An Interview with Jenn Sungshine of Our City of Colour

Jenn Sungshine

Jenn Sungshine photo by Rebecca Blisset

March is shaping up to be a colourful month here at The Cultch. We are presenting two critically acclaimed plays, The Gay Heritage Project and Ga Ting, which both deal with issues related to the QTIPOC (Queer,Transgender, Indigenous, People of Colour) community. We had a discourse with Jenn Sungshine who works for our Ga Ting Community Partner, Our City of Colour, about her involvement in various organizations and the QTIPOC community in general.

About Jenn: Jenn Sungshine  facilitates with creativity and social justice media to evolutionize and revolutionize QTIPOC visibility and community-based work through Our City of Colours ( Community Partner for Ga Ting), Love Intersections, Out in Schools and the Institute for Gender, Race, Sexuality and Social Justice at the University of British Columbia.

 

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1. What are your thoughts on the importance of organizations helping out the artistic community though presentations such as Ga Ting and other GLBTQ plays like The Gay Heritage Project?
Community partnership between organizations in the artistic community helps to facilitate a sense of connectedness through shared experiences. We all want to see ourselves reflected in the stories that are being told, outside of our own little silos. There is a sense of proud recognition and relatability when we can see ourselves represented in nuanced and three dimensional roles as they relate to race, gender, sexuality, culture and all of the intersecting experiences. I find this especially important through art because the ground upon which we walk and play and live our lives has the potential to be bigger and far more interconnected in an isolating city like Vancouver.

2. You mention the acronym QTIPOC. Would you mind explaining exactly what this means?
QTIPOC stands for queer, trans, indigenous people/person of colour – it’s a mouthful isn’t it? And why not? We are complex beings. We are cutie-pocs.

3. What is your involvement with The Pink Line and can you expand more on this initiative?
I’m the facilitator for The Pink Line, which is a new community-engaged theatre initiative created to foreground the stories of members in the LGBTQI+ communities, told in their own words. Our focus this year will be racism within the queer community. Participants will be drawn from the many racial and ethnic groups that make up Vancouver’s LGBTQI+ community. Chris Gatchalian, artistic producer at The Frank Theatre graciously asked if I would be interested in facilitating conversations around race and racism. It runs deep, like the microaggressions that we experience on a daily level.

4. You are a busy individual involved with many organizations that deal with important social issues. Do you think that Vancouver is more welcoming of people with alternative lifestyles than other cities around the world?
I don’t like to compare cities. It’s a dangerous road to go down on so I will only speak to my own experiences here. I think Vancouver is actually a relatively conservative city in terms of the actual minutiae of social interactions that people engage in and how they are subtly encouraged to express themselves creatively. Perhaps due to the scarcity of communal spaces and housing, Vancouver can sometimes seem quite stifling and full of unacknowledged competition.
That being said, Vancouver prides itself on embracing “diversity”. To me, the concept of “alternative lifestyle” is a relative one depending on sub/cultural connections as well as personal predilection and interests — from music to dance culture to food to activism — it’s very sceney here. Of course, like any city Vancouver has its own narrative. One that I find resonates with certain lifestyles and practices while not with others. I have my ups and downs with this city for sure but I have to remind myself everyday of how lucky I truly am to live here.
Lastly, I do think that we glorify busy-ness and quite frankly I am busy because I need to survive, not because I really want to be. Can I retire with cats yet?

5. How do you feel the Out in Schools program is succeeding in its mission? What more do you feel that our national, provincial, and local government can do more to promote the program? What can the community do?
Brandon Yan, my brilliant successor at Out in Schools can speak far more profoundly in all the ways that Out in Schools is succeeding in its mission! Personally I would love to see a SOGI policy at all levels of governance. While I do think tremendous strides have been made in classrooms here and certainly Out in Schools has played a hand in that, the work is far from over!

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The Cultch presents The Gay Heritage Project March 2 – 19 and Ga Ting March 8 – 19. To purchase tickets click here. Get your tickets before it is too late!

Ga Ting weaves a powerful and emotionally-charged story about an immigrant Chinese couple trying to come to terms with the death of their son, Kevin. When they invite Kevin’s Caucasian boyfriend for dinner after the funeral, the evening devolves into a fiery cultural and generational clash.

