Staff Picks #2: 2018/19 Season shows that we don’t want you to miss!

2018/19 Season shows that we don’t want you to miss!

The second blog post in a summer series featuring some of the 2018/19 shows that our staff just cant wait for! Read the first post here!


Lee Newman, Assistant to Head Front of House Manager / Volunteer Coordinator. Still photo from Parlour Panther music video by Grace Gadston at Jaunty Media

Lee Newman, Assistant to Head Front of House Manager/ Volunteer Coordinator, Dakh Daughters, Jan 15- 19, 2019

I am so excited for Dakh Daughters, starting January 15th at The York Theatre, part of the Femme Series. They bring this thrilling and captivating power to their performance that I LOVE. I am fascinated by how modern musicians perform, because these days the performance component is often much more than just people with their instruments. The Dakh Daughters use theatrical elements with their bodies, their voices, their instruments, their costumes, and the lighting, all in a uniquely bold and gritty style to create an unforgettable performance! And this I just got from the youtube clip on The Cultch’s website! I cannot WAIT for the live version.


Natalie Schneck, Development Associate. Photo by Tiana He

Natalie Schneck, Development Associate, This Duet We’ve Already Done (so many times), Nov 27 – Dec 1, 2018

I am excited for This Duet We’ve Already Done (so many times). For me, Frédérick Gravel’s work always feels like a sexy rock show with sophisticated themes woven throughout. I often sense a tension between power/persona and vulnerability. Both Frédérick and Brianna are charismatic performers and I am curious to see the energy that’s created when they work together.

 

 

 


Meghan Robinson, Rentals Sales Manager. Photo by Tiana He

Meghan Robinson, Rentals Sales Manager, NASSIM, May 7 – 19, 2019

I can’t begin to describe how excited I am to have Nassim Soleimanpour at The Cultch. His production “White Rabbit, Red Rabbit” was one of the most powerful pieces of theatre I have ever seen. It established my passion and adoration for the theatre. I have faith that “Nassim” will have a similar affect. I have no doubt that it will both connect audiences, and blow them away, from the moment the script is taken out of its envelope.

 

 


Leslie Dos Remedios, Sales Associate. Photo by Tiana He

Leslie Dos Remedios, Sales Associate, The Ones We Leave Behind, Oct 24- Nov 3, 2018

I’m excited to see The Ones We Leave Behind. It’s been so rewarding seeing VACT, Loretta and the entire creative team develop this show for over a year. It’s also great to have an ensemble show from VACT on The Cultch stage – we get to be a place where underrepresented voices have a platform to tell our stories.

 

 

 


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

DONOR SPOTLIGHT: Jim Miller

DONOR SPOTLIGHT: Jim Miller

Jim Miller loves The Cultch!

Jim, you have been a subscriber to The Cultch for many years. Can you tell us what first attracted you?
I don’t know if my memory goes back 30 years! But I’d guess it must have been a totally unique, singular presentation of some sort…like theatre-for-one, or something set inside a neighbourhood home.
Perhaps a performance without words or presented in total darkness. I think the Cultch should use as their slogan: “Why Be Normal?”.

What do you think is distinctive about The Cultch and our programming?
Well, carrying on with that thought, Cultch programming always piques my interest and curiosity, as in: “What the heck is going on here?…this is crazy!” There are a bunch of places I can go to be “entertained”, but I also want to be challenged. Or perhaps be exposed to a new form of artistic expression I had never previously experienced. Like the “Bouffon Comedy” on display with The Society for the Destitute Presents Titus Bouffonius last November. I didn’t know much about it going in, but after the show I was all over Google to learn more about Bouffon! Simply put, the Cultch programs performances that just aren’t found anywhere else in town!

What has surprised you most about The Cultch?
Surprised me? That goes back 20 years or more. Nothing at The Cultch surprises me anymore; indeed, I’ve grown to expect it.

Last Season’s The After After Party, Hot Brown Honey, Goblin Market and Bears…that’s what I EXPECT from the Cultch. Next year it’ll be Backbone, Mrs. Krishnan’s Party, and Dakh Daughters that will be invading your stage from some other planet. If the Cultch were to present a gay, all-nude staging of Romeo & Juliette I don’t think I would be surprised…I’d be intrigued, and would want to check it out!
Let me revise my suggested slogan…make it: “Expect The Unexpected!”

