DONOR SPOTLIGHT: Jim Miller

DONOR SPOTLIGHT: Jim Miller

Jim Miller loves The Cultch!

Jim, you have been a subscriber to The Cultch for many years. Can you tell us what first attracted you?
I don’t know if my memory goes back 30 years! But I’d guess it must have been a totally unique, singular presentation of some sort…like theatre-for-one, or something set inside a neighbourhood home.
Perhaps a performance without words or presented in total darkness. I think the Cultch should use as their slogan: “Why Be Normal?”.

What do you think is distinctive about The Cultch and our programming?
Well, carrying on with that thought, Cultch programming always piques my interest and curiosity, as in: “What the heck is going on here?…this is crazy!” There are a bunch of places I can go to be “entertained”, but I also want to be challenged. Or perhaps be exposed to a new form of artistic expression I had never previously experienced. Like the “Bouffon Comedy” on display with The Society for the Destitute Presents Titus Bouffonius last November. I didn’t know much about it going in, but after the show I was all over Google to learn more about Bouffon! Simply put, the Cultch programs performances that just aren’t found anywhere else in town!

What has surprised you most about The Cultch?
Surprised me? That goes back 20 years or more. Nothing at The Cultch surprises me anymore; indeed, I’ve grown to expect it.

Last Season’s The After After Party, Hot Brown Honey, Goblin Market and Bears…that’s what I EXPECT from the Cultch. Next year it’ll be Backbone, Mrs. Krishnan’s Party, and Dakh Daughters that will be invading your stage from some other planet. If the Cultch were to present a gay, all-nude staging of Romeo & Juliette I don’t think I would be surprised…I’d be intrigued, and would want to check it out!
Let me revise my suggested slogan…make it: “Expect The Unexpected!”

Can you tell us what you wish other people knew about The Cultch?
First, what a terrific value it is. With subscription seats for less than 20 bucks, you are paying about the same as what it would cost to see Spiderman 8 or the pre-prequel of Star Wars. And second…it is an opportunity to learn, not just be entertained. That’s why I tend to always go on the Talkback nights. These artists’ brains are wired completely differently than me, and I want to find out about their vision, what they are trying to achieve, and perhaps about the unorthodox route they took getting there.
Sometimes I’ve had mixed feeling about a show I just witnessed, but when I stay for the Talkback and get to hear from the director and cast what they were trying to achieve, or perhaps the rich tradition that the particular performance style drew upon, it casts a whole new light on the show and gives me deeper appreciation for it.

What would you tell someone is thinking about subscribing and/or donating to The Cultch but hasn’t made the move yet?
Take A Chance! That’s how you discover a new live musical genre or perhaps a great new restaurant or cuisine. When you discover something that is right up your alley but you never knew existed it is like an Epiphany.

Not every show at the Cultch will resonate with you, but Wow, once you’ve discovered the East Van Panto or Ronnie Burkett’s puppetry there is no turning back; you’re hooked and end up going every year out of tradition! You don’t even have to think about it!

The same holds true for plays put on by United Players, E.T.C., PuSh and Studio 58, plus performances by Winter Harp, our Chamber Music Societies, ScotiaBank Dance Theatre, Cinema Salon, etc…they might be a step outside of a person’s comfort zone but often a very affordable step in an entirely new direction. Slogan?: “Broaden Your Perspective”…hmm, probably already taken!

What inspires your love of the performing arts?

Well, everybody has their “Escape”. It might be reading books, or cycling 20 km’s, or taking pottery classes… and they are all good. But for me, I’m passionate about all forms of the performing Arts…theatre, dance, music… from Jazz to Chamber to Symphonic. The Cultch played a big part in cultivating that interest, starting more than 3 decades ago, and I am blessed to be in a city with so much tremendous talent to sustain my passion…far more talent than you would normally expect from a city of this size.

But it can’t be taken for granted…our artists have mortgages, household budgets and pay a buck-fifty per litre of gas, just like everyone else, but they usually don’t enjoy an income commensurate with their training and ability. I see as much as I do, and as much as I can, 150 performances or more per year, in part to support the artists and to help ensure an ongoing vibrant arts scene here in Vancouver. That’s also why I donate to the Cultch. It gives them the ability to provide an ever increasing number of shows (count ’em, 23 next season!), and sustain our artists rather than having them give-up on their passion and go back to some boring day job!