“Ga Ting isn’t just about being gay, but about parents getting to know your children and children sharing themselves with their parents…Go see it. Take your parents” — GayVancouver

Thoughts on Vancouver’s Gay Heritage by Kevin Dale McKeown

McKeown2Kevin Dale McKeown, then and now, was the Georgia Straight‘s first LGBT columnist.

In preparation for The Gay Heritage Project we reached out to Kevin Dale McKeown, The Georgia Straight’s gay news columnist from 1970 – 1975 and currently writing for the online publication Xtra. Here are his thoughts on gay heritage.

Vancouver’s queer community has a long and rich heritage, much of it preserved in oral histories (and barroom gossip) from the 40s, 50s, and 60s, some found in early newsletters of the Association for Sexual Knowledge (ASK) in the sixties, and then, beginning in the 70s in sometimes excruciating detail in my weekly column, “QQ Writes …. Page 69”, in the Georgia Straight, and in subsequent periodicals such as Your Thing, The Gay Canadian, and Angles, all precursors to the appearance in 1993 of Xtra West. There have been many milestones in that history, some of them global, some national, and many less well remembered moments in our own city.

My own appearance in a publicly circulated newspaper was a milestone of sorts, and the founding of Vancouver’s Gay Liberation Front (GLF), the efforts to desegregate our “men only” clubs and bars, the legal struggle of the Gay Alliance Towards Equality (GATE) against the Vancouver Sun over its refusal to publish classified ads with the word “gay”, the public rallies and protest during the 70s, and the first Gay Unity March in 1978, which evolved into today’s annual Pride parade are all top-of mind when I think of our heritage and history.

 

The founding of many organizations, especially the drag community’s Dogwood Monarchist Society, which helped rally our community during the terrible plague years during which AIDS took so many of our friends and loved ones, were milestones worth noting.

The opening of a pioneering gay and lesbian bookstore, Little Sisters, in 1983 and their subsequent legal fight with Canada Customs over our right to import and read books that were meaningful to us … there was a milestone!

Yes, we’ve come a long way and made a lot of progress. But I feel that our “community” is now in a challenging period where we are questioning the need for identity politics and squabbling within our ranks over issues that would have seemed irrelevant forty years ago. There is still work to do, and we need to preserve our history so that future generations remember their roots, how hard we fought for what we have, and realize how easily it could all be lost to us if we do not continue to stand together.

We have many allies now we didn’t have before. And we can work together with other marginalized groups to continue to push for advances on all fronts. But ultimately I believe that it is up to us to support and care for our own, and I think that begins with educating and supporting the next generation, and the one after that.

Speaking of identity politics, I dislike both the catch-all use of the word “queer” to represent our community, and the ever-morphing alphabet soup we’re burdened with today.

I’m all in favour of the use of a new acronym, which comes to us out of the London queer community, GSD, for Gender and Sexual Diversity. Doesn’t “GSD community” say it all, without putting anyone’s nose out of joint?

I look forward to hearing more about the history and heritage of the GSD community across Canada through The Gay Heritage Project, and sharing some of my own stories at the opening reception. –Kevin Dale McKeown

gayheritge_HomepageHeader_v1-01About The Gay Heritage Project: Three of our country’s most gifted creator/performers set out to answer one question: is there such a thing as gay heritage? In their search, they uncover a rich history not often shared and shine new light on contemporary gay culture. The result is a hilarious and moving homage to the people who came before us and the events that continue to shape our lives.

The Daisy Theatre’s Ronnie Burkett said we would be crazy not to program this show! “Celebratory, upbeat, and deeply moving” — Toronto Star

The Gay Heritage Project runs from March 2nd – 19th at The Historic Theatre, 1895 Venables Street, Vancouver. Tickets are available from $20. To purchase tickets click here

 

 

The speeches of BigMouth

In BigMouth, which opened last night at our York Theatre and runs until Feb 21, creator and performer Valentijn Dhaenens traverses sermons, declarations of war, farewells, final arguments, victory speeches and eulogies from across time. After the show, the lobby was buzzing as audiences members speculated about the creation of the show and the connection between speeches.