Can you tell us what you wish other people knew about The Cultch?
First, what a terrific value it is. With subscription seats for less than 20 bucks, you are paying about the same as what it would cost to see Spiderman 8 or the pre-prequel of Star Wars. And second…it is an opportunity to learn, not just be entertained. That’s why I tend to always go on the Talkback nights. These artists’ brains are wired completely differently than me, and I want to find out about their vision, what they are trying to achieve, and perhaps about the unorthodox route they took getting there.
Sometimes I’ve had mixed feeling about a show I just witnessed, but when I stay for the Talkback and get to hear from the director and cast what they were trying to achieve, or perhaps the rich tradition that the particular performance style drew upon, it casts a whole new light on the show and gives me deeper appreciation for it.

What would you tell someone is thinking about subscribing and/or donating to The Cultch but hasn’t made the move yet?
Take A Chance! That’s how you discover a new live musical genre or perhaps a great new restaurant or cuisine. When you discover something that is right up your alley but you never knew existed it is like an Epiphany.

Not every show at the Cultch will resonate with you, but Wow, once you’ve discovered the East Van Panto or Ronnie Burkett’s puppetry there is no turning back; you’re hooked and end up going every year out of tradition! You don’t even have to think about it!

The same holds true for plays put on by United Players, E.T.C., PuSh and Studio 58, plus performances by Winter Harp, our Chamber Music Societies, ScotiaBank Dance Theatre, Cinema Salon, etc…they might be a step outside of a person’s comfort zone but often a very affordable step in an entirely new direction. Slogan?: “Broaden Your Perspective”…hmm, probably already taken!

What inspires your love of the performing arts?

Well, everybody has their “Escape”. It might be reading books, or cycling 20 km’s, or taking pottery classes… and they are all good. But for me, I’m passionate about all forms of the performing Arts…theatre, dance, music… from Jazz to Chamber to Symphonic. The Cultch played a big part in cultivating that interest, starting more than 3 decades ago, and I am blessed to be in a city with so much tremendous talent to sustain my passion…far more talent than you would normally expect from a city of this size.

But it can’t be taken for granted…our artists have mortgages, household budgets and pay a buck-fifty per litre of gas, just like everyone else, but they usually don’t enjoy an income commensurate with their training and ability. I see as much as I do, and as much as I can, 150 performances or more per year, in part to support the artists and to help ensure an ongoing vibrant arts scene here in Vancouver. That’s also why I donate to the Cultch. It gives them the ability to provide an ever increasing number of shows (count ’em, 23 next season!), and sustain our artists rather than having them give-up on their passion and go back to some boring day job!

Keep up the good work Cultch!


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

2018/19 Season staff picks!

2018/19 Season staff picks!

As you can imagine, all of the staff here at The Cultch are getting very excited to share the 2018/19 Season with you! We asked a few of our staff members what show they just cannot wait for, and here are the first few staff picks:


Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator, SmallWaR, Nov 6-16, 2018

Elysse Cheadle, Head Front of House Manager and Volunteer Coordinator.

SmallWaR entices me because it is the follow-up to one of my favorite shows we have had here at The Cultch: BigMouth. Valentijn Dhaenens is an extremely powerful performer, who displayed a totally magnetic kind of controlled weight and erratic; as if he was at any moment going to burst in any direction. In addition to Valentijn’s performance, it was the beautiful execution of a simple concept that drew me to BigMouth (one man performs a series of famous speeches made by over 25 000 years of human history). Similarly, SmallWaR is focusing its attention in on one moment: a dying soldier reflecting on the impact of the cyclical trauma of war on his life and the history of humanity. In BigMouth, Valentijn made use of 5 microphones in a wildly creative and impactful manner. I can’t wait to see how the same experimentation is applied to the use of five projectors in SmallWaR.


