A Q&A with Kevin McKendrick and Lindsey Angell about BUTCHER

A Q&A with Kevin McKendrick and Lindsey Angell about BUTCHER

Butcher, an edge-of-your-seat thriller from award-winning Canadian playwright, Nicolas Billon, opens March 21 at the Historic Theatre, and runs until March 31.

Early Christmas morning, on the doorsteps of a Toronto police station, Inspector Lamb discovers an unlikely bundle; a drugged and abandoned old man, who doesn’t speak any English, dressed in a strange military uniform. Atop his head a Santa hat, and around his neck a business card impaled on a butchers hook with the words, “Arrest me,” scrawled on it. Inspector Lamb begins an investigation into the identity of the stranger that will forever tie together the lives of four people: a lawyer, a translator, the stranger and the inspector.

 

We connected with Director, Kevin Mckendrick, and performer, Lindsey Angell, to ask them a few questions about bringing the hit show to The Cultch stage.

What excites you most about bringing Butcher to The Cultch stage?

Lindsey — Butcher has managed to get under my skin and I think it will truly draw our audiences in as well. It is deceptive and sneaky and even oddly charming at times, but be careful, you might get *hooked*…hehehe.

The Cultch has partnered with Amnesty International as a Community Partner for Butcher. Our Community Partners offer us the opportunity to spread the word about important issues at the same time as helping us spread the word about our shows. Knowing what you do about Amnesty International, do you feel that it is a good fit? Why?

Kevin — I think it’s an excellent partnership because Amnesty International wrestles with the issues in Butcher every single day. In her forward to the play Louise Arbour, a former Supreme Court of Canada justice, and former Chief Prosecutor of the International Criminal Tribunals for the former Yugoslavia and Rwanda said, “When can victims find peace when justice is elusive?” and  “Can offenders find closure if punishment is not extended to them?” Are these not huge questions for our time? Real peace and closure, it is often said, can only come from forgiveness. It falls to organizations like A.I to help us find our way through these tangled questions.

Why do you think Butcher has hit such a chord across Canada since its debut?

Lindsey — Butcher is brave. It does not choose sides or lead its audience in any way. That kind of experience in live theatre is rare and exhilarating.

In an ideal world, what would you like audiences to take away with them after seeing Butcher?

Kevin — One of my mentors, the playwright  John Murrell, impressed upon me the idea that theatre must be provocative, yet entertaining. It’s a maxim I try to apply to every play I work on. I want audiences leaving Butcher at The Cultch to feel we exceeded their expectations. I want them to be  thrilled and moved by the experience. To be glad they left the comfort of their home to take in a play. And I want them to leave the theatre arguing about the themes of justice and revenge. The best theatre serves to help us strengthen our society by spurring us to make changes.

You have put together an all-star cast of performers and creators for this production. Lindsey, what do you think Butcher offers actors that other plays may not?

Lindsey — Butcher is unlike any show I have done before. I have spoken in dialects and even other languages but never have I been given the gift of learning an invented language (playwright, Nicolas Billon, had two linquistics professors from the University of Toronto invent the language of ‘Lavinian’ specifically for this play). This story is incredibly mysterious and the characters are fighting fiercely for what they need, creating a tension I have yet to experience on stage. That’s about all I can say without spilling any spoilers.

Butcher has some very serious themes — justice, revenge, forgiveness — Have there been many discussions during rehearsals? Do you think it will stir up debate with audiences?

Lindsey — Of course! We have turned this play over and over, hashing out the ideas and the arc of the story. It is our hope that the audience will discuss the piece passionately afterwards, not only the themes but their own personal response to the ride.

Is there anything else about putting on Butcher that you would like to say a few words about?

Kevin — I have been so fortunate to have this opportunity. To work on this fine Canadian play with this outstanding team of collaborators. And it is very gratifying to us to have The Cultch recognize the importance of Nicolas Billon’s play and afford us the opportunity to share it with Vancouver audiences.

Thank you Kevin and Lindsey!

To read more about Butcher check out this great article from the Vancouver Sun, a Q&A with Peter Anderson.


Butcher runs March 20-31 at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.