BigMouth image 8 - credit Maya Wilsens

Here in his own word, Dhaenens describes his process for creating the show:

Over the course of a year I promised myself to read at least one speech a day. Doing so, I read more than a thousand speeches that year. I tried not to force speeches to relate to one another but simply put them on stacks hoping that one day they would start communicating with each other. For instance, there were 5 months between the reading of Goebbel’s ‘Totaler Krieg’ speech and the moment I ran into the Patton-speech. I learned that that they were given at about the same time, saying exactly the same thing to exactly the same kind of people in a very different manner. Those speeches were begging to be interweaved with one another and become a massive go-to-war-appeal.

One of the key moments in the development of the show came when I had just memorized the funeral oration of Pericles (around 400BC) and at night watched the television news and saw French President Sarkozy (who had just lost 10 soldiers in Afghanistan) repeating about the same words. A few months later I added King Boudewijn’s abduction speech right after Pericles. The last one talking to the parents of literally thousand killed lying there at his feet. The first one refusing to sign an abortion-law, fighting for the even unborn single life.”

So what speeches made the cut? Here’s a sneak peek of some of the memorable speeches featured in the show. For the rest, get your tickets to BigMouth before Feb 21!

 

Valkyrie Western Martial Arts Assembly`s special offer to The Cultch subscribers

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Jordan Both has been a regular technician at The Cultch for nearly a decade, and got his start in theatre through our youth program. He’s recently embarked on an exciting new business venture that brings a new twist on fitness to East Vancouver. Valkyrie Western Martial Arts Assembly held its grand opening in October 2015, and has been keeping busy establishing itself as an important community space for martial arts and fitness in the Collingwood neighbourhood.

Valkyrie WMAA1                                                 “A rare pause in boxing class.” (Photo Credit: Courtney Rice)

Valkyrie WMAA is co-owned by Kaja Sadowski and Courtney Rice, and is the first female-owned and operated Western Martial Arts school in Canada. Jordan and his fellow instructors teach swordplay, boxing, and wrestling six days per week, and offer a unique training program that combines historical knowledge with modern sport science to turn even the most dedicated couch potato into a fit and happy fighter. Their classes range from 2-hour evening martial arts sessions, to day-long workshops, and quick and cheap 1-hour drop-in fitness classes. There’s something for everybody, regardless of their interests and schedule.

Valkyrie WMAA2                                              “Student Kat Yoshida spars with a rapier.” (Photo Credit: Courtney Rice)

The school was recently named a Top 5 Finalist in the “Best Emerging Entrepreneur” category of the Small Business BC Awards, which recognizes a new business that “contributes to the social, cultural and economic well-being of their communities [and] has demonstrated community leadership and entrepreneurial initiative”. The Valkyrie WMAA team sees fitness and martial arts training as an important path to personal transformation, self-esteem, self-reliance, and lifelong health. Unfortunately, this path is closed to many women, older or unfit people, and members of the LGBT community due to hostile environments and poor training models that cater predominantly to fit, straight, men. In the macho, competitive world of mixed martial arts training and high-end fitness, Valkyrie WMAA’s colourful, welcoming space, strict anti-discrimination and anti-harassment policies, and wealth of strong female role models stand out.

Valkyrie WMAA3                                               “Focusing on swordplay drills.” (Photo Credit: Courtney Rice)

Like The Cultch, Valkyrie WMAA is committed to supporting diversity and community engagement within its field. In martial arts, that means maintaining a safe space for students of all backgrounds, offering excellent training for every body type, and educating the general public through free online tutorials and low-cost community lectures and workshops.

Valkyrie WMAA4                                            “The Valkyrie WMAA founders at the school grand opening. Left to Right: Courtney Rice, David Packer,

Jordan Both, Kaja Sadowski.” (Photo credit: Carol Both)

They’ve also got a special offer for supporters of The Cultch who want to get in on the swordfighting fun. From now until March 4th, all of our subscribers will receive a free Valkyrie Base 4-class introductory program ($120 value) with the purchase of any credit package. Credits are redeemable for group classes, private lessons, and workshops, can be transferred or shared between multiple students, and never expire. We wish Jordan and his co-workers success with their new business, and look forward to trying out a class for ourselves!