Paul Phalen, Business Development & Hospitality Manager. Photo by Tiana He

Paul Phalen, Business Development & Hospitality Manager, Testosterone, Oct 2- 13, 2018

I am so excited to see Testoserone, and to open the discussion about masculinity. How masculine do you have to be, to be a “man”? This amazing production explores a character’s journey into the unknown spectrum that is masculinity, having just transitioned from female to male. “Do you think you’re man enough?”


Kelly Barker, Artistic Associate, Power Ballad, Jan 22-26, 2019

I’m really excited about Power Ballad which is going to be part of our Femme Series in January. This one-woman show, from New Zealand, is a feminist, performance-art, karaoke party – what could be better?! The imagery I’ve seen is striking and the reviews are great. I think it’s going to be an awesome night which will have you singing along while deconstructing the patriarchy and examining the way we use language. A unique show not to be missed!


Single tickets go on sale July 16, but you can purchase a subscription today to save! Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

Announcing the 2018 rEvolver Festival Mainstage!

Announcing the 2018 rEvolver Festival Mainstage!

Two actors perform Shakespeare’s Macbeth without words. A local artist steps into the radical headspace of a suicide bomber. A real-life scientist takes you through the history of women being f&*$ed over for centuries. Two people find love.

Upintheair Theatre is thrilled to be back at The Cultch for the 6th annual rEvolver Theatre Festival. rEvolver runs from May 23th – June 3rd, presenting new work by Vancouver and Canada’s most exciting up and coming performers and theatre creators. Past rEvolver Festivals have included world premieres of hit shows such as Jordan Hall’s ‘Kayak’, Delinquent Theatre’s ‘Stationary: A Recession-Era Musical” (which featured as part of The Cultch’s 2015/16 season) and Mind of a Snail’s gorgeous shadow puppetry in ‘Caws and Effect’.

This year’s programming represents the rich diversity of voices, aesthetics, and styles among Vancouver and Canadian emerging professional theatre makers. The programmed artists are tackling big issues – inequality, climate change, sexual abuse and consent, violence, the impacts of colonialism. They are doing so in unexpected ways, using wit and humour, intelligence, music and the power of bodies in motion to look for ways to move out and forward, and to bring light into the darkness. Join us in seeing all that this incredible community of artists has to offer.

Got to revolverfestival.ca for all the information you need!

Mily Mumford in Distractingly Sexy. Photo by Cal Wood

MAINSTAGE SHOWS:

FREE EVENTS:   

  • The Somewhere Cedar (Micro Performance by Jess Amy Shead, Vancouver)
  • Asking Alice (Micro Performance; Little Mountain Lion Productions, Vancouver)
  • Plunge in collaboration with Resounding Scream Theatre (Vancouver)
  • Updrafts Reading Series featuring new works by emerging playwrights
  • The Speakeasy (Friday’s: late night cocktail hour in the Greenhouse)

Excited by what you see? There are a number of different ways you can purchase tickets!

Carmine Santavenere in Fuchsia Future. Photo by Elliot Vaughan

  1. With the 6-show flex pass, the passholder can see up to six individual shows, take five friends to one show, or any combination in between!
  2. If you can’t see 6 shows, you can still save by purchasing a 3-show pass instead!

And of course, individual tickets are available both through The Cultch’s Box Office and at the door.

Donor Spotlight: Lynda Stokes

Donor Spotlight: Lynda Stokes

Lynda, can you tell us about how you first got involved with The Cultch?

I first got involved with The Vancouver East Cultural Centre as an audience member. The first show I recall was the Holy Body Tattoo’s Circa in 2000, shortly after I moved to Vancouver. It was a remarkable, tango-influenced duet between Dina Gingras and Noam Gagnon with film and a live band, the Tiger Lilies. I became a regular season subscriber and then a donor and a few years ago I was asked if I would be interested in joining the Board.

What has surprised you most about volunteering with The Cultch? 

As an audience member who is also on the Board and therefore privy to the financials, it is amazing how subsidized tickets are! We think of artists and venues benefitting from government grants and sponsorships, but really it is the audience who benefits. Accessibility is a priority for The Cultch and staff work hard to keep ticket prices low and pay it forward by making tickets available for free through the Cultch Connects Program. Regular monthly donations really help with cash flow, I recently learned (although this should not have surprised me). 

