Donor Spotlight: Michael Hedden with Dignity Memorial

Donor Spotlight: Michael Hedden with Dignity Memorial

This February, for our Donor Spotlight, Natalie Schneck, our Development Associate connected with Michael Hedden of Dignity Memorial.

Thank you so much for joining us in this edition of The Cultch’s Donor Spotlight, I am delighted to interview you, Michael!

How and when did you first get involved with The Cultch?

Jamie and I attended a performance with our dear friends and former neighbors, Maureen and Bob. We were so impressed and invigorated with the quality of the performance, that we made a conscious decision to see as many of the remaining performances of that season. What a revelation to find this gem in our city. As a patron, I feel as if I belong to something bigger. Sitting in that audience, I become part of this cathartic ebb and flow of the human experience. I believe storytelling in all of its artistic forms is vital to understanding ones journey as an individual, as a family and a community.

Please tell us a little about the work you do with Dignity Memorial:

As a funeral professional, I facilitate and help families tell the story of their loved one who has passed on. I provide a platform upon which a family can build a tribute that incorporates cultural, religious and personal preferences that directly reflect and honour the person who has lived. Through spoken word, music, and imagery we bring people together to express our loss, love and gratitude for the person we are remembering. I currently manage our Ocean View property located in Burnaby.

Michael, was there a turning point when you realized The Cultch is an organization
that fits the altruistic mandate and community mindedness of Dignity
Memorial?

With my reference to storytelling it was an obvious fit right from the start. I am privileged to work for a company that encourages its employees to participate in the community we live and work in. I believe it is imperative that when able, one’s philanthropy benefit a diverse community. Funding for the arts is vital to our wellbeing and contributes to a healthier community.

Recently, Dignity Memorial became an integral part of our Legacy Giving
program – Can you tell us what this means to you and how it aligns with The
Cultch and its future growth?

Legacy Giving is an undeniable way to make sure that your support for The Cultch continues after you are gone. Let us be honest, you cannot take your money with you when you die. As individuals, we have the opportunity to make a meaningful statement that reflects ones commitment to the arts in life and in death.

Do you feel that Dignity Memorial’s partnership with The Cultch is creative? In what ways?

I don’t know that the partnership is creative per say, but I am proud of the fact that through our continued sponsorship and support, Dignity Memorial and The Cultch are able to showcase the Arts, in all of its glory, to our community and makes it accessible to as many people as possible. Together, I would like to think we bring the best of performance art to Vancouver.

Has there been a Cultch show that you just can’t forget?

Oh, that is a tough one; there have been many for sure. Two still resonate with me, Big Mouth in 2016 and La Merde in 2017. So inspiring that I still get goose bumps when I think of them.

Finally, what are you curious about right now?

I continue to be fascinated and curious about the way in which we communicate with each other in today’s world. It comes back to that ebb and flow of the human experience. Acknowledgement, humility, acceptance, forgiveness…I believe we are all part of the story; it is exciting to think about how we influence the outcome.

Thank you!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Behind-the-scenes of Jabberwocky and No Foreigners!

Behind-the-scenes of Jabberwocky and No Foreigners!

It is an exciting week here at The Cultch – we have TWO shows opening! At the York Theatre, Jabberwocky runs Feb 6-17 (Opening Feb 7), and at the Vancity Culture Lab, we have No Foreigners playing Feb 7-17 (Opening Feb 8).

In this exciting blog post we reveal a few behind-the-scenes images for both of these amazing shows – A sneak peek just for you!

Jabberwocky:

Inspired by Lewis Carrol’s famous nonsense poem, Jabberwocky explores the things that keep us awake at night. What will it take to slay our own Jabberwock? Take a look at some of the behind-the-scene images from The Old Trout Puppet Workshop:

For an exciting behind-the-scenes look at Jabberwocky, check out this great video from Vancouver Presents!