Keep up the good work Cultch!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

2018/19 Season staff picks!

2018/19 Season staff picks!

As you can imagine, all of the staff here at The Cultch are getting very excited to share the 2018/19 Season with you! We asked a few of our staff members what show they just cannot wait for, and here are the first few staff picks:


Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator, SmallWaR, Nov 6-16, 2018

Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator. Photo by Tiana He

SmallWaR entices me because it is the follow-up to one of my favorite shows we have had here at The Cultch: BigMouth. Valentijn Dhaenens is an extremely powerful performer, who displayed a totally magnetic kind of controlled weight and erratic; as if he was at any moment going to burst in any direction. In addition to Valentijn’s performance, it was the beautiful execution of a simple concept that drew me to BigMouth (one man performs a series of famous speeches made by over 25 000 years of human history). Similarly, SmallWaR is focusing its attention in on one moment: a dying soldier reflecting on the impact of the cyclical trauma of war on his life and the history of humanity. In BigMouth, Valentijn made use of 5 microphones in a wildly creative and impactful manner. I can’t wait to see how the same experimentation is applied to the use of five projectors in SmallWaR.


Paul Phalen, Business Development & Hospitality Manager. Photo by Tiana He

Paul Phalen, Business Development & Hospitality Manager, Testosterone, Oct 2- 13, 2018

I am so excited to see Testoserone, and to open the discussion about masculinity. How masculine do you have to be, to be a “man”? This amazing production explores a character’s journey into the unknown spectrum that is masculinity, having just transitioned from female to male. “Do you think you’re man enough?”


Kelly Barker, Artistic Associate, Power Ballad, Jan 22-26, 2019

I’m really excited about Power Ballad which is going to be part of our Femme Series in January. This one-woman show, from New Zealand, is a feminist, performance-art, karaoke party – what could be better?! The imagery I’ve seen is striking and the reviews are great. I think it’s going to be an awesome night which will have you singing along while deconstructing the patriarchy and examining the way we use language. A unique show not to be missed!


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

The 2018 rEvolver Festival shows are getting RAVE REVIEWS!

Two actors perform Shakespeare’s Macbeth… without words! A dance theatre duet full of charm and laughs! An award-winning Fringe duo tackle the near-post-apocolyptic future! Week 2 of the rEvolver Festival has begun with more incredible shows!

Rave reviews are heating up the rEvolver Festival stage, with Jo Ledingham Theatre Reviews saying “See it!” for La Fille du Laitier’s Macbeth Muet and the Georgia Straight praising writer/director/actor Elysse Cheadle as “wickedly clever” for Fuchsia Future.

MACBETH MUET. Photo Credit: Sophie Gagnon-Bergeron. In Photo: Jérémie Francoeur

Macbeth Muet (La Fille du Laitier- Montreal)

“Mostly it’s the most wildly imaginative take on the Scottish play I’ve ever seen. See it!” ~ Jo Ledingham

“Macbeth Muet is one of the most innovative shows you’ll see this season” ~ Colin Thomas

“…. inventive and oxygenating tiny-cast retelling of Macbeth… sent me back onto the street refreshed, energized and pretty charmed as well” ~ New York Times

Fuchsia Future. Photo Credit: Paula Viitanen Aldazosa. In Photo Left to Right: Carmine Santavenere, Elysse Cheadle

Fuchsia Future (Elysse Cheadle, Vancouver)

Fuchsia Future is packed with these laugh-out-loud moments, and yet it never shies away from its dark side either…Unpretentious and experimental, with a huge heart and a wickedly clever brain, Cheadle is the writer, producer, and colead actor of Fuchsia Future, one of the strangest and most bizarre local plays in recent memory”  ~ Andrea Warner, Georgia Straight

KITT & JANE: : An Interactive Survival Guide to the Near-Post-Apocalyptic Future.
Photo credit: Jam Hamidi. In photo: Ingrid Hansen, Rod Peter Jr

Kitt and Jane (SNAFU, Victoria)

“ABSOLUTELY GENIUS. Flawless comedic timing, dynamic physicality, and a beautiful and complex friendship.” ~ New Ottawa Critics

“THIS PLAY IS GOLD. An unexpected roller-coaster of an evening, with whimsical humour, manic energy, and intelligence. You will not leave this show in a bad mood.” ~ West of West

Wanna know more? Check out this preview from Vancouver Presents!