Written by: Nicolas Billon

Starring: Peter Anderson, Lindsey Angell, Noel Johansen, and Daryl Shuttleworth

Director: Kevin McKendrick

Artistic Associate: Christy Webb, Set Designer: David Roberts, Costume Designer: Jenifer Darbellay, Assistant Costume Designer: Alaia Hamer, Lighting Designer: Michael Hewitt, Original Music and Sound Design: Keith Thomas, Stage Manager: Joanne P.B. Smith, Makeup Consultant: Miss Nikki Ying, Student Apprentice: Leah Read

Official Website: www.butcherplay.com 

Rave Reviews for Hot Brown Honey!

Rave Reviews for Hot Brown Honey!

Have you seen Hot Brown Honey yet? Audiences are going wild for this smash-hit from Australia!

Check out some of the amazing things Vancouver reviewers have had to say about it:

“Is it empowering, exuberant, rousing, fun? Hell, yes. It’s also the show that the world needs right now – has needed for some time, but man, the time is ripe for it” — Marsha Lederman, The Globe and Mail

“Part hip hop concert, part pep rally, Hot Brown Honey is a loud, proud evening of consciousness raising; a series of lessons on race and gender that says you can have your revolution and dance to it, too” — Jerry Wasserman, Vancouver Sun

Hot Brown Honey throws a female-powered dance party that’s well worth joining…What a party!” — Kathleen Oliver, The Georgia Straight

“With its mix of burlesque, circus, dance, beatboxing, and hip-hop, on the surface Hot Brown Honey is like a really great variety show. Layered with the politics of gender, race and colonialism though, it becomes so much more” — Mark Robins, Vancouver Presents

Weave Image By Dylan Evans

Hot Brown Honey is more than a show, it is an embodiment of sexual liberation, a celebration of matriarchal ideas and a call to action for a better tomorrow through education and awareness of inherent societal privilege and racial divides. It’s not like anything you have ever seen” — Penny Warwick, Two Cents & Two Pence

Hot Brown Honey is visually mind-blowing with a whole load of talent on stage…There’s singing, dancing, rapping and costumes changes that leave your head swiveling”— Jo Ledingham, joledingham.ca

“Hot Brown Honey is a MUST SEE for EVERYONE… You will leave this show buzzing with energy and ready to rain fire on the patriarchy” — Maddison Miller, The Vancouver Arts Review

“If you enjoy shows that are sassy, sexy and have a social conscious this is definitely for you” — John Jane, Review Vancouver

“It’s raunchy, colourful, mind-boggling and fun” — Entertainment Vancouver

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Q&A with Governor General award-winning playwright, Colleen Murphy!

Q&A with Governor General award-winning playwright, Colleen Murphy!

Photo by Heidi Hamilton

How did the idea to adapt a Shakespearean text incorporating Bouffon come about?

When Stephen [Drover] asked me to write an adaptation of Titus Andronicus I wondered how to connect with a play I felt was emotionally vacant but intriguing.  “What makes people so angry they kill children?  What is under such rage? Terrible hurt probably, and terrible grief.”

While adapting the play I was the Lee Playwright in Residence at the University of Alberta, working in the same department as Professor Michael Kennard, aka Mump from the incredible duo Mump & Smoot.  Michael teaches clown there and I was inspired by the rigor and the fearlessness he used in his hilarious student presentations.  I felt that given the blood-bath of the 21st century, Bouffon were more suitable to my adaptation because they bring a primal urgency to a story that both begs to be taken seriously and begs not to be taken seriously.

Can you tell us a little bit about the effect that the Bouffon style has on the piece?

The Bouffon style opens up both the emotional and the farcical aspects that are already in Shakespeare’s play.  He must have enjoyed writing it, and there are some beautiful passages, as fine as any he wrote.  The murders and the outrage might even be funny…and the funny is sometimes sad.  The world of revenge is an over-the-top world driven by sad, angry people.

What is something about the show that audiences may be surprised to learn?

Perhaps members of the audience might be surprised to discover that nothing is sacred, that everything is human, including the worse things people do to each other.

Can you describe the show in 3 words?

Fun Meets Death.

What most excites you about bringing this piece to the stage?

Marrying Shakespeare with Bouffon offers another perspective on Titus Andronicus in the 21st century.

Peter Anderson in “The Society for the Destitute Presents Titus Bouffonius”. Photo by Stephen Drover


The Society for the Destitute Presents Titus Bouffonius runs from Nov 22 – Dec 3 at the Cultch’s Historic Theatre. Tickets are from $22 and can be found here.

Announcing the 2017 rEvolver Festival Mainstage!

