Gala prize winners wined and dined by Bahareh and Tetsuro Shigematsu!

Gala prize winners wined and dined by Bahareh and Tetsuro Shigematsu!

The Cultch’s amazing and talented friends, Tetsuro and Bahareh Shigematsu, were kind enough to offer an amazing dinner for eight guests as a live auction item for our 2018 Gala, “Persia, Celebrating 2500 Years of West Asian Culture”.

The evening, hosted by Bahareh and Tetsuro, saw the lucky bidders gathered this past weekend to enjoy an amazing Persian dinner!

Prepared by Bahareh and her sister, Banafsheh Givargis, at the home of their friends, Aranka Anema and her partner renowned Tibetan artist, Kalsang Dawa.

With a tour of the artist’s studio and an amazing authentic Persian dinner; wine by our sponsors Hester Creek Estate Winery, and transportation by Star Limousine; a beautiful evening was had by all.

We are so grateful for our kind friends and supporters who made this possible; thank you for supporting The Cultch!

Happy Pride!

Happy Pride Weekend Everyone!

Its the most wonderful time of the year! I don’t know about you, but everyone here at The Cultch is excited for another wonderful Pride weekend in Vancouver.

There are SO MANY great things happening in the city, and it promises to be good weather. Check out  www.vancouverpride.ca to find events happening near you. We hope we see you out there!

We party because we are grateful!

July 12 was our annual Volunteer Appreciation BBQ!

Over the course of the 2017/18 season, over 5000 hours were contributed by Cultch volunteers! Every time you attend a Cultch or rental presentation, our wonderful team of volunteers is there to greet you, answer questions and guide you to your seats. Volunteers also help us as event photographers, office receptionists and assist with a variety of administrative jobs.
We are so very grateful to have this amazing group of over 200 people as a part of The Cultch family, and we had a blast partying with them earlier this month!
If you, or someone you know, would be interested in volunteering at The Cultch this season, please contact Lee Newman, Volunteer Coordinator, at volunteer@thecultch.com

Staff Picks #2: 2018/19 Season shows that we don’t want you to miss!

2018/19 Season shows that we don’t want you to miss!

The second blog post in a summer series featuring some of the 2018/19 shows that our staff just cant wait for! Read the first post here!


Lee Newman, Assistant to Head Front of House Manager / Volunteer Coordinator. Still photo from Parlour Panther music video by Grace Gadston at Jaunty Media

Lee Newman, Assistant to Head Front of House Manager/ Volunteer Coordinator, Dakh Daughters, Jan 15- 19, 2019

I am so excited for Dakh Daughters, starting January 15th at The York Theatre, part of the Femme Series. They bring this thrilling and captivating power to their performance that I LOVE. I am fascinated by how modern musicians perform, because these days the performance component is often much more than just people with their instruments. The Dakh Daughters use theatrical elements with their bodies, their voices, their instruments, their costumes, and the lighting, all in a uniquely bold and gritty style to create an unforgettable performance! And this I just got from the youtube clip on The Cultch’s website! I cannot WAIT for the live version.


Natalie Schneck, Development Associate. Photo by Tiana He

Natalie Schneck, Development Associate, This Duet We’ve Already Done (so many times), Nov 27 – Dec 1, 2018

I am excited for This Duet We’ve Already Done (so many times). For me, Frédérick Gravel’s work always feels like a sexy rock show with sophisticated themes woven throughout. I often sense a tension between power/persona and vulnerability. Both Frédérick and Brianna are charismatic performers and I am curious to see the energy that’s created when they work together.

 

 

 


Meghan Robinson, Rentals Sales Manager. Photo by Tiana He

Meghan Robinson, Rentals Sales Manager, NASSIM, May 7 – 19, 2019

I can’t begin to describe how excited I am to have Nassim Soleimanpour at The Cultch. His production “White Rabbit, Red Rabbit” was one of the most powerful pieces of theatre I have ever seen. It established my passion and adoration for the theatre. I have faith that “Nassim” will have a similar affect. I have no doubt that it will both connect audiences, and blow them away, from the moment the script is taken out of its envelope.