Century Song: Five reasons you need to see this groundbreaking show

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 Century Song, presented with the PuSh Performing Arts Festival, is one of the most unique shows of The Cultch’s 15/16 season! The multimedia show provides a thrilling look at 100 years in black  history from a women`s perspective. The piece, a “music recital” study of ephemeral aspects of the Black Canadian experience over the past century, is completely wordless. The story is a survey from servitude to sexuality; pop culture to protest. Here are five reasons you should watch this groundbreaking piece of art. For an interactive experience click here.

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  1. Black History Month:  With February being Black History Month, Century Song provides a great opportunity for  Vancouver audiences to educate themselves, from a Black woman’s perspective, about Canadian Black history. Here’s what Ross Manson, Director of Century Song, says about this dynamic, “I learned the distinction between white and black feminism in my research into the 1970s. White feminism called for equality. Black feminism called for justice. The difference is vast. In short – I learned that as a country there is much under the surface of our history that most of us aren’t aware of. And so the question formed: why does what is taught in our schools omit so much?_MG_7652
  2.  Modern Dance: Neema Bickersteth and choreographer Kate Alton (Dora Award winner and K. M. Hunter award winner) co-created a unique body of modern dance movement featured heavily in Century Song. Alton creates thought-provoking, emotionally engaging theatrical dances that are as much explorations of the mind as of the body, working with writers, directors, and vocal coaches to develop inter-disciplinary performance works that pack an intellectual and emotional punch._MG_7774C
  3. Classical Music: The performance utilizes the UBC Opera-trained and Dora Nominated Neema Bickersteth on vocalise (wordless vocals) and music by some of the past 100 years’ most adventurous composers– 1912: Sergei Rachmaninoff (Russia); 1935: Olivier Messaien (France); 1950: John Cage (USA); 1978: Georges Aperghis (Greece); 2012: Reza Jacobs (Canada); 2016: Piano, Gregory Oh (Canada) and 2016: Percussion, Computers, Composition, Music Co-Direction, Debashis Sinha (Canada)._MG_6798C2
  4.  Innovative Video: The show’s projections were made by Germany’s fettFilm known for their innovative video production. By combining video with other media the video artists Momme Hinrichs and Torge Möller primarily create multifaceted works of art which do not merely decorate the stage or coexist with it but instead blend various artistic levels.They develop and realise their ideas, from the initial stage to the final presentation, in close cooperation with directors and artists. For amazing video of the performance click here. _MG_7291 - Copy
  5. Internationally Acclaimed Theatre Company:  Century Song has been developed by the Toronto-based, international award-winning performance company, Volcano Theatre, in partnership with Crooked Figure Dances, and the Moveable Beast Collective with direction by Dora Award-winning director Ross Manson. “One of those companies that every great theatre city needs – bold, experimental, and bubbling with ideas.” – Toronto Star

Century Song is at The Cultch’s  Historic Theatre until February 6. Tickets are from $20. Get your tickets here.

Images:  Photos of Neema Bickersteth by John Lauener

Leftovers, An Interview with Charles Demers

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Charles Demers and Baby Demers. Photo By Simon Hayter.

One of the stars of CBC Radio’s The Debaters, a best-selling author, and one of Canada’s finest stand-up comedians, Charlie Demers also lectures in creative writing at UBC and continues to fight the good fight as a political activist. His newest adventure Leftovers, which he co-created with Marcus Youssef and also stars in, is presented by The Cultch and PuSh International Performing Arts Festival from Jan 26 to 30 at the York Theatre. We had a chance to chat with Charles about his latest show, its inspirations, and the political landscape in general.

1. You are the playwright for the hugely successful East Van Panto, which has its own brand of political speak. How does Leftovers differ?

I’d say that the biggest difference is that, in Panto-land, we’re in a marshmallowy, cartoon world where everything is ultimately going to be okay — we never really feel unsafe in the Panto. So the political mockery, the potshots, the little jokes, even when they are about real, awful stuff happening in the world — gentrification, uncontrolled speculation, political corruption, whatever — the jokes come from a place of safety. Those bad things can’t get at us in the Panto, because we’re playing pretend. In Leftovers, we’re leaving the door open to all the vicious beasts and monsters in the world. Capitalism isn’t a harmless subject of satire in this world — in this particular show, it’s a bulldozer, it’s everywhere, and we’re scared of it. We’re supposed to be scared of it, even when we’re laughing.