DISTRACTINGLY SEXY. Photo Credit: Cal Wood. In Photo: Mily Mumford

Distractingly Sexy (Nebula Theatre, Vancouver)

“Funny, smart, and, yes, sexy” ~ Meghan Bell, Room Magazine

Wanna know more? Check out this preview piece from The Georgia Straight. “Tracing history with barbed wit… Mumford intermingles tales from the past with contemporary observations from her fields” ~Janet Smith, Georgia Straight


Check out rEvolver’s FREE or BY DONATION events.

PLUNGE: Showcase of Emerging Works in Progress:

the SPEAKEASY: Friday Night cocktails, live music and conversation.


rEvolver runs at The Cultch until June 3. Buy tickets online, or call The Cultch Box Office 604 251 1363

LES FILLES DU ROI is “a triumph”!

LES FILLES DU ROI is “a triumph”!

We are so proud to have partnered up with Urban Ink, Fugue Theatre and Raven Theatre to present Les Fille du Roi. Les Filles du Roi runs until May 27 at the York Theatre. The amazing creators of Children of God (which is coming back to The Cultch due to popular demand, Feb 20 – Mar 10, 2019) have done it again!

Les Filles du Roi is the powerful story of Kateri, a young Mohawk girl, and her brother Jean-Baptiste whose lives are disrupted upon the arrival of les filles du roi in 1665. They forge an unlikely relationship with young fille Marie-Jeanne Lespérance – whose dreams of a new life are more complicated than she could have imagined. Over the course of a year, Mohawk, French and English journeys collide, setting the stage for the Canada we know today. 

Photo by David Cooper. Les Filles du Roi a new musical by Corey Payette & Julie McIsaac. Directed by Corey Payette, Production Design (Set/Costume/Props) by Marshall McMahen, Lighting Design by Jeff Harrison. A Fugue Theatre/RavenTheatre production in association with Urban Ink and The Cultch. Actors: Kayla Dunbar, Chelsea Rose, Cecilly Day, Julie McIsaac (in center), Lisa Goebel, Synthia Yusuf, and Merewyn Comeau.

It has been getting great REVIEWS! Check out a few of them here:

“Les Filles du Roi’s trilingual, feminist-Indigenous musical is a triumph…a work of monumental importance…Go see it” ~ Kathleen Oliver, The Georgia Straight

“Les Filles Du Roi Tells a Powerful Story of Canada’s History” ~ Connal McNamara, Vancouver Weekly

“A sumptuous reimagining of our history…It’s thrilling” ~ Colin Thomas, colinthomas.ca

“If any show deserves a standing ovation, this one does. But don’t take my word for it, see it for yourself” ~Emma Rossland, Two Cents & Two Pence

Wanna know more? Check out what Corey Payette and Julie McIsaac have to say about creating Les Filles du Roi:

Les Filles du Roi is performed in three languages, English, French, and Kanien’kéha (Mohawk). Learn more in this great video:

Les Filles du Roi runs from May 15 – 27, 2018 at York Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Our 17/18 season takes its final bow – thank you for making it so much fun!

Our 17/18 season takes its final bow – thank you for making it so much fun!

With the closing of Bears we have officially finished our 17/18 season — and what a season! Thank you for taking the journey with us, and making our 17/18 season our most successful one to date.

The cast of Bears gets a well deserved standing ovation! Photo by Roaming the Planet.

With 21 theatrical shows across our three different stages, three great Soft Cedar shows (and more to come!), partnerships with some of the most amazing companies in Vancouver and around the world, and a million amazing memories, it has been a busy year, and we can’t help but get a little nostalgic. Take a peek at a few of the great curtain calls from the season — we bet you can’t help but get a little nostalgic too!

And now it is your turn — take a bow — we couldn’t do any of this without you! Thank you, Thank you, Thank you!


 Don’t forget to buy your subscription for our 18/19 season soon. Shows are already filling up!

Thank you for choosing to make The Cultch, and the arts, a part of your life!

Corporate Sponsor Spotlight: Giulio Recchioni from the Italian Cultural Centre

Corporate Sponsor Spotlight: Giulio Recchioni from the Italian Cultural Centre

Giulio Recchioni

Can you tell us how the Italian Cultural Centre first got involved with The Cultch?

Our very first time at The Cultch was in March 2012 with FRESCO, a play the Italian Cultural Centre commissioned from Lucia Frangione and BellaLuna Productions, telling the lesser known story of the internment of Italian citizens in Canada during WW2.