No Foreigners:

An interdisciplinary collaboration (co-presented with Theatre Conspiracy) from Hong Kong Exile and fu-GEN Theatre (Toronto), two leading Asian-Canadian performing arts companies, No Foreigners takes a unique look at Chinese malls, through live performance, micro-to macro video, text, miniatures, and media design in this exciting world premiere. Check out these images from their time creating at Carleton University:

Jabberwocky runs at the York Theatre Feb 6-17. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

No Foreigners runs at the Vancity Culture Lab Feb 7-17. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

 

Donor Spotlight: Charlotte and Sonya Wall

Donor Spotlight: Charlotte and Sonya Wall

This month marks our second annual Femme month at The Cultch; both have been generously supported by Charlotte and Sonya Wall. We chatted with Charlotte and Sonya to learn a bit more about their involvement with The Cultch and their passion for supporting female artists.

Thank you so much for joining us in this edition of The Cultch’s Donor Spotlight! You have both been long-time supporters of The Cultch. Can you tell us how you first got involved with the organization?

Sonya: I first became involved with The Cultch through attending theatre productions. I loved the diversity and originality of The Cultch productions and believed that The Cultch offered Vancouverites the opportunity to see theatre which was contemporary, thought provoking and international in its scope. I wanted to support such an endeavour. Around the same time, I also got to know Heather Redfern – who is marvelous – through the restoration of the York Theatre. I asked Heather how Charlotte and I could best help The Cultch and so we came up with the idea of a Femme February or January theme.

What has surprised you most about working/partnering with The Cultch?

Sonya: What has surprised me most about working and partnering with The Cultch is the enthusiasm, dedication and openness of everyone. They are all committed to providing the best experience for the theatre goer and for the actors, writers, directors and technical staff. Everyone works in concert with each other and are super organized – a rarity in any organization! Also, the creative energy at The Cultch is amazing.

Charlotte: I too, admire the dedication and enthusiasm I constantly encounter when I am at The Cultch. I think The Cultch provides an important service in the community in regards to women in theatre and consistently stages contemporary and cutting-edge work.

Charlotte, you are a trained and practicing visual artist. Do you find that engaging with other art forms, such as theatre and dance, contributes to your own artistic practice?

Charlotte: As an artist working also in a contemporary mode, I strongly believe that all art forms influence and benefit each other.The expression of thought and discovery in every form relates to the endeavours of artists in other mediums.

I find the staging involved in both theatre and dance can easily inform some of my work, especially since I often deal with the manipulation of spacial assumptions. The composition of characters in a play on stage or the choreography of dance involves the same process as composing a sculpture or an installation.

I look forward to many more Cultch events and I will always enjoy the open minds that present us with challenging and intriguing visual offerings.

Sonya, you are passionate about supporting women in higher education and the arts. What do find fulfilling about supporting women in these particular areas?

Sonya: I am a strong believer and proponent for supporting and recognizing women in the Arts and all fields. I am not sure if “fulfilling” is the feeling I get from supporting this belief, rather it is a balancing. I can remember in the ’80s taking a modern American literature course and looking at the outline and realizing that we would only be reading one work written by a woman compared to 9 by men. When I queried this imbalance, the Professor stated that he had neither noticed the discrepancy nor did he care. I would like to say that my voluble reaction to his response resulted in a change, but alas, no. While this scenario is probably not as visible today, it is, nevertheless, still necessary to foreground women’s work in all areas as we have still not achieved that optimal balance. One only has to look at the economics of wage parity within today’s society. So, supporting Femme Feb/Jan makes me feel as if I am helping achieve a balance, which, frankly, I am still fairly voluble about.

Can you tell us what wish other people knew about The Cultch?

Sonya: I wish people knew how hard everyone at The Cultch works to continue providing the audience and community with top notch entertainment. Every season brings new, exciting and professional works to the stage. Truly amazing.

What would you tell someone who is thinking about donating to The Cultch but hasn’t made the move yet?

Sonya: Don’t stop at “go,” just give.

One last question, what are you curious about right now?

Sonya: I am curious about the tipping point society has recently reached as women finally feel they can speak out about sexual harassment. I am also interested in seeing how this movement changes the workplace – both the conduct and the demographic. And, I am most curious to see Hot Brown Honey along with many other Cultch productions. Should be fun.

 


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today!
Charitable registration # 11928 1574 RR0001
________________________________________

Rave Reviews for Hot Brown Honey!

Rave Reviews for Hot Brown Honey!

Have you seen Hot Brown Honey yet? Audiences are going wild for this smash-hit from Australia!