 

 


Leslie Dos Remedios, Sales Associate. Photo by Tiana He

Leslie Dos Remedios, Sales Associate, The Ones We Leave Behind, Oct 24- Nov 3, 2018

I’m excited to see The Ones We Leave Behind. It’s been so rewarding seeing VACT, Loretta and the entire creative team develop this show for over a year. It’s also great to have an ensemble show from VACT on The Cultch stage – we get to be a place where underrepresented voices have a platform to tell our stories.

 

 

 


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

DONOR SPOTLIGHT: Jim Miller

DONOR SPOTLIGHT: Jim Miller

Jim Miller loves The Cultch!

Jim, you have been a subscriber to The Cultch for many years. Can you tell us what first attracted you?
I don’t know if my memory goes back 30 years! But I’d guess it must have been a totally unique, singular presentation of some sort…like theatre-for-one, or something set inside a neighbourhood home.
Perhaps a performance without words or presented in total darkness. I think the Cultch should use as their slogan: “Why Be Normal?”.

What do you think is distinctive about The Cultch and our programming?
Well, carrying on with that thought, Cultch programming always piques my interest and curiosity, as in: “What the heck is going on here?…this is crazy!” There are a bunch of places I can go to be “entertained”, but I also want to be challenged. Or perhaps be exposed to a new form of artistic expression I had never previously experienced. Like the “Bouffon Comedy” on display with The Society for the Destitute Presents Titus Bouffonius last November. I didn’t know much about it going in, but after the show I was all over Google to learn more about Bouffon! Simply put, the Cultch programs performances that just aren’t found anywhere else in town!

What has surprised you most about The Cultch?
Surprised me? That goes back 20 years or more. Nothing at The Cultch surprises me anymore; indeed, I’ve grown to expect it.

Last Season’s The After After Party, Hot Brown Honey, Goblin Market and Bears…that’s what I EXPECT from the Cultch. Next year it’ll be Backbone, Mrs. Krishnan’s Party, and Dakh Daughters that will be invading your stage from some other planet. If the Cultch were to present a gay, all-nude staging of Romeo & Juliette I don’t think I would be surprised…I’d be intrigued, and would want to check it out!
Let me revise my suggested slogan…make it: “Expect The Unexpected!”

Can you tell us what you wish other people knew about The Cultch?
First, what a terrific value it is. With subscription seats for less than 20 bucks, you are paying about the same as what it would cost to see Spiderman 8 or the pre-prequel of Star Wars. And second…it is an opportunity to learn, not just be entertained. That’s why I tend to always go on the Talkback nights. These artists’ brains are wired completely differently than me, and I want to find out about their vision, what they are trying to achieve, and perhaps about the unorthodox route they took getting there.
Sometimes I’ve had mixed feeling about a show I just witnessed, but when I stay for the Talkback and get to hear from the director and cast what they were trying to achieve, or perhaps the rich tradition that the particular performance style drew upon, it casts a whole new light on the show and gives me deeper appreciation for it.

What would you tell someone is thinking about subscribing and/or donating to The Cultch but hasn’t made the move yet?
Take A Chance! That’s how you discover a new live musical genre or perhaps a great new restaurant or cuisine. When you discover something that is right up your alley but you never knew existed it is like an Epiphany.

Not every show at the Cultch will resonate with you, but Wow, once you’ve discovered the East Van Panto or Ronnie Burkett’s puppetry there is no turning back; you’re hooked and end up going every year out of tradition! You don’t even have to think about it!

The same holds true for plays put on by United Players, E.T.C., PuSh and Studio 58, plus performances by Winter Harp, our Chamber Music Societies, ScotiaBank Dance Theatre, Cinema Salon, etc…they might be a step outside of a person’s comfort zone but often a very affordable step in an entirely new direction. Slogan?: “Broaden Your Perspective”…hmm, probably already taken!

