Everything you never knew about Titus Bouffonius!

Photo of Peter Anderson by Tim Matheson

We’re getting excited about the world premiere of The Society for the Destitute Presents Titus Bouffonius, by Rumble Theatre opening on Nov 22.

This production is a brand-new play from Governor General’s Award-winning playwright Colleen Murphy and it’s a grotesque “bouffon” re-telling of Shakespeare’s most gruesome tragedy, Titus Andronicus.

Now, if you’re familiar with the original play, it won’t surprise you to learn that this version is also full of murder and other dastardly deeds.

Here’s a brief (tongue-in-cheek) synopsis of the play:

Pretty much sums it up!

About her play, Colleen Murphy says, “In the cack-up of the 21st century, clowns are more suitable to my adaptation of Titus Andronicus because they bring a primal urgency to a story that both begs to be taken seriously and begs not to be taken seriously. A bunch of poverty stricken clowns from the gutters acting out their grief and rage at the world; mocking everyone else at the same time”.

“Bouffon”  is a modern French theatre term that was re-coined in the early 1960s by Jacques Lecoq at his L’École Internationale de Théâtre Jacques Lecoq in Paris to describe a specific style of performance work that has a main focus in the art of mockery.

“The difference between the clown and the bouffon is that while the clown is alone, the bouffon is part of a gang; while we make fun of the clown, the bouffon makes fun of us. At the heart of the bouffon is mockery pushed to the point of parody. The parody isn’t directly offensive with regard to the public; there is no deliberate intention to mock. Bouffons come from elsewhere.”- Jacques LeCoq

We can’t wait to see what Rumble is cooking up. It’s sure to be a provocative and boundary-pushing night at the theatre!

The Society for the Destitute Presents Titus Bouffonius runs from Nov 22 – Dec 3 at the Cultch’s Historic Theatre. Tickets are from $22 and can be found here.

Congratulations to all 2017 Jessie Richardson Theatre Award winners!

Congratulations to all 2017 Jessie Richardson Theatre Award winners!

On Monday night, June 26, the 35th Annual Jessie Richardson Theatre Awards took place at the Commodore Ballroom. To all the nominees and winners, we want to offer our sincerest congratulations. It is so wonderful to be a part of such a vibrant and diverse community of theatre professionals!

It has been noted by several, including The Georgia Straight, that this year The Jessies celebration highlighted growing inclusivity and a truer representation of the diversity of our community. Truly something to celebrate!

Read the complete list of winners here

If we were to create a list to mention all The Cultch friends and family who were honored by the awards, the list would be too long and complex, however we want to offer a special congratulations to some Cultchers who were awarded Jessies:

Jamie King (award in hand!), Brian Cochrane and Heather Redfern at the 35th Annual Jessie Richardson Theatre Awards! Candid shot captured by Bahareh Shigematsu!

  • Jamie King took home the Ray Michal Prize for Most Promising New Director.
  • Rohit Chokhani won the award for Significant Artistic Achievement – Large Theatre  for Outstanding Work in Expanding the Diversification of Vancouver Theatre through Excellence in Festival Programming for his work with Diwali Fest.
  • Leslie Dos Remedios was part of the Presentation House production of Baking Time, which took home the award for Significant Artistic Achievement – Theatre for Young Audiences  for it’s Outstanding Audience Engagement.

In addition, several shows from our 2016/2017 season had nominees in various categories: The Fighting Season, am a, and Elbow Room Cafe: The Musical. We are thrilled to be able to congratulate Kyle Jespersen for winning Outstanding Performance by an Actor in a Lead Role – Small Theatre for his role in The Fighting Season.

Kyle Jespersen in The Fighting Season. Photo by Javier R. Sotres

Oh…and pssst, Quelemia Sparrow won the Sydney Risk Prize for Outstanding Original Script by an Emerging Playwright for her new play O’wet/Lost Lagoon, which is part of our upcoming 2017/2018 season! You don’t want to miss it when it plays in the Historic Theatre (May 8 -12).

Congratulations everyone!

RAVE REVIEWS: Children of God is the show to see this year!

RAVE REVIEWS: Children of God is the show to see this year!

The cast of Children of God | Photo credit: Emily Cooper | Production design by Marshall McMahen and lighting design by Jeff Harrison

If you haven’t yet seen Urban Ink’s Children of God, make sure you book your tickets right away. Reviews are pouring in, and everyone agrees; this is an important work that is not to be missed!