Check out some of the amazing things Vancouver reviewers have had to say about it:

“Is it empowering, exuberant, rousing, fun? Hell, yes. It’s also the show that the world needs right now – has needed for some time, but man, the time is ripe for it” — Marsha Lederman, The Globe and Mail

“Part hip hop concert, part pep rally, Hot Brown Honey is a loud, proud evening of consciousness raising; a series of lessons on race and gender that says you can have your revolution and dance to it, too” — Jerry Wasserman, Vancouver Sun

Hot Brown Honey throws a female-powered dance party that’s well worth joining…What a party!” — Kathleen Oliver, The Georgia Straight

“With its mix of burlesque, circus, dance, beatboxing, and hip-hop, on the surface Hot Brown Honey is like a really great variety show. Layered with the politics of gender, race and colonialism though, it becomes so much more” — Mark Robins, Vancouver Presents

Weave Image By Dylan Evans

Hot Brown Honey is more than a show, it is an embodiment of sexual liberation, a celebration of matriarchal ideas and a call to action for a better tomorrow through education and awareness of inherent societal privilege and racial divides. It’s not like anything you have ever seen” — Penny Warwick, Two Cents & Two Pence

Hot Brown Honey is visually mind-blowing with a whole load of talent on stage…There’s singing, dancing, rapping and costumes changes that leave your head swiveling”— Jo Ledingham, joledingham.ca

“Hot Brown Honey is a MUST SEE for EVERYONE… You will leave this show buzzing with energy and ready to rain fire on the patriarchy” — Maddison Miller, The Vancouver Arts Review

“If you enjoy shows that are sassy, sexy and have a social conscious this is definitely for you” — John Jane, Review Vancouver

“It’s raunchy, colourful, mind-boggling and fun” — Entertainment Vancouver

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Meet the Honeys!

Meet the Honeys!

Hot Brown Honey opens at the York Theatre January 10. This fierce patriarch-smashing show has been shaking things up on its #WorldPollinationTour, and the buzz is palpable. We couldn’t be more excited to introduce you to the amazing women that will be taking over the York stage for most of January (Jan 9-27).

It’s time to get sticky!

Lisa Fa’alafi by Dylan Evans

LISA FA’ALAFI aka THE GAME CHANGER
(Creator | Writer | Director | Choreographer | Designer)
Definition: Innovator of an event, idea, or procedure that significantly alters in the
current way of doing or thinking. Shake’Em Up Woman. Defies the
Norm. Shifts the Paradigm. Rocks The Boat.

In The Words Of Dr Angela Davis:
‘You have to act as if it were possible to radically transform the world.
And you have to do it all the time.’

Ofa Fotu by Dylan Evans

OFA FOTU aka THE MYTH SLAYER (Soul Woman)
Definition: Defeats a fiction or half-truth, especially one that forms part of an
ideology. She slays. Staff Holder. Soothsayer. Smashes Stereotypes.
Centrestage.

In The Words Of Chimamanda Ngozi Adichie:
“The single story creates stereotypes, and the problem with stereotypes is not that
they are untrue, but that they are incomplete.
They make one story become the only story.”

Hope Haami by Dylan Evans

HOPE HAAMI aka HOPE ONE (Beatboxer)
Definition: Advocates a joyful of mindset of positive outcomes for the world at
large via rhythmic beats made with the mouth. Music Maker.
Collaborator. Decolonise and Moisturise.

In The Words Of Maryann Talia Pau:
“We ARE light. We ARE love. And love, is everything.”

Crystal Stacey by Dylan Evans

CRYSTAL STACEY aka THE PEACE MAKER (Hoops & Aerials)
Definition: She who brings about a sense of unity through truth. Poet. Mover.
Embodies the change she wants to see. Future Sculptor. Radical
Fierce Love.

In The Words Of Audre Lorde:
“We’ve been taught that silence would save us, but it won’t.”

Elena Wangurra

ELENA WANGURRA aka THE GROUND BREAKER (Contemporary Dancer)
Definition: Originator or pioneer that leads to/makes possible further growth. Risk
Taker. The Fierce Awakens. Makes Noise.

In The Words Of Dr Lilla Watson:
“If you have come to help me, you are wasting your time. If you have come because
your liberation is bound up with mine, then let us work together.”