A man stuck in a London train station. A live game show. A cardboard puppet sci-fi western. A live drag attari video game musical. An embarrassing birthday gift. A Spanish Vampire bar. A bespoke handmade book. The meaning of love.

Upintheair Theatre is thrilled to be back at The Cultch for the fifth annual rEvolver Theatre Festival. rEvolver runs from May 24th – June 4th, presenting new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators. Past rEvolver Festivals have included world premieres of hit shows such as Jordan Hall’s ‘Kayak’, Delinquent Theatre’s ‘Stationary: A Recession-Era Musical” (which featured as part of The Cultch’s 2015/16 season) and Mind of a Snail’s gorgeous shadow puppetry in ‘Caws and Effect’.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. Join us in seeing all that this incredible community of artists has to offer.

Got to revolverfestival.ca for all the information you need!

MAINSTAGE SHOWS:

FREE EVENTS:

  • Habitats Isabelle Kirouac & Nayana Fielkov (Vancouver)
  • Plunge in collaboration with Resounding Scream Theatre (Vancouver)
  • SHINY Kelly McInnes (Vancouver)
  • UPDRAFTS Reading Series featuring new works by emerging playwrights

Excited by what you see? There are a number of different ways you can purchase tickets!

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!
  3. And of course individual tickets are available both through The Cultch’s Box Office and at the door.

Vertical Influences offers FREE workshop at Britannia Ice Rink

Vertical Influences offers FREE workshop at Britannia Ice Rink!

We are so EXCITED TO ANNOUNCE that Le Patin Libre – creators of VERTICAL INLFUENCES – will be hosting an amazing FREE Workshop on April 27 1-3pm at Britannia Ice Rink – for ALL AGES and ALL SKILL LEVELS! This is a great event to take the whole family to!

Photo credit: Rolline Laporte

Led by the artists and company choreographers, these playful activities can be enjoyed by all skaters. Through choreographic games and simple teachings, the artists will convince participants that anybody can feel the magic of glide and enjoy the freedom and liberation of ice-dancing. It’s optional to bring your own skates and helmets. There will be FREE rentals for workshop participants.
 
Please RSVP to communications@thecultch.com if you are interested in joining the workshop.

Photo Credit: Alicia Clarke

Wanna know more about Vertical Influences? Check out these great interviews in The Georgia Straight, The Vancouver Sun, and Vancouver Presents!

 

“We are able to bring together groups that wouldn’t otherwise come together and have an opportunity to introduce them to this contemporary performing art. IT REALLY IS QUITE EXCITING.” – Alexandre Hamel in interview with Mark Robins, Vancouver Presents

VERTICAL INFLUENCES runs at Britannia Ice Rink, April 18-30. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.
This event is generously supported by
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Great Reviews for Elbow Room Café: The Musical

Great Reviews for Elbow Room Café: The Musical

Zee Zee Theatre’s Elbow Room Café: The Musical celebrated its opening on March 2 and was an unqualified success! We had an amazing evening with lots of fun!  It seems we aren’t the only ones this musical has infected with joy – take a look at these reviews and get infected with the Elbow Room Café fever!

Photo credit: Tina Krueger Kulic

“Elbow Room Café: The Musical is simply the most JOYFUL, LOVING, FUNNY show to hit the York Stage.” – Jo Ledingham

“It’s a play that is endearing, heartwarming, uproariously funny, sweet, sassy and just PLAIN FUN!” – Monika Forberger, Entertainment Vancouver

“Underneath the belly laughs and social commentary, this love letter to Vancouver is FULL OH HEART” – Carly Whetter, Vancouver Magazine 

“It is tough not to adore this HEARTFELT TRIBUTE.” – Mark Robins, Vancouver Presents

“Perhaps it’s the nostalgia, the familiarity, and the comfort that so touches the audience, much like Elbow Room Café itself.” – Ljudmila Petrovic, Sad Mag

“Anton Lipovetsky’s WONDERFUL MUSIC and lyrics were so memorable. I’ll be humming along for the next few days.” – Lauren Chancellor, The Reviews Weekly

“Elbow Room Café is a LITTLE PIECE OF JOY.” – Ed Vaughan-Hughes, Daily Hive

If you are interested in reading more reviews or you want to know how this show has developed, check out Broken Leg Reviews,  Review Vancouver and Artslandia.