What inspires your love of the performing arts?

Well, everybody has their “Escape”. It might be reading books, or cycling 20 km’s, or taking pottery classes… and they are all good. But for me, I’m passionate about all forms of the performing Arts…theatre, dance, music… from Jazz to Chamber to Symphonic. The Cultch played a big part in cultivating that interest, starting more than 3 decades ago, and I am blessed to be in a city with so much tremendous talent to sustain my passion…far more talent than you would normally expect from a city of this size.

But it can’t be taken for granted…our artists have mortgages, household budgets and pay a buck-fifty per litre of gas, just like everyone else, but they usually don’t enjoy an income commensurate with their training and ability. I see as much as I do, and as much as I can, 150 performances or more per year, in part to support the artists and to help ensure an ongoing vibrant arts scene here in Vancouver. That’s also why I donate to the Cultch. It gives them the ability to provide an ever increasing number of shows (count ’em, 23 next season!), and sustain our artists rather than having them give-up on their passion and go back to some boring day job!

Keep up the good work Cultch!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

2018/19 Season staff picks!

2018/19 Season staff picks!

As you can imagine, all of the staff here at The Cultch are getting very excited to share the 2018/19 Season with you! We asked a few of our staff members what show they just cannot wait for, and here are the first few staff picks:


Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator, SmallWaR, Nov 6-16, 2018

Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator.

SmallWaR entices me because it is the follow-up to one of my favorite shows we have had here at The Cultch: BigMouth. Valentijn Dhaenens is an extremely powerful performer, who displayed a totally magnetic kind of controlled weight and erratic; as if he was at any moment going to burst in any direction. In addition to Valentijn’s performance, it was the beautiful execution of a simple concept that drew me to BigMouth (one man performs a series of famous speeches made by over 25 000 years of human history). Similarly, SmallWaR is focusing its attention in on one moment: a dying soldier reflecting on the impact of the cyclical trauma of war on his life and the history of humanity. In BigMouth, Valentijn made use of 5 microphones in a wildly creative and impactful manner. I can’t wait to see how the same experimentation is applied to the use of five projectors in SmallWaR.


Paul Phalen, Business Development & Hospitality Manager. Photo by Tiana He

Paul Phalen, Business Development & Hospitality Manager, Testosterone, Oct 2- 13, 2018

I am so excited to see Testoserone, and to open the discussion about masculinity. How masculine do you have to be, to be a “man”? This amazing production explores a character’s journey into the unknown spectrum that is masculinity, having just transitioned from female to male. “Do you think you’re man enough?”


Kelly Barker, Artistic Associate, Power Ballad, Jan 22-26, 2019

I’m really excited about Power Ballad which is going to be part of our Femme Series in January. This one-woman show, from New Zealand, is a feminist, performance-art, karaoke party – what could be better?! The imagery I’ve seen is striking and the reviews are great. I think it’s going to be an awesome night which will have you singing along while deconstructing the patriarchy and examining the way we use language. A unique show not to be missed!


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

Two actors perform Shakespeare’s Macbeth… without words! A dance theatre duet full of charm and laughs! An award-winning Fringe duo tackle the near-post-apocolyptic future! Week 2 of the rEvolver Festival has begun with more incredible shows!

Rave reviews are heating up the rEvolver Festival stage, with Jo Ledingham Theatre Reviews saying “See it!” for La Fille du Laitier’s Macbeth Muet and the Georgia Straight praising writer/director/actor Elysse Cheadle as “wickedly clever” for Fuchsia Future.