2. You are a very busy man engaged in many varying projects from being a lecturer to an author/playwright, to standup/acting, where does the inspiration and drive come from to create these artistic feats?

Well, the cynical part of me would say that core, unshakeable feelings of financial and emotional insecurity will forever drive me to try and find the greatest number of both paycheques as well as strangers to tell me I’m doing good things. That’s partially true, at least. But I love the life of ideas, I love engaging people with ideas, and I’ve been lucky and privileged enough to get the opportunity to do that on a really nice scale, with a number of people and in a number of different ways, and I will work as hard as I have to and say yes to as many opportunities as I’m presented with that will keep that process alive.

3. Ronald Reagan has been the poster boy for dumb politicians, which Canadian politician do you feel comes close to him?

Well, Jean Chrétien play-acted that he was dumb, but he was actually brilliantly cagey and that was all Machiavellian performance, I think. I had thought that our new man, Justin Trudeau, was a major intellectual lightweight, but as it turns out, there may be something of Chrétien in him after all. No, I’d say the closest thing we’ve seen to the Reagan brand of oblivious cruelty here is probably Bill Vander Zalm, or our current premier, Ms. Clark.

4. Do you find it easier collaborating with others as you have done with Marcus Youssef for Leftovers or creating solo?

It’s interesting — in some ways, I think there’s a mistaken feeling that sets in early on in the process that working with a collaborator is going to be easier, because there’s someone else there to share the load, and that’s true. But having a co-creator ultimately, I think, means that you’re going to work harder, because you’re constantly being challenged about what the piece is, beyond the limited, comfortable thing that you maybe thought it would be. So it makes the show an infinitely richer thing, because you’re being pushed and challenged in ways that you wouldn’t ever do if you were working on your own. In a really good way.

5. East Van and The Cultch have a history of challenging the status quo in what they represent, does the area of East Van, the neighbourhood, play into how and what you present?

I didn’t grow up in East Van, but I lived here when I was a baby (my first home was the rented ground floor of a Vancouver Special on Kaslo street), and I started coming back to hang out on the Drive, at La Quena and for foosball at Joe’s, as a teenager. I’ve lived here for years and the neighbourhood has shaped me culturally and politically and socially and in every other way possible. I’ve been watching shows at The Cultch since I was a teenager, seen so many of the amazing shows that made me want to create theatre myself, that it’s almost impossible for me to answer this question, it’s so big. Let me put it this way: the first time my aunt and uncle babysat my daughter, when she was still shy of a year old, they took her for a a walk in her stroller, and the only time she stopped crying was when they were on the Drive.

6. You pose the question,” Why are we so accepting of the world as it is?” Without giving away too much info about Leftovers, do you have the answer?

Ultimately, I think that the often bloody back and forth of the 20th century drained us of our political imaginations. We’ve hardened against the idea of utopia — and while it’s true that we can’t build utopia in the real world, there’s something profoundly depressing and disempowering about a world where we don’t even entertain the idea, where we don’t even play with thought experiments about what profound changes in the way we organize society might look like. Given this context, I think that a non-cynical comic sensibility is important for the left; to be a little bit ironic, a little bit smirking, is a useful guard against the nightmares of the 20th century, I think. But without other feelings — feelings of love, or fear, or anger — that sort of comedy can become politically harmless, and that harmlessness makes us even more cynical. That’s why we’re excited to be doing a comedy show that isn’t, in this case, only stand-up — to be able to tell jokes but also have those real moments of feeling alongside them

Get your tickets now before they’re gone! An extra show has already been added due to demand!

A LEFTOVERS GLOSSARY

Toussaint Louverture: (1743 –1803) Leader of the Haitian Revolution.

Maximillien Robespierre: (1758 –1794) One of most influential figures of the French Revolution and the Reign of Terror.

Tibet: A region on the Tibetan Plateau in Asia northeast of the Himalayas; occupied by China

Frederick Douglass: (1818–1895) African-American social reformer, abolitionist, orator, writer, and statesman.

Emma Goldman: (1869 –1940) Anarchist known for her political activism, writing, and speeches.

Oakridge: An area in south-central Vancouver with an average household income of $65,000.