However the first proper partnership with The Cultch was in May 2017 with LA MERDA, featuring a naked Silvia Gallerano sitting on a stool on a dark stage… what a tough show that was!

What has surprised you and your colleagues most about partnering with The Cultch?

I was surprised by the richness and diversification of the shows offered at The Cultch, and also by the number of people that created a community around this historical institution in Vancouver;  some of the audience changes according to what’s playing, but there is also a hard core audience that comes to every show. I think that’s great. They trust The Cultch, they know whatever gets put on stage will be good and will have an impact on them, and they come with an open mind.

Over the years, the Italian Cultural Centre has supported several Cultch shows. Are there any highlights or memorable moments?

I still can’t help but smile when I think of Pss Pss and what they did with the ladder. Pss Pss was a funny show by Compagnia Baccalà that made adults and children laugh with non-verbal humour. In our line of work, cross-generational and cross-cultural are adjectives we use constantly, but this show brilliantly embodied both concepts.

How important do you think it is that the arts organizations continue to cultivate and sustain partnerships with corporate sponsors and local businesses?

It’s of paramount importance. The population is growing in this expensive city, and we are also seeing the consequential multiplication of cultural and artistic organizations. Often putting up cultural activities costs more money than ticket sales can generate, and government grants (municipal, provincial, federal) do not always keep up with the growing demand for funds. I hope more and more thriving businesses will want to share some of their wealth with the local community to keep this city interesting and interested.

What are you curious about right now?

I am curious about the new Creative City Strategy that the City will be rolling out – hopefully soon. There have been a number of explorative meetings to get an idea of what is needed in the arts and culture sector, and I can’t wait to see how all that knowledge will convert into an action plan.

Do you have a favorite show?

This is always such an unfair question… I see a decent number of shows throughout the year, and I have to constantly update my list of favourites. If I had to single out something I saw recently, though – I am a jazz fan, and I was lucky enough to go to Pyatt Hall for the live concert of the great baritone sax player, Gary Smulyan, with strings. He is a powerhouse!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Announcing the 2018 rEvolver Festival Mainstage!

Announcing the 2018 rEvolver Festival Mainstage!

Two actors perform Shakespeare’s Macbeth without words. A local artist steps into the radical headspace of a suicide bomber. A real-life scientist takes you through the history of women being f&*$ed over for centuries. Two people find love.

Upintheair Theatre is thrilled to be back at The Cultch for the 6th annual rEvolver Theatre Festival. rEvolver runs from May 23th – June 3rd, presenting new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators. Past rEvolver Festivals have included world premieres of hit shows such as Jordan Hall’s ‘Kayak’, Delinquent Theatre’s ‘Stationary: A Recession-Era Musical” (which featured as part of The Cultch’s 2015/16 season) and Mind of a Snail’s gorgeous shadow puppetry in ‘Caws and Effect’.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. The programmed artists are tackling big issues – inequality, climate change, sexual abuse and consent, violence, the impacts of colonialism. They are doing so in unexpected ways, using wit and humour, intelligence, music and the power of bodies in motion to look for ways to move out and forward, and to bring light into the darkness. Join us in seeing all that this incredible community of artists has to offer.

Got to revolverfestival.ca for all the information you need!

Mily Mumford in Distractingly Sexy. Photo by Cal Wood

MAINSTAGE SHOWS:

FREE EVENTS:   

  • The Somewhere Cedar (Micro Performance by Jess Amy Shead, Vancouver)
  • Asking Alice (Micro Performance; Little Mountain Lion Productions, Vancouver)
  • Plunge in collaboration with Resounding Scream Theatre (Vancouver)
  • Updrafts Reading Series featuring new works by emerging playwrights
  • The Speakeasy (Friday’s: late night cocktail hour in the Greenhouse)

Excited by what you see? There are a number of different ways you can purchase tickets!

Carmine Santavenere in Fuchsia Future. Photo by Elliot Vaughan

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!

And of course, individual tickets are available both through The Cultch’s Box Office and at the door.

YOUTH TAKEOVER! A Guest post with our Youth Program Manager!

Youth Takeover! A guest post  from our Youth program Manager, Ariel Martz-Oberlander, about IGNITE! Youth Driven Arts Festival!