REVIEWS:

“If you see one work of theatre this year, make it this one” – Marsha Lederman, The Globe and Mail

“A beautiful and very powerful moment of triumphant solidarity between the stage and audience…the kind of reconciliation this country desperately needs but hasn’t yet earned”- Jerry Wasserman, The Vancouver Sun

“This is a brave work, and a starting point for important conversations …See it.” – Kathleen Oliver, The Georgia Straight

Not a dry eye in the house, as far as I could see” – Lincoln Kaye, Vancouver Observer

Children of God will stand as a catharsis for some, an introduction for others, yet a point of connection for us all” – Chelsey Stuyt, Vancouver Presents

“Julia and Tommy’s story will break your heart. Then sort of mend it.” – Jo Ledingham

 “Children of God is necessary…Go see it.” – Colin Thomas, colinthomas.ca

“Children of God is a story of redemption…Payette’s play should certainly be seen by anyone, religious or secular, who has an impassioned sense of injustice.” – John Jane, Review Vancouver

Children of God is a powerful work of living history and it should be seen by audiences across Canada.” – Peter Dickinson, Performance, Place, and Politics

“I don’t remember the last time I saw a more incredible, moving, beautiful or powerful theatrical production” – Emme Rogers, Emmerogers.ca

“[Children of God] lifts us beyond despair with a surprise ending that inspires a communal response. If that sounds vague, it’s meant to be. See it for yourself.” – Paul Durras, Vancouver Plays

“If you call yourself a Canadian then you have a duty to see this dark but illuminating work”- Alex Waterhouse-Hayward

“It was a healing, cathartic, and powerful moment that I won’t soon forget.” – Tessa Perkins Deneault, tessaperkins.ca

“It is obvious to me that this show was created and presented in a spirit of fierce compassion and hope, as is evidenced in the writing, the direction, and the provision of emotional support workers and a talkback. As such, this show is a salve. This is the kind of healing that we need and must decidedly work to carry forth.” – Sarah Thompson, Sad Mag


Children of God runs at the York Theatre, May 17-Jun 3. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Announcing the 2017 rEvolver Festival Mainstage!

A man stuck in a London train station. A live game show. A cardboard puppet sci-fi western. A live drag attari video game musical. An embarrassing birthday gift. A Spanish Vampire bar. A bespoke handmade book. The meaning of love.

Upintheair Theatre is thrilled to be back at The Cultch for the fifth annual rEvolver Theatre Festival. rEvolver runs from May 24th – June 4th, presenting new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators. Past rEvolver Festivals have included world premieres of hit shows such as Jordan Hall’s ‘Kayak’, Delinquent Theatre’s ‘Stationary: A Recession-Era Musical” (which featured as part of The Cultch’s 2015/16 season) and Mind of a Snail’s gorgeous shadow puppetry in ‘Caws and Effect’.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. Join us in seeing all that this incredible community of artists has to offer.

Got to revolverfestival.ca for all the information you need!

MAINSTAGE SHOWS:

FREE EVENTS:

  • Habitats Isabelle Kirouac & Nayana Fielkov (Vancouver)
  • Plunge in collaboration with Resounding Scream Theatre (Vancouver)
  • SHINY Kelly McInnes (Vancouver)
  • UPDRAFTS Reading Series featuring new works by emerging playwrights

Excited by what you see? There are a number of different ways you can purchase tickets!

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!
  3. And of course individual tickets are available both through The Cultch’s Box Office and at the door.

BEHIND THE SCENES – Children of God in Rehearsal

BEHIND THE SCENES – Children of God in Rehearsal

The Cultch, in collaboration with Urban Ink Productions, National Arts Centre English Theatre, and Raven Theatre is thrilled to present the world premiere of Corey Payette’s powerful new musical Children of God opening May 19th at the York Theatre!

Pulling musical inspiration from Indigenous traditions as well as Broadway hits, this musical is a timely piece that tells the heartbreaking story of the residential schools through the eyes of one Oji-Cree family. Offering a thrilling blend of ancient traditions and contemporary realities, Children of God celebrates resilience and the power of the Indigenous cultural spirit.

