Nassim” will have a similar affect. I have no doubt that it will both connect audiences, and blow them away, from the moment the script is taken out of its envelope.

 

 


Leslie Dos Remedios, Sales Associate. Photo by Tiana He

Leslie Dos Remedios, Sales Associate, The Ones We Leave Behind, Oct 24- Nov 3, 2018

I’m excited to see The Ones We Leave Behind. It’s been so rewarding seeing VACT, Loretta and the entire creative team develop this show for over a year. It’s also great to have an ensemble show from VACT on The Cultch stage – we get to be a place where underrepresented voices have a platform to tell our stories.

 

 

 


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

FLASHBACK: It has been an exciting month at The Cultch!

FLASHBACK: It has been an exciting month at The Cultch!

October flew by! The start to our 17/18 season was a huge success and a real blast! We opened four shows: The Goblin Market, 1 Hour Photo, Encounter, and HONOUR: Confessions of a Mumbai Courtesan. Thank you so much to all of you who attended one (or several) of these amazing shows! We are feeling nostalgic already, so here is a little flashback!

Here are some shots from a few of our opening nights:

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THE GOBLIN MARKET was the very first show of our season, and a big hit with our audiences!

“Breathtakingly beautiful. Heart-stoppingly romantic. Stirringly erotic” — Jo Ledingham, joledingham.ca

The Goblin Market dazzles”- Kathleen Oliver, The Georgia Straight


1 HOUR PHOTO was a beautiful tribute to the life Mas Yamamoto

“Wrestling with questions of life and death, 1 Hour Photo is most heartfelt in its exploration of Yamamoto’s life. Ultimately, we are all a little better off for his willingness to share it through Shigematsu” — Mark Robins, Vancouver Presents

1 Hour Photo animates an extraordinary life with vivid props and projections…the play is a buffet of sensory textures” — Kathleen Oliver, The Georgia Straight


ENCOUNTER was an amazing way to kick off Diwali in BC; a tribute to indigenous peoples history around the world.

“It is no wonder they have gained their reputation as the best physical theatre out of India—the clarity of the physical storytelling from this accomplished company is absolutely expert” — Elizabeth Holliday, SAD MAG

“The show is affecting” — Lincoln Kaye, Vancouver Observer


HONOUR: CONFESSIONS OF A MUMBAI COURTESAN, also a part of Diwali in BC, is a one woman show raising money and awareness for women and children trapped in cycles of sex trafficking.

“I don’t often stay for the talkback sessions after a show but this one was fascinating and added immeasurably to the tremendous pleasure I got from the performance…Dipti Mehta is, as well as a scientist and a social activist, a very fine storyteller” — Jo Ledingham, joledingham.ca

Honour: Confessions of a Mumbai Courtesan, is ambitious, smart, and a masterclass in character work” — Andrea Warner, The Georgia Straight


THANK YOU TO EVERYONE WHO MADE IT SUCH A GREAT MONTH HERE AT THE CULTCH!

There are more than 18 shows remaining in our 17/18 season — Don’t miss them!

The Goblin Market and 1 Hour Photo are opening The Cultch’s 17/18 season!

The Goblin Market and 1 Hour Photo are opening The Cultch’s 17/18 season!

Next week we welcome two shows to our stages (The Goblin Market at the York Theatre and 1 Hour Photo at the Historic Theatre), and we couldn’t be more excited. It seems we are not the only one. Vancouver critic, Colin Thomas gave us a shout-out in his blog, Vancouver Greenroom:

“There are two piping hot shows sitting on the windowsill this week. They both open next week in venues operated by The Cultch” — Colin Thomas, colinthomas.ca

Want to know more about these shows? Read some of this great press before you see the shows!

The Goblin Market is a contemporary circus re-telling of Christina Rossetti’s poem, following two sisters, their temptation, sacrifice and eventual salvation. Delicious circus is precariously balanced with gritty performances and candid story telling.

“‘Goblin Market’ gets standing ovations everywhere it travels to around the globe. And seeing it within the intimate confines of the York should be eerily, mind-blowingly fun.” – Janet Smith, The Georgia Straight Editor’s Choice

Read ‘Five reasons to check out Goblin Market’ in The Vancouver Sun

1 Hour Photo is the story of Mas Yamamoto, a man whose life was swept up by the major currents of the 20th century. Written and performed by Tetsuro Shigematsu, 1 Hour Photo is a moving portrait saturated with the most vivid colours of our times.

“We’re trying to deepen the experience of listening by allowing the audience to look at different things to enable their imaginations to take flight”— Tetsuro Shigematsu, in interview with The Vancouver Sun

“…on a certain level I just wanted this ritual to continue—to sit at the knee of an elder and be transported to the past”— Tetsuro Shigematsu, In interview with The Georgia Straight

 


The Goblin Market runs at the York Theatre Oct 3-14. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

1 Hour Photo runs at the Historic Theatre Oct 3-15. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Join us for our Season Kick off Dance Party on Wednesday, October 4 starting at 9:30pm! Everyone welcome! Vancity Culture Lab, 1895 Venables St

SNEAK PEEK: BEHIND THE SCENES OF 1 HOUR PHOTO!

Sneak Peak: Behind the Scenes of 1 Hour Photo!

We are getting closer and closer to the start of our 17/18 season. 1 Hour Photo opens on October 4, in the Historic Theatre!

Written and performed by Tetsuro Shigematsu, 1 Hour Photo is the story of Mas Yamamoto, a man whose life was swept up by the major currents of the 20th century. From growing up in a fishing village on the banks of the Fraser River, to being confined at a Japanese Canadian internment camp during World War II, to helping build the Distant Early Warning Line in the Canadian Arctic during the height of the Cold War, 1 Hour Photo is a moving portrait saturated with the most vivid colours of our times.

If you are like us, you can hardly wait to get a taste of this new show by critically acclaimed VACT. And so here to the rescue, we have a few little glimpses into the behind the scenes world of 1 Hour Photo; just a little taste to wet your appetite!

Check out this great interview that Mark Robins of Vancouver Presents did with Tetsuro (and a few unsuspecting crew members) onsite at the rehearsal hall at PTC Test Kitchen.

And here are a few behind-the-scenes photos taken during the creation of 1 Hour Photo:

1 Hour Photo runs at the Historic Theatre Oct 3-15. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.