Photo credit: Tina Krueger Kulic

Elbow Room Café: The Musical runs from Mar 1 – 12, 2017 in the York Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Get 15% off your food bill at the real Elbow Room Café (560 Davie St) when you show your Elbow Room Café: The Musical ticket stub!

Photo credit: Tina Krueger Kulic

“Elbow Room Café: The Musical” opens at the York Theatre March 2

Elbow Room Café: The Musical opens at the York Theatre March 2

Elbow Room Café: The Musical will celebrate its opening on March 2 in the York Theatre and will run until March 12.

Elbow Room Cafe: The Musical is a candid look inside Vancouver’s most iconic eatery The Elbow Room Cafe. Known for its raucous service, celebrity sightings, and hearts of gold, the musical will feature everything you love about Vancouver’s favourite “abuse restaurant.”  You can look forward to a healthy serving of beloved owners Patrice (Allan Zinyk) and Bryan (David M. Adams), the crazy antics of hung-over bachelorette-party guests, flashy drag queens, and lots and lots and lots of love.

“Playwright Dave Deveau and composer Anton Lipovetsky pay homage to downtown Vancouver’s legendary breakfast spot, famed as much for its food as for the sarcastic service.”  – The Georgia Straight

The Elbow Room Cafe on Davie St. has been an local favourite for over three decades. Opened in 1983 by Patrick Savoie and Bryan Searle, it has become know for being an “abuse restaurant” – one of those fun places to go to to get a little witty banter with your breakfast.

The real Elbow Room Cafe, 560 Davie St. – The inspiration for Zee Zee Theatre’s new musical

We are really excited, and it seems we are not the only ones! Elbow Room Cafe: The Musical is one of The Georgia Straight’s “spring picks”  featured in the Spring Arts Preview. Kathleen Oliver  says the draw of the show is it’s “Sassy irreverence, which creators [Anton] Lipovetsky, and [Dave] Deveau, and director Cameron Mackenzie have proven they can dish out in generous portions.”

Not only did Elbow Room Cafe: The Musical get a mention in the spring picks, it was also featured as the cover story! “You know, the place is chaotic and rhythmic and colourful and gaudy and loud. It immediately sort of lends itself to the form.” says Dave Deaveau in the article by Alexander Varty , stating why they chose to create a musical about the local restaurant.

A couple Cultch staff display the Georgia Straight cover featuring Elbow Room Cafe: The Musical

If you’re interested in hearing a little more about how this show has developed, check out this great interview with Dave Deveau and Cameron Mackenzie on Roundhouse Radio’s Janice and Corey. And if you’re a foodie, make sure you check out CKNW’s Food Glorious Food. The Podcast hosts Richard Wolak and Zahra Alani share their enthusiasm for Elbow Room Cafe: The Musical.

“After a remarkable 34-year run, Vancouver’s most deliciously theatrical experience is finally taking the stage.” The Georgia Straight

Zee Zee Theatre Playwright Dave Deveau, and actors Allan Zinyk and David M. Adams on the cover of The Georgia Straight

Get 15% off your food bill at the real Elbow Room Café (560 Davie St) when you show your Elbow Room Café: The Musical ticket stub!

Elbow Room Café: The Musical runs at The York Theatre, 639 Commercial Drive, from March 1 – 12. Tickets are available online, by phone at 604.251.1361, or in person at 1895 Venables St.

The Cultch would like to thank our Production Sponsor -TD Bank, and our Community Partner – Qmunity.

Reviews are in for The Fighting Season…and they are Great!

Reviews are in for The Fighting Season…and they are Great!

Photo by Javier R. Sotres

Last Wednesday we opened The Fighting Season, our first show of 2017, and the winner of the 2015 Cultchivating the Fringe Award. What a way to start!  We are SO happy with the response it has been getting.

The Fighting Season is a deeply poignant play that delves into the heart of the Afghan war through the perspective of three Canadian medical personnel. The play examines the experiences of an OR surgeon, a medic, and a nurse as they deal with their experiences in Afghanistan. The Fighting Season addresses three of the many ways people deal with PTSD, and is partially based on the experiences of local playwright Sean Harris Oliver’s father who was an OR surgeon  in Afghanistan.

The reviews are unanimous, The Fighting Season is not to miss!