Writer/ Director Corey Payette and Assistant Director Julie McIsaac looking over the script. Photo by Brain Chan

The creative team, along with the cast and a whole host of support personnel, have been hard at work getting ready for next weeks opening night performance. Here are some fabulous shots  by Brian Chan from the early days of rehearsals.

Actress Cathy Elliot, who plays Rita in Children of God, wrote a powerful piece about how working on the workshop of this show impacted her life; “It gets a little difficult sometimes to remember that the word “healing” had more power before it became a made-for-tv catchword, or a politician’s promise or a meme. I have difficulty saying it. Its meaning has been worn down, polished thin through constant use. But it is the only word I can use for what I wish to attempt to describe as a monumental event that has had an effect on my life.”

We love this shot of Kim Harvey (The Cultch’s own Youth Program Manager – we are so proud!) toasting the whole team on the first day of rehearsals! Kim plays Joanna in Children of God.  A huge cheers to Children of God!

Kim Harvey makes a toast to Children of God cast and crew. Photo by Brian Chan

Children of God runs at the Historic Theatre, May 17-Jun 3. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

REVIEWS: Mump and Smoot in Anything (With Knooma)

REVIEWS: Mump and Smoot in Anything (With Knooma)

Photo by Ian Jackson

Mump and Smoot are back! It’s time to brush up on your Ummomian (the gibberish language spoken in Ummo, the parallel universe Mump and Smoot live in), Canada’s favourite ‘clowns of horror’ are back at The Cultch with their latest production, Mump and Smoot in Anything!  We had a great opening April 27th with tonnes of belly laughs – it was just what the doctor ordered!

Photo by Ian Jackson

 

Check out some of the REVIEWS coming in for Mump and Smoot in Anything:

“Comic horror clowns Mump and Smoot offer more FRIGHT DELIGHT” – Jerry Wasserman, The Vancouver Sun

“My cheeks hurt from grinning so much” – Tiva Quinn, iliveineastvan.com

“A cult classic that returns to Vancouver not often enough…Turner and Kennard are BOUNDLESSLY CREATIVE…”- Jo Ledingham, joledingham.ca

“These self-described “clowns of horror” always CHARM me and always push me towards HYSTERIA. Their latest offering, Mump and Smoot in Anything, is no exception.”– Colin Thomas, colinthomas.ca

“In Mump and Smoot in Anything, as in other Mump and Smoot productions, we are temporarily released from the everyday and delivered into a funhouse universe” – Alexander Varty, The Georgia Straight

Photo by Ian Jackson

MUMP AND SMOOT IN ANYTHING runs at the York Theatre, April 27- May 6. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

How to Be: Q&A with Choreographer Tara Cheyenne Friedenberg

How to Be: Q&A with Choreographer Tara Cheyenne Friedenberg

How To Be, a new creation by Vancouver’s iconic dance & theatre creator Tara Cheyenne Friedenberg, opens April 12 at The Cultch Historic Theatre! Produced by Tara Cheyenne Performance, this piece was presented as part of Boca Del Lupo’s Micro Performance Series and at Dancing on the Edge. We are excited about its premiere at The Cultch! We had a chance to ask Tara a few questions and learn more about the inspiration for How To Be:    

 

L to R: (top row) Kimberly Stevenson, Tara Cheyenne, Josh Martin, Bevin Poole, (bottom row) Marcus Youssef, Kate Franklin. Photo by Wendy D

Hi Tara! We’re thrilled that your piece, How To Be, will be premiering at The Historic Theatre April 12-15. The image for the show expresses a dynamic relationship between the performers – what is the relationship between them?  The photos were a riff on bad family portraits. Family often being the first place we learn “how to be” for better or worse. We are playing with the relationship between how we feel about ourselves and how we feel about others. It’s a great quagmire of heartbreak and comedy.

Does this piece contain your signature comedic style? What are some of those comedic elements? Well I think it’s funny! The performers/collaborators are all extremely talented and funny people. They each bring hilarity and vulnerability as we track “how to be.” Comic elements? I think it’s possible to find comedy everywhere; our pain, our loneliness, our egos run amuck. Certainly our endless cultural obsession with defining the correct ways to be is absorbing and funny.

What inspires you about exploring the topic of “how to be”? My own futile desire to find the right way to be. And of course as I’ve explored this I find we are all wrestling with the question, and frustrated with ourselves for not knowing the answers. Of course there are no answers. What does it even mean to “be yourself”?