Your legal practice spans several years – can you tell us how this skill set intersects with your involvement at The Cultch?

My practice consists predominantly of solicitor and advisory work on behalf of local governments. Basically, I practice municipal law and I do not go to court. There was a vetting process when I looked into joining the Board and for whatever reason I was feeling pretty flat and lacklustre when I was interviewed but I sold myself by expressing an interest in being the Board Secretary and preparing  meeting minutes. I read, write and think for a living and while I really enjoy my work, I also recognize that most people would find a lot of what I do very tedious. I do not act as a lawyer for The Cultch, but because of my legal skills and experience, I understand Board governance and I am happy to help with important but boring bits like minutes, bylaws and contract negotiations.

Can you tell us what you wish other people knew about The Cultch?

I suspect that many people know more about The Cultch than I do! It has such a long history as an important performing arts institution in Vancouver, and I know that Cultch staff engage, and are connected with many, many people locally, nationally and internationally. If I have to wish, though, I wish more people knew that it is worth the risk. Get a subscription. Invite your friends. The upcoming season looks fantastic, and it’s easy to book a whole year’s worth of entertainment and take care of birthday and other presents. You will be grateful you did when rainy winter inertia takes hold. And you can always change the dates of your tickets if something comes up. 

Is there a Cultch show that has really inspired/stayed with you? 

I just saw The Explanation and really enjoyed it. It reminded me of some of the shows that influenced me in when I was in high school – like Michel Tremblay’s Hosanna and Caryl Churchill’s Top Girls (shout out to the Grand Theatre in London, Ontario, particularly its experimental Under Grand series). The Explanation is a really lovely, empathetic exploration of a relationship and a reconciliation of self.

I am partial to dance and I really loved Company 605’s The Sensationalists from 2015 (full disclosure – I recently joined the 605 Board) and Frédérick Gravel’s All Hell is Breaking Loose, Honey from 2016. Wow those were great shows.

What are you curious about right now?

I am curious about engaging with others in The Cultch, so I am trying to start up a Cultch Club. I see it as a kind of book club alternative for theatre and theatre adjacent nerds by theatre and theatre adjacent nerds, without a lot of rules or terrible attitudes. I am curious about how can we use The Cultch to connect with other people. The potential of theatre many of us recognized at a young age: “Wherever you are from, welcome home.”

  • If you are interested in joining The Cultch Club please email Georgia Beaty, Patron Development Associate (georgia@theculch.com ) and she will put you in touch with Lynda Stokes

As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

A Q&A with Titus de Voogdt from The History of the World (Based on Banalities)

We are so excited to have the Belgian company Kopergietery here with their hit show The History of the World (Based on Banalities). It plays at the York theatre until May 5.

In The History of the World (Based on Banalities), a youngster, Philip, decides to look after his mother in the last months of her life. Starting from run-of-the-mill situations and objects, he embarks on a quirky voyage through her past.

Titus De Voogdt, the performer in The History of the World (Based on Banalities), is a beloved Belgian actor who works for theatre, film and television. He has worked/s with renowned directors as Arne Sierens (theater writer and director) and Felix Van Groeningen (movie director). He also starred as Vincent Bourg in the BBC-series The Missing (2014).

Titus De Voogdt in The History of the World (Based on Banalities). Photo by Phile Desprez

We are so excited to have you here in Vancouver. What makes you most excited about bringing this show to Vancouver?

I have never been here before. Vancouver always had an attraction on me, and I am very happy to finally be here. Besides, I love hiking and fishing so I hope I will get some opportunities in my free time to do so.

You are one of the co-writers of the show — what was the inspiration?

I’ve always been interested in inventions, how things work and stuff is made throughout history. That has been a key inspiration for writing this show.

While I was working on the script, Peter Higgs won a Nobel price for his work on the Higgs-Boson particle. It caught my attention and I started reading up on it. In this way it became a mayor topic in the show…

Your character, Philip, is interested in illusions and fantasy — do you share these interests with him?