Jean Jaurès: (1859-1914) French Socialist leader.

The Paris Commune: Radical socialist and revolutionary government that ruled Paris from 18 March to 28 May 1871.

Commercial Drive: Roadway in Vancouver, BC that goes through the neighbourhood of Grandview-Woodland. Better known as “The Drive”.

Rosa Luxemburg: (1871 –1919) Marxist theorist, philosopher, economist and revolutionary socialist of Polish-Jewish descent.

Leon Blum: (1872 –1950) French politician, identified with the moderate left, and three time Prime Minister of France.

Michael Corleone: Main character in the Godfather film trilogy

Clement Attlee: (1883 –1967) British politician who was the Prime Minister of the United Kingdom (1945-1951) and the Leader of the Labour Party (1935-1955).

Jawaharial Nehru: (1889 –1964) The first Prime Minister of India

Ho Chi Minh: (1890 –1969) Vietnamese Communist revolutionary leader who was prime minister

Deng Xiaoping: (1904 –1997) Chinese revolutionary and statesman influenced by Marxism-Leninism.

Salvador Allende: (1908 –1973) First Marxist to become president of a Latin American country through open elections.

Che Guevara: (1928 –1967) Argentine Marxist revolutionary, physician, author, guerrilla leader, diplomat, and military theorist.

Stuart McLean: Canadian radio broadcaster, humourist, host of the CBC Radio program The Vinyl Cafe.

Henry Kissinger: American diplomat and political scientist.

Karl Marx: Philosopher, economist, sociologist, journalist and revolutionary socialist.

Maoism: Political, social, economic, and military theories and policies advocated by Mao Zedong.

Bernie Sanders: American politician and the junior Senator from Vermont self-described socialist and democratic socialist.

French Revolution: A period of far-reaching social and political upheaval in France that lasted from 1789 until 1799.

The Cultch receives $130,000 grant from Vancouver Foundation for “Democratizing our Stages” Project

The Cultch and Diwali Fest staff at Nirbhaya Community Engagement meeting1Left to Right, Rohit Chokani & Vineeta Minhas Co-Producers of Diwali Fest, Heather Redfern – Executive Director, Nicole McLuckie – Director of Patron Development, Kim Harvey – Youth Program Manager, Abdel Naroth – Marketing Intern, Ricky Choi – Marketing Coordinator

 

We’re thrilled to announce that we’ve received a significant three-year $130,000 grant from the Vancouver Foundation for our “Democratizing our Stages” Project! While The Cultch has a long history of diversity, community inclusion, and pushing the boundaries of art to benefit society, this grant will allow us to go even further, challenging the status quo by prioritizing community development and presentation with groups and communities that have not yet engaged with us.

“We are delighted and grateful for Vancouver Foundation’s support,” says executive director Heather Redfern. “I truly believe this is a game-changer. The confidence the Vancouver Foundation has shown in our ability to make significant change is heartening and meaningful not only to The Cultch but to the community partners we will work with on this project over the next three years.”

The project began in earnest this past November when we partnered with Diwali Fest, Women Against Violence Against Women (WAVAW), and Amnesty International to present and engage in community dialogue around Nirbhaya, the internationally acclaimed play inspired by the 2012 rape and murder of Jyoti Singh Pandey in Delhi and featuring the real life testimonials of sexual violence survivors. This was the first year in what will now be an ongoing partnership with Diwali Fest. Other Democratizing our Stages partners include Vancouver Asian Canadian Theatre (VACT), Dancers of Damelahamid, Neworld Theatre, Neworld Theatre, and Urban Ink, with plans to bring others on board over the course of the project and into the future.

“There is increasing diversity in professional arts practices in Canada, however there are still very few venues that present this work in a mainstage context throughout a season of programming,” says Redfern. “We are interested in talking to people who are not coming to The Cultch. We’ll be partnering with like-minded organizations from the community to diversify the audience that attends these productions, finding innovative ways to provide access to communities. Social exclusion is systemic and can only be reversed by conscious and proactive efforts. The democratization of our stages will happen when cross-cultural communication takes place between artists and communities over and over again, until we reach the point that it feels ordinary, as though it’s always been that way.”