Busty Beatz by Dylan Evans

BUSTY BEATZ aka THE QUEEN BEE
Creator | Writer | Musical Director | Composer | Sound Designer
Definition: So Boss. Vessel for The Word of The Mother. Divine Feminine Power.
Hip Hop Wrath. Filled with joyous rage. Protector of the Hive.
Nurturer. See Matriarchy. Fights The Power.

In The Words Of Busty Beatz:
“Fighting The Power Never Tasted So Sweet.”

— WORD TO THE MOTHER —

The Mother- The Hive- By Dylan Evans

Want a taste of the show? Meet the Honeys up close and personal in this live facebook interview with Vancouver Presents:

Live in the hive with the company of Hot Brown Honey

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Donor Spotlight: Ken Gracie and Philip Waddell

Donor Spotlight: Ken Gracie and Philip Waddell

 

We recently chatted with long-time Cultch supporters Ken Gracie and Philip Waddell to learn more a bit more about why supporting The Cultch has been so important to them for so many years.

Ken and Philip, thank you so much for joining us in this edition of The Cultch’s Donor Spotlight! You have both been long-time subscribers and donors to The Cultch. Can you tell us how you first got involved?

K: This is pretty nostalgic; we are going back to the ’70s now. It was only the old Historic Theatre at that time. This is long before any refurbishment of any note. We have a nephew and niece, now in their late 30’s, who enjoyed the movies on the big screen at The Cultch on Saturday mornings. We loved to attend! The “kids”  still recall it fondly. The Cultch was not an alternate theatre for that sake alone; it had a diversity of offerings, topics, performance method, and originality.

P: I have a fond recollection of my first time at The Cultch. It was the fall of 1976 and the production was Hossana. This type of theatre was totally new to me – it was raw and taboo and left a lifelong memory. Up until that point, my theatre experiences were mostly bland and felt too safe, this left me feeling unsatisfied.

It’s pretty amazing the impact that diverse and edgy programming can have. Phil, I love that your first Cultch experience left a lifelong memory, that’s such a gift!

K: And diversity is consistently relevant and nurtured by The Cultch. The conversations and the awakening that The Cultch offers are ongoing, and our attendance as subscribers is still our biggest theatre commitment.

Any show highlights?

P: Dickens’ Women, Empire of the Son and Children of God

What has surprised you most about working/partnering with The Cultch?   

P: Through our involvement with The Cultch I have had the privilege of getting to know staff, volunteers and fellow patrons who have enriched my life with their knowledge and enthusiasm.

K: And the growth of The Cultch over the years to include the Jim Green House Studio, along with the management and presentations at the York Theatre speak to the strength and major talents in Vancouver’s theatre and arts community. The engagement with staff, opening receptions, talk backs, and performances are always anticipated with excitement. It is very connecting. The Cultch is our family by choice. We also really like our own families.

Speaking of families, I know you are both advocates of strengthening our community and making live performance accessible to everyone. Can you tell us what you wish other people knew about The Cultch?

K: We know that at The Cultch there is inclusiveness of all communities and economic/social backgrounds. Provisions are made to make the live performance experience accessible to those people who might otherwise feel it is beyond their means to attend. Opportunity can be transformational. We all benefit in the experience and it should be shared.

P: Because of the wide variety of topics addressed and expressed, each season at The Cultch provides the stimulation many of us need to take a fresh look at old assumptions.

The Cultch programming really does offer audience members a chance to experience a different perspective that might be out of their comfort zone. 

P:  Yes and because of opportunity for a fresh perspective, I highly encourage more people to include The Cultch and its productions into their year of theatre.

What would you tell someone who is thinking about donating to The Cultch but hasn’t made the move yet?

K: The Cultch offers a high quality Youth Program that focuses on life skills as much as creativity and innovation; community outreach and ticket subsidies are made available through Cultch Connects and The Cultch supports the development of artistic work. These offerings require financial support and commitment from those who enjoy and appreciate The Cultch and can help financially over and above buying a ticket. We view this as a charitable opportunity and investment worthy of consideration based on performance and delivery by The Cultch.

We are so grateful that you and Philip see the incredible value that The Cultch has in our community!