I do, although I’m lousy at it, I like to do a coin trick from time to time..

What makes doing this show fun for you?

That it’s quite physical, it feels like a workout to me.

What makes doing this show meaningful for you? 

I hope people who see the show learn a thing or two about science they didn’t knew before. With a bit of luck it even moves them in the process.

Geoffrey Burton and Titus de Voogdt. Photo by Phile Desprez

The History of the World (Based on Banalities) features a musician (Geoffrey Burton- from Hong Kong Dong) who joins you on stage for the show — what is it like doing a show with live rock music?

It’s great, although he claims he is NOT a rock musician. It’s really a dialogue…the music brings the script to a higher level.

You do a lot of film and television work as well as theatre work — what are you working on these days?

Just finished a 12-episode series about a hostage situation in a bank it is called ‘de dag’ meaning ‘the Day.’  In Belgian TV an movies I usually play the bad guy. Don’t ask me why….

The History of the World (Based on Banalities) runs at the York Theatre April 25-May 5, 2018. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.

Sponsor Spotlight: Patti Flaherty with brainstreams.ca

Sponsor Spotlight: A chat with The Cultch & Patti Flaherty from brainstreams.ca

Patti Flaherty from brainstreams.ca

Can you tell us how brainstreams.ca first got involved with The Cultch?

The good folks from the Cultch approached brainstreams.ca to explore with us our interest in being associated with the production of Reassembled, Slightly Askew.  The relevance to our group and what this production represented was so aligned that it only made sense to try and figure out how we could support the production.  Getting the story of Shannon out into our network and community was very important to all of us.

Patti, how unique was it for brainstreams.ca to sponsor the international and experiential show, Reassembled, Slightly Askew? What were the benefits to your professional community?

Brainstreams.ca and BC Brain Injury Association has never financially sponsored anything.  In fact, brainstreams.ca is normally reaching out to our friends and organizations to find financial support to do the good work we do. So, it was highly unique for us to sponsor the show. Being associated with this show was right up our alley and we were so proud to be a part of it. The benefits to our community are still somewhat unclear. However, it is clear that we have done something that has strengthened our efforts to offer education and awareness opportunities to the community. We produced a short video that lives on our site to celebrate this partnership. To see this video please go to: http://www.brainstreams.ca/videos/video-type/bcbia-presents-reassembled-slightly-askew/.

I have worked in the health care and brain injury rehab field for a very long time and have been deeply involved in many educational and learning opportunities; Reassembled, Slightly Askew is by far the most powerful and effective learning tool I have ever experienced.  I wish that everyone who works in the field or loves someone who has a brain injury could experience it.  Somehow, we need to find more ways to share this unique and brilliant performance.

Did you feel like there was a certain amount of risk involved in taking on this show?

Yes, there was some real risk in taking on this show. This partnership was very different from every other partnership that we have purposefully engaged in. The risk was in the unknown and in the use of our precious financial resources. That said, the board of directors unanimously agreed that this partnership made very good sense and was willing to take the risk. We are so pleased we choose to be involved with the Cultch and the show……no regrets!!

Can you tell us more about the work you do with brainstreams.ca?

Brainstreams.ca is the official website for the BC Brain Injury Association. Essentially the work of the BCBIA has become what brainstreams.ca offers to the people in BC who work with and live with the effects of brain injury. This site is a place where people’s stories are shared as a method of healing. It also offers an online library of brain injury related services and resources that are available in our province to our brain injury community. The bottom-line is that we are here to help strengthen the network of services and supports for people living with brain injury by offering decision makers strategic insights from our learnings and to help people navigate the system of services throughout British Columbia.

What are you curious about right now?

I’m curious to see how our partnership evolves. We would love to continue to be involved and develop our connection with the Cultch. We are planning on hosting our AGM in June at the Cultch and we are looking forward to finding other creative ways to build on this great experience.


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001

Announcing our 45th Anniversary Season!

Announcing our 45th Anniversary Season!

We had a blast announcing our 45th anniversary season on April 10! Thank you to everyone who came out and celebrated with us; it was such a wonderful evening! We are so excited for all of the wonderful shows coming up in 18/19 and we cannot wait to share them with you.