“Theatrical make-believe has rarely felt more VISCERAL.” – Jerry Wasserman, The Vancouver Sun

“The performances under the direction of Evan Frayne are uniformly TERRIFIC.”- Mark Robins, Vancouver Presents

“The play feels excruciatingly real and scrupulously HONEST…it’s a powerful piece of theatre made even more potent by three SUPERB performances.” – Jo Ledingham, joledingham.ca

“Visceral and MOVING, The Fighting Season shines as a FASCINATING study of war medics.” – Lauren Chancellor, TheReviewweekly

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The Fighting Season is selling fast! Don’t miss it, get your tickets.

The Fighting Season runs until Jan 21, 2016 in the Vancity Culture Lab. Tickets are $35. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Name The New Cultch Cocktail! Our new cocktail with Odds Society needs a name! Share your best idea!

cocktail

Name our mouth-watering cocktail– A delicious twist on the classic Gimlet: Wallflower gin, sage syrup, lime juice and orange – for a chance to win an evening of pre-drinks at Odd Society Spirits, two tickets to an upcoming Cultch production, and naming rights to the new beverage that will be sold at The Cultch AND Odds Society Spirits (1725 Powell Street)!

How to enter:

There are several ways to enter. To enter through the blog simply leave a comment with your drink name and a brief explanation. To enter through Facebook, comment on the contest announcement with your drink name in quotes. On Twitter, reply to our post with your drink name and the hashtag #CultchxOdd. By email, send your drink name to ricky@thecultch.com.

The Rules:

  1. Enter anytime between Nov 4 – 10,
  1. Suggest a fun, creative, and evocative name for this recipe. If possible, explain why you chose the name in a sentence or two.
  1. The winning recipe name (and your name, if you wish) will be featured in our bar for the remainder of our 16/17 season as well as at Odd Society Spirits.

 

Veda Hille Launches Love Waves at the York Theatre on May 28!

veda_hille_love_waves (1)Fresh from creating and performing in the homegrown hit musical Onegin, our favourite Vhine Und Szong  and East Van Panto songstress is back to celebrate the release of her new album: Love Waves.

We were lucky enough to chat with Veda about her album and upcoming concert!

Hi Veda! Many Cultch audience members were first introduced to your work and style through the clever musical mash-ups that characterize The East Van Panto. You are also well known in Vancouver for productions such as Do You Want What I Have Got? A Craigslist Cantata and Onegin. Would you say that your work in the theatre has influenced this album?

Veda Hille: I have loved becoming part of Vancouver’s theatre scene over the last 10 years. I do think that work has influenced my personal songwriting. I have way more vocal things going on in the songs, and I often take on characters in a way that I never did before. For example, in Eurydice I sing the parts of both Orpheus and Eurydice. I also took more time with this album; in theatre you often work on a show for 3 years or more before it is ready. I decided to try that with Love Waves, and I think the album benefited from a really long slow process.

What can long-time fans of your music expect from this album? Are there any new elements that you were particularly excited to explore?
VH: I wrote these songs with producer John Collins in mind. He’s great on synths and beats and all these pop elements, and so I wrote songs that would work with that kind of treatment. I would say that the production feels like a pretty new kind of sound for me, but I think the songs at their core are still in the realm that I’ve inhabited all my life.

Can you tell us a little bit about the meaning behind the title of this album?
VH: Love Waves are a certain kind of seismic activity, discovered by the scientist Arthur Love. They ripple sideways through the ground, and are really good at knocking down buildings. I couldn’t resist that name, of course.

You have credited a number of artistic influences ranging from Bowie to Eno to The Carpenters to Eisler and Brecht. I have to ask – which artists are you currently listening to?
VH: I always love that question. It is what I ask other people all the time. I move pretty slowly on albums. Right now the ones I turn to most are Bowie’s Blackstar, Kendrick Lamar’s To Pimp A Butterfly, and Sufjan Steven’s Carrie and Lowell.

Anything else you would like to share about this album or the concert at The York on May 28?
VH: I’m so excited about this show. The band is sounding great. I feel like I haven’t done a major concert in Vancouver in years; maybe that’s true. I keep doing all these other things! Which are also fun, but still. I am very keen to have the chance to be deeply and happily myself onstage with so many friends around.

Want a sneak peek of Veda’s fabulous new album?
Check out this review by Andrea Warner for CBC music
Keep up-to-date with the latest news on Veda Hille’s website
Love Waves: Veda Hille Album Release Concert
May 28, 2016 at 8PM
York Theatre
19+ Event