K:   There are now theatre opportunities in the three affiliated venues of different size  – the Historic Theatre, the Culture Lab, and the York Theatre. In the last 40 years The Cultch has had great significance in our lives. We have grown substantially older in our membership. The Cultch continues to keep us renewed and challenged.

And what about our current show, the East Van Panto: Snow White & the Seven Dwarves running at the York? 

K: Who doesn’t love the Panto filled with kids and excitement and fun? LOOK BEHIND YOU!

Right? It’s absolutely heart-warming and inspiring!  Thanks Ken and Philip!
As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today!
Charitable registration # 11928 1574 RR0001

Hot Brown Honey is heating up Manchester!

Hot Brown Honey is heating up Manchester!

We are getting so excited! Hot Brown Honey has begun their #WorldPollinationTour, and Vancouver is on the flight path! From Jan 9-27, these fierce females will be taking over the York Theatre with their fun, fabulous, and patriarch-smashing hit!

As we speak Hot Brown Honey is heating up Manchester. The reviews are buzzing in and they are GREAT! Take a look:

— Make Noise! —

Hair Image By Dylan Evans

★★★★★ “Unlike anything you will have seen before… Smoking hot. If fighting the power is this much fun, we should all get on board and rock the boat a little bit.” – Frankly My Dear

★★★★★ “Busty Beatz [and] Lisa Fa’alafi have created a truly ground-breaking production unlike anything you’ve ever seen before – but will definitely want to see again… An empowering must-see performance full of laughter, joy and truth that is entirely faultless.” – Upstaged Manchester

★★★★★“The Honeys force us on this side of the world to think about the impact of our colonial past that is still having an impact today, centuries after the first colonialists spread their poison across the Pacific region.” – North West End

★★★★★ “A triumph of a show… Fast-paced, sexy, hilarious, and the all-female cast are a seriously talented and fierce bunch… But it’s more than just good entertainment value, behind the glitz of the huge golden beehive and the sassy dance routines there’s an important message which seeks to confront and challenge our perceptions of racial stereotypes and sexism.” – Northern Soul

★★★★ “A brave, and thought-provoking show… If you fancy something a little different this festive season: a show with plenty of attitude and sass then Hot Brown Honey is the show for you.” – The Reviews Hub

“Fearless, resolute and downright entertaining… The women of Hot Brown Honey simultaneously raise the roof and your consciousness.” – Circles & Stalls

“The[se] luscious ladies leave the audience on their feet shaking their booties to some sweet tunes… It creates such a party atmosphere… A celebration… The exact type of excitement and energy that could begin a revolution.” – Culturebean

Hot Brown Honey is not trying to encourage or give space for reflection and debate, but rather to utterly subvert the patriarchal world view and to urge action. Subtlety is not the path to revolution.” – Unrestricted Views

“A flamboyant evening of cabaret entertainment… Fighting the power never tasted so sweet… Just brilliant, a complete blast from start to finish.” – The Greater Manchester Reviewer

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Little Dickens — An (adults-only!) holiday hit!

Little Dickens —  An (adult!) holiday hit!

Vancouver, don’t miss this one — Ronnie Burkett has created a show just for us! Little Dickens: the Daisy Theatre opened to a packed out house Dec 5. If you have been dreaming of a Christmas show without an audience full of kiddos, then this is the show for you! Here is one of the characters prepping back stage for her opening striptease number!!!

As usual Ronnie Burkett’s is wowing the crowds! On opening night he had everyone in stitches and singing along to holiday songs!

The Georgia Straight posted a great review 

We thought you may want to see some of the buzz surrounding this amazing Cutlch exclusive.

Check out the new curtain!

Little Dickens:The Daisy Theatre runs from Dec 5 – 22 at the Historic Theatre. Tickets are from $22 and can be found here.

Vancouver is excited for East Van Panto: Snow White & the Seven Dwarves!

Vancouver is excited for East Van Panto: Snow White & the Seven Dwarves!

Ming Hudson plays Snow White in East Van Panto: Snow White & the Seven Dwarves. Photo by Tim Matheson

It’s almost here! Theatre Replacement’s East Van Panto: Snow White & the Seven Dwarves opens Friday, December 1 in the York Theatre! We can hardly wait!