Check out the video announcement — it’s so fun!

Subscriptions for the 18/19 season are on sale NOW!

Save 20% with our Choose 5 subscription package or 25% with our Choose 8 subscription package! This season, the more you see, the more save. You’ll enjoy an exciting roster of artists and programs, from the best seats in the house.

Single tickets go on sale July 16. Call The Cultch’s Box Office at 604-251-1363 or go online at tickets.thecultch.com.

Video trailer by Artaban — Check them out, they do great work!

A Q&A with Kevin McKendrick and Lindsey Angell about BUTCHER

A Q&A with Kevin McKendrick and Lindsey Angell about BUTCHER

Butcher, an edge-of-your-seat thriller from award-winning Canadian playwright, Nicolas Billon, opens March 21 at the Historic Theatre, and runs until March 31.

Early Christmas morning, on the doorsteps of a Toronto police station, Inspector Lamb discovers an unlikely bundle; a drugged and abandoned old man, who doesn’t speak any English, dressed in a strange military uniform. Atop his head a Santa hat, and around his neck a business card impaled on a butchers hook with the words, “Arrest me,” scrawled on it. Inspector Lamb begins an investigation into the identity of the stranger that will forever tie together the lives of four people: a lawyer, a translator, the stranger and the inspector.

 

We connected with Director, Kevin Mckendrick, and performer, Lindsey Angell, to ask them a few questions about bringing the hit show to The Cultch stage.

What excites you most about bringing Butcher to The Cultch stage?

Lindsey — Butcher has managed to get under my skin and I think it will truly draw our audiences in as well. It is deceptive and sneaky and even oddly charming at times, but be careful, you might get *hooked*…hehehe.

The Cultch has partnered with Amnesty International as a Community Partner for Butcher. Our Community Partners offer us the opportunity to spread the word about important issues at the same time as helping us spread the word about our shows. Knowing what you do about Amnesty International, do you feel that it is a good fit? Why?

Kevin — I think it’s an excellent partnership because Amnesty International wrestles with the issues in Butcher every single day. In her forward to the play Louise Arbour, a former Supreme Court of Canada justice, and former Chief Prosecutor of the International Criminal Tribunals for the former Yugoslavia and Rwanda said, “When can victims find peace when justice is elusive?” and  “Can offenders find closure if punishment is not extended to them?” Are these not huge questions for our time? Real peace and closure, it is often said, can only come from forgiveness. It falls to organizations like A.I to help us find our way through these tangled questions.

Why do you think Butcher has hit such a chord across Canada since its debut?

Lindsey — Butcher is brave. It does not choose sides or lead its audience in any way. That kind of experience in live theatre is rare and exhilarating.

In an ideal world, what would you like audiences to take away with them after seeing Butcher?

Kevin — One of my mentors, the playwright  John Murrell, impressed upon me the idea that theatre must be provocative, yet entertaining. It’s a maxim I try to apply to every play I work on. I want audiences leaving Butcher at The Cultch to feel we exceeded their expectations. I want them to be  thrilled and moved by the experience. To be glad they left the comfort of their home to take in a play. And I want them to leave the theatre arguing about the themes of justice and revenge. The best theatre serves to help us strengthen our society by spurring us to make changes.

You have put together an all-star cast of performers and creators for this production. Lindsey, what do you think Butcher offers actors that other plays may not?

Lindsey — Butcher is unlike any show I have done before. I have spoken in dialects and even other languages but never have I been given the gift of learning an invented language (playwright, Nicolas Billon, had two linquistics professors from the University of Toronto invent the language of ‘Lavinian’ specifically for this play). This story is incredibly mysterious and the characters are fighting fiercely for what they need, creating a tension I have yet to experience on stage. That’s about all I can say without spilling any spoilers.

Butcher has some very serious themes — justice, revenge, forgiveness — Have there been many discussions during rehearsals? Do you think it will stir up debate with audiences?

Lindsey — Of course! We have turned this play over and over, hashing out the ideas and the arc of the story. It is our hope that the audience will discuss the piece passionately afterwards, not only the themes but their own personal response to the ride.