Read more:
The Georgia Straight
Vancouver Presents

Rentals Roundup: Heathers: The Musical and Blackbird’s The Rivals excelling at The Cultch and York

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It has been a busy month at The Cultch with Blackbird Theatre’s presentation of The Rivals and …Gently with a Chainsaw Artists Collective’s Heathers: The Musical at the York. Both of these shows are playing to wildly appreciative audiences and we love having these high-calibre rentals buzzing in our buildings!

What people are saying:

“Just got home from opening night…You guys were amazing!! This is my all-time favorite 80’s movie and you were on point!
Thank you so much for your hard work and allllll the laughs! Well done!” – Melissa McPherson, Audience Member

“Whether you’re a fan of the movie or not, you will still enjoy this energetic show with it’s strong-voiced cast” – Cassady Ranfordt, – Vancity Buzz

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Emma Slipp: photo by Tim Matheson

“This is an excellent production. On the night we went most of the audience were in fits of laughter throughout the play, and I seriously thought the lady in front of me would fall out of her seat, she was laughing so hard. So if you enjoy light hearted comedies, don’t miss this professional production of one of Richard Sheridan’s masterpiece comedy of manners” –  Gillian Lockitch, – Review From The House

“Love, money, language: The Rivals may be over 200 years old, but its concerns are still relevant—and very entertaining” – Kathleen Oliver – The Georgia Straight

Have a show or event and need a venue? If you have that eureka moment or if your company needs an outstanding venue, look no further than The Cultch and York Theatre. Get more info online at https://thecultch.com/rentals/

 

Hansel and Gretel: An East Van Panto ends our hugely successful 2015 season!

Dawn Petten and Maiko Yamamoto (front) as Hansel and Gretel with Caitlin Goruk, Allan Zinyk, Carly Pokoradi, Josue Laboucane, and Lillian Doucet-Roche; photo Emily

Photo by Emily Cooper

Thank you to everyone who made Theatre Replacement`s Hansel and Gretel: An East Van Panto a huge success. Charlie Demers` witty script, Veda Hille`s campy songs, and the superb acting, directing, and set design, made it one of the best Pantos yet.

But there is not much that can be said that will top what loyal audience members and media outlets have been saying.

It wouldn’t be the holidays without a little pantomime. Now on its third year, East Van Panto has proven itself a seasonal tradition” — Erika Thorkelson, The Vancouver Sun

Super-silly and with more puns than Vancouver has rainy days, Hansel and Gretel: An East Van Panto shifted the Grimm’s fairytale from Germany to Vancouver East. We booed, we cheered and you can, too”-  Jo Ledingham , Vancouver Courier

Had such an amazing time at @TheCultch watching #eastvanpanto! Amazing talent from a cast who truly love what they do! Thank you to them!!!” – Lavina Goossen @lavinahgoossen

We`re thrilled that the incredible year was also recognized by the critics on their year in review lists.

1)  The Vancouver Sun (5 out of 10 picks were Cultch productions!)

2)  Westender

3)  Georgia Straight critic Colin Thomas`s blog

4)  Vancouver Courier

Thank you to all the folks that made 2015 a memorable year for The Cultch and we hope that you will allow us to make your 2016 as memorable as we navigate the Global cultural landscape to bring these gems to East Vancouver.

Happy Holidays from The Cultch!

A few members of our Cultch team (plus staff pups Gary and Murphy) creating yuletide glow in The Cultch lobby!

A few members of our Cultch team (plus staff pups Gary and Murphy) creating yuletide glow in
The Cultch lobby!

The Cultch would like to wish all of you a very happy holiday season! We are truly grateful for the support from you — our supporters, patrons, and friends.

Thanks to your continued patronage we sold out three simultaneous shows in our season – a first in Cultch history. We literally wouldn’t be here without you!

Thank you for choosing to make The Cultch and the arts a part of your life – we look forward to more grand adventures in the new year!

The best of the season to you,

from The Cultch team

Box Office Holiday Hours:
December 24: 12 pm to 4 pm
December 25: closed
December 26: 12 pm to 4 pm
January 1: closed

For regular box office hours, click here Tickets for events happening at The Cultch can always be purchased 24 hours a day, seven days a week through our secure online ticketing system: tickets.thecultch.com