MACBETH MUET. Photo Credit: Sophie Gagnon-Bergeron. In Photo: Jérémie Francoeur

Macbeth Muet (La Fille du Laitier- Montreal)

“Mostly it’s the most wildly imaginative take on the Scottish play I’ve ever seen. See it!” ~ Jo Ledingham

“Macbeth Muet is one of the most innovative shows you’ll see this season” ~ Colin Thomas

“…. inventive and oxygenating tiny-cast retelling of Macbeth… sent me back onto the street refreshed, energized and pretty charmed as well” ~ New York Times

Fuchsia Future. Photo Credit: Paula Viitanen Aldazosa. In Photo Left to Right: Carmine Santavenere, Elysse Cheadle

Fuchsia Future (Elysse Cheadle, Vancouver)

Fuchsia Future is packed with these laugh-out-loud moments, and yet it never shies away from its dark side either…Unpretentious and experimental, with a huge heart and a wickedly clever brain, Cheadle is the writer, producer, and colead actor of Fuchsia Future, one of the strangest and most bizarre local plays in recent memory”  ~ Andrea Warner, Georgia Straight

KITT & JANE: : An Interactive Survival Guide to the Near-Post-Apocalyptic Future.
Photo credit: Jam Hamidi. In photo: Ingrid Hansen, Rod Peter Jr

Kitt and Jane (SNAFU, Victoria)

“ABSOLUTELY GENIUS. Flawless comedic timing, dynamic physicality, and a beautiful and complex friendship.” ~ New Ottawa Critics

“THIS PLAY IS GOLD. An unexpected roller-coaster of an evening, with whimsical humour, manic energy, and intelligence. You will not leave this show in a bad mood.” ~ West of West

Wanna know more? Check out this preview from Vancouver Presents!

DISTRACTINGLY SEXY. Photo Credit: Cal Wood. In Photo: Mily Mumford

Distractingly Sexy (Nebula Theatre, Vancouver)

“Funny, smart, and, yes, sexy” ~ Meghan Bell, Room Magazine

Wanna know more? Check out this preview piece from The Georgia Straight. “Tracing history with barbed wit… Mumford intermingles tales from the past with contemporary observations from her fields” ~Janet Smith, Georgia Straight


Check out rEvolver’s FREE or BY DONATION events.

PLUNGE: Showcase of Emerging Works in Progress:

the SPEAKEASY: Friday Night cocktails, live music and conversation.


rEvolver runs at The Cultch until June 3. Buy tickets online, or call The Cultch Box Office 604 251 1363

LES FILLES DU ROI is “a triumph”!

LES FILLES DU ROI is “a triumph”!

We are so proud to have partnered up with Urban Ink, Fugue Theatre and Raven Theatre to present Les Fille du Roi. Les Filles du Roi runs until May 27 at the York Theatre. The amazing creators of Children of God (which is coming back to The Cultch due to popular demand, Feb 20 – Mar 10, 2019) have done it again!

Les Filles du Roi is the powerful story of Kateri, a young Mohawk girl, and her brother Jean-Baptiste whose lives are disrupted upon the arrival of les filles du roi in 1665. They forge an unlikely relationship with young fille Marie-Jeanne Lespérance – whose dreams of a new life are more complicated than she could have imagined. Over the course of a year, Mohawk, French and English journeys collide, setting the stage for the Canada we know today. 

Photo by David Cooper. Les Filles du Roi a new musical by Corey Payette & Julie McIsaac. Directed by Corey Payette, Production Design (Set/Costume/Props) by Marshall McMahen, Lighting Design by Jeff Harrison. A Fugue Theatre/RavenTheatre production in association with Urban Ink and The Cultch. Actors: Kayla Dunbar, Chelsea Rose, Cecilly Day, Julie McIsaac (in center), Lisa Goebel, Synthia Yusuf, and Merewyn Comeau.