The show seems to explore a fine line between fragility and persona – can you talk more about this? We are all uniquely ourselves, one in the universe and composites of every personality and experience that has touched us. Asking the question “how should a person be?” opens us up to our own vulnerability, our own fragile tentative fumbling. Where does my persona begin? Where does the “self” end? Can I find the answers in a Facebook questionnaire? What does my answer to number 7 really say about me?

If we fail at how we think we should be, what’s left? I think we fail all the time at this. Our emotions, our bodies, our minds betray our ideas of how/what we should be all the time. But isn’t  that wonderful? Fascinating and infuriating? Failure is possibility.

How to Be runs from April 12-15 in The Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

We are so excited to announce our 2017/2018 Season!

We are so excited to announce our 2017/2018 Season!

We had a blast at our season launch announcement party – thank you to everyone who joined us!

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We are so excited to announce our 2017/2018 season! Check out this fun video announcing the 22 amazing new shows coming to The Cultch in 2017 and 2018!

Subscriptions go on sale today! Browse our Spectacular 17/18 Season Overview. Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house. Order today: TICKETS.THECULTCH.COM

Single tickets go on sale August 8. Call The Cultch’s Box Office at 604-251-1363 or go online at tickets.thecultch.com.

Vertical Influences comes to Britannia Ice Rink April 18-30

Vertical Influences comes to Britannia Ice Rink April 18-30

After a sold-out European tour the award-winning Canadian ice dance group Le Patin Libre makes their debut in Vancouver. From Apr 18-30 they will be performing their unique show Vertical Influences at Britannia Ice Rink (1661 Parker St) – Don’t miss your chance to see them!

Vertical Influences has been getting amazing reviews all across Europe

“It is JOYFUL, uplifting, creative, and inspiring.” The Age

“Liberating, EXHILARATING, breathtaking” – The Stage

“One of those rare shows I could willingly have sat through all over again…A PURE BODY RUSH. Astounding ★★★★★” — The Guardian (UK)

Check out this great video showing the “Making of ‘Vertical Influences’.

Vertical Influences has been described as a form of “contemporary dance on ice”.  Rising stars Le Patin Libre, a fresh and inventive group of former championship skaters, are creating a new kind of ice dancing, far beyond the confines of traditional figure skating. Electronic beats, melodic lyricism, and refreshing dance moves mean maximum fun for the whole family!

Vertical Influences runs from April 18-30, 2017 at Britannia Ice Rink. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

The Daisy Theatre has returned to The Cultch!

The Daisy Theatre has returned to The Cultch!

After three sold out runs, the popular marionette production has returned to The Cultch. The Daisy Theatre celebrated its opening yesterday at The Historic Theatre and will run until April 9.

10 things you should know about The Daisy Theatre:

  1. The name “Daisy Theatre” comes from “Daisie”- puppet shows staged in Czechoslovakia during World War II, which were banned by the Nazi-regime.
  2. Every single show is unscripted and partly improvised. So every performance will be different.
  3. The story is dark and sometimes disturbing, but always ridiculous!
  4. Ronnie Burkett’s company consists of over 40 marionettes.
  5. This puppet show is not for kids!
  6. Ronnie Burkett formed his Theatre of Marionettes in 1986.
  7. The Daisy Theatre is “Ronnie unleashed”- a show which is completely different than his last shows with monologues and songs, but without an established script.
  8. Esme Massengill, Mrs. Edna Rural and the fairy child Schnitzel are some of the audiences favourite characters.
  9. The show celebrated its premiere in 2013 and enthused thousand of visitors since then.
  10. The Province calls it “Some of the funniest, most brilliant theatre you’ll ever be lucky enough to see”.

 

We are so excited about the show, and The Daisy Theatre has also obviously infected others with enthusiasm :

“His characters are the stuff of BRILLIANT sketch comedy…the puppets vibrate with life, even though the audience can see Burkett the entire time.” – Andrea Warner, The Georgia Straight

“This is a UNIQUE and CHEEKY form of live stage entertainment that honours and propels the dissident and mutinous roots from which it hath so richly grown” – Baird Blackstone, Broken Leg Reviews

 

The Daisy Theatre runs from March 21 to April 9 at The Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.  Ask the box office about our “see it twice price.” For ages 19+