Is there anything else about putting on Butcher that you would like to say a few words about?

Kevin — I have been so fortunate to have this opportunity. To work on this fine Canadian play with this outstanding team of collaborators. And it is very gratifying to us to have The Cultch recognize the importance of Nicolas Billon’s play and afford us the opportunity to share it with Vancouver audiences.

Thank you Kevin and Lindsey!

To read more about Butcher check out this great article from the Vancouver Sun, a Q&A with Peter Anderson.


Butcher runs March 20-31 at the Historic Theatre. Book tickets online or by phone by calling The Cultch Box Office at 604.251.1363.


Written by: Nicolas Billon

Starring: Peter Anderson, Lindsey Angell, Noel Johansen, and Daryl Shuttleworth

Director: Kevin McKendrick

Artistic Associate: Christy Webb, Set Designer: David Roberts, Costume Designer: Jenifer Darbellay, Assistant Costume Designer: Alaia Hamer, Lighting Designer: Michael Hewitt, Original Music and Sound Design: Keith Thomas, Stage Manager: Joanne P.B. Smith, Makeup Consultant: Miss Nikki Ying, Student Apprentice: Leah Read

Official Website: www.butcherplay.com 

DONOR SPOTLIGHT: Jodi Sprackman with the Rosedale on Robson

DONOR SPOTLIGHT: Jodi Sprackman with the Rosedale on Robson

Can you tell us how the Rosedale on Robson first got involved with The Cultch?

Our long-standing partnership with The Cultch began in 2001 when we were approached to discuss accommodating your artists during the theatre season. This is our 17th year as a hotel sponsor, and we still love welcoming The Cultch’s artists to the Rosedale!

What has surprised you and your colleagues most about partnering with The Cultch?

The great relationships we’ve forged with many of the people who work at The Cultch.

Over the years there have been several artists who have made the Rosedale on Robson their home while touring shows to The Cultch.  Are there any highlights or memorable moments from meeting the artists?

Meeting Miriam Margolyes when she stayed with us in 2012 while performing in a one-woman show entitled Dickens Women. She is an award-winning actress and a long-time veteran of film, television and theatre. She was funny, outspoken and gracious (we chatted a few times during her stay), and made such an impression on us that we even changed our pool hours to accommodate her schedule (and we haven’t changed them back since!).

Jodi, can you tell us a bit more about what you do in your role as the Director of Community Relations?

I am responsible for all things community-related, with a primary focus on sponsorship agreements with various performing arts organizations. Accommodations are a big part of their budgetary requirements, and because we have the means to help out in this area, we do.

Because we’re an all-suite hotel that also happens to be located in the heart of the entertainment district, artists really enjoy staying with us. It’s an easy walk to a variety of theatres (and not too far a drive from The Cultch), and they love the convenience of having their own kitchen, especially after getting “home” after a late performance.  Working with theatre companies and festivals is a natural partnership that has flourished over the years.

How important do you think it is that the arts organizations continue to cultivate and sustain partnerships with corporate sponsors?

I think it’s crucial to create and foster these partnerships. The very nature of sponsorships focuses on building relationships where different organizations can help support one another. The reason we primarily focus on these organizations is because the arts are notoriously underfunded and are always in need of assistance from the community. The arts tend to be overlooked, and cultural events are often forced to be put on the back burner, having to be either scaled back or cancelled.

We believe that the arts are an integral part of our community as a whole, and partnering with various organizations helps foster the commitment the Rosedale has to the overall support and promotion of the arts in Vancouver. We’re committed to playing a part in helping to enrich our cultural community.

What are you curious about right now?

People. My kids say I’m nosy, but I’m really just interested (and maybe just a little bit nosy). Everyone has a story. I like learning about people and their lives.


As a registered Canadian charity, The Cultch relies on the support of the community to operate as a cultural hub; bringing diverse and engaging live performance to the stage.
Please consider making a donation today! Contact Natalie Schneck, Development Associate: natalie@thecultch.com; 604.251.1766 x.121
Charitable registration # 11928 1574 RR0001