It has been getting great REVIEWS! Check out a few of them here:

“Les Filles du Roi’s trilingual, feminist-Indigenous musical is a triumph…a work of monumental importance…Go see it” ~ Kathleen Oliver, The Georgia Straight

“Les Filles Du Roi Tells a Powerful Story of Canada’s History” ~ Connal McNamara, Vancouver Weekly

“A sumptuous reimagining of our history…It’s thrilling” ~ Colin Thomas, colinthomas.ca

“If any show deserves a standing ovation, this one does. But don’t take my word for it, see it for yourself” ~Emma Rossland, Two Cents & Two Pence

Wanna know more? Check out what Corey Payette and Julie McIsaac have to say about creating Les Filles du Roi:

Les Filles du Roi is performed in three languages, English, French, and Kanien’kéha (Mohawk). Learn more in this great video:

Les Filles du Roi runs from May 15 – 27, 2018 at York Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Our 17/18 season takes its final bow – thank you for making it so much fun!

Our 17/18 season takes its final bow – thank you for making it so much fun!

With the closing of Bears we have officially finished our 17/18 season — and what a season! Thank you for taking the journey with us, and making our 17/18 season our most successful one to date.

The cast of Bears gets a well deserved standing ovation! Photo by Roaming the Planet.

With 21 theatrical shows across our three different stages, three great Soft Cedar shows (and more to come!), partnerships with some of the most amazing companies in Vancouver and around the world, and a million amazing memories, it has been a busy year, and we can’t help but get a little nostalgic. Take a peek at a few of the great curtain calls from the season — we bet you can’t help but get a little nostalgic too!

And now it is your turn — take a bow — we couldn’t do any of this without you! Thank you, Thank you, Thank you!


 Don’t forget to buy your subscription for our 18/19 season soon. Shows are already filling up!

Thank you for choosing to make The Cultch, and the arts, a part of your life!

Corporate Sponsor Spotlight: Giulio Recchioni from the Italian Cultural Centre

Corporate Sponsor Spotlight: Giulio Recchioni from the Italian Cultural Centre

Giulio Recchioni

Can you tell us how the Italian Cultural Centre first got involved with The Cultch?

Our very first time at The Cultch was in March 2012 with FRESCO, a play the Italian Cultural Centre commissioned from Lucia Frangione and BellaLuna Productions, telling the lesser known story of the internment of Italian citizens in Canada during WW2.

However the first proper partnership with The Cultch was in May 2017 with LA MERDA, featuring a naked Silvia Gallerano sitting on a stool on a dark stage… what a tough show that was!

What has surprised you and your colleagues most about partnering with The Cultch?

I was surprised by the richness and diversification of the shows offered at The Cultch, and also by the number of people that created a community around this historical institution in Vancouver;  some of the audience changes according to what’s playing, but there is also a hard core audience that comes to every show. I think that’s great. They trust The Cultch, they know whatever gets put on stage will be good and will have an impact on them, and they come with an open mind.

Over the years, the Italian Cultural Centre has supported several Cultch shows. Are there any highlights or memorable moments?

I still can’t help but smile when I think of Pss Pss and what they did with the ladder. Pss Pss was a funny show by Compagnia Baccalà that made adults and children laugh with non-verbal humour. In our line of work, cross-generational and cross-cultural are adjectives we use constantly, but this show brilliantly embodied both concepts.

How important do you think it is that the arts organizations continue to cultivate and sustain partnerships with corporate sponsors and local businesses?

It’s of paramount importance. The population is growing in this expensive city, and we are also seeing the consequential multiplication of cultural and artistic organizations. Often putting up cultural activities costs more money than ticket sales can generate, and government grants (municipal, provincial, federal) do not always keep up with the growing demand for funds. I hope more and more thriving businesses will want to share some of their wealth with the local community to keep this city interesting and interested.

What are you curious about right now?

I am curious about the new Creative City Strategy that the City will be rolling out – hopefully soon. There have been a number of explorative meetings to get an idea of what is needed in the arts and culture sector, and I can’t wait to see how all that knowledge will convert into an action plan.

Do you have a favorite show?

This is always such an unfair question… I see a decent number of shows throughout the year, and I have to constantly update my list of favourites. If I had to single out something I saw recently, though – I am a jazz fan, and I was lucky enough to go to Pyatt Hall for the live concert of the great baritone sax player, Gary Smulyan, with strings. He is a powerhouse!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001