Youth Program Manager, Ariel Martz-Oberlander. Photo by Trey Le

Every year, for one week in May, The Cultch is taken over and transformed by young people for the IGNITE! Youth-Driven Arts Festival, run by our Youth Program. Hundreds of young people are involved in what has grown to be Western Canada’s largest youth-driven arts festival. The festival includes showcases in music, dance, and spoken word, the world premiere of 4 one-act plays, a visual arts exhibit, variety shows featuring music, circus arts, and much more. All of this is created by local artists between the ages of 13-26.

As the Youth Program Manager, it has been my great pleasure to support this festival as a learning opportunity and as the main project of our program. Putting on a festival of this size, with nine nights of programming, is no small task! It is such a joy to work with young people dedicated to learning the skills necessary for a life-long pursuit of the arts in a variety of fields.

Kevin Matthew Wong in The Chemical Valley Project. Photo by Julia Howman

This year, I am thrilled to be bringing in a touring show for the first time as part of the festival. The Chemical Valley Project was created by youth-run Toronto theatre company, Broadleaf Theatre, through conversations with activists from Aamjiwnaang, near Sarnia, Ontario. Through a unique blend of documentary-theatre, projections design, object puppetry, and solo-performance, the show sparks conversations on Canadian environmental policy, treaty rights and Indigenous relations, as well as the current nature of Canadian identity and values. I am excited for these cross-country conversations, and about connecting youth based on important topics about the country they will inherit.

Youth Panel Member, Anna Matthews, hard at work!

Literally every aspect of the IGNITE!Festival is produced by the youth. From media relations and promotion, to stage managing and running the lighting and sound boards, to curating and hanging the gallery show, there are countless ways to become involved, whether on stage or behind the scenes, and it’s not too late for this year! If there is a young person in your life who wants to lend a hand with this eclectic and ambitious festival, please drop me a line at ypm@thecultch.com.

IGNITE! Gallery Opening: May 2nd, 6 pm
Special Presentation of The Chemical Valley Project in the Vancity Culture Lab: May 8, 7:30 pm
IGNITE! Mainstage Week at the Historic Theatre: May 15-19, 7:30 pm
One Act Plays at the Vancity Culture Lab: May 11-12, 7:30 pm
Visual Arts Gallery Exhibit: May 2-19, Opening night May 2, 6-8 pm – FREE!

The Chemical Valley Project ticket pricing: 

Youth (26 and Under) / Senior (65+):  $15.00

Adult: $20.00

IGNITE! One Act Plays, and Mainstage week ticket pricing:

Youth (26 and Under) / Senior (65+): $2 (in advance); $4(at the door)

Adult: $10 (in advance); $12 (at the door)

IGNITE! Mainstage Week Festival Passes :
Select a pass to see every show in the festival.
Youth: $8.00 
Senior: $8.00 
Adult: $40.00

Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363

Some of the Youth Panel Members!

Donor Spotlight: Lynda Stokes

Donor Spotlight: Lynda Stokes

Lynda, can you tell us about how you first got involved with The Cultch?

I first got involved with The Vancouver East Cultural Centre as an audience member. The first show I recall was the Holy Body Tattoo’s Circa in 2000, shortly after I moved to Vancouver. It was a remarkable, tango-influenced duet between Dina Gingras and Noam Gagnon with film and a live band, the Tiger Lilies. I became a regular season subscriber and then a donor and a few years ago I was asked if I would be interested in joining the Board.

What has surprised you most about volunteering with The Cultch? 

As an audience member who is also on the Board and therefore privy to the financials, it is amazing how subsidized tickets are! We think of artists and venues benefitting from government grants and sponsorships, but really it is the audience who benefits. Accessibility is a priority for The Cultch and staff work hard to keep ticket prices low and pay it forward by making tickets available for free through the Cultch Connects Program. Regular monthly donations really help with cash flow, I recently learned (although this should not have surprised me). 

Your legal practice spans several years – can you tell us how this skill set intersects with your involvement at The Cultch?

My practice consists predominantly of solicitor and advisory work on behalf of local governments. Basically, I practice municipal law and I do not go to court. There was a vetting process when I looked into joining the Board and for whatever reason I was feeling pretty flat and lacklustre when I was interviewed but I sold myself by expressing an interest in being the Board Secretary and preparing  meeting minutes. I read, write and think for a living and while I really enjoy my work, I also recognize that most people would find a lot of what I do very tedious. I do not act as a lawyer for The Cultch, but because of my legal skills and experience, I understand Board governance and I am happy to help with important but boring bits like minutes, bylaws and contract negotiations.