Vancouver is buzzing with Panto fever! Check out some of the amazing press coverage to answer all of your Panto questions:

  • Have you ever wanted to know how Theatre Replacement decided to start doing the East Van Panto? 

“The whole thing came from wanting to make something our kids would want to watch,” say James Long. You can read more about it in his interview with Artslandia. 

  • Have you ever wondered how they come up with the quirky music?

In this Georgia Straight Interview, Veda Hille say, “It has to be a song everybody knows and loves; it has to fit in the right place in the arc of the piece; it has to have a good pun in the main title or chorus of the song that suits the script.”

Allan Zinyk plays the Queen in East Van Panto: Snow White & the Seven Dwarves. Photo by Tim Matheson

  • Have you ever wondered why it is so gosh darned hilarious to make fun of East Van?

“What is theatre but a mirror – a magic mirror on the wall, if you will…We go to the theatre to learn about ourselves and laugh at ourselves. When you have a place as unique and as interesting as East Vancouver, or Vancouver proper, there’s so much material there to draw upon.” Says Ming Hudson, in this Westender article. Hudson plays Snow White in this latest installment of East Van Panto: Snow White & the Seven Dwarves

“Snow White gets Panto treatment” – The Province

  • Have you ever wanted to know how they keep coming up with such great shows?

Writer, Mark Chavez, says, “…Anita and I are surrounded by very a very smart, creative group of people who all want to make this show as funny and ridiculous and beautiful as it can be.

You may have seen this article in either the The Vancouver Sun or The Province!

  • Or, have you ever wondered what the writer of the Panto’s dream job was as a child?

I think you might be surprised! Read all about it in this Vancouver Presents piece:

20 questions with Mark Chavez


Doesn’t that just wet your appetite for Panto fun!?

P-A-N-T-O!

East Van Panto; Snow White & the Seven Dwarves runs from Nov 29 – Jan 6 at the York Theatre. Tickets are from $22 and can be found here.

A message from the creators of Hot Brown Honey:

A message from the creators of Hot Brown Honey:

WELCOME TO THE HIVE

The Arts have the capacity to shift culture.
We live in a culture that needs change urgently.
Not tomorrow. Right Here. Right Now. We stand in the Creative Revolution.

At the forefront we give Love and Respect to the First Nations People of this land.
We give Love and Respect to those who have come before us.

To the Game Changers
Myth Slayers
Poets, Movers
Music Makers
Ground Breakers
Truth Sayers
Shake em up Women
Queens, Queers and Risk Takers
We are the Change Creators.

THIS IS OUR TIME AND IT’S TIME TO SHINE.

We are the Latest Models of our Ancestry.
Our Stories. Our Voices. Our Bodies.
We will not apologise for who we are.

Photo credit: Dylan Evans

DIRECTORS NOTES: LISA FA’ALAFI
Hot Brown Honey give our Love and Respect to the Ancestral, Traditional and Sovereign Aboriginal territories of the Coast Salish Peoples, and in particular, the Musqueam, Squamish and Tsleil Waututh Nations on whose territory we perform.

In an act of Radical Fierce Love, we at Hot Brown Honey lay it on the table. We invite you into our world where we stand centre stage shining brightly for all to see. Too often we are portrayed as the savage, the maid, the victim, the perpetrator, but tonight we defy these labels. We ask you to celebrate with us.
Celebrate all that we are.

Our Truth. Our Courage. Our Complexities. Our Resilience. Join us as we take back our stories and explode the stereotypes that follow us. Together let us laugh at them, dismantle them and re-write them with open arms and middle finger raised.

We welcome you into a world where for a moment, where the paradigm shifts, where we strut as the Latest Models of Our Ancestry, where people cheer and dance, where hearts become open even when confronting truths that are painful.

Even when the lives reflected back may not be a shared experience. You might say well it’s just a 75min show. Maybe it is. Or maybe it’s a moment in time that can be harnessed to create ripples of change.
Some say art has the capacity to make change in the world, to shift culture, so for us this is our call – to dance, to shout, to laugh, to cry, to rise up and transform current conversations.

It will get sticky but we promise, it is totally worth it.

Welcome to the Hive. Welcome to Hot Brown Honey. We are here.

 

Hot Brown Honey runs at the York Theatre Jan 9-27. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.