Can you tell us what you wish other people knew about The Cultch?

I suspect that many people know more about The Cultch than I do! It has such a long history as an important performing arts institution in Vancouver, and I know that Cultch staff engage, and are connected with many, many people locally, nationally and internationally. If I have to wish, though, I wish more people knew that it is worth the risk. Get a subscription. Invite your friends. The upcoming season looks fantastic, and it’s easy to book a whole year’s worth of entertainment and take care of birthday and other presents. You will be grateful you did when rainy winter inertia takes hold. And you can always change the dates of your tickets if something comes up. 

Is there a Cultch show that has really inspired/stayed with you? 

I just saw The Explanation and really enjoyed it. It reminded me of some of the shows that influenced me in when I was in high school – like Michel Tremblay’s Hosanna and Caryl Churchill’s Top Girls (shout out to the Grand Theatre in London, Ontario, particularly its experimental Under Grand series). The Explanation is a really lovely, empathetic exploration of a relationship and a reconciliation of self.

I am partial to dance and I really loved Company 605’s The Sensationalists from 2015 (full disclosure – I recently joined the 605 Board) and Frédérick Gravel’s All Hell is Breaking Loose, Honey from 2016. Wow those were great shows.

What are you curious about right now?

I am curious about engaging with others in The Cultch, so I am trying to start up a Cultch Club. I see it as a kind of book club alternative for theatre and theatre adjacent nerds by theatre and theatre adjacent nerds, without a lot of rules or terrible attitudes. I am curious about how can we use The Cultch to connect with other people. The potential of theatre many of us recognized at a young age: “Wherever you are from, welcome home.”

  • If you are interested in joining The Cultch Club please email Georgia Beaty, Patron Development Associate (georgia@theculch.com ) and she will put you in touch with Lynda Stokes

As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

A Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

We are so excited to have the Belgian company Kopergietery here with their hit show The History of the World (Based on Banalities). It plays at the York theatre until May 5.

In The History of the World (Based on Banalities), a youngster, Philip, decides to look after his mother in the last months of her life. Starting from run-of-the-mill situations and objects, he embarks on a quirky voyage through her past.

Titus De Voogdt, the performer in The History of the World (Based on Banalities), is a beloved Belgian actor who works for theatre, film and television. He has worked/s with renowned directors as Arne Sierens (theater writer and director) and Felix Van Groeningen (movie director). He also starred as Vincent Bourg in the BBC-series The Missing (2014).

Titus De Voogdt in The History of the World (Based on Banalities). Photo by Phile Desprez

We are so excited to have you here in Vancouver. What makes you most excited about bringing this show to Vancouver?

I have never been here before. Vancouver always had an attraction on me, and I am very happy to finally be here. Besides, I love hiking and fishing so I hope I will get some opportunities in my free time to do so.

You are one of the co-writers of the show — what was the inspiration?

I’ve always been interested in inventions, how things work and stuff is made throughout history. That has been a key inspiration for writing this show.

While I was working on the script, Peter Higgs won a Nobel price for his work on the Higgs-Boson particle. It caught my attention and I started reading up on it. In this way it became a mayor topic in the show…

Your character, Philip, is interested in illusions and fantasy — do you share these interests with him?

I do, although I’m lousy at it, I like to do a coin trick from time to time..

What makes doing this show fun for you?

That it’s quite physical, it feels like a workout to me.

What makes doing this show meaningful for you? 

I hope people who see the show learn a thing or two about science they didn’t knew before. With a bit of luck it even moves them in the process.

Geoffrey Burton and Titus de Voogdt. Photo by Phile Desprez

The History of the World (Based on Banalities) features a musician (Geoffrey Burton- from Hong Kong Dong) who joins you on stage for the show — what is it like doing a show with live rock music?

It’s great, although he claims he is NOT a rock musician. It’s really a dialogue…the music brings the script to a higher level.

You do a lot of film and television work as well as theatre work — what are you working on these days?

Just finished a 12-episode series about a hostage situation in a bank it is called ‘de dag’ meaning ‘the Day.’  In Belgian TV an movies I usually play the bad guy. Don’t ask me why….

The History of the World (Based on Banalities) runs at the York Theatre April 25-May 5